U.S. District Judge Richard Leon dropped a classic Bob Dylan lyric on Sec. of Defense Pete Hegseth in denying the former Fox & Friends Weekend host’s attempt to reduce Gulf War and NASA veteran Mark Kelly’s military rank and retirement pay.

“This Court has all it needs to conclude that defendants have trampled on Senator Kelly’s First Amendment freedoms and threatened the constitutional liberties of millions of military retirees,” the judge wrote in his scathing opinion according to The Hill. Leon then cited an iconic line from Dylan’s beloved 1965 Billboard Hot 100 No. 39 hit “Subterranean Homesick Blues.”

“You don’t need a weatherman to know which way the wind blows,” said Leon in quoting the signature line from the song that was the folk bard’s first top 40 hit in the U.S.; according to a 2011 study by a University of Tennessee law professor, Dylan’s lyrics, and specifically the line Leon referenced, are frequently used by judges to make their points in opinions.

Hegseth sought to punish the Arizona Senator over his comments in a 2025 video in which he five Democratic colleagues called on service members to reject unlawful orders from the Trump administration.

While Leon, an appointee of former Republican President George W. Bush, agreed that members of the military have somewhat weaker First Amendment protections than civilians in order to preserve discipline in the armed forces, he said that no court have ever ruled that that lower bar extends to retired service members. Kelly retired from NASA in 2011 after his wife, former Arizona Rep Gabby Giffords, was shot in the head and almost died in an assassination attempt. Before becoming a Senator, Kelly flew 39 combat missions during Operation Desert Storm in the Gulf War in the early 1990 and then became a Navy test pilot and later commanded four Space Shuttle missions.

Last November, Kelly was one of six Democratic lawmakers who appeared in a video in which they reminded service members that they have the right to refuse “illegal orders” from their commanders, an action that spurred Pres. Trump to suggest that they were traitors who should be charged with sedition and hanged.

A short time later, the Defense Department announced an investigation after claiming it had received “serious allegations of misconduct” in connection with the video. Self-proclaimed Sec. of War Hegseth then announced that the Pentagon would attempt to strip Kelly of some of his retirement pay and bust down his rank, which led to Kelly suing the DOD over allegations that the action violated his free speech rights.

“To say the least, our retired veterans deserve more respect from their Government,” Leon said. “And our Constitution demands they receive it!” A short time after the ruling, Hegseth wrote on X that the ruling would be “immediately appealed… Sedition is section, ‘captain.’”

According to The Hill, after the ruling, Kelly said the latest legal setback to the Trump administration’s efforts to muzzle its opposition marked a “critical moment” in showing the White House that it cannot keep trying to undermine the freedoms fought for by “Americans like me.”

He added, “I didn’t ask for this fight, but I have been defending the Constitution since I was commissioned as an Ensign in the U.S. Navy. After decades of public service, I can’t think of anything more important I can do for my country than defending the free speech rights of millions of retired veterans and all Americans.” 

At a hearing last week, Kelly’s attorneys argued that Hegseth’s attempt to seek “unprecedented punishment” over the Senator’s protected speech could “extend to every single retired service member in the country.” Judge Leon clearly agreed, writing in his ruling that he could not find a single instance in which free speech restrictions on active-duty service members had ever been extended to retired members and that the stretch to include a sitting member of Congress could have a chilling effect.

“Indeed, if legislators do not feel free to express their views and the views of their constituents without fear of reprisal by the Executive, our representative system of Government cannot function!” the judge wrote. 


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Snow Man’s “STARS” debuts at No. 1 on this week’s Billboard Japan Hot 100, on the chart released Feb. 11. 

The song serves as TBS’ 2026 sports theme and is being played with the station’s coverage of the Milano Cortina 2026 Winter Olympics. After being released digitally Feb. 2, the track rules downloads while coming in at No. 29 for streaming, No. 3 for radio airplay and No. 8 for video views, becoming the nine-member boy band’s 12th song to reach No. 1 on the Japan Hot 100. Meanwhile, the group’s “CHARISMAX” climbs 12-10, returning for the first time in four weeks and marking its ninth week in the top 10.

