The release will give victims the transparency they have sought and comes nearly 20 years after prosecutors cut a sweetheart deal with Epstein
Fugees rapper Pras Michel says he should stay out of prison while he appeals his illegal foreign lobbying convictions and resulting 14-year prison sentence, citing “egregious” errors during his trial.
The rapper, who rose to fame alongside his Fugee bandmates Lauryn Hill and Wyclef Jean, is set to surrender next month to serve his lengthy sentence for running a “foreign influence campaign” to get the U.S. to drop an investigation into fugitive Malaysian financier Jho Low.
But in a new filing on Friday (Dec. 19), his lawyers said he should be allowed to appeal the verdict before he reports to prison, since his appeal will reveal huge problems with his 2023 jury trial and could end in “reversal of nearly every count.”
“Neither the D.C. Circuit nor any other Court of Appeals has ever confronted this extraordinary degree of improper jury influence, which appears to be unprecedented,” Michel’s lawyers write.
In a statement, Michel spokeswoman Erica Dumas said: “This wasn’t a fair trial. This was a coronation of guilt. We’re confident the appeals court will recognize this case for what it is, an unprecedented trial that denies Pras’ constitutional right to an impartial jury.”
Composed of Hill, Jean and Michel, the Fugees rose to fame in the 1990s with hits like “Killing Me Softly,” “Ready or Not” and “Fu-Gee-La.” After splitting up in 1998, the three each had successful solo careers and mostly stayed separate until recent years, during which they’ve attempted multiple reunion tours.
Related
In 2019, Michel was hit with sweeping federal criminal charges over accusations that he funneled money from Low, the mastermind of the billion-dollar 1MDB embezzlement scheme, to a lobbying campaign aimed at getting the first Trump administration to drop its investigation into the disgraced financier. He was also accused of secretly funneling Low’s money to Barack Obama’s 2012 presidential campaign, and of later trying to influence an extradition case on behalf of China.
In April 2023, following a trial that included testimony from actor Leonardo DiCaprio and former U.S. Attorney General Jeff Sessions, Michel was convicted on 10 counts, including conspiracy to defraud the U.S. government. Earlier this year, he was sentenced to 14 years in prison and ordered to forfeit a whopping $64 million allegedly linked to the scheme.
Last week, Michel filed a notice of appeal, the standard first step to appealing a verdict. Such filings are typically sparse, leaving more detailed arguments to later briefings. But in his Friday motion seeking to stay out of prison, Michel’s lawyers offered a detailed preview of how they’ll appeal the case.
Among other major issues, they say the judge repeatedly told the jury “that Michel was guilty” by referring to him as a “co-conspirator” in open court. They also claim the judge allowed an FBI agent on the witness stand to “opine on at least 25 occasions that Michel was guilty.”
“If decided in Michel’s favor, these and the other substantial questions below would result in a new trial, reversal of nearly every count, and, at a minimum, a reduced sentence that would likely be less than the duration of Michel’s appeal,” the rapper’s lawyers write.
The IRS has accused Britney Spears of underpaying her 2021 taxes — and now the pop star is fighting back.
In September, the federal agency sent Spears a notice claiming that she owed $600,000 in unpaid income taxes, plus a $120,000 penalty for the mistake. But on Thursday (Dec. 18), the singer filed a petition in U.S. Tax Court asserting her 2021 taxes were correct after all.
Related
Britney Spears Posts About ‘Sadness and Darkness’ in Return to Instagram: ‘The Woman in Me Will Make Sure I Find My Destination’
“The commissioner erred in determining that any part of any underpayment was due to negligence or disregard of rules and regulations,” write lawyers for Spears, Charles Ruchelman and Blair Hlinka.
The IRS is alleging that Spears failed to report $1.4 million in taxable income from Shiloh Standing Inc., a holding company for some of her music and performance assets. The agency also says she improperly deducted $334,000 in medical expenses from her tax returns, leading her to pay $737,000 in income taxes instead of the correct amount, $1.3 million.
