Nigerian artist Wizkid is set to perform at the Roundhouse in London in collaboration with Apple Music Live, debuting songs from his anticipated fifth studio album. London fans will have the exclusive opportunity to attend the live taping on Sept. 27, but the Grammy-winning musician’s performance will also be available to stream in 165 countries this fall.

“Apple Music has always been a supporter of my career and a major tool in connecting me with my fans. Collaborating with them on something like this is special,” the “Essence” singer said in a release. “I’m excited to debut new music from my forthcoming album More Love, Less Ego and share my Apple Music Live show with fans across the world.”

Related

The Afrobeat artist dropped his first solo track of 2022 “Bad to Me” last week, teasing his next album, due Oct. 29. The track departs from the sensual production of his last album, Made In Lagos, in favor of an amapiano-based beat.

Wizkid is no stranger to London: He sold out five shows in the city’s O2 arena last year. He’s also the first African solo artist to enter Apple Music’s Global Daily Top 10 after charting internationally with hit single “Essence.”

Wizkid made history with his album Made in Lagos, the first African album to be RIAA-certified gold last month. With this event, he joins the likes of Harry Styles, Mary J. Blige and Lil Durk, other artists who’ve collaborated with Apple Music to offer exclusive live performances.

Live Nation has partnered with Halsey-backed cosmetic companies aboutface and af94 to create branding experiences at its venues and festivals promoting the brands. The promoter has also made an equity investment in about-face and af94 to support the growing brands.

“The Live Nation partnership will usher in a new way to experience the intersection of live entertainment and makeup,” says Halsey, who serves as the brands’ co-founder and chief creative officer. “Live Nation has given me a platform to express my vision to my audience on stages across the world. Our future together will mean seeing the audiences’ visions come to life from the crowds.”

About-face and af94 activations at Live Nation properties will include product sampling, self-guided application and a range of virtual and actual “try and buy” integrations. Russell Wallach, Live Nation’s global president of media and sponsorship, brokered the agreement on behalf of the concert promoter.

“The partnership will also allow us to create more of our signature formulas that lean heavily into artistic colors and continue to push boundaries for product performance and long wearability,” added Jeanne Chavez, co-founder and CIO at about-face and af94.

About-face cosmetics are vegan and cruelty-free products that have won over 10 industry awards, including Allure’s Best of Beauty 2021 and 2022. It is also one of the leading high-growth emerging brands at Ulta Beauty.  

Halsey launched the second brand, af94, in July 2022 with Walmart. It quickly became the retailer’s No. 1 trending cosmetics brand in over 3,000 locations nationwide. 

Live Nation, which has featured both brands at Lollapalooza, has planned activations for Irving Plaza in New York, The Wiltern in Los Angeles and The Tabernacle in Atlanta, as well as at upcoming music festivals Rolling Loud New York and When We Were Young in Las Vegas.

Spoiler alert: This story contains information about contestants eliminated on Wednesday’s (Sept. 21) episode of The Masked Singer.

Not everyone who appears on The Masked Singer is known for their vocal chops. In fact, the hit costumed Fox reality singing program is well-known for throwing some decidedly vocally challenged ringers onto the stage. Which is why Wednesday night’s season 8 premiere was a classic mix of perfect ‘fits and puttin’ on the ritz.

As part of the new format, in which only one contestant moves on from each episode, the “Royal” season opener kicked off with the Harp, who regally romped through P!nk’s “Perfect,” followed by the Hedgehog, who amiably kicked up his pads to The Beatles’ “Love Me Do.”

The brilliantly colored Hummingbird did a decent job on Gavin DeGraw’s “I Don’t Want to Be,” but it was the salty Knight who really got the judging panel — Robin Thicke, Jenny McCarthy Wahlberg, Ken Jeong and Nicole Scherzinger — out of their seats, thanks to his royally weird antics.