Snow Man’s No. 1 Singles on Japan Hot 100

“CHARISMAX”

“SERIOUS”

“BREAKOUT”

“Dangerholic”

“Tapestry”

“Orange Kiss”

“Brother Beat”

“Secret Touch”

“HELLO HELLO”

“Grandeur”

“KISSIN’ MY LIPS”

“STARS”

Kenshi Yonezu’s “IRIS OUT” rises 4-2. Week over week, CD points stand at 90%, downloads at 81%, streaming at 90%, video at 90%, karaoke at 95%, and radio rises to 157%. By metric, the track leads streaming, video and karaoke, while placing at No. 37 for radio, No. 17 for physical sales and No. 6 for downloads.

Mrs. GREEN APPLE’s “lulu.” falls a notch to No. 3. Downloads fall to 68% of the prior frame, streaming to 87%, radio to 24%, video to 87%, while karaoke rises to 128%.

Elsewhere on the tally, Bruno Mars’ “I Just Might” jumps 58-18. The track rules radio after gaining more than threefold week over week.

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from Feb. 2 to 8, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.

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Billboard and VENU celebrated some of the top talent and executives during Grammy week at their Finance 50 and Power 100 events. The Finance 50 dinner hosted a panel led by Billboard’s Elizabeth Dilts Marshall and featured insights from VENU’s Terri Liebler and Larry Mestel of Primary Wave Music. Terri presented PlaqueBoyMax the Disruptor Award at Power 100, where they honored some of the biggest titans of the music industry.

Guest 1: We’re here to celebrate you tonight as we roll out the world’s most luxurious amphitheaters across the country.

Guest 2: At VENU, we are all about the fan first and a fan based foundation.

Terri Liebler: On behalf of VENU and Billboard, it is our honor to present the Billboard Disruptor Award to PlaqueBoyMax.

PlaqueBoyMax: I’m just extremely blessed to have the ability to bond these worlds together and do something new. Thank you so much.

Bar/None Records’ Glenn Morrow is passing the torch to employee Emmy Black, who will become the label’s new owner. While terms of the deal were not disclosed, Morrow will stay on as a consultant and retain a financial interest in Bar/None.

Black, who began her music industry career as an intern for Bar/None in 2008, has signed artists including The Front Bottoms to the label.

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“Bar/None has always been a special place,” Black said in a statement. “It’s been a home for artists who have unique visions and want to make one-of-a-kind music. It’s a label that bucked trends and found so many great songs along the way. As a teenager I listened to many Bar/None artists. I’m excited to have the opportunity to shape the label that shaped me.”

While Black began her career at Bar/None, she also worked at The Orchard and royalty accounting platform eddy.app. She also ran her own imprint, Rhyme & Reason, before returning to Bar/None in 2024, where she did everything from back-office work to frontline A&R in the three-person operation, according to the announcement. Going forward, Bar/None label manager Mike Sansevere will help her oversee its operation.

Last year, Bar/None lost a key member of the team when CEO Mark Lipsitz passed away.

“After 40 years in this business, it feels good to hand things off to someone who really gets it,” Morrow said in a statement. “Emmy’s got the ears, the instincts, and most importantly, the heart for this work. Her enthusiasm was always infectious and inspiring and I’m so happy she wants to take this on.”

Under Morrow’s leadership, Bar/None has issued hundreds of albums from artists including They Might Be Giants, Freedy Johnston, Alex Chilton, the Feelies, Ivy and Yo La Tengo, as well as solo outings from Evan Dando and Juliana Hatfield. The label also brought Esquivel to the attention of modern music fans when it issued a compilation album of his music from the 1950s and 1960s under the name Space Age Bachelor Pad Music in 1994. It also issued the Langley Schools Music Project album Innocence and Despair, which some say inspired the 2003 film School of Rock.