Spears’ attorneys, however, say her deductions were all above board, and that the pop star “properly reported her share of income, gains, expenses and losses from the business activities of Shiloh Standing Inc. for the tax year at issue.”
The singer is asking a judge to determine that her 2021 taxes were right all along, and that both the $600,000 deficiency and $120,000 penalty are uncalled for. Reached for comment on Friday (Dec. 19), an IRS rep said the agency “does not comment on pending litigation.”
Notably, Spears was still under a legal conservatorship for the bulk of the 2021 tax year. Under this arrangement, established in 2008 after Spears was hospitalized for a psychiatric evaluation, the singer’s father, Jamie Spears, was in charge of her finances.
Jamie was suspended from his role as conservator in September 2021, and a Los Angeles judge formally ended the 13-year arrangement the following November.
2025 was the first year that AI-generated music hit the Billboard, TikTok and Spotify charts. Whether it was “A Million Colors” by Vinih Pray cracking the TikTok Viral 50, “We Are Charlie Kirk” by Spalexma making it to the Spotify U.S. chart, Xania Monet’s “How Was I Supposed To Know” hitting the Billboard Hot R&B Songs chart and Breaking Rust’s “Walk My Walk” landing on the Country Digital Song Sales chart, the fast-growing popularity of certain AI tracks signaled what is likely to become a new normal in the music business.
Related
The emergence of AI songs brings up divisive questions. How should streaming services and charts, including Billboard, treat these songs? Should charts and playlists be a neutral playing field for whatever songs are popular — no matter how they are made — or should there be two distinct destinations for AI and human-made works?
These questions are made even more challenging when considering the growth of songs that fall more into the gray area in between human and AI works — ones that weave human-made and AI-made portions into the same song.
To debate these topics, Black Music Artists’ Coalition president/CEO, Willie “Prophet” Stiggers, and Monet’s manager and founder of dai+drm, Romel Murphy, joined Billboard to share their differing points of view. Stiggers shares the perspective that “AI-generated artists shouldn’t be on the same charts as human beings,” while Murphy feels they should.
The duo also discuss about how radio should treat AI artists as well, referencing iHeartRadio’s new policy “Guaranteed Human,” which effectively banned most AI songs as well as AI radio personalities and podcasts from its airwaves nationwide — a policy that pulled Monet’s own songs from radio just weeks ago.
Watch their conversation below.
Riverfest Elora is calling on Canadians to support the local live music scene.
Organizers for the Ontario music festival submitted a call to action through Elora’s local newspaper, Elora Fergus Today. It’s addressed to Canadian businesses, citizens and policymakers, advising them to invest in live music before more local organizations continue to dissipate.
“Arts and culture are essential infrastructure for thriving communities. Riverfest Elora was a powerful local example of how arts and culture generates economic activity, attracts visitors, cultivates identities, and creates opportunities for emerging artists to be developed and discovered,” the statement reads.
Organizers point to this year’s Canadian Live Music Association (CLMA) Hear and Now report, illustrating that “local festivals and events are only part of a much larger story.” According to the study, in 2023, live music and associated tourism amassed $9.9 billion in visitor spending. It showcases the interconnectedness of live music with travel, hospitality, retail and other relevant sectors.
Beyond economic impact, festivals like Riverfest Elora made a sustained, meaningful investment in homegrown music.
“The loss of Riverfest Elora — and the pressures that festivals, venues, and live music organizations across our region now face — underscores a hard truth: we cannot expect arts organizations alone to carry the burden of sustaining this vital public good,” organizers write.
Over its decade-and-a-half run, Riverfest brought in local and international acts including Blue Rodeo, The Flaming Lips, Bruce Cockburn, Metric, Violent Femmes, Monster Truck, Sam Roberts Band, Charles Bradley, Fleet Foxes, MGMT and more. This year’s headliners were Silversun Pickups, Fitz and the Tantrums and City and Colour.
Last month, the fest announced it was shutting down after 15 years through a Facebook post, citing financial strain.
