J. Cole lit up the stage during his Off-Season Tour stop at Inglewood, Calif.’s Forum arena on Thursday night (Oct. 21). During his set, the North Carolina native paid homage to his Fayetteville hometown, welcomed surprise guests and showed off his impressive music catalog by performing tracks spanning from his May album The Off-Season — which hit No. 1 on the Billboard 200 — back to his 2010 mixtape Friday Night Lights.

The hitmaker emphasized the importance of staying true to one’s craft and performed some of his classics, including “Nobody’s Perfect,” “Work Out,” “Can’t Get Enough” and “Power Trip.” Here’s a recap of some of the most exciting moments during Thursday night’s show.

J. Cole Reveals Surprise Guests Stars Ari Lennox & Bas

The audience was ecstatic when J. Cole finally hit the stage around 10 p.m. local time. The Grammy-winner made an NBA-starting-lineup-style grand entrance, with cameras following him from the locker room backstage as he made his way through the arena sporting a Los Angeles Lakers-inspired “Dreamer” jersey.

On the stage, complete with flashing lights and a basketball hoop that literally spat fire, J. Cole opened his set with his track “95 . S o u t h,” which he followed with “A m a r i” and “Applying . Pressure.”

Between songs, the rapper opened up about his experience as an artist and the importance of working through the stage fright that comes with performing his personal-favorite songs that weren’t received as hits. “I had a vision for this tour,” he told the audience. “I wanted to be able to come out in these big a– f—ing arenas … and step on these big a– stages and be able to deliver these real mother f—ing bars to y’all, you know what I mean? Give the bars to the people, you feel me?”

“We got the hits, we grateful for that,” he said as the crowd cheered. ” … If there’s one thing I love about doing these shows in LA, it’s a lot of people that have been f—ing with me since day one in LA. I remember, I feel like Los Angeles really appreciates these motherf—ing bars.”

As the night progressed, J. Cole welcomed surprise star Ari Lennox onstage to perform their collaborative hit “Shea Butter Baby.” Lennox then performed her solo track “BMO,” also from her debut studio album Shea Butter Baby. Bas hit the stage as well, to perform “Down Bad.” Lennox wore a black gown while Bas wore a jersey, keeping with the night’s basketball theme.

J. Cole Reunites With 21 Savage & Morray 

In what initially appeared to be the show’s grand finale, J. Cole reunited with fellow performers 21 Savage, Bas and Morray to perform the latter’s collaborative track “My Life.” Morray was the show opener for Thursday night’s concert. During his opening act, he performed his smash hit song “Quicksand.”

“I ain’t gonna lie, this has been the best night on tour,” J. Cole said.

After the trio left the stage and the lights went out, 21 Savage surprised fans by returning to perform his song “No Role Modelz.” He wrapped up his Inglewood performance with his track “Middle Child.”

21 Savage Celebrates 29th Birthday Onstage

Prior to J. Cole’s set, and after performing some of his own fan favorites, including “Bank Account,” “Ball W/O You” and “Rockstar,” 21 Savage announced that he was celebrating his birthday. The Grammy-winner officially turned 29 on Friday (Oct. 22). Led by producer Metro Boomin, who was also onstage with 21 Savage, the audience was thrilled to ring in the big day for the artist and sang “Happy Birthday.”

Comedian Druski Takes Center Stage

Moments after 21 Savage’s performance, comic Druski hit the stage and made the audience laugh hysterically. At one point, Druski danced as the DJ played a series of romantic throwback tunes, including Mario’s “Let Me Love You” and T-Pain’s “I’m Sprung.” But the icing on the cake was when he joked that he was the fifth member of R&B group Pretty Ricky and performed a cartwheel as he lip-synced the group’s top 10 Billboard Hot 100 hit song “Grind With Me.”

SEVENTEEN returned Friday (Oct. 22) with their ninth EP Attacca, and in a new interview with Billboard News’ Tetris Kelly, the group is opening up about their quick comeback after Your Choice, the album’s message of love, and getting CARATs involved in the music-making process.

The 13-member K-pop group is spoiling fans with new music, releasing Attacca just four months after June’s Your Choice EP, and they’re not planning to slow down anytime soon.

“We’re not taking any breaks,” Hoshi says, with S.Coups adding: “We worked even harder since we’re not able to meet everyone in person right now. We wanted to connect more frequently, at least through our music.”

Your Choice: 8th Mini Album debuted at No. 1 on Billboard’s Top Album Sales chart, selling 20,500 copies in the U.S. in the week ending June 24, according to MRC Data, and SEVENTEEN are excited to keep reaching new heights on Attacca. “We’re very glad that we’re able to show our continuous growth and we’re so thankful to our CARATs who made all this possible,” Mingyu says about the new project.

The group said their new song “Rock With You” from the album is for “fearless lovers,” and they think that message of love is always important.