Along with record store Pier Platters and the sorely missed rock club Maxwell’s, Bar/None helped turn Hoboken, N.J., into a rock music mecca — or, as the announcement of the label’s ownership transfer puts it, “Hoboken had a sound all its own — jangly guitars, clever lyrics, and more heart than hype.”

Looking ahead, upcoming releases from Bar/None include albums from Emperor X, former Sonic Youth band member Bob Bert and the first solo album from The Front Bottoms’ Brian Sella.

While Bar/None Records was initially founded by Tom Prendergast, co-owner of Pier Platters, in 1986, the first album it put out was by Morrow’s then-band Rage to Live. Morrow subsequently became Pendergast’s partner, and then the label’s sole owner. In keeping with tradition, one of the new regime’s first releases will be the third album from Morrow’s current band, Cry For Help, titled Our Final Album Vol. 1.


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The Warning and Carín León’s “Love to be Loved” has topped Billboard’s Latin music poll published on Feb. 6.

In support of the weekly New Music Latin roundup and playlist, curated by Billboard Latin and Billboard Español editors, music fans voted for the Mexican collaboration as their favorite music release of the week.

“Love to Be Loved” generated more than 60% of the vote, beating out other new releases including Carlos Vives’ “Te Dedico” and a new W Sound tune by Myke Towers, Westcol and Ovy on the Drums called “5 Estrellas.” Meanwhile, “Bajo Cero” by former CNCO members Erick Brian and Christopher Vélez was a close second in the weekly poll with nearly 35 percent of the vote. 

Cowritten by the Monterrey-based group and superstar Teddy Swims, “Love to Be Loved” finds the Mexican trio — the Villarreal Vélez sisters (Daniela, Paulina and Alejandra) — rocking out with León on his first-ever contribution sung entirely in English. The song meshes country and rock backed by León’s and The Warning’s powerhouse harmonies. 

“As a rock band, this is something completely different for us and a chance to explore new sounds,” The Warning said in a press statement at the time. ”Blending musical worlds is always exciting, and working with our fellow Mexican artist Carín León made the experience even more special. It’s a collaboration that pushed us creatively and shows a new side of The Warning.”

Editor’s Note: The weekly New Music Latin poll results are posted if the poll generates more than 1,000 votes. See the full results below:


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Disney+ has just announced a new streaming deal ahead of Presidents’ Day, offering first-time subscribers and eligible returning subscribers access to the Disney+ and Hulu bundle for just $9.99 total.

The limited-time offer provides users with access to titles from Disney+ and Hulu (with ads) for a full month for just $9.99/month. That’s a total savings of 58% for the first month, adding an extra $3 in your pocket. After your first month, pricing is up, you can cancel your subscription or continue your service with the regular price of $12.99 a month.

$9.99 $12.99 23% off

GET: DISNEY+ AND HULU BUNDLE

To put that in perspective, a standalone Disney+ subscription will run users $12 a month with ads, while a standalone subscription to Hulu also runs users $12 a month with ads. If you choose not to bundle, that’s a whopping $24 with those pesky ads. You’ll want to act fast. This deal ends Feb. 17. 2026, the day after Presidents’ Day.

This limited-time promotion offers a great excuse for those looking to tap into new shows and films like Ryan Murphy’s The Beauty and the Jared Leto-led film Tron Ares, along with returning hits like The Pitt, Tell Me Lies, The BearShōgunOnly Murders in the Building and The Handmaid’s Tale.

$9.99 $12.99 23% off

GET: DISNEY+ AND HULU BUNDLE

Both Disney+ and Hulu offer a slew of music-oriented content, like the Taylor Swift Eras Tour movie, Olivia Rodrigo’s Driving Home 2 U and Billie Eilish’s Happier Than Ever: A Love Letter to Los Angeles, American Idol, The Masked Singer, The Beatles: Get Back, Elton John: Never Too Late and so much more.

Looking for more Disney+ and Hulu deals? Both streaming services offer student discounts, with prices starting at just $1.99/month. See more details here.