“The reality is stark: costs have surged, revenues have fallen behind, and the changing festival landscape has made it impossible to sustain the model we’ve fought to keep alive,” organizers wrote.
Earlier this year, Billboard Canada spoke with Erin Benjamin, CEO of CLMA, who doubled down on the hardships local festivals face — many of which are facing post-lockdown circumstances, including rising production costs, fewer corporate sponsorships and hesitant audiences.
“COVID ripped up the playbook,” she said. “The cost of goods and services and labour and talent is extremely high. And it continues to go up.”
Read more here.
Amy Eligh Promoted to Vice President of Publishing and Licensing at Arts & Crafts
Amy Eligh is stepping into a new role as vice president of publishing and licensing at Arts & Crafts.
The music industry executive joined the independent publishing company in 2017 as director of publishing and licensing, remaining in that role for over eight years. During her almost decade-long tenure, Eligh assisted the indie label in expanding its indie rock roots to include songwriters from a variety of genres, including country and pop.
Now, Eligh’s role will expand to include the company’s global business development strategy as she continues to nurture both A&C’s new and legacy rosters. Her new role will ensure the company maintains its presence in all aspects of the industry as the Canadian music industry landscape evolves.
“I’m excited to be expanding my role here at A&C with the steadfast support of the executives and team,” says Eligh. “I’m so appreciative of the autonomy and trust I’ve been given to grow our small but mighty publishing company. We will continue to strive to be a creative and innovative contributor in this corner of the industry that I love so much.”
Formed in 2003, Arts & Crafts has been known as a hub for some of the most celebrated indie artists in the country, from Broken Social Scene to Constantines, Feist to Mustafa.
More recently, the company’s publishing department, Arts & Crafts Music Publishing, has been one of its biggest successes. A&C has secured a small roster of emerging songwriters, some of whom have played a part in penning hits for some of today’s biggest artists. Ontario native Megan Bülow is a credited songwriter on Beyoncé’s Grammy-nominated hit “Texas Hold ‘Em” from her Grammy-winning album Cowboy Carter. Songwriter Josh Berkowitz has written a handful of tracks for pop artist Kelly Clarkson, Canadian singer-songwriter Forest Blakk and Nigerian gospel musician Blessing Offor, including “Somebody’s Child” featuring music legend Dolly Parton.
Another major moment for Arts & Crafts Music Publishing was the signing of Toronto rock band The Beaches back in 2022. A&C’s additional register of rising songwriters includes artists Broken Social Scene, Young Friend, Jordan Hart, Sylo, Katie Tupper, Dear Rouge, plus solo songwriters like Parker Bossley and Steve Bays, who have written for homegrown artists such as Hotel Mira, Dear Rouge, Fitz and the Tantrums and Yukon Blonde.
Read more here.
HAVEN.’s ‘I Run.’ Charting on the Billboard Canadian Hot 100 Following AI Deepfake Allegations
Is electronic duo HAVEN. finding haven on the Billboard Canadian Hot 100?
After a major industry controversy and conversations surrounding AI deepfaking, the pair’s viral track “I Run,” featuring singer Kaitlin Aragon, has found a stronghold on the Canadian Hot 100. In its third week, the song sits at No. 59.
Two months ago, “I Run,” the EDM track from HAVEN., comprised of London-born producers Harrison Walker and Jacob Donaghue, became a viral hit on TikTok, amassing over 110 million plays — but it had yet to be officially released.
Through the fanfare, it caught the attention of major and independent labels, along with U.K. R&B singer Jorja Smith. To many, the uncredited female vocalist on hypnotic “I Run” sounded eerily similar to Smith — which kicked off the song’s controversy. In a now-deleted TikTok video, she acknowledged the track, asking in the caption: “who actually is this?” Then, HAVEN. added #jorjasmith to a now-removed social post promoting the song. “It was more so just embracing that it does sound like her,” a spokesperson for HAVEN. noted. “It became an organic trend.”
As it continued to build momentum, the track was removed from streaming services. The Orchard — which distributes Smith’s FAMM label — issued various takedown notices for “I Run” upon its official release, alleging varying issues with the song, including that it “misrepresents” another artist and constitutes copyright infringement.
Due to the dispute, the song was withheld from the Billboard charts at the time after one week on the Hot Dance/Electronic Songs, with Billboard reserving the right to withhold or remove titles from appearing on the charts that are known to be involved in active legal disputes related to copyright infringement that may extend to its deletion on digital service providers.
While some claim the original version uses an unauthorized AI deepfake of Smith’s voice, the duo told Billboard that they wrote and produced the song in ProTools, and Walker used his own voice to record the vocals. He says that he then ran it through layers of AI-assisted processing using the AI music tool Suno and filtered it to turn it into the female-sounding voice heard in the track — with no reference to Smith. It’s worth noting that Suno has been sued by multiple music companies, including all three major labels, claiming that the model was trained on copyrighted music — which could include Jorja Smith. In November, Warner Music Group settled its portion of the lawsuit against Suno after signing a licensing deal with the AI company.
While the disputes are ongoing, HAVEN. since released a re-recording of the song in November, featuring singer Kaitlin Aragon, who was discovered by the duo’s team after posting a TikTok cover of “I Run.”
This is the version currently charting on the Canadian Hot 100.
Read more here.
Should AI artists be allowed to chart alongside human artists? In this heated and unfiltered debate, we dive into one of the biggest questions facing the music industry today.
Xania Monet’s manager Romel Murphy goes head-to-head with the Prophet, CEO of the Black Music Action Coalition, to discuss whether AI-generated artists belong on the same charts as human creators.
Kristin Robinson:
How should AI music be treated on streaming services and on the charts, whether that’s Billboard, TikTok, Spotify or anything else? That’s what we’re going to tackle here today with my two great guests. Prophet, Romel, thank you so much for being here. There’s a lot of nuance to this conversation, a lot of people at differing points of view. And so I wanted to bring both of you guys here, because I think you’ll come from two different very important vantage points on this issue. So before we get started in this, I want to have you guys kind of introduce yourselves to whoever’s watching at home.
Romel Murphy:
Thank you for having me. I am the president and founder of Daidream, which is a play off AI, spelling day D-A-I. So I got thrust into the AI music space with Xania Monet, that’s my artist. I manage her, and I manage her creator, Nikki Jones. And so it kind of thrust me in unexpectedly, and then I had to research and learn it fast. I’ve been in the music industry over 20 years.
Willie “Prophet” Stiggers:
I’m Prophet, co-founder, president, CEO of the Black Music Action Coalition, an organization that formed in 2020 in response to the show pausing after the killing of George Floyd, Breonna Taylor and Ahmaud Arbery. About 200 of the most influential producers, artists, music managers, lawyers formed an organization that would first hold the industry accountable to the pledges they were making around social and racial justice. But then we quickly realized there was tremendous bargaining power, and this group that we formed, so this organization, for the past five, going on six years, have really been an advocacy group, sitting at the intersection of music and activism
And Romel, you’re working with perhaps the most well-known AI artist today, Xania Monet. I know Xania is backed by a real person who writes poetry and uses Suno to kind of take those poems into songs. I’m wondering, though, what was your first impression when you heard about Xania?
Keep watching for more!
They say age is just a number, and two superstars making high-profile TV appearances this month on programs that traditionally cater to young audiences prove the point.
When Cher appears as the musical guest on Saturday Night Live on Saturday, she’ll make a little history. At 79, she’ll be the second-oldest musical guest in the show’s 50-year-plus history. Ragtime pianist Eubie Blake was 92 when he was the musical guest (alongside Gregory Hines) on the March 19, 1979, show.