While it’s sometimes hard to suss out who’s under the elaborate get-ups, anyone who has watched TV or been to a movie theater in the past 50-odd years would know immediately who the man was behind the warbly, more-spoken-than-sung rendition of Fred Astaire‘s “Puttin’ on the Ritz.” Riding a golden goose and barely moving around onstage, the armor-clad crooner joked that he’d been holding out for the hosting gig, said he had worked in TV and movies — as well as with Star Wars‘ George Lucas — and was featured on multiple walks of fame. Oh, and he’s released albums, though you might wonder where in the universe that was based on his unique vocal delivery.

Could… it… be… why, of course, it was 91-year-old Star Trek legend William Shatner, renowned for his halting, actorly takes on such rock classics as “Lucy in the Sky With Diamonds” and “Rocket Man,” not to mention a No. 1 album on Billboard’s Blues Albums chart with 2020’s The Blues and a No. 16 spot on the Top Holiday Albums chart in 2018 with Shatner Clause: The Christmas Album. While the judges guessed everyone from Warren Beatty to a “male version of Betty White,” Jerry Springer and still-always-wrong Jeong’s sure bet that it was fellow uber-thespian David Hasselhoff, in the end it was William Shatner (aka Star Trek‘s Captain James T. Kirk) under that unwieldy helmet.

The always-busy Shatner — who fervently plugged new episodes of The UnXplained on the History Channel beginning on Oct. 7 as he works on a new autobiographical documentary with Legion M, a line of Shatner NFTs in collaboration with Orange Comet due in November, and the upcoming memoir Boldly Go — teleported in before his elimination to talk to Billboard about his vocal chops, the warning he got from a previous Masked contestant and why he kept trying to pick a fight with host Nick Cannon.

Check out our chat below:

I’m always curious why people pick the costumes they do. So what was the thinking behind the Knight and what was it like in there?

I don’t know if logic enters into it at all, but perhaps silly is the apt word. In the past they’ve asked me [to appear on the show] and this time knowing I had a lot of things coming up I wanted to do it to publicize [those projects], plus it’s a very popular show, so how could I deny that? 

It seemed like you had a bit of trouble moving around in that get-up.

I believe that if you had been an Olympic athlete in your prime of your life and you put on that costume you would have been as sore and as awkward as I was! It was murderous! I know an athlete who was on the show and he said it was the worst thing that ever happened to hm. I’ve had worse things happen. I almost drowned one time and I came off a horse that dragged me, that was worse. The fun of the show for the people who watch is this wardrobe that you put on, this incredibly awkward, lethal costume which in my case I couldn’t see, I couldn’t hear, I couldn’t breathe. And my breathe fogged up my mask. It was a testament to my strength, ingenuity and perseverance.

That sounds very Star Trek-y…

See? It all combines. It all vibrates together! Which is the subject of my book, Boldly Go.

Why the Fred Astaire song?

First of all, because it’s a nifty song. The rhyme and the syncopation… it’s a really clever song and I really enjoyed learning to do it. There I was doing Fred Astaire, thinking, “this is pretty cool.” Then I put the wardrobe on and I can’t move, and I can’t see, so everything I had planned performance-wise went out the window. If I could have crossed my fingers I would have.

Why do this show now? Did you watch it before?

I caught glimpses of it. As I say, this friend of mine who was on the show when they asked me to be on it I talked him and I said, “how did it go?” And he said, “The worst thing I ever did. The worst experience I’ve ever had.”

So of course you were like, “I’m in!”

Well, what does he know? He’s an athlete, he’s not a performer.

With great respect, I will say you are known for… let’s call it your unique vocal delivery. And it didn’t seem like you tried to mask it at all on the show.

It’s my signature. That’s what the number lends itself to — that patter — and the lyric is clever enough to warrant listening to.

You’ve done it before on “Lucy” and “Rocket Man,” so I’m curious where that signature talky singing style comes from? It almost feels like an extension of Captain Kirk in a way.

