With two nights at Allegiant Stadium in tandem with viewing parties at MGM’s Grand Garden Arena, merch-adorned hotel rooms, a Korean food cafe and exclusive pop-ups, the BTS ARMY turned out for “BTS Permission to Dance The City,” blanketing the Strip with dance party vibes, light “bombs,” TinyTan and buckets of tears (of joy).

While BTS performed “Permission to Dance” multidate concerts in both Seoul and Los Angeles, their fans knew that Las Vegas would be different. Lit up like “Dynamite,” Las Vegas showed up for the BTS ARMY with a never-before-seen takeover of events leading into the weekend’s live performances on April 8 and 9, which captivated all on their own with a symphony of lights, harmonious lyrics and fervent dance. If you haven’t seen BTS live, it is an unforgettable, unrivaled experience that has new recruits enlisting with every song.

“Tonight is a very special night,” said BTS member RM, addressing the crowd during the April 9 night encore. “Of course, we have a BTS concert with 50,000 ARMYs … I had my first American trip when I was 15. It was 2009 and the last stop was Las Vegas. But what caught my mind was the neon, the lights and the people’s faces, they all looked happy. So I was like, when I grow up, and if I earn some money, I’ll definitely come back and enjoy Las Vegas.”

He continued, “It feels really strange, because at 15 I was thinking about giving up the music and going back to studying again. I never thought that I would come back and [have] these amazing stays with all of my lovely friends. Thank you for my coming back to Las Vegas — making this, tonight, very special. And I want to tell the little RM from 15 years old, your life and your next Las Vegas will be amazing.”

The teenage dream did indeed come to fruition as BTS “Permission to Dance” gave the crowd just that — nonstop license to feel the music for two and a half hours. While much of the flow and content didn’t appear to vary from the previous versions of “Permission to Dance,” the experience remained transformative and fresh for the audience, which poured in from destinations all around the world. Starting promptly at 7:30 p.m., the videos for the hits “Dynamite” and “Butter” played as a sea of ARMY bombs, or light sticks, turned purple in chorus. They were followed by a video vignette known as “VCR,” showing BTS as prisoners in an interrogation room, escaping their shackles and becoming free — permission to dance granted? Presumably, so.

BTS first appeared onstage for a high-energy Act One with songs such as “On,” “Fire,” “Dope” and “DNA,” sporting red and white tracksuits. Alongside dozens of dancers in white, light sticks turned to red across the stadium for “Fire.”

During a “VCR 2” video vignette, the seven-member group play pool, dance and hang out, prior to their emergence for the next act, where the show turns dramatic in tone. Act Two feels as if it is the real start to the “Permission to Dance” manifesto, the crowd of swooning, screaming, adulating fans growing moreso with every chord.

The poignant and beautiful “Black Swan” filled the stage as the large troupe of dancers, now also clad in black, wore plumed sleeves. Remnants of feathers floated through the air as the movement surrounding the band members became more exaggerated, each with a chain accent on their black suits. The stunning staging of “Fake Love,” set amid a verdant sculpture of outstretched hands transforming into a lotus blossom, closed out this set.

In “VCR 3,” we find BTS in a hotel room, getting ready to stage an epic party, and then finding a case of magic. With one touch in the video, a rain of rainbow confetti covers the audience, linking what we see on the screen and to joy in real life.

Act Three brings with it BTS’s biggest hits in the U.S., including “Dynamite” and “Butter.” Outfitted in Easter egg pastels with a nod to ’70s glam chic, the band’s stylized dance moves were reminiscent of Saturday Night Fever and matched the carefree lyrics, as did the pyro and fireworks, which punctuated all the major moments. J-Hope’s pink fedora stole the show.

Giving fans a glimpse of Suga, J-Hope, RM, Jimin, V, Jin and Jungkook up close, the band circled the audience on two orange construction lifts, perched atop encased purple balloons. During “Wings,” flowers, stuffed animals and other tokens of appreciation showered down from the crowd.

Heading into the extended encore, BTS closed their main set with a thunderous, animalistic “Idol” wrought with ecstatic dance moves.

In a 30-minute slice of the encore, each BTS member had a chance to address the crowd. The most noticeable difference between Saturday’s show and the previous night’s came during the encore. Friday night’s closer was packed with “Home,” “Airplane Pt. 2,” “Silver Spoon” and “Dis-ease.” On Saturday, the ARMY was treated to the unmissable “Anpanman” and “Go Go,” before large glowing orbs floated through the stadium for the closing eponymous song “Permission to Dance.”