Blake had a late-in-life resurgence in popularity thanks to the 1978-79 Broadway musical Eubie!, which showcased his ebullient songs, such as “I’m Just Wild About Harry” and “Shuffle Along.” Cher, by contrast, has just always been there, never far removed from a hit record, TV show, movie or tour in the more than 60 years she has been a star. Earlier today, the Recording Academy announced that she will receive a lifetime achievement award at their Special Merit Awards ceremony on Jan. 31, the afternoon before the 68th Grammy Awards.
Related
This will be Cher’s second appearance as the musical guest on SNL. She first guested on Nov. 21, 1987, one month before Moonstruck opened, singing her hits “We All Sleep Alone” and “I Found Someone.”
On Dec. 31, Diana Ross will be the headline attraction on Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest. She’ll perform live from Times Square near midnight, when the show’s audience is at its peak. (Carrie Underwood filled that prime spot on last year’s show.) Ross is 81, a shade older than Cher, and in the same way, she has been a welcome part of our lives since the 1960s.
Related
Ross landed her first career No. 1 hit on the Hot 100, The Supremes’ “Where Did Our Love Go,” in August 1964. Cher landed her first career No. 1, Sonny & Cher’s “I Got You Babe” almost exactly one year later.
Here’s a list of musical guests on SNL who were 70 or older at the time. They are listed in ascending order:
Conspiracy theories swarmed the internet about Timothée Chalamet moonlighting under the alias of British rapper EsDeeKid, but those can be laid to rest. Chalamet joined his rap twin on Friday (Dec. 19) and hopped on EsDeeKid’s “4 Raws” remix.
Chalamet and EsDeeKid linked up for a visual, which finds the duo heading from the kitchen to under the stars of a Rolls-Royce Wraith’s backseat, spitting rhymes.
Related
Megadeth’s Dave Mustaine Gets In the Octagon For Street Fighting Video For ‘Let There Be Shred!’ Single From Final Album
“It’s Timothée Chalamet chillin’, tryna stack a hundred million/ Girl got a billion/ What the f—, what a wonderful feeling,” he flexes about his beauty mogul girlfriend, Kylie Jenner.
The Oscar-nominated actor made sure to plug his upcoming Marty Supreme film, as the promo tour has taken him across the globe and even into the studio for one of the most unique campaigns Hollywood’s seen in recent years.
“My life is an opera, look at the Oscars/ Look at the groupies, look at the movies/ Look at the triple A, girl gon’ choose me/ Look at my haters, man, they wanna sue me,” he continues to rap.
Rapping isn’t foreign to Chalamet as a massive fan of hip-hop, and he even rapped as a kid under the alias of Lil Timmy Tim.
He also wasn’t kidding when he repeatedly responded to interview questions that looked to interrogate him about being EsDeeKid. “All will be revealed in due time,” he told Heart Radio in the U.K. and other outlets earlier this month while promoting A24’s Marty Supreme.
EsDeeKid rode the momentum behind the bubbling speculation to a surge in streams of his Rebel album, which launched at No. 131 Billboard 200 in November.
Watch the “4 Raws” remix video below.
The shape of Ed Sheeran has changed quite a bit in recent years, with the British pop star losing 30 pounds and bulking up on muscle since welcoming children with wife Cherry Seaborn.
In a new Men’s Health cover story published Thursday, Sheeran shared how — and why — he got in shape. The main reason? “I became a dad,” he told the publication. “I remember Lyra was 2 weeks old, and I had my best mate round and we had a bottle of wine.”
Related
“I went to bed, then Lyra woke up 20 minutes after I’d fallen asleep,” continued the singer, who welcomed daughters Lyra and Jupiter in 2020 and 2022, respectively. “I woke up, and I was like, ‘F—, I probably shouldn’t drink if I’m going to feel this dreadful.’ I want to be able to do the night stuff. It all came in at the same time of wanting to be a responsible dad, wanting to feel and look good.”
To slim down, Sheeran says he’s incorporated consistent exercise — even while on tour — and cut back on drinking alcohol. To build strength, he told the magazine he favors a combo of lifting weights, reformer Pilates and going for runs.
