Don McLean received an unexpected surprise from Taylor Swift in the mail this week, after the younger singer-songwriter broke his decades-long record on the Billboard Hot 100.

On Wednesday (Dec. 1), the “American Pie” singer shared a photo of Swift’s gift of flowers and a sweet note. “What a classy artist!” McLean tweeted, sharing Swift’s handwritten inscription that reads, “Don, I will never forget that I’m standing on the shoulders of giants. Your music has been so important to me. Sending love one writer of LONG SONGS to another. Your fan, Taylor.”

The gracious gesture comes on the heels of “All Too Well (Taylor’s Version)” — including Swift’s long-rumored 10-minute take on the Red fan favorite — unseating “American Pie” as the longest No. 1 Hot 100 hit in Billboard history. (At 10 minutes and 13 seconds, “All Too Well” outpaces the former titleholder’s run time of 8:36 by just under two minutes.)

“There is something to be said for a great song that has staying power,” McLean told Billboard after Swift bested his record. “‘American Pie’ remained on top for 50 years and now Taylor Swift has unseated such a historic piece of artistry. Let’s face it, nobody ever wants to lose that #1 spot, but if I had to lose it to somebody, I sure am glad it was another great singer/songwriter such as Taylor.”

After debuting at No. 1, “All Too Well (Taylor’s Version)” dropped to the No. 4 spot this week, with Adele’s “Easy on Me” reigns atop the chart for a fifth non-consecutive week.

Check out McLean’s tweet to Swift below.

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Japanese movie star and singer Masaki Suda shared the new music video accompanying his latest single called “Last Scene.” The CD for the track written by Huwie Ishizaki, Suda’s collaborator on such hits as “Sayonara Elegy” and “Niji,” was released on Wednesday (Nov. 24).

“Last Scene” is the theme song for the ongoing TBS drama series Japan Sinks: People of Hope, based on the classic 1973 disaster novel by Japanese author Sakyo Komatsu. The track is about finding hope in the midst of an unseen crisis and continuing to believe without giving up.

The video was directed by Kyotaro Hayashi, the visual artist responsible for distinctive music videos by numerous J-pop acts including Suda’s “Machigaisagashi,” Gen Hoshino’s “Fushigi,” and Mr.Children’s “here comes my love.”

The single-toned visuals for “Last Scene” captures Suda performing the track outdoors in what the artist and director both admit were terrible weather conditions, depicting the theme of the song in a pensive deep blue color.

“The song ‘Last Scene’ is about hope and the ideal leader,” shares Suda. “The video is like a photograph, like a painting, like the future, like the past, dreamy, raw, and mysterious.”

Hayashi says that he was inspired by old-fashioned blueprints for the clip. “Masaki said he wanted it to be a beautiful blue fantasy,” the director recalls. “The blueprint is one of the oldest forms of copying and has been used in a variety of situations. I thought that the beautiful texture of the indigo color and the duplicated Masaki Suda looking at us and facing forward would be enough to convey the fantasy he described and the emotion behind the lyrics.”

To date, Pinkfong’s viral hit “Baby Shark” has spawned an animated TV series, a children’s book and even a Kellogg’s breakfast cereal. Now, the brand is expanding into the NFT space with a new collection on the digital art platform MakersPlace.

Slated to debut Thursday at 3:30 p.m. PST, the first-ever Baby Shark NFT collection is a collaboration between Pinkfong’s parent company SmartStudy and Pinkfong’s global music partner Sony Music Entertainment/Relentless Records.

The six-piece collection, now available to preview on MakersPlace, includes one unique (1/1) piece and five limited edition pieces that feature Baby Shark and his family in original, loop-able animations inspired by holographic collectors’ playing cards. Each piece is accompanied by audio referencing the “Baby Shark” song.

The unique piece, titled “Baby Shark No. 1,” is a one-minute long digital NFT that shows Baby Shark journeying “through a newly reimagined dream-like underwater world, seen through a lens that portrays Baby Shark in a captivating new light,” according to a press release. The music that plays over the visual is described as “a classically composed, bespoke, electronic movement built around” the original song. The winner of the piece will receive a custom vinyl, created by Pinkfong to accompany the NFT, that will feature music from the digital piece along with accompanying artwork.

In August, Sony Music joined the $30 million Series A funding round for MakersPlace alongside Eminem, former Def Jam CEO Paul Rosenberg and DJ 3LAU. The following month, Sony Music announced a strategic partnership with MakersPlace that saw Sony artist Shakira offering audio-visual NFTs on the platform.

Since debuting on YouTube in June 2016, “Baby Shark” has received a Diamond certification from the RIAA based on sales of more than 11 million copies; the song also reached a peak of No. 32 on Billboard’s Hot 100. It’s currently the most-watched YouTube video of all time with over 9.7 billion views to date.

“This marks the beginning of our venture into the world of NFT, an important next chapter of Baby Shark’s journey,” said Pinkfong USA CEO Bin Jeong in a statement. “As a sensation born on the internet, it is a natural progression for Baby Shark to embrace NFTs and we are thrilled to share the experience with the community.”

MakersPlace co-founder and CEO Dannie Chu added, “Over the last year we have seen strong demand from our community for music-inspired NFTs. We want to expand our offerings in this space by providing the platform, tools and curatorial support to help bring great audio-visual works to life on the blockchain. We are thrilled to partner with Pinkfong to bring the world of Baby Shark to the digital arts space.”

Billie Eilish was almost certainly feeling deja vu as she sat for her yearly video interview with Vanity Fair on Oct. 18. While the questions remain the same in the video, which was released Tuesday (Nov. 30), the superstar’s answers (and hair color!) showed her growth over the last half-decade.

The annual tradition started when the teenage pop sensation was just a 15-year-old newcomer, back in the simpler days when she only had a mere 257,000 Instagram followers. (Four years later, she now boasts upward of 94.1 million — including Kylie Jenner, the third most-followed person on the platform.)

Reflecting on her pandemic-era answers from 2020, Eilish couldn’t help but laugh at herself. “Gosh, that girl was going through an identity crisis. Oh my gosh!” she said. “You can see it in my eyes. I mean, really. The low bun? Please. What’s going on?”

Looking back at how her confidence had grown from 2017 to 2019, the singer claimed that “nothing will ever top that 2019 ego.” But, she was quick to explain, there’s a reason. “I was feelin’ myself, that is for sure,” she said. “It’s because I had been so miserable for so long, that I finally wasn’t and I just never shut up about it. But I’ve been…I’ve been good. I mean, I’m starting to have, like, an adulthood. Which is new for me and very exciting, and I have had new experiences and new people and lots of love.”

Eilish also said this year that her perspective on meeting the world’s expectations have changed as she’s entered into adulthood. “I feel a lot of pressure, but I would also say, like, back then…I was pretty overall  loved, I would say. To be honest. So I was, like, scared ’cause I really wanted to keep that love. And now, like, tons of people hate me,” she said with a laugh. “So I’m not worried anymore. I’m like, ‘Oh, OK well, if you like me, you like me; if you don’t, you don’t. So…”

For more, including Eilish’s biggest regret, advice she would give herself for the next year and more, watch the full interview below.

Now that Thanksgiving has come and gone, it’s  officially time to listen to — and debate about — Christmas music.

In the past week, Billboard has published two major lists of festive music: The Greatest of All Time Holiday 100 Songs chart, based on the first 10 years of our Holiday 100 tally, plus the 100 Best Christmas Songs of All Time: Staff List, based on a staffwide vote from Billboard editors. On the new Billboard Pop Shop Podcast, Katie & Keith are taking a closer look at these two lists — specifically, we’re comparing the top 10s of each list.

Listen below, and you might be surprised by what the top tiers of each list has in common — or what they don’t.

Also on the show, we’ve got chart news on how Adele’s 30 debuts atop the Billboard 200 albums chart with the biggest week of the year for any album — and has immediately become the biggest-selling album of 2021 — plus how the British singer/songwriter doubles up in the top five on the Billboard Hot 100, as “Easy on Me” returns to No. 1 and album cut “Oh My God” debuts in the top five. Plus, it’s starting to get Christmasy on the charts, as a flurry of holiday favorites re-enter — or climb — the Hot 100. Could Mariah Carey’s evergreen classic “All I Want for Christmas Is You” return to No. 1 again this year?

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard’s executive digital director, West Coast, Katie Atkinson and senior director of Billboard charts Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

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