Flashes of Jungkook’s abs, poster’s of J-Hope’s meme-able “Wow,” Jimin’s new haircut, Jin’s injured hand and V’s references to Johnny Depp in Cry-Baby barely satiated the insatiable ARMY.

“BTS Permission to Dance” proved the supply chain on rainbow confetti is not broken, nor is their fans’ hunger for band-related content.

On the business side, “The City” shifts the paradigm on the concert business model — stretching an artist’s IP well beyond merch and meet and greets, into new territories.

The concept, an “urban concert playpark,” creates an extensive and immersive fan experience with entertainment activations for fans to enjoy before and after the concerts. Las Vegas is the perfect testing ground for such an event.

Through this partnership with HYBE, the management behind BTS, MGM Resorts offers BTS -themed rooms in 11 hotels across the Las Vegas Strip and Korean dishes favored by BTS at the CAFÉ IN THE CITY. The Bellagio Fountains feature BTS’ “Butter” and “Dynamite” in a new water display.

At Area 15, an art and entertainment attraction located off the Strip, ARMY accessed the “BTS Pop-Up: Permission to Dance,” ongoing through April 17, a free ticketed immersive journey through the band’s history, music videos and moments with exclusive merchandise. Also, a $25 ticketed photography “Behind the Stage” features behind-the-scene photography of the making of “Permission to Dance.”

And as the rainbow streamers settle, it’s time to do it all over again next weekend, as BTS returns in concert April 15 and 16 with a livestream event on the closing night.

Red Hot Chili PeppersUnlimited Love leaps onto the Billboard 200 albums chart (dated April 16) at No. 1, marking the band’s second leader and first chart-topping effort since 2006’s Stadium Arcadium. The new set was released on April 1 and bows with 97,500 equivalent album units earned in the U.S. in the week ending April 7, according to Luminate, formerly MRC Data. In total, the group has tallied eight top 10 albums on the Billboard 200.

Unlimited Love replaces Machine Gun Kelly’s Mainstream Sellout atop the chart (the latter falls to No. 9 in its second week), giving the list back-to-back rock albums at No. 1 for the first time in over four years. It last happened when The KillersWonderful Wonderful debuted at No. 1 on the Oct. 14, 2017 chart, a week after Foo FightersConcrete and Gold opened at No. 1. (Rock albums are defined as those that have hit Billboard’s Top Rock Albums chart.)

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 16, 2022-dated chart will be posted in full on Billboard‘s website on April 12. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Unlimited Love’s 97,500 equivalent album units earned, album sales comprise 82,500 (it’s the top-selling album of the week); SEA units comprise 14,500 (equaling 18.96 million on-demand official streams of the set’s songs); and TEA units comprise 500.

Notably, Unlimited Love is Red Hot Chili Peppers’ first No. 1 on the Billboard 200 in nearly 16 years — since Stadium Arcadium spent its first two weeks atop the list (May 27-June 3, 2006 charts). The last act to go longer between No. 1 albums was Celine Dion, who waited 17 years and nearly eight months between A New Day Has Come (one week at No. 1 on April 13, 2002) and Courage (one week at No. 1 on Nov. 30, 2019).

Unlimited Love notches the largest week, by equivalent album units and album sales, for any rock album in over a year. The last larger week by a rock set was registered by Paul McCartney’s McCartney III when it debuted at No. 2 on the Jan. 2, 2021-dated chart with 107,000 units — of which album sales comprised 104,000.

Unlimited Love’s first-week sales were boosted by its availability across multiple color vinyl LP variants and special editions (including versions for Target, Walmart, Amazon, independent record stores and the band’s official webstore). All told, the set sold 38,500 copies on vinyl — the largest sales week for an album on vinyl in 2022, and the second-biggest sales week for a rock album on vinyl since Luminate began tracking music sales in 1991. Only the debut frame of Jack White’s Lazaretto (40,000) posted a larger week for a rock album on vinyl (June 28, 2014 chart) since 1991. Thus, Unlimited Love claims the largest week on a vinyl for a rock album by a group in that 31-year span.