Well, it’s not Captain Kirk, but it’s poetic I hope. I can’t sing and I love music and yearn to make music. Even on Billboard, my Christmas album went No. 1 [No. 18, but who are we to argue with Lt. Kirk?], my blues album went No. 1. I’ve begun to get an idea of how to do it. It started slow over the years and I’ve gotten more knowledgable and had some success doing it. The coincidence of Ben Folds, with whom I made an [2004] album called Has Been, which was very successful and then the non-coincidence — which is what Boldly Go, the book, is about — is that Ben Folds ends up to be the artistic director of the Kennedy Center. And he invited me to perform and I had all these songs I’d written with Robert Sharenow for an album called Bill… we had these 20 songs ready to go, so Ben asked me, “would you like to do them at Kennedy Center?” [An audio and video performance from April 2022 with the National Symphony Orchestra with Folds will be released later this year.]

Nicole said your performance was “a vibe” and she said she wanted to squeeze your thighs. How did that make you feel?

Squeeze my thighs? I thought she said she was “full of sighs.” Well, I don’t know why she didn’t offer to, I needed squeezing at various points during these last few weeks.

Why did you keep attacking Nick Cannon? Was that planned?

He’s just very attackable!

Were you offended by the Betty White comparison?

Well, she’s dead!

But she lived to be 99, that’s not too shabby.

But she’s dead!

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

A new era begins with Andor, the Rogue One prequel series, now streaming on Disney+. The three-episode premiere arrived on Wednesday (Sept 21).

Diego Luna stars as Andor in the 12-episode series from the Star Wars franchise, which follows Cassian Andor’s journey as a rebel hero. Stellan Skarsgård, Genevive O’Reilly, Alex Ferns, Kyle Soller, Adria Arjona and Denise Gough are among the cast.  

Read on for details on how to watch Andor and other Disney+ exclusives for free.

How to Watch Andor on Disney+

Andor is streaming exclusively on Disney+, at no extra cost to subscribers. For those who haven’t signed up for Disney+, monthly subscriptions start at $7.99.

Disney+ $7.99/month

You won’t get a free trial with Disney+, but you can save on your bill by signing up for an annual plan for $79.99. The monthly plan is another money-saving option, simply because you’re not tied to a contract and can cancel at any time. You may also be able to get a free subscription to Disney+ or the Disney+ bundle via Verizon or American Express.

Disney+ subscribers get to indulge in an ever-expanding streaming library that includes programs in stunning 4K, in addition to being able to download titles to watch offline. Stream Disney+ on your TV, laptop, smartphone, notebook or tablet device, on up to four different devices simultaneously.

Disney+ is the main streaming destination for must-watch, commercial free content from Disney, Star Wars, Marvel, Pixar and National Geographic.

Other exclusive show and movies streaming on Disney+: Dancing With the Stars, She-Hulk, Lightyear, Pinocchio, The Proud Family: Louder & Prouder, High School Musical: The Musical: The Series, Hawkeye, Light & Magic, WandaVision, The Mandalorian, Loki, I Am Groot, The Book of Boba Fett, The Beatles: Get Back and BTS: Permission to Dance on Stage LA.

The first person taken into custody after Sunday morning’s triple shooting outside the Chicagoan Bar in North Miami-Dade told police that he fired the Diamondback rifle in his hands. But … Click to Continue »
Upon entering Miami Dade College’s new Artificial Intelligence Center Tuesday on its North Campus, a college administrator asked a hologram named Sky to cite the names of the college’s trustees. … Click to Continue »
NOME, Alaska – The storm that slammed Western Alaska over the weekend has reorganized the land. There was no loss of life, but the landscape of Nome is physically altered … Click to Continue »
Yale-grad Ronnie isn’t so smart after all. Not only are Florida courts chockful of lawsuits challenging the constitutionality of his last round of fascist laws, but now Gov. DeSantis is … Click to Continue »

Class is in session for Lana Del Rey fans. New York University’s Clive Davis Institute of Recorded Music has launched a new course for this fall centered around the singer-songwriter.

The two-credit course, titled “Topics in Recorded Music: Lana Del Rey,” is taught by journalist and author Kathy Iandoli and will run from October 20 to December 8, according to Variety. According to the course description, “Over the course of eight critically-acclaimed albums, the six-time Grammy nominated artist has introduced a sad core, melancholic, and baroque version of dream pop that in turn helped shift and reinvent the sound (and mood) of mainstream music beyond the 2010s. Through her arresting visuals and her thematic attention to mental health and tales of toxic, damaged love, Del Rey provided a new platform for artists of all genders to create ‘anti-pop’ works of substance that could live in a mainstream once categorized as bubblegum.”