BTS‘ long-awaited comeback is loading, with new album Arirang slated to drop this spring. And in a new cover story interview with GQ published Friday (Feb. 13), the members of the band opened up about what ARMY can expect from the LP and whether winning a Grammy for the project is something that’s important to them.

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Arriving March 20, Arirang will mark the septet’s first full-length since 2020’s Billboard 200-topping Be. According to Suga, it’ll also showcase a “more mature side of BTS this time around,” featuring a “diversity of genres.”

“What I can tell you is that it’s going to be quite different from the BTS albums and sounds that you’ve been listening to,” he told the publication. “Being idol groups and boy bands and girl groups in the K-pop industry, it might feel like it’s a little bit restraining about the negative sides of life. But I think as artists and as individuals, you have to be able to express both the positive and the negative sides of life.”

“I think we are slowly heading that way because this album has a lot of introspection and thoughts,” he continued. “Things have changed, and we are still changing.”

It’s hard to overstate just how excited BTS fans are for the group’s return. Suga and bandmates RM, Jin, J-Hope, Jimin, V and Jung Kook have spent the past three years or so taking turns releasing solo projects while completing their mandatory enlistment periods in the South Korean military, finally coming back together last summer to promise fans in a Weverse livestream that a new album and world tour would happen in 2026.

Despite the break, BTS is picking up right where it left off with seemingly no momentum lost — but is a Grammy something the members are still working toward after becoming the first K-pop group to be nominated for one in 2021, but losing both best pop duo/group performance that year and again in 2022?

“I don’t know,” RM told GQ candidly. “Time has passed. There are a lot of K-pop-related nominees you see in the general field and, really, I want to send big applause for them.” (In 2026, ROSÉ of BLACKPINK became the first K-pop soloist to be nominated in a general field category at the Grammys.)

“I mean, we’ll try,” he added. “Maybe we’ll submit our album to the Grammys again. But I don’t know — we don’t want to be desperately eager for it … We don’t want to say anymore like, ‘Ah, man, we want the Grammys.’ I mean, it doesn’t mean that we really don’t want it — but we’ll try. But if not, then OK.”

See BTS on the cover of GQ below.


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All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

We’re at about the halfway point of the 2026 Winter Olympics with Team USA among the best countries in the world with the most medals. However, there’s still a lot of sports action in Italy, as men’s and women’s ice hockey continues throughout The Games.

Ice Hockey takes place at the Milano Santagiulia Ice Hockey Arena in PalaItalia and Milano Rho Ice Hockey Arena in Milan, Italy. Check out a complete schedule of the event here.

Watch the 2026 Winter Olympics in Milano Cortina, At a Glance:

When Does Winter Olympics: Ice Hockey Events Start?

Women’s ice hockey continues until the gold medal game on Thursday, Feb 19 at 1:10 p.m. ET/10:10 a.m. PT on USA Network and Peacock, while the men’s ice hockey continues until the gold medal game on Sunday, Feb. 22 starting at 7:45 a.m. ET/4:45 a.m. PT on NBC and Peacock.

Meanwhile, NBC’s Primetime in Milan coverage, highlights and replays daily during the Winter Olympics has a start time of 8 p.m. ET/PT.

Men’s and women’s ice hockey are available to watch live and stream on demand. The events broadcast across NBC, USA Network and CNBC, as well as streaming on Peacock.

Can you stream ice hockey on Peacock? Yes, Peacock goes for $10.99 per month for the Premium plan and $16.99 per month for the Premium Plus plan, both plans include coverage of all Olympic sports.

There is no free trial for new subscribers, but the streaming platform does come with various plans starting at $10.99 per month. However, you can sign up for a 30-day free trial for Walmart+, which comes with access to Peacock as part of the service. Learn more about Walmart+ here.

Outside of the Winter Olympics, Peacock comes with its own collection of original TV shows and movies, as well as programs from NBC, CNBC, USA Network, Bravo and others. TV Shows you can look forward to watching includes Poker Face, The TraitorsCouple to ThroupleThe Best Man: The Final ChaptersBel-AirLove Island, Love Island GamesOne of Us Is LyingDr. DeