Billboard revealed its year-end Boxscore charts earlier in December, ranking the top tours, venues and promoters of 2025. We’re breaking it down further, looking at the biggest live acts, genre by genre. Now, we continue with rap.
Last year, rap doubled its share within the top 100 tours. It makes another leap in 2025, up to 7.7% due to $693.4 million from six tours on the all-genre chart.
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Still, the genre’s year-end top 10 doesn’t tell the whole story. Travis Scott grossed more than $40 million during the ’25 tracking period, but that is just a small percentage of the Circus Maximus Tour’s record-breaking nine-figure grosses. YoungBoy Never Broke Again brought in $28 million in the first month of his debut arena tour, but it has continued throughout the fall, doubling and then some.
The biggest rap tour of the year is by the same act who leads year-end charts for Top Rap Albums, Hot Rap Songs and Top Rap Artists. He caps an enormous two-year run that included the highest grossing rap tour in history.
This year’s top 10 rap acts span generations, ranging from Wu-Tang Clan’s early ‘90s debut to the 2020s emergence of the United Kingdom’s Central Cee.
Keep reading to check out the 10 highest grossing tours by rap acts, with such acts qualifying due to recent performance on Billboard’s Top Rap Albums and/or Hot Rap Songs charts. Rankings are determined according to figures reported to Billboard Boxscore. All reported shows worldwide between Oct. 1, 2024, and Sept. 30, 2025, are eligible.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-16 16:04:472025-12-16 16:04:47Top 10 Highest Grossing Rap Tours of the Year
Morgan Wallen was recently namedBillboard‘s top artist of 2025, and he continuing to cap off the year with more milestones. The musician has just been named as the RIAA’s highest certified country artist of all time, with 239.5 million certified singles (inclusive of solo and collaborations) and 26 million albums. Wallen also becomes the third most-certified artist in all genres, succeeding only Drake and Taylor Swift in solo titles. Wallen is also the No. 2 digital singles-certified solo artist of all genres. Those accolades come seven years after he earned his first RIAA Gold certifications for “The Way I Talk” and “Up Down” in 2018, and “Whiskey Glasses” in 2019 (the song is 13x RIAA Platinum certified).
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“Morgan Wallen’s rise has been nothing short of remarkable,” RIAA chairman/CEO Mitch Glazier said in a statement. “A trajectory powered through deep fan connection, multiple creative collaborations and partnerships with Big Loud and Republic Records. Less than a decade after earning his first Gold singles, he has officially become the highest RIAA certified Country artist with 265.5M units, including credits on five Diamond-certified or higher singles! The sheer volume of streams behind this achievement speaks to how actively audiences continue to show up and his sustained journey reshaping modern music. Congratulations on this new height as Morgan and his team set their sights on the next.”
Earlier this year, Wallen released his fourth studio album, I’m The Problem, and just seven months after its release, the album has been certified 4x Platinum, while 22 of the album’s 37 songs have been certified Gold or higher. Every song on Wallen’s previous albums — If I Know Me and Dangerous: The Double Album (inclusive of the bonus version) — is RIAA certified.
Now, Wallen has five singles that are Diamond-certified or higher, including the newly Diamond-certified “Heartless,” his 2019 collab with Diplo, as well as “Last Night,” “Wasted on You,” “Whiskey Glasses” and “Chasin’ You.” Dangerous: The Double Album and One Thing at a Time are also now each certified 9x Platinum.
Next year, Wallen will launch his Still the Problem Tour, a 23-show stadium tour that will begin April 10 with two nights at U.S. Bank Stadium in Minneapolis.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-16 16:04:462025-12-16 16:04:46Morgan Wallen Named RIAA’s Highest Certified Country Artist of All Time: ‘Reshaping Modern Music’
Ryan Tedder has spent much of his career figuring out how to turn casual listeners into lifelong fans. Now, the OneRepublic frontman and Grammy-winning songwriter is betting that the same thinking can unlock a major opportunity in professional sports.