It’s quite a different lifestyle from the one the Grammy winner previously led, to the point where Sheeran said he sometimes wonders if his longtime fans won’t connect as much with the person he’s become. “I’ve worried about it,” he said. “I’m the guy people relate to, and I did think, ‘F—, is it weird me being super in shape on a Men’s Health cover?’”
“I do think it’s relatable for parents to suddenly want to be a bit more healthy and follow a bit more of a routine,” he added. “I think, underneath it all, I am a pizza-eating, beer-guzzling smoker, but that’s just not my reality as a parent in my 30s. I think that you have to make good decisions.”
See Sheeran on the cover of Men’s Health below.
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
After almost three years, Rosalia is going back on tour with Lux, in support of her album of the same name.
The Spanish singer will begin her tour in March of 2026 in Lyon, France, with a multitude of planned stops all over the U.S. including Miami, Boston, Las Vegas, New York and more. The “La Perla” singer will also be making stops in South America, Mexico and the Caribbean. If you didn’t know, Lux dropped late in 2025, Nov. 7 to be exact, and made a lot of noise, specifically for the track “Berghain” which was released ahead of the album as a single. The multi-lingual track features Björk and Yves Tumor, some of Rosalia’s frequent collaborators. The album dominated Billboard’s charts, landing the number one spot on the Top Latin Albums, Top Latin Pop Albums, Classical Albums, Classical Crossover and World Albums charts.
It’s safe to say that Rosalia’s new offering was a popular one, which means competition to snag tickets to her supporting tour will, and has been, crazy. Thus far, multiple stops on her tour have already been closed to sold-out, despite tickets having gone on sale on Dec. 11, just eight days ago from the time of writing. If you’re looking to get tickets, especially ones that won’t leave your bank account ransacked in the new year, then you’ll want to keep reading.
ShopBillboard has flagged a bunch of ticketing options for affordable prices, yes, even on Ticketmaster. We’ve also included codes you can use, on us, that will save you some extra coin. Moral of the story? You’ll want to act fast before they sell out for good. While your at it, why not take up learning Spanish with Rosetta Stone, so you can comprehend some of your fave Rosalia songs. The language learning subscription is offering 50% off their Lifetime subscription.
Here’s Where You Can Still Buy Tickets to Rosalia’s 2026 ‘Lux’ World Tour
Ticketmaster has a slew of good seating options Rosalia’s tour that are pretty close to the stage, with standard tickets at some venues starting at as low as $93. If you do want affordable tickets through the site, you’re more likely to find ones in the nosebleeds unfortunately. The ticketing service offers a Fan Guarantee, which allows for cancellations, refunds or exchanges within 24 hours of booking, subject to certain exclusions.
The ticketing site also recently announced that they’re barring fans and brokers from operating multiple accounts on its platform. They also plan to shut down its long-criticized TradeDesk ticket uploading application and start requiring ticket brokers to hand over their Social Security numbers in order to sell tickets on Ticketmaster’s resale platform, further making sure your tickets are secure.
StubHub still has a slew of seating options left for Rosalia’s upcoming tour, including a bunch closer to the stage. You can shop for all dates and arenas with ease thanks to the ticketing service’s FanProtect Guarantee. This initiative protects fan’s purchases by ensuring valid tickets or your money back. Plus, if your event is canceled and not rescheduled, you will receive a credit worth 120% of the amount you paid for the impacted event, or the option of a cash refund.
You can grab seating options through Vivid Seats now, with some venues charging only $60. The ticketing service offers a 100% Buyer Guarantee that vows your transaction will be secure, that your tickets will be delivered before your event and that those tickets will be valid and authentic. Right now, you can use promo code BB30 to snag $30 off of your purchase. Our favorite feature of the site is that it shows you the lowest ticket pricing for each venue on the landing page without having to click into the venue so you can compare in one place.
With our help, you can grab tickets to Rosalia’s tour without breaking the bank. Right now, you can use promo code BILLBOARD10 at checkout to receive $10 off at checkout. We’ve seen tickets at some venues for as low as $64. The ticketing service features a Buyer Guarantee that ensures smooth ticket purchases every time. The site also offers you venue options based on your location, giving you the closest venue to you, so you won’t have to trek anywhere too far.