Unlimited Love was ushered in by the No. 1 hit “Black Summer” on the Alternative Airplay chart — the band’s 14th leader on the tally. The new album is the group’s first with guitarist John Frusciante since Stadium Arcadium in 2006. The new set’s release was celebrated with some Los Angeles-specific celebrations — appropriate, since the band formed in L.A. The group received a star on the Hollywood Walk of Fame on March 31, staged a surprise show at the Fonda Theater on April 1 and played an in-store performance at Amoeba Music in Hollywood on April 7 (the store’s first in-store performance in over two years, and first at its new location). The group’s Flea even played “The Star-Spangled Banner” on bass guitar at the Los Angeles Lakers’ home game against the Denver Nuggets on April 3. (No doubt Lakers fans were also delighted to know that Unlimited Love was also pressed on limited edition purple and gold vinyl.)

At No. 2 on the new Billboard 200, Lil Durk’s chart-topping 7220 holds in the runner-up spot with 51,000 equivalent album units earned (down 18%). A trio of other former No. 1s is next, with the Encanto soundtrack steady at No. 3 (50,000; down 14%), Morgan Wallen’s Dangerous: The Double Album stationary at No. 4 (44,500; down less than 1%) and Olivia Rodrigo’s Sour a non-mover at No. 5 (40,000; up 20% following her multiple Grammy Award wins on April 3, as well as her performance of “Drivers License” on the CBS-TV awards broadcast).

The Weeknd’s compilation The Highlights is likewise steady at No. 6 with 34,000 equivalent album units earned (up 2%).

Yeat’s 2 Alive returns to the top 10, bolting from No. 69 to No. 7 with 31,500 units (up 141%), following its deluxe reissue on April 1 with additional bonus tracks. The album debuted and peaked at No. 6 on the March 5-dated chart.

Drake’s former leader Certified Lover Boy falls 7-8 with nearly 31,000 equivalent album units earned (down 1%), Machine Gun Kelly’s Mainstream Sellout falls 1-9 in its second week (30,500; down 67%) and Doja Cat’s Planet Her is pushed down 9-10 (30,000; up 4% following her televised Grammy Award win on April 3 for best pop duo/group performance for the album’s “Kiss Me More,” featuring SZA).

Luminate, formerly MRC Data, the independent data provider to the Billboard charts, completes an exhaustive and thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data, removing any suspicious or unverifiable activity using established criteria before final chart calculations are made and published. In partnership with Billboard, data deemed suspicious and unverifiable is disqualified prior to the final calculation.

Eddie Redmayne and Jessie Buckley have won best actor and best actress in a musical at the 2022 Olivier Awards in London for their roles as the Emcee and Sally Bowles in the West End revival of Cabaret.

This freshest reinvention of the 1966 Kander & Ebb classic also won best musical revival, while Rebecca Frecknall scooped the Sir Peter Hall award for best director. Accepting his award on stage, Redmayne spoke of his “confidence crisis” during rehearsals, before acknowledging how the show had long fueled his passion, noting that “this is the dream, this is the one,” and the part he had played as a kid at school. His beguiling, contorted interpretation of the Emcee served as a perfect foil to Buckley’s mesmerizing, emotionally raw Sally in the immersive show that puts the audience at the heart of the Kit Kat Klub in 1929 Berlin.

Cabaret’s Liza Sadovy and Elliot Levey won best actress and best actor in a supporting role for playing Fräulein Schneider and Herr Schultz respectively. In accepting his trophy, Levey took aim at the British government’s visa system for Ukrainian refugees, which has come under much criticism in recent weeks. Earlier in the ceremony, the audience stood in support of the people of Ukraine, for a special performance of the Ukrainian national anthem introduced by actor Lesley Manville.

The ceremony, held at London’s Royal Albert Hall, featured musical acts on stage from Cabaret (featuring Amy Lennox who’s continued the role after Buckley’s run), FrozenThe Drifter’s GirlMoulin Rouge! The Musical, Back to the Future: The MusicalAnything Goes, Get Up Stand Up! The Bob Marley Musical, and Spring Awakening — while there was also a performance from play The Life of Pi which features elaborate puppetry.

That theatrical adaptation of The Life of Pi took five awards, including best new play, best actor for Hiran Abeysekera and best supporting actor, which was won by the seven performers — Fred Davis, Daisy Franks, Romina Hytten, Tom Larkin, Habib Nasib Nader, Tom Stacy and Scarlet Wilderink — who play ‘Richard Parker’ the puppet tiger. Back to the Future: The Musical was named best new musical, and best actress went to Sheila Atim for Constellations. Meanwhile, best actress in a supporting role went to Liz Carr for The Normal Heart. Carr gave an impassioned speech calling for equal rights for disabled actors, saying on stage that she was the first actor with a disability to play the role of Dr. Emma Brookner (a U.S. physician who was among the first to recognize the 1980s AIDs epidemic), who herself used a wheelchair.

The Olivier Awards were hosted by British comedian and actor Jason Manford, whose opening monologue referenced the recent Will Smith-slapping-Chris Rock incident at the Academy Awards. “I’m a comedian,” said Manford shortly after walking out on stage, “and I think all your hair looks lovely and I will very much be keeping your wives names out of my mouth this evening. This is an evening of backslapping, not face slapping.”

Guest presenters on the night included Keala Settle, Hannah Waddingham, Kit Harrington, Tom Felton, Fiona Shaw, Anne-Marie Duff, Noma Dumezweni and Monica Dolan. Stephen Sondheim was remembered in a performance that closed the ceremony and paid tribute to those who’ve kept theaters running during a continued testing time of the Covid-19 pandemic; Maria Friedman welcomed the swings and understudies from shows that performed on the night, along with performing arts students, for a rendition of Sondheim’s Our Time from Merrily We Roll Along.

Best revival went to Constellations, which featured four casts in rotation, among them: Chris O’Dowd, Peter Capaldi and It’s A Sin’s Omari Douglas. Pride And Prejudice* (*Sort Of), won the Noël Coward/Geoffrey Johnson award for best entertainment or comedy play, Revisor was named best new dance production, and Arielle Smith won outstanding achievement in dance for her choreography of Jolly Folly in Reunion by English National Ballet at Sadler’s Wells. Wolf Witch Giant Fairy was named best family show, and best set design went to Tim Hatley for design and Nick Barnes and Finn Caldwell for puppets for Life of Pi, while Catherine Zuber followed her Tony Award win to also collect the Olivier for best costume design for Moulin Rouge! The Musical.

The prize for outstanding achievement in Affiliate Theatre went to Old Bridge at Bush Theatre, Jenůfa won the best new opera production, and the outstanding achievement in opera was awarded to Peter Whelan and the Irish Baroque Orchestra for Bajazet. Tim Lutkin and Andrzej Goulding took the prize for best lighting design for Life of Pi, and Nick Lidster collected best sound design for Cabaret. Best original score or new orchestrations went to orchestrator Simon Hale for Get Up, Stand Up! The Bob Marley Musical, and Kathleen Marshall won best theatre choreographer for Anything Goes.

This article originally appeared on The Hollywood Reporter.

Camila Cabello and Willow‘s recent collaboration “Psychofreak” has topped this week’s new music poll.

Music fans voted in a poll published Friday (April 8) on Billboard, choosing the edgy new single as their favorite new music release of the past week.

“Psychofreak” brought in 46% of the vote, beating out new music by Charlie Puth (“That’s Hilarious”), Jack Harlow (“First Class”), Lil Baby (“Right On”), Chlöe Bailey (“Treat Me”), and others.

“Psychofreak” finds the former Fifth Harmony member discussing her 2016 split from the group during the track’s second verse. “Everybody says they miss the old me/ I been on this ride since I was 15/ I don’t blame the girls for how it went down, down,” the 25-year-old sings. She confirmed the lyrics were about her leaving Fifth Harmony in an interview with Reuters, and noted that she’s in a “really good place” with the other members.

Cabello was joined by Willow for the television debut performance of “Psychofreak” during Saturday Night Live on April 9.

The track is featured on Cabello’s third album, Familia, which arrived on Friday. The pop star previously told Billboard that the project is a celebration of her friends and loved ones.

“This album to me means community, I guess the opposite of you on your own. It’s more you with other people land sharing in that joy and success, whatever that means,” she says. “Interdependence realizing how important everybody is in your life. A lot of it is inspired by my relationships: My relationships to my family, my relationship to my friends, my relationship to my [then] partner… it’s all about connections with other people, hence, Familia.”

Placing second on the past week’s tally with nearly 42% of the vote was Puth’s latest song “That Hilarious,” which finds the singer reflecting on a tough breakup. The 30-year-old artist is currently at work on his upcoming album, Charlie.