Tedder is an investor in Jump, a fast-growing fan engagement platform founded by serial entrepreneur Mark Lore and backed by retired baseball player Alex Rodriguez that aims to deepen relationships between teams and fans through a unified, team-branded app. The platform integrates ticketing, merchandise, concessions, seat upgrades and personalized experiences — all designed to help teams better understand, engage and monetize their most loyal supporters.
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“When I saw the problem they were solving, it made all the sense in the world,” Tedder says. “My entire life outside of writing songs is about understanding fandom and how to super-serve fans. Sports teams, historically, don’t do that very well.”
Jump, which is already working with the NBA’s Minnesota Timberwolves, allows fans to order food from their seats, manage tickets, buy merch and even receive real-time notifications offering seat upgrades during games — a level of flexibility Tedder says mirrors the evolution of fan experiences in music.
“One of my favorite features is getting a notification five minutes into a game saying, ‘Courtside seats just opened up — do you want to upgrade?’” Tedder says. “You tap your phone and suddenly you’re courtside. That just doesn’t happen in a normal sports experience.”
Tedder’s interest in Jump came through Lore, whose previous ventures include Jet.com and leading Walmart’s e-commerce strategy. Tedder invested shortly after the company’s early launch, following a long phone call that sealed his conviction.
“Part of my investment philosophy is betting on the jockey and the horse,” Tedder says. “Mark has built billion-dollar companies before. I believe in the team as much as the opportunity.”
What ultimately sold him was the size of the unmet need. Tedder says he spoke with longtime season-ticket holders across multiple leagues — including the NBA, NFL and MLB — asking what teams truly knew about them beyond their seats and parking passes.
“The answer was basically nothing,” he says. “Beyond tickets, food and maybe a VIP lounge, there’s no deeper relationship. That’s wild when you compare it to music.”
In touring, Tedder notes, artists routinely layer experiences on top of concerts — meet-and-greets, soundcheck access, exclusive merch drops and surprise moments that create lasting memories and incremental revenue. Sports, despite having more frequent touchpoints across a season, have largely failed to replicate that model.
“There’s a massive delta between how passionate fans are and how they’re treated,” he says. “That entire gap is what Jump is designed to fill.”
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Tedder describes Jump as a “one-stop shop” that allows teams to communicate directly with fans rather than relying on fragmented third-party systems.
“A good analogy is Shopify,” he says. “Shopify lets brands have a direct relationship with consumers. Jump does that for sports teams. You’re not dealing with a middleman — you’re dealing directly with the team you love.”
Jump is a full-service ticketing system that competes with the likes of Ticketmaster and AXS, and Tedder notes the company is designed to build a data-driven relationship that benefits both fans and franchises.
The platform’s success with the Timberwolves has already attracted interest from other teams across leagues, according to Tedder, though he declined to name those partners ahead of official announcements.
Tedder’s perspective is shaped by decades inside the music business, where fan engagement has become increasingly sophisticated. He points to K-pop as a prime example of how fandom — not just music — drives global success.
“It’s not just the songs,” he says. “It’s the fandom. It’s understanding your audience and creating experiences that feel personal and special.”
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He sees similar potential in sports, from VIP travel experiences to team-specific fan activations that could be tested by one franchise and then adopted league-wide.
“Think about how ideas spread between teams,” Tedder says. “One team does something incredible, it goes viral, and suddenly everyone wants to copy it. Jump gives teams the infrastructure to experiment.”
For Tedder, Jump represents a rare convergence of business, technology and culture — one that feels overdue.
“I walked out of a concert thinking about all the special things we did for fans that day,” he recalls. “A week later, I was at a sporting event and realized nothing about the experience was different from any other game I’d ever attended.”
He pauses. “That’s when it really clicked. This is a massive opportunity — and we’ve only scratched the surface.”
On a dark day when figures from the movies, politics and culture paid loving tribute to writer/director/actor Rob Reiner following what police believe was the Hollywood legend’s killing in Los Angeles on Sunday (Dec. 14) along with his wife, Michele Reiner, late night hosts excoriated Donald Trump for his hateful comments about the beloved performer.
