TINI’s “La Triple T” holds the No. 1 spot on the Billboard Argentina Hot 100 chart for a second week (chart dated May 21), two weeks after it flew in at No. 53. The track is the Argentinian’s first leader as a soloist, unaccompanied by another act, among a collection of three champs, including her seven-week run atop the list: “Bar,” with L-Gante (starting on the chart dated Nov. 20, 2021).

Harry Styles secures his highest ranking dating back to his first entry in May 2020, as “As It Was” climbs 7-2 after a two-week No. 7 high.

While Emilia’s “Cuatro Veinte” holds steady at No. 3 for a fourth week (after its No. 2 peak) and Sofía Reyes and Maria Becerra’s “Marte” sits at No. 4, a new title visits the upper tier: Bad Bunny’s “Ojitos Lindos,” with Bomba Estéreo, surges 19-5 in its second week. The Puerto Rican scores a second top 10 as “Moscow Mule” lifts 11-9. With the moves, Bad Bunny secures his 12th top 10 and enters a tie with J Balvin, both with 12, for the second-most top 10s among all acts, trailing only Maria Becerra’s 17 top 10s.

Effective this week, four additional digital music streaming services have been added to the chart calculation, while the chart methodology in relation to streaming has been adjusted to mirror the globally accepted formula assigning a greater weight to streams from a paid subscription tier over those generated on an ad-supported service or tier.

Back to Bad Bunny, as five more songs from his album Un Verano Sin Ti debut on the current list, he places a total of 17 songs and breaks the record for the most entries, surpassing J Balvin’s 14 total simultaneous entries.

Here’s a look at his scoreboard:

No. 5, “Ojitos Lindos,” with Bomba Estereo
No. 9, “Moscow Mule”
No. 17, “Me Porto Bonito,” with Chencho Corleone
No. 33, “Party,” with Rauw Alejandro
No. 39, “Titi Me Preguntó”
No, 43, “Tarot,” with Jhay Cortez
No. 49, “Un Ratito”
No. 54, “Yo Noy Soy Celoso”
No. 57,  “Después de La Playa”
No. 59, “Me Fui de Vacaciones”
No. 64, “Andrea,” with Buscabulla (debut)
No. 70, “X Última Vez,” with Daddy Yankee
No. 84, “Efecto” (debut)
No. 85, “Neverita” (debut)
No. 91, “Dos Mil 16”
No. 92, “La Corriente,” with Tony Dize (debut)
No. 99, “Aguacero” (debut)

The Hot Shot Debut of the week goes to Trueno’s “Tierra Zanta,” which starts at No. 45. Trueno concurrently debuts another title as “Argentina,” with Nathy Peluso, starts at No. 48. Both tracks belong to Trueno’s recently released debut album, Bien o Mal, which has not entered the charts.

This week, Polima Westcoast’s “Ultra Solo,” featuring Palita, scores the Greatest Gainer honors as the track rallies 90-55 in its second week.

Lastly, four other debuts arrive this week: Becky G’s “Bailé Con Mi Ex,” which starts at No. 88,;Argentinian rock-pop band Airbag’s “Volver a Casa,” featuring Enanitos Verdes, bows at No. 90; Lady Gaga, who returns to the tally with “Hold My Hand” at No. 95; and Uruguayan’s No Te Va Gustar clocks its third with the No. 98 launch of “A Las Nueve.”

Veeps founder & COO Sherry Saeedi, Blink-182’s Mark Hoppus and Lippman Entertainment partner Nick Lippman launched Verswire, a new venture capital music startup, with Fall Out Boy’s Pete Wentz serving as a strategic advisor. The company’s founding team also includes director of A&R and branding Myia Ingoldsby as well as numerous advisors and investors including Warped Tour founder Kevin Lyman and tour manager Gus Brandt. Verswire is described as a development incubator for both emerging and established artists that tailors a custom investment for each, including “funding, resources, tools, mentoring, support from prominent music executives and an ecosystem to own and operate their businesses within while allowing them to keep majority ownership of their masters,” according to a press release. The company provides primary label services including A&R, distribution, marketing, brand partnerships, sponsorships and publicity, all individualized to each artist’s needs. Verswire’s debut signing, Beauty School Dropout, recently released the single “Assassin.”

S10 Entertainment announced several internal changes, including the promotions of Jay Cao and Justin Hunter, plus the hires of Miranda McEvoy and Jessica Roxana, who will all report to CEO and founder Brandon Silverstein out of the bicoastal firm’s Los Angeles offices. As vp, Cao will work across S10’s management roster, record label, publishing catalog and ventures. As chief of staff, Hunter now oversees the link between S10 divisions, optimizing and streamlining communication channels. As head of operations, McEvoy will oversee day-to-day operations at S10, working closely with Silverstein to ensure that both short and long-term company objectives are achieved. As director of artist management, a role she assumed in January, Roxana will handle day-to-day management of Anitta for the company.

Nick Barr was hired as vp of A&R and creative strategy at Island Records in Los Angeles, where he will play a key role in signing new talent while bringing his marketing, digital and creative strategy to bear.

Daniel Gillick was hired in the newly created role of head of content strategy at Motown Records in Los Angeles. Reporting to executive vp and COO Alison Finley, Gillick will oversee original content strategies across platforms and new content types across all of Motown’s artists and partners.

Stephanie Lamoureaux was hired at Live Nation Entertainment to build the legal operations function for the brand starting in late June. She will help “define processes, organize initiatives, and leverage technology to create efficiencies and elevate” how the legal team operates, according to a LinkedIn post by Lamoureaux. Her official title was not available at press time; she was previously global head of legal operations at Block, Inc. (formerly Square).

Sherry Alaghehband was elevated to vp of promotion and radio marketing at Atlantic Records.

Warner Music Canada hired Madelaine Napoleone as vp of marketing in Toronto. She will report to Warner Music Canada executive vp and general manager Andy West.

Concert promoter Move Concerts Brazil hired Tiago Maia as managing director. In the role, Maia will lead the company’s operation and help maximize its growth. He can be reached at tiagomaia@moveconcerts.com.

Tanya Keogh was hired as strategy director at Huxley, where she’ll work with Huxley founder and director Anna Meachem to oversee strategy for Huxley talent, brands, business and team development. Huxley’s artist clients include Megan Thee Stallion and The 1975. She can be reached at tanya@huxley.world.

The Featured Artists Coalition (FAC) in the U.K. hired Genneah Turner as general manager. She will play a key role in ensuring that artists’ rights and interests are represented as the organization “enters a new phase in its mission to drive greater fairness for artists and music creators,” according to a press release.

Metaplex Studios, described in a press release as “the organization dedicated to advancing the Solana NFT protocol Metaplex,” hired Ash Pampati as head of music. In the role, Pampati will steer the company’s investments in Web3 applications and tools for the music community.

Pharrell Williams, Nina Chanel Abney, Shaun Neff, Todd Kramer, Easy Otabor, Nick Adler and J1mmy.Eth are among the founding team members behind the Gallery of Digital Assets (GODA), a new platform designed to allow contemporary artists “to explore the NFT and digital space,” according to a press release. GODA will work with artists to leverage the new medium while providing users with access to drops from a collection of established figures from the traditional art world as well as up-and-coming artists. The first drop is slated for early this summer.

Nora Lyons was hired as director of publicity at multi-disciplinary PR firm Shore Fire Media. Based out of the Brooklyn office, Lyons will report to senior vp Rebecca Shapiro while representing talent, musicians and businesses in arts and entertainment.

Jason Allen was promoted to senior director of infrastructure operations at TuneCore, where he will continue to manage the DevOps and database teams, which lead the implementation and delivery of the infrastructure, security, data and back-end automation processes behind TuneCore’s product. Additionally, Allen will manage TuneCore’s internal IT functions, working closely with TuneCore’s parent company, Believe, to coordinate activities for all global employees.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

May is Asian American and Pacific Islander Heritage Month! As the month of celebrations comes to a close, we collected a list of beauty brands to shop for AAPI month and beyond. From skincare to nail lacquer, see below for a roundup of six AAPI-owned companies that should be on your radar.

Rovectin Clean Lotus Water Cream- Gentle and Vegan Moisturizer

$20

$22

9% OFF

Rovecetin is a Korean beauty brand rooted in “love and resilience.” The brand was developed to help cancer patients restore skin severely damaged from chemotherapy and has become one of Korea’s most trusted skincare brands among patients, dermatologists and hospitals. Some of Rovectin’s products include Conditioning Cleanser ($10.20), Aqua Activating Serum ($36), Barrier Repair Oil for Face & Body ($27), and Barrier Repair Face Oil ($30).