“The kind of love we tried to illustrate through this album relays the message that regardless of where you stand and how you may look, ‘you’ will always be the best and most precious existence to ‘me,’” S.Coups explains. “And conversely, no matter where we may be, or what we may look like, we all can be a most cherished existence to someone else.”

SEVENTEEN is offering fans the chance to make their own version of “Rock With You” by releasing an audio kit with the song’s stems and encouraging fans to play around with the track. “We were sure that this would be a project that would have SEVENTEEN’s unique color to it and also something our CARATs would absolutely love,” Woozi tells Billboard News. “And as a result, we’re having so much fun listening to all the amazing music our CARATs are creating.”

Watch SEVENTEEN’s full Billboard News video interview above.

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Sulinna Ong has been promoted to global head of editorial at Spotify, the company tells Billboard. Ong was previously head of music for the U.K. and Ireland.

Ong joined Spotify in April 2019 as head of artist & label services and acting head of music culture & editorial in the U.K. and Ireland. Three months later, she was named head of music in the region — a role created specifically for her. In that position, Ong oversaw the streamer’s U.K. artist and label services department and its music culture and editorial team while reporting to U.K. and Ireland managing director Tom Connaughton. The news was first reported by Hits.

During her time at Spotify, Ong — the daughter of a Persian mother and a Chinese father who fled the Iranian revolution when she was a baby — has helped launch the streamer’s RADAR emerging artist program, which has spotlighted artists including Griff, Park Hye Jin, Joy Crookes and Young T & Bugsey.

Prior to Spotify, Ong served as global vp and head of marketing at rival streaming service Deezer for two-and-a-half years, working directly with labels and content creators. She kicked off her music career in 2004, when she was hired as an international marketing manager, artist development at Sony BMG Music. She later worked in a variety of artist management and marketing roles at The Family Entertainment, Live Nation, Silver Horse Entertainment and app developer WholeWorldBand.

Don Toliver’s second album, Life of a Don, debuts at No. 1 on Billboard’s Top Album Sales chart (dated Oct. 23), selling 18,000 copies in the U.S. in the week ending Oct. 14, according to MRC Data. It’s just the third R&B/hip-hop album to reach No. 1 on the chart this year, following Tyler, the Creator’s Call Me If You Get Lost (July 10-dated chart) and J. Cole’s The Off-Season (May 29).

Toliver leads a busy top 10, as new projects from aespa, Trivium, Grateful Dead, Reba and Old Dominion also arrive in the region.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now MRC Data. Pure album sales were the measurement solely utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Korean pop group aespa sees its Savage album bow at No. 2 on Top Album Sales, with 17,000 copies sold. Tony Bennett and Lady Gaga’s Love for Sale falls 2-3 with 13,000 sold (down 65%). Olivia Rodrigo’s former No. 1 Sour climbs 6-4 with 10,000 sold (up 21%).

Rock act Trivium starts at No. 5 with In the Court of the Dragon (9,000), Grateful Dead’s latest archival live release Listen to the River: St. Louis ’71 ’72 ’73 debuts at at No. 6 (nearly 9,000) and Taylor Swift’s former No. 1 Fearless (Taylor’s Version) falls 1-7 with 8,000 (down 94%), after the album returned to No. 1 a week ago following its Oct. 1 release on signed CD and vinyl LP.

Reba’s Revived Remixed Revisited bows at No. 8 with 8,000 sold, NCT 127’s former No. 1 Sticker: The 3rd Album falls 5-9 with nearly 8,000 (down 16%) and Old Dominion’s Time, Tequila & Therapy starts at No. 10 with 7,500.

Kelly Clarkson and Jimmy Fallon transformed into Sonny & Cher for Thursday’s (Oct. 21) special Kellyoke duet of “I Got You Babe.”

In their own words, they “totally nailed” their cover, as Fallon got Clarkson to hold his hand and blend their dulcet vocals for the duet. And the late-night host recalled getting a little bit more PDA from Cher herself when they performed the song on The Tonight Show.

“We had a bit when she was gonna slap me like Moonstruck. And she goes, ‘You know, Jimmy? I don’t want to slap you.’ I go, ‘Why?’ She goes, ”Cause I like you too much, I don’t want it to be like I don’t like you,’” Fallon told the audience. “She goes, ‘Or maybe I’ll slap you then I’ll kiss you.’ I go, ‘Great.’ … So the show’s about to start, we’re behind the curtain, we’re gonna walk out holding hands. And I go, ‘Hey, which one are you gonna do: Are you gonna slap me or are you gonna kiss me?’ And she goes, ‘I’mma do whatever I want. I’m Cher.’”

But when it came time to plant one on him, Fallon confirmed she decided on the kiss and that he has “never washed this side of my face” again, while stroking his left cheek.

“I Got You Babe” was released as the first single from the duo’s debut studio album Look at Us in 1965. It reached No. 1 on the Billboard Hot 100 and was certified gold by the Recording Industry Association of America.

Watch Clarkson and Fallon’s Kellyoke cover of “I Got You Babe” below.