“You know, I have to say this is the kind of weekend that makes you wonder if things will ever feel good again,” Jimmy Kimmel said in the cold open to his show on Monday night (Dec. 15) of a weekend that also saw a mass shooting in Australia targeting a Jewish Hanukkah celebration and a mass shooting at Brown University.
“What we need in a time like this, besides common sense when it comes to guns and mental healthcare, is compassion and leadership. We did not get that from our president because he has none of it to give,” added Kimmel of his White House nemesis and frequent target of monologue jokes. “Instead we got a fool rambling about nonsense, we got a brief moment of respect for our friends in Australia, we got a brief moment of condolence followed by a ‘thing happened’ for the students at Brown and for Rob and Michele Reiner.”
Kimmel was nodding to Trump’s vituperative attack on proud progressive Reiner posted on the president’s Truth Social platform, in which he opined that Reiner’s death was “reportedly due to the anger he caused others through his massive, unyielding, and incurable affliction with a mind crippling disease known as TRUMP DERANGEMENT SYNDROME.”
While former Presidents Obama and Biden offered their deepest condolences to the Reiner family and praised their the couple’s “extraordinary contributions,” with Obama saying he and former First Lady Michelle were “heartbroken” over the loss of the multi-talented Hollywood star who “gave us some of our most cherished stories on screen,” Trump referred to Reiner as “a tortured and struggling, but once very talented movie director and comedy star.”
Speaking of himself in the third person, Trump continued his attack eulogy by claiming that avowed free speech and democracy supporter Reiner was “known to have driven people CRAZY by his raging obsession of President Donald J. Trump, with his obvious paranoia reaching new heights as the Trump Administration surpassed all goals and expectations of greatness.”
Reiner and his wife were found dead in their Los Angeles home on Sunday afternoon and the couple’s son, Nick Reiner, 32, has been arrested in connection with their deaths, according to law enforcement.
The dark words from the president — a figure who in times past was often referred to as the “consoler-in-chief” during the nation’s most challenging times — continued on Monday when a reporter asked him if he stood by his earlier post given the blowback his comments had received, even from some typically faithful Republican lawmakers.
“Well, not a fan of his at all. He was a deranged person, as far as Trump is concerned,” Trump doubled down in making what appears to be a tragic double parricide about himself. “He said .. .that I was a friend of Russia, controlled by Russia. He knows the Russia hoax, he was one of the people behind it. I think he hurt himself career-wise, he became like a deranged person, Trump Derangement Syndrome… I thought he was very bad for our country.”
Reiner was, in fact, a proud supporter of democrats and known for his selfless charitable work, including advocating for early childhood development by pushing for California’s Prop 10 in 1998, a tobacco tax that raised funds for early childhood health and education. He was also a tireless advocate for the LGBTQ+ community via his work to combat California’s Prop 8, which banned same-sex marriage in the state. Reiner founded the American Foundation for Equal Rights in response to the ban, hiring a pair of lawyers whose work representing same-sex California couples helped pave the way for the Supreme Court’s landmark Obergefell v. Hodges ruling that guaranteed the right to marry to same-sex couples.
Kimmel added, “Just when you think he can’t go any lower, he somehow finds a way to do that. His description of what happened, of course, is not at all what happened, and this is exactly what I’ve spoken about before, this rush to pin the tail on the donkey in pursuit of the Trump-friendly narrative, not to mention blaming his death on the fact that he is an outspoken liberal, insulting someone who’s just been murdered, who leaves children behind, without having any idea of what actually happened.. It’s so hateful and vile. When I first saw it, I thought it was fake. My wife showed it to me this morning. I was like, well, even for him that seemed like too much, but nothing is ever too much for him… I know from my personal interactions with Rob Reiner that he would want us to keep pointing out the loathsome atrocities that continue to ooze out of this sick and irresponsible man’s mouth.”
Speaking to Michelle Obama on his show on Monday, Kimmel noted that the Obamas were friends with the Reiners, with the former First Lady mentioning that she and the former President were slated to have dinner with the couple on the night they were found dead in their home.
Without mentioning Trump, Obama made her loving feelings about the Reiners clear, while not-so- subtly rubbishing Trump’s claims. “Unlike some people, Rob and Michele Reiner are some of the most decent, courageous people you ever want to know,” she said. “They’re not deranged or crazed. What they have always been are passionate people in a time when there’s not a lot of courage going on, they were the kind of people who were ready to put their actions behind what they cared about. And they cared about their family and they cared about this country and they cared about fairness and equity. And that is the truth, I do know them.”
Seth Meyers also lovingly remembered Reiner on his show on Monday night, recalling the times he was “lucky” to spend with the Spinal Tap director, who came on his show earlier this year to promote the long-awaited Spinal Tap II: The End Continues sequel. Meyers said he could have talked to Reiner for “hours” about his long, storied career in front of and behind the camera before sharing a sweet memory about attending TV legend Norman Lear’s 100th birthday celebration in 2022.
“I know this sounds like a story about Norman, but it’s also a really great story about Rob,” Meyers said of the time Reiner helped the then still-very-active Lear stay on target with his tale. “Because Rob was known, Rob had this reputation for getting the best out of people, and if you watch his films, you know that is something he had the skill with… but to see him in person and know that’s what he was like in his real life as well — it was just so truly special to see.”
Meyers acknowledged that Reiner was “no fan” of Trump, adding the by-no-familiar corollary that, of course that meant Trump was no fan of the Princess Bride director either. “Just about 12 hours after Rob and Michele had been murdered in their own home, he [Trump] wanted to take the opportunity to go on social media and post his thoughts about this tragedy. I feared this was something he was going to do,” Meyers said. “And I was pretty certain that it would cast a shadow on what was already a really dark day, but it was even worse than I could have imagined.”
And like Kimmel, who called Reiner “one of our greatest directors and patriots” while lamenting Trump’s divisive comments Meyers mused that now would be a good time to “have a leader with a moral compass.”
Jimmy Fallon also paid loving homage to Reiner on his show on Monday, recalling how other guests would “line up” around the director’s dressing room to say hi or pay tribute, noting that everyone felt they had a “personal connection” to Reiner’s work.
“He was one of the smartest and funniest people I’ve ever met. What a tremendous loss, and he leaves behind such a legacy,” Fallon said. “Thank you for all the great work, on and off screen, and continuing to be an inspiration to me and millions of people around the world. In the end, I’m gonna remember all of the laughs you’ve given us.”
Watch Kimmel, Fallon and Meyers’ monologues below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-16 14:44:362025-12-16 14:44:36Jimmy Kimmel Disgusted by Donald Trump’s ‘Hateful and Vile’ Post About Rob Reiner’s Death
Eric Wong has been promoted to executive vice president of recorded music at Warner Music Group, expanding his leadership remit across the company’s global marketing and A&R operations, WMG announced Tuesday (Dec. 16).
In the newly elevated role, Wong will oversee flagship global marketing campaigns and lead global A&R efforts, working closely with WMG’s labels, artists and management teams to drive international storytelling and artist development.
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He will continue to serve as president of East West Records U.S. and president of Warner Music Canada, and remains based in New York, reporting directly to Warner Music Group CEO Robert Kyncl.
Wong has been part of WMG’s senior management team for the past five years, during which time he has played a key role in strengthening collaboration across the company’s recorded music labels and international territories.
“Since joining WMG’s senior management team five years ago, Eric has been a driving force behind our mission to forge closer collaboration across our recorded music labels and territories around the world,” Kyncl said in a statement. “His understanding of the international marketplace, combined with his deep marketing and A&R experience along with key relationships across the industry, makes him ideally suited to take on this expanded role as we continue to elevate our talent on the global stage.”
In his dual leadership roles over the past year, Wong has focused on strengthening the connective tissue between WMG’s U.S. and international operations. As head of East West Records U.S., he has helped align markets and guide artists toward broader global opportunities, including supporting breakthrough acts such as Punjabi superstar Karan Aujla, whose album P-Pop Culture debuted at No. 3 on the Billboard Canadian Albums chart.
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Since assuming leadership of Warner Music Canada in September, Wong has also overseen new executive appointments aimed at sharpening the label’s local and international focus.
“I’m excited to continue working closely with our incredible artists and partners,” Wong said. “It’s a privilege to collaborate with so many talented people, and I’m looking forward to continuing to find new ways to spark creativity, build meaningful connections, and help bring great music to fans everywhere.”
Prior to his most recent posts, Wong served as chief marketing officer of Warner Music’s recorded music division, where he led global marketing initiatives across more than 70 markets. During that time, he helped shape campaigns for artists including Dua Lipa, Charli xcx, Ed Sheeran, Cardi B, David Guetta and Coldplay. Before joining WMG, Wong spent nearly a decade at Universal Music Group, most recently as chief operating officer of Island Records.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-16 14:02:322025-12-16 14:02:32Warner Music Group Names Eric Wong EVP of Recorded Music
It has been five long years since the release of Nine Inch Nails‘ last proper studio album, 2020’s Ghosts VI: Locusts — seven years, actually, if you go back to Bad Witch, the band’s most recent full-length with lyrics. But from the sounds of it, our long national nightmare might soon be over.
In a new year-end interview with Complex, NIN mastermind Trent Reznor teased that he’s psyched for the long-running industrial rock band’s next era. “We are working on new stuff, and we’re excited to work on it,” Reznor said without giving a timeline for when the new music might manifest. “We are prioritizing working on Nine Inch Nails over just taking on every single thing that comes up in the other category.”
Reznor said at this point he “can’t say much” more about the untitled next project, but he added a ray of hope about his level of excitement for the new music. “The difference between now and a year ago is the fuse has been lit, and the desire is there.”
NIN recently released their dark, thrumming instrumental soundtrack for Tron: Ares, and the band is still in the middle of a break from its global Peel It Back tour, which they will pick up again on Feb. 5 at the Smoothie King Center in New Orleans.
Speaking of the tour, Reznor also weighed in on the most unusual drummer switch his band engaged in with the Foo Fighters in July, in which longtime NIN drummer Ilan Rubin left the band and joined the Foo Fighters, while short-term Foos drummer and well-traveled session/live drummer Josh Freese split with the Dave Grohl-led group after two years and re-joined NIN; Freese was NIN’s drummer from 2005-2008.
“The reality of that scenario was it was a surprise to me that Ilan was joining the Foo Fighters,” Reznor said in his first extended comments on the baseball-style swap. “Ilan is a great musician and had been a solid guy during his tenure in the band, but it presented a problem in terms of we knew there was another leg of the tour that we’re going to start in February [2026]. And we could either replace him immediately [after the early summer 2025 European leg] or we could replace him after the [late summer 2025 North American] leg, which would mean trying to find someone over the holiday break.”
As soon as he heard the news about Rubin’s new gig, Reznor said he knew he could call Freese and be confident he could play a show that night, “’cause there’s no doubt about his ability. And that’s essentially in a shorthand what went down,” Reznor said. “He was available and willing, and it just made sense on a number of levels. Being completely honest, we’re adults and we’re professional, but we’re also people with emotional feelings and a sense of camaraderie and intent and purpose. I thought it would feel better to play that last wave of tours with someone that wants to be there, and that’s what went down.”
In a recent chat with SiriusXM’s Eddie Trunk on his Trunk Nation show, Freese chalked up the drummer swap to happenstance. “As far as the drummer swap thing, it’s funny because it’s just coincidence the way it worked out,” Freese told Trunk. “It’s not like there was a purposeful drum swap. And, actually, if Ilan, who was playing with Nine Inch Nails, who joined the band after I left in 2009, if he left Nine Inch Nails to go join — pick a band — Muse, I don’t know, Trent would’ve called me. It’s not like it was an intentional swap. It’s like when Trent needed a drummer, when Ilan split, he was, like, ‘Well, I’m gonna call Freese.’ And he called me and I was, like, ‘Hell yeah.’”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-16 13:43:572025-12-16 13:43:57Trent Reznor Teases ‘New Stuff’ on Horizon From Nine Inch Nails: ‘The Desire Is There’
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-16 13:05:312025-12-16 13:05:31Making a List: Billboard Crossword (Dec. 15, 2025)
Timothée Chalamet has marshaled giant sandworms in Dune, corralled spoiled kids in Wonka and wrestled Bob Dylan’s unique singing style to the ground in A Complete Unknown. But put him in the middle of the most heated rap battle of the modern era and the Marty Supreme star — and possible secret rapper EsDeeKid — will admittedly fold like a cheap ping-pong table.