Three Ships Purify Aloe + Amino Acid Cleanser

$20

$

In need of a gentle cleanser? The Purify Aloe Amino Acid Cleanser from Three Ships comes highly recommended from hundreds of customers. The organic, alcohol free and vegan cleanser is made with ingredients such as aloe vera barbadensis leaf juice and critic acid.

Three ships is a skincare company founded by Connie Lo and Laura Burget. The brand’s proceeds from the month of May will go to support Gold House, the leading Asian and Pacific Islander changemaker community, fighting together for socioeconomic equity.

JINSoon Color Trio Muse + Piedra + Palma

$36

$

Fashion, editorial and celebrity manicurist, Jin Soon Choi, founded her nail lacquer line in 2012. Choi, who was born in South Korea and has worked with major fashion publications like Harper’s Bazaar and Vogue magazine and opened several New York City nail salons, created JINSoon Nail Polish for the “discerning clientele who know that nail polish can be both non-toxic and long-lasting.” The line feature over 60 shades that “compliment all skin tones and moods.”

Tatcha Water Cream (Travel Size)

$20

Tatcha Skincare was founded by Taiwanese-American entrepreneur Vicky Tsai, who, after a decade of working in corporate America, quit her job and found herself in Koyoto, Japan. There, she encountered a kind of cultural alignment that healed her skin and soul, and inspired her to launch Tatcha. Some of the brand’s best-sellers include The Water Cream pictured above, The Dewey Skin Cream ($69), and Rice Polish Classic Foaming Enzyme Powder ($65), and Aburatorigami Japanese Blotting Papers ($40).

Hero Cosmetics Mighty Face Patch

$19.99

$

Hero Cosmetics began in 2017 after founder Ju Rhyu had a pimple emergency. Because of her sensitive skin, Rhyu created the Mighty Patch, a gentle hydrocolloid patch that she first found in South Korea. The XL face patches pictured above are built to tackle breakouts in your T-zone, cheeks, chin, etc., and is recommended for oily/combo skin. Hero houses over 30 different products including Rescue Balm ($12.99), the Sensitive Skin Trio ($36)  and the AAPI Bestesller Beauty Collection ($100).

Tula Take Care + Polish Revitalize & Cleanse Body Exfoliator

$38

$

Founded by gastroenterologist Dr. Roshini Raj, Tula Skincare is a built on “the power of probiotic extracts and superfoods.” One of the hottest products in the Tula family is the 2-in-1 cleanser and exfoliator pictured above. It deeply cleanses and buffs away dull skin, improves the look of skin texture and tone and provides an invigorating scent thanks to natural ingredients like lemon peel and hibiscus flower acid. Additional Tula Skincare products include the Hydrating Day & Night Treatment Eye Balm ($38) and the Brightening Treatment Drops Triple Vitamin C Serum ($48).

More than five decades into her music career, Ann Wilson, co-founder of the legendary rock group Heart, knows which songs work and work well together onstage.

“You want to give people an experience,” she tells Billboard’s Behind the Setlist podcast (listen below). “You want to have an experience yourself. And if the set is designed right, it’s just like a natural momentum.”

At her concert at the Neptune Theater in Seattle on Oct. 13, Wilson played three songs from her new album, Fierce Bliss, released April 29: “Greed,” “Black Wing,” and a cover of Queen‘s “Love of My Life.” She also performed a number of Heart favorites, such as “Crazy on You,” “Barracuda,” “Even It Up” and “Love Alive” — but not the band’s latter-period hits.

“Some make the transition to live and some just don’t work,” she says. The Neptune Theatre setlist featured several songs by rock icons, including John Lennon‘s “Isolation,” The Who‘s “Won’t Get Fooled Again,” Aerosmith‘s “Dream On” and Led Zeppelin‘s “Going to California.” Wilson ventured into lesser-known territory too. She led off with Steve Earle‘s “The Revolution Starts Now,” which she recorded in 2020. Jeff Buckley‘s “Forget Her” and “Permission” by Sixx: A.M., the side project of Mötley Crüe’s Nikki Sixx, might have surprised some fans.

The mix of new material, fast-paced rockers and slower, emotional songs was chosen and paced to take the audience on a journey. “This sounds really cold and calculating now that I’m talking about it,” Wilson says with a laugh, “but it’s really the most loving set that I can design to bring people and give them an experience.”