See the final results of this week’s new music release poll below.

A downtown Minneapolis mural honoring pop superstar Prince will be unveiled in June, organizers say.

The painting is scheduled to begin on May 16 on a parking ramp near near First Avenue and 8th Street, officials with the Crown Our Prince project said.

The artwork will be carried out by Hiero Veiga, 33, a Black Florida street painter known for the rendering on the exterior wall of Miami’s Museum of Graffiti.

Organizers say the $500,000 Minneapolis project has been in the works for seven years. A block party is scheduled for June 2 to celebrate its completion.

Prince won seven Grammy Awards, six American Music Awards, an Oscar for the score to Purple Rain and a Golden Globe. He sold more than 150 million record worldwide and is a member of Rock & Roll Hall of Fame.

This month marks six years since Prince died of an accidental fentanyl overdose at his Paisley Park home in Chanhassen.

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Olivia Rodrigo was a double winner at the 2022 Kids’ Choice Awards on Saturday (April 9). The 19-year star was honored both as favorite breakout artist (in music) and favorite female TV star (kids) for High School Musical: The Musical: The Series.

iCarly star Miranda Cosgrove and NFL star Rob Gronkowski co-hosted the show, which was held at the Barker Hangar in Santa Monica, Calif.

Billie Eilish was also a double winner, winning favorite song for “Happier Than Ever” and favorite album for her LP of the same name. It was the second time in three years that Eilish has won favorite song. “Bad Guy” took the prize two years ago. She’s just the fifth two-time winner in this category since the show originated in 1987. She follows Avril Lavigne, Beyonce, One Direction and Ariana Grande.

Grande won favorite female artist for a record-extending fifth time. Ed Sheeran won favorite male artist for the first time. BTS took favorite group for the third year in a row, which enables the K-pop superstars to tie the Black Eyed Peas, One Direction and Fifth Harmony as the only three-time winners in the category.

Rodrigo and BTS accepted their awards with short video messages of thanks to their young fans.

“Stay” by The Kid LAROI & Justin Bieber won favorite music collaboration. Bieber has won favorite male artist a record five times, though this year he lost to Sheeran.

Adele won favorite global music star, topping last year’s winners, BTS. Adele’s showing is impressive because at 33, she’s a bit out of the target demo.

Kid Cudi performed his new single “Stars in the Sky” and his 2010 hit “Pursuit of Happiness.” Jack Harlow performed his 2021 smash “Industry Baby” (minus his collab partner Lil Nas X) as well as “Nail Tech” and “First Class” from his upcoming album Come Home the Kids Miss You.

Nickelodeon reported that, for the first time, the show featured 1,000 slimings. There was an onscreen running tally for those keeping track.

Those slimed, in addition to the hosts and musical performers, included: Charlie Puth, the University of Southern California Marching Band, Chance the Rapper and Westcott Elementary School in Chicago. Gronkowski, who was the night’s most frequently slimed star, proved that he is a good sport, in addition to being a top sportsman.

Dr. Jill Biden spoke to the resilience of today’s youngest generation, especially children of military members and veterans. (The first lady, filmed on the lawn outside of the White House, was not slimed, though she did playfully throw a cup of slime in the direction of the camera.)

In addition to co-hosting, Cosgrove won favorite female TV star (family) for iCarly.

The show included teaser clips from a couple of upcoming films — DC League of Super-Pets, presented by voice cast members Kevin Hart and Dwayne Johnson, and Paws of Fury: The Legend of Hank, presented by voice cast member Samuel L. Jackson.

Other celebs who appeared on the show included Gabrielle Union, Heidi Klum, Terry Crews, Sofia Vergara, Chloe x Halle, Charli D’Amelio, Dixie D’Amelio, Joshua Bassett, Sabrina Carpenter, Sofia Carson, Simon Cowell, Howie Mandel and Ralph Macchio.

Kids’ Choice Awards 2022 aired on Nickelodeon, TeenNick, Nicktoons and the Nick Jr. channel.

The show will encore at the following dates and times (ET/PT): Sunday, April 10, at 8 p.m. and Thursday, April 14, at 7:30 p.m. on Nickelodeon; Monday, April 11, at 7 p.m. on TeenNick; and Tuesday, April 12, at 8 p.m. on Nicktoons.  The show will also be available on Nickelodeon on Demand beginning Sunday, April 10.