While Visiting the 7PM in Brooklyn with Carmelo Anthony podcast on Monday (Dec. 15), Chalamet was asked what stuck with him when he interviewed Kendrick Lamar before his performance at this year’s Super Bowl. “I was so impressed that this man who was so calm sitting next to me and I was like, ‘wow, he’s engaged in a gladiator sport right now,’” Chalamet said of the brutal lyrical combat that KDot engaged in with Drake last year that culminated in what is widely regarded as one of the most brutal KO’s in beef history via Lamar’s “Not Like Us” single.
“And as much as I love hip-hop and all, I was sitting next to [him] and I was like, ‘Wow, I could not do that!’,” Chalamet said, admitting that he could not have been that calm in the midst of a “that big a war” with another huge rapper and “just be chilling… that was just unfathomable to me.”
Chalamet recalled that the Lamar interview initially took place in a studio and that night it seemed both men felt it was “too stiff” and didn’t really come across as they’d hoped, so the next day they decided to hop in a car — Lamar’s GNX, of course — and try it again. “And my white ass was like, ‘Wow, he’s in the middle of this beef.’ I was like, ‘Can you imagine if this is how I go out, with Kendrick?’,” the actor said about his irrational fear that the beef might turn violent and he might catch a stray.
“‘Actor Timothée Chalamet murdered’… that would be a crazy end of the Wikipedia,” Chalamet joked.
Watch Chalamet talk about his ride with Kendrick below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-16 12:44:202025-12-16 12:44:20Timothée Chalamet Recalls Thinking ‘Could You Imagine If This Is How I Go Out?’ While Interviewing Kendrick Lamar During Drake Beef
Tributes from across film, television and music continue to pour in following the death of Rob Reiner, the influential director, writer and actor best known for This Is Spinal Tap and a decades-spanning body of work.
Reiner, and his wife, Michele Singer, were found dead inside their Los Angeles home earlier this week. Authorities have confirmed that their 32-year-old son, Nick Reiner, was arrested in connection with the investigation, with police treating the case as a homicide.
“It is with profound sorrow that we announce the tragic passing of Michele and Rob Reiner,” a family spokesman said in a statement. “We are heartbroken by this sudden loss, and we ask for privacy during this unbelievably difficult time.”
As news of Reiner’s death spread, collaborators and admirers across the entertainment industry shared messages honoring both his creative legacy and personal impact.
Beatles icon Paul McCartney shared a photo of himself with the filmmaker on the set of Spinal Tap II: The End Continues Monday (Dec. 15) on Instagram. “What a tragedy the death of Rob Reiner and his wife, Michele, is,” wrote McCartney, who guest starred in the 2025 Reiner-directed Spinal Tap sequel.
“It is so shocking in many ways but for me especially so, because over the last year I had been working with him,” he continued.
“He was such an upbeat, lovable man. Life can be so unfair and this tragedy proves it. His father, Carl Reiner, was a great humourist before him and Rob followed in his dad’s footsteps doing a terrific job making many great films. I will always have fond memories of Rob and the idea that he and his wife will no longer be in the world with us is heartbreaking.”
Meanwhile, Elijah Wood posted on X, “Horrified to hear of the passing of Rob Reiner and his wonderful wife Michelle (sic). So much love to their kids and family.”
Harry Shearer, who starred in and co-created This Is Spinal Tap, described Reiner as “a friend and collaborator through much of my life,” praising his humor, intelligence and generosity of spirit in a tribute shared on social media.
Director Paul Feig called Reiner “one of my heroes,” writing that he had been honored to count him as a friend. Actor Paul Walter Hauser credited Reiner’s work with shaping his own career, noting that A Few Good Men was “the reason I became an actor” and citing Reiner’s filmography as a lasting inspiration.