Listen at Spotify, Apple Podcasts, Stitcher, Amazon Music or iHeartRadio.

“The biggest misperception of me is that I really give a f— about what anybody feels.”

That’s just one of the many colorful declarations and insightful revelations peppered throughout Biography: Bobby Brown. At times spicy, poignant and fun — but never pulling any punches — the documentary premieres across two nights on A&E, starting Memorial Day (Monday and Tuesday, 8 p.m. ET/PT).

Seemingly nothing was left on the cutting-room floor as Bobby Brown relates how he rocketed his way out of the housing projects of Roxbury, Mass., into superstardom — first as a member of R&B/pop boy group New Edition and later as a magnetizing solo act. Along the way, he recounts his “bad boy” reputation, the origin of his signature “Gumby” haircut and love life interludes.

Also covered are Brown’s battles with substance abuse and the law, his marriage to Whitney Houston, the deaths of their daughter Bobbi Kristina and his son Bobby Junior, as well as the positive trajectory he’s on now with his manager-wife Alicia Etheredge-Brown and their children. Supplementing Brown’s storylines are interviews with family and friends plus industry peers such as Usher, Jermaine Dupri, Babyface and New Edition bandmates Ricky Bell, Michael Bivins, Ronnie DeVoe and Johnny Gill.

Married 10 years as of June 18, Brown and Etheredge-Brown are also starring in a new reality series for A&E, Bobby Brown: Every Little Step. Borrowing its title from his 1989 Billboard Hot 100 top five hit, the 12-episode series (premiering Tuesday at 10 p.m. ET/PT following night 2 of Biography) revolves around the pair’s role-balancing as a married couple/parents and business partners. The latter includes Bobby Brown Foods featuring all-natural barbecue sauces and seasonings plus a new self-care line, Regenerate Wellness.

In advance of the two A&E premieres, Brown and Etheredge-Brown sat down with Billboard via Zoom to talk about Brown’s most difficult revelation in the documentary, thoughts on the upcoming Houston biographical film I Wanna Dance With Somebody, and why theirs won’t be a run-of-the mill reality show.

After 2017’s New Edition miniseries and your bio a year later, why did you feel the need to do this documentary?

Etheredge-Brown: We’d been asked multiple times to do a documentary, but it just felt forced then. Now it feels fitting for where our journey is and how Bobby’s doing.

Brown: I don’t think I was in the right space when we were asked before. But at this time in my life, it was very therapeutic for me to dig deep into my guts; going back to the traumas of my childhood. That’s the most of why we decided to do this now.

Etheredge-Brown: When we were looking at a home for the documentary, A&E didn’t have any prior notions of what they wanted Bobby to talk about. There are so many things about Bobby’s journey in which people had never really heard his voice. It was media or other people’s conversations and opinions on how he felt during various times in his life. So it was really important that we do this with a network that would be respectful of that.

In digging deep, Bobby, what was the hardest thing for you to reveal?

Brown: Well, probably the hardest was talking about the priest who molested me when I was around 9 years old. It’s the one thing that has been bothering me for many, many years that I kept deep in my soul. But I’m glad I was able to get it out and put it on the table.

Etheredge-Brown: I was very proud and encouraged that he was really doing the work. I could see how sharing those lifted something off of him; not feeling guilt about releasing. It’s always hard to relive the loss of the children or having to hear him speak about how he was treated when Whitney passed away. It was really a difficult time. Most people have no idea or could not even imagine what Bobby went through in trying to get to his daughter [Bobbi Kristina].

Beyond the alcohol, drugs and legal issues, would you have done anything else different in your life/career?

Brown: I don’t know about different. I just know that God put me here to experience many different things in my life. I’m just glad that he’s given me a second chance to be able to make up for the mistakes that I’ve made. I don’t regret having to go through those situations because I wouldn’t be the man that I am today if I didn’t go through those situations.

Etheredge-Brown: I would hope that he didn’t spend so much money back then. But I know he had fun doing it. [Laughs along with Bobby]

After all these years in the public eye, is there one question you’re tired of answering?

Brown: There’s really been nothing asked that bothers me because I’ve had such a front-page life. And now I’m glad to be able to tell my story.

Etheredge-Brown: Always hearing talk about Bobby and Whitney’s relationship … People like to shine a light on the negativity, but they didn’t always have a negative relationship. Their love was real and they had a beautiful child. There were wonderful times that people don’t really care about; they just want to hear about the bad times. That gets very redundant and it’s very hurtful.