The Kids’ Choice Awards is an introduction to awards shows for a lot of young fans. To paraphrase AC/DC, For Those About to Slime, We Salute You.

The show had two distinct advantages over the recent Academy Awards. It ran a taut 90 minutes, compared to 3-1/2 hours. And while lots of people got slimed, nobody got slapped.

Here’s a full list of winners. All of the nominees also shown in the music categories.

MUSIC

Favorite song
“All Too Well (Taylor’s Version)” — Taylor Swift
“Bad Habits” — Ed Sheeran
“Easy on Me” — Adele
WINNER: “Happier Than Ever” — Billie Eilish
“Take My Breath” — The Weeknd
“Up” — Cardi B

Favorite album
30 — Adele
Certified Lover Boy — Drake
Fearless (Taylor’s Version) — Taylor Swift
WINNER: Happier Than Ever — Billie Eilish
Justice — Justin Bieber
Red (Taylor’s version) — Taylor Swift

Favorite female artist
Adele
WINNER: Ariana Grande
Billie Eilish
Cardi B
Lady Gaga
Taylor Swift

Favorite male artist
Bruno Mars
Drake
WINNER: Ed Sheeran
Justin Bieber
Shawn Mendes
The Weeknd

Favorite music group
Black Eyed Peas
WINNER: BTS
Florida Georgia Line
Jonas Brothers
Maroon 5
Migos

Favorite music collaboration
“Beautiful Mistakes” — Maroon 5 featuring Megan Thee Stallion
“Best Friend” — Saweetie featuring Doja Cat
“Leave Before You Love Me” — Marshmello & Jonas Brothers
“Rumors” — Lizzo featuring Cardi B
“Save Your Tears” — The Weeknd & Ariana Grande
WINNER: “Stay” — The Kid LAROI & Justin Bieber

Favorite breakout artist
Chlöe
Glass Animals
Jack Harlow
WINNER: Olivia Rodrigo
Saweetie
Walker Hayes

Favorite global music star
WINNER: Adele (U.K.)
Camilo (Latin America)
Tones and I (Australia)
Tems (Africa)
BTS (Asia)
Rosalía (Europe)
Olivia Rodrigo (North America)

 Favorite social music star

JoJo Siwa

That Girl Lay Lay

Oliver Tree

Addison Rae

WINNER: Dixie D’Amelio

Johnny Orlando

TELEVISION

Favorite kids TV show: High School Musical: The Musical: The Series

Favorite family TV show: iCarly

Favorite reality show: America’s Got Talent

Favorite cartoon: SpongeBob SquarePants

Favorite female TV star (kids): Olivia Rodrigo (Nini, High School Musical: The Musical: The Series)

Favorite male TV star (kids): Joshua Bassett (Ricky, High School Musical: The Musical: The Series)

Favorite female TV star (family): Miranda Cosgrove (Carly Shay, Icarly)

Favorite male TV star (family): Tom Hiddleston (Loki, Marvel Studios’ Loki)

FILM

Favorite movie: Spider-Man: No Way Home

Favorite movie actress: Zendaya (MJ, Spider-Man: No Way Home | Chani, Dune)

Favorite movie actor: Tom Holland (Peter Parker / Spider-Man, Spider-Man: No Way Home)

Favorite animated movie: Disney’s Encanto

Favorite voice from an animated movie: Scarlett Johansson (Ash, Sing 2)

OTHER CATEGORIES

Favorite female creator: Charli D’Amelio

Favorite male creator: MrBeast

Favorite female sports star: Chloe Kim

Favorite male sports star: Tom Brady

Favorite video game: Minecraft

Jack Harlow‘s performance at the 2022 Kids’ Choice Awards was topped off with a burst of slime.

The rapper brought a medley of “Nail Tech,” “Industry Baby” (without Lil Nas X) and his newest single, “First Class,” to this year’s show that aired on Nickelodeon Saturday night (April 9). He ended his set covered in green slime.

“Bucket list,” he commented on Instagram after the performance, which took place at the Barker Hangar in Santa Monica, California.

Harlow was nominated for favorite breakout artist, an award that ended up going to Olivia Rodrigo. Chlöe, Glass Animals, Saweetie and Walker Hayes were also up for the award.

Watch Harlow perform and get slimed below.