Reiner’s influence extended well beyond comedy. While This Is Spinal Tap remains one of the most influential music-related films of all time — widely credited with defining the modern mockumentary — his directorial work spanned genres, including The Princess Bride, When Harry Met Sally…, Misery and A Few Good Men.
His films collectively earned multiple Academy Award nominations and became cultural touchstones across generations.
Political figures also weighed in, including former U.S. House Speaker Nancy Pelosi, who described Reiner as “creative, funny, and beloved,” and paid tribute to Singer as his “indispensable partner” in both life and work.
Former President Barack Obama wrote, “Michelle and I are heartbroken by the tragic passing of Rob Reiner and his beloved wife, Michele. Rob’s achievements in film and television gave us some of our most cherished stories on screen.”
“But beneath all of the stories he produced was a deep belief in the goodness of people — and a lifelong commitment to putting that belief into action. Together, he and his wife lived lives defined by purpose. They will be remembered for the values they championed and the countless people they inspired. We send our deepest condolences to all who loved them.”
Reiner is survived by his children Jake, Nick and Romy, as well as his adopted daughter Tracy Reiner, the daughter of his first wife, the late Penny Marshall.
Tracy told NBC News in a Dec. 14 statement on her father’s death, “I came from the greatest family ever. I don’t know what to say. I’m in shock.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-16 10:13:342025-12-16 10:13:34Tributes Pour In Following Death of ‘Spinal Tap’ Director Rob Reiner
Aiden Ross closed out Part 1 of The Voice Season 28 finale with a stirring rendition of ABBA’s “The Winner Takes It All,” delivering one of the night’s most talked-about performances as the competition narrowed ahead of Tuesday’s live results show.
The Monday (Dec. 15) episode featured the Top 6 finalists each performing two songs — one contemporary and one classic — as viewers voted overnight to determine the Season 28 winner, which will be revealed during the Dec. 16 finale broadcast.
Ross, representing Team Niall, returned to the stage last with the ABBA classic, stripping the song back and leaning into its emotional core. Coach Niall Horan praised the performance in the moment, telling his finalist he was “so, so proud” and urging America to vote following what he called an “absolutely incredible” showing.
Earlier in the night, Ross opened his finals run with JVKE’s “Golden Hour,” earning another enthusiastic response from Horan, who said the singer consistently finds “the heartbeat” of every song he performs. The two performances capped a strong night for Team Niall, which also included DEK of Hearts advancing via America’s vote.
Each coach entered the finale with one artist selected from the Playoffs: Ralph Edwards for Snoop Dogg, Aubrey Nicole for Reba McEntire, Ross for Horan, and Jazz McKenzie for Michael Bublé. Two additional finalists — Max Chambers from Team Bublé and DEK of Hearts from Team Niall — earned their spots through viewer votes revealed during the episode.
Highlights from the evening included Aubrey Nicole delivering a confident take on Cody Johnson’s “’Til You Can’t,” followed later by a crowd-pleasing performance of “The Night the Lights Went Out in Georgia,” a song famously recorded by McEntire herself.
Jazz McKenzie drew emotional reactions from both Snoop Dogg and Bublé with performances of Phil Collins’ “Against All Odds” and Olivia Rodrigo’s “Drivers License,” while Max Chambers showcased range with Forrest Frank’s “Your Way’s Better” and Whitney Houston’s “One Moment in Time.”
Ralph Edwards rounded out the night with performances of Foreigner’s “I Want to Know What Love Is” and Bruno Mars’ “Locked Out of Heaven,” earning praise from Snoop Dogg for his growth as a performer and stage presence.
With voting now closed, the winner of The Voice Season 28 will be crowned during Part 2 of the finale, airing Tuesday, Dec. 16 at 9 p.m. ET on NBC, following a preshow at 8 p.m. ET.
The finale concludes Tuesday night at 9/8c on NBC, with a special preshow beginning an hour earlier. One of these six artists will walk away with the title, but based on Monday’s performances, the music industry is getting six new stars regardless of who takes home the trophy.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-16 09:17:052025-12-16 09:17:05Aiden Ross Shines With ABBA Classic in ‘The Voice’ Season 28 Finale