Coming later this year is Sony Pictures’ Whitney biopic. Why are people still so fascinated by your relationship?

Brown: I truly hope that they let her rest and also let our relationship rest. I don’t know anything about the biopic that Clive [music industry legend Davis, one of the film’s producers] is doing. But hopefully it won’t dive into our relationship. Hopefully it will be more about the music and not about her personal life.

Given the strong criticism that Being Bobby Brown received in 2005, what made you take the reality route again?

Etheredge-Brown: We had considered doing some type of show before this, but not necessarily having someone in the house watching us every day. We really want to highlight our work relationship, our family time and our businesses. So in that way, it’s quite different because you will see what we really do in our lives. And it turned out to be so much fun. However, we made sure that we set parameters to protect the children: If they didn’t want to work or be on camera, it wasn’t a must. You’re going to see a loving Black family with two parents living in the house with our children, which isn’t often depicted or shown. And we don’t have to be hooting and hollering at each other or doing anything crazy to have a great story to share. You’ll see a Black man who is kind, sensitive and a listener who’s working on himself. You’re going to see us go through finding tools to communicate better in our marriage and how to be better parents as we learn so much from our kids.

Brown: This is a new chapter in my life; totally different from the earlier series because of how I’m living these days. I think people will notice that difference, especially in my attitude about life.

After everything you’ve gone through, to what do you attribute your resilience and perseverance?

Brown: God. That’s who holds me down. My belief in the Almighty, prayers and my family are what keep me going. Hopefully, in watching the documentary, people will learn a lot of different things about how to deal with difficult situations and come out on the other side. I’m speaking from the heart. This [documentary] is my truth. I hope they will know that.

Bobby Brown

“Bobby Brown: Every Little Step”

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Argentinian Maria Becerra collects her first No. 1 on a Billboard airplay chart as “Te Espero,” with Prince Royce, rises 2-1 to lead the Tropical Airplay chart dated May 28. Royce continues with the third-most leaders, with a total of 22.

“Te Espero” received its official release on March 3 through Smiling Prince/WK/Sony Music Latin. It arrives at the summit in its 12th week, after five weeks in the runner-up slot, thanks to a 12% boost in audience impressions, to 7.7 million, earned in the United States, to become the most-played song at monitored tropical radio stations in the week ending May 22, according to Luminate.

“Te Espero” earns Becerra her first champ on an airplay chart. The Argentinian’s previous high came with “Los Tragos,” with Reik, peaked at No. 7 on Latin Pop Airplay on the Feb. 19-dated ranking.

On Tropical Airplay, Becerra becomes the first woman to secure a No. 1 in a year, since La India clocked her 11th win with “Víctimas Las Dos,” with Victor Manuelle in May 2021.

Notably, both “Te Espero” and “Víctimas” were collaborations with a man. The last time a woman, unaccompanied by a male artist, reached No. 1 on Tropical Airplay was Alejandra with “El Rey Estafador” (Nov. 2016), also a bachata.

Further, Becerra is just the eleventh female solo act to secure a No. 1 on Tropical Airplay in the last decade. Let’s take a look at the leading women:

Artist, Years

La India, 2010, 2015, 2016, 2021

Shakira, 2010, 2017

Gloria Estefan, 2012

Natti Natasha, 2012, 2019

Leslie Grace, 2013, 2015

Sharlene, 2015, 2016

Alejandra, 2016

Aymée Nuviola, 2016

Fanny Lu, 2015

Jennifer Lopez, 2016, 2017

Maria Becerra, 2022

Royce, meanwhile, captures his 22nd No. 1 on Tropical Airplay, among a collection of 33 career entries. He ranks third overall, just behind Marc Anthony’s 35 wins and Victor Manuelle’s 29. Here’s the scoreboard mainly dominated by male acts:

35, Marc Anthony

29, Victor Manuelle

22, Prince Royce

16, Romeo Santos

14, Elvis Crespo

14, Gilberto Santa Rosa

13, Jerry River

11, India

11, Juan Luis Guerra

“Te Espero’s” 12% gain in audience impressions also contributes to rise on the all-Latin genre Latin Airplay chart. With a 7-3, it becomes Becerra’s highest ranked title there.

Elsewhere, the song re-enters at No. 41 on Hot Latin Songs after its No. 26 peak the week prior (dated May 14).