More savings can never be bad. You’ll be able to get Rosalia’s tour tickets and sing your heart out without worrying about paying a fortune via TicketNetwork with the code BILLBOARD300 to save $300 off orders of $1,000, and BILLBOARD150 to save $150 off orders of $500. If you don’t have the funds to buy your tickets just yet, you can also buy the tickets on the website now and pay later with help from Affirm. Plus, the website includes all-in pricing that lets you see exactly what you’ll be paying upfront (fees included).
Gametime features a slew of seating options, all for pretty affordable prices, the most versatile we’ve seen. Some venues have tickets starting at $82, a steal given how in high-demand the tour is and how pricy tickets can become. The highest we’ve seen thus far is $308 for venues like Madison Square Garden. Gametime guarantees the lowest prices, event cancellation protection, job loss assurance and on-time ticket delivery for a smooth ticket buying experience every time, no matter the occasion.
See All of Rosalia’s Lux Tour Dates Below
Mon Mar 16 – Lyon, FR – LDLC Arena
Wed Mar 18 – Paris, FR – Accor Arena
Fri Mar 20 – Paris, FR – Accor Arena
Sun Mar 22 – Zurich, CH – Hallenstadion
Wed Mar 25 – Milan, IT – Unipol Forum
Mon Mar 30 – Madrid, ES – Movistar Arena
Wed Apr 01 – Madrid, ES – Movistar Arena
Fri Apr 03 – Madrid, ES – Movistar Arena
Sat Apr 04 – Madrid, ES – Movistar Arena
Wed Apr 08 – Lisbon, PT – MEO Arena
Thu Apr 09 – Lisbon, PT – MEO Arena
Mon Apr 13 – Barcelona, ES – Palau Sant Jordi
Wed Apr 15 – Barcelona, ES – Palau Sant Jordi
Fri Apr 17 – Barcelona, ES – Palau Sant Jordi
Sat Apr 18 – Barcelona, ES – Palau Sant Jordi
Wed Apr 22 – Amsterdam, NL – Ziggo Dome
Mon Apr 27 – Antwerp, BE – AFAS Dome
Wed Apr 29 – Cologne, DE – Lanxess Arena
Fri May 01 – Berlin, DE – Uber Arena
Tue May 05 – London, UK – The O2
Thu Jun 04 – Miami, FL – Kaseya Center
Mon Jun 08 – Orlando, FL – Kia Center
Thu Jun 11 – Boston, MA – TD Garden
Sat Jun 13 – Toronto, ON – Scotiabank Arena
Tue Jun 16 – New York, NY – Madison Square Garden
Sat Jun 20 – Chicago, IL – United Center
Tue Jun 23 – Houston, TX – Toyota Center
Sat Jun 27 – Las Vegas, NV – T-Mobile Arena
Mon Jun 29 – Los Angeles, CA – Kia Forum
Fri Jul 03 – San Diego, CA – Pechanga Arena
Mon Jul 06 – Oakland, CA – Oakland Arena
Thu Jul 16 – Bogotá, CO – Movistar Arena
Fri Jul 24 – Santiago, CL – Movistar Arena
Sat Jul 25 – Santiago, CL – Movistar Arena
Sat Aug 01 – Buenos Aires, AR – Movistar Arena
Sun Aug 02 – Buenos Aires, AR – Movistar Arena
Mon Aug 10 – Rio de Janeiro, BR – Farmasi Arena
Sat Aug 15 – Guadalajara, MX – Arena VFG
Wed Aug 19 – Monterrey, MX – Arena Monterrey
Mon Aug 24 – Mexico City, MX – Palacio de los Deportes
Wed Aug 26 – Mexico City, MX – Palacio de los Deportes
Thu Sep 03 – San Juan, PR – Coliseo de Puerto Rico