The course will also examine Del Rey’s relationship to feminism, musical influences and connection to social justice movements.

Earlier this year, the Clive Davis Institute also offered a course on Taylor Swift, which delved into the superstar’s journey as a creative music entrepreneur, the legacy of pop and country songwriters that have influenced the star and how discourses of youth and girlhood are exploited in the media and music industry.

In May, Swift delivered the commencement address to New York University’s Class of 2022, sharing wisdom as an honorary doctor of fine arts.

South Korean music company SM Entertainment, home to such groups as NCT 127 and SuperM, stands apart in a competitive music business for withstanding stock market downturns that have hit all other publicly-traded music companies.  

Since December, stocks have been on a downward trend, sparked by the Federal Reserve’s intention to raise the federal funds rate to prevent the economy from overheating and rein in inflation. And while music is often said to be recession-proof, music companies’ stocks are not immune from larger economic trends and investors’ desires for safer options during chaotic times. Even though the global music industry is posting double-digit revenue growth, the share prices of publicly traded music companies have followed the broader trends and stumbled in the face of interest rate hikes, inflation, labor shortages and supply chain headaches.

After a weeklong rally stock markets plummeted last Tuesday (Sept. 13), following a consumer price index report that showed annual inflation was 8.3% in August. Expecting an aggressive move from the U.S. Federal Reserve Bank, investors sent the Dow Jones Industrial Average down 3.9%, its worst day since June 2020, and the Nasdaq down 5.2%.  

Stocks that were trending up have been shaken. Shares of Universal Music Group and Warner Music Group, the world’s largest and third-largest music companies, dropped 8.7% and 10.4%, respectively, since Sept. 12. Satellite radio company SiriusXM, which also owns music streaming service Pandora and podcast platform Stitcher, dropped a modest 4.2%. IHeartMedia, the largest U.S. radio broadcaster, fell 7.1%. Spotify, the world’s largest music streaming company, dropped 12.6%. 

SM Entertainment is an exception, however. The company’s shares are up 13.9% since Sept. 12, when a U.S. consumer price index report sent stocks reeling. Year to date, the company’s shares have risen 3.1%. On Friday (Sept. 16), SM Entertainment shares jumped 19% after the company announced it would terminate a production contract with Like Planning, a company owned by SM Entertainment’s founder, Lee Soo-man, and admitted that “some shareholders” had demanded that Lee step down from his role. Share prices have held steady since.  

South Korean music stocks generally have fared well over the week and have outperformed their Western peers in 2022. From Sept. 12 to Tuesday, HYBE (BTS, Tomorrow X Together) fell just 0.3%, while JYP Entertainment (Stray Kids, Twice) declined just 1.1%. HYBE’s share price is down 54.9% in 2022 due to the members of BTS pursuing solo projects, though JYP Entertainment shares are up 22.9% year to date. Another South Korean stock, YG Entertainment (Blackpink), has fallen 9.3% since Sept. 12 but is down just 6.8% in 2022. 

Overall, South Korean stocks have outperformed other stocks in the U.S. and the Netherlands. The Korean Stock Exchange Composite (KOSPI) is down 0.7% since Sept. 12, during which time the Nasdaq dropped 6.9%, the NYSE fell 5.7% and the S&P 500 dipped 6.2%. The AEX Index, an index of companies – including Universal Music Group – that trade on the Euronext Amsterdam, is down 5.1% since Sept. 12. 

In the U.S., the Federal Reserve is meeting Tuesday (Sept. 20) and Wednesday to decide whether to raise the federal funds rate. Widespread speculation calls for the Fed to announce a 0.75 percentage point rate increase – its third three-quarter rate hike since June. The Fed also raised its federal funds rate by 0.25 percentage points on March 16 and 0.50 percentage points on May 5. Based on the turmoil over the past week, the market has already reacted to what it expects to be a considerable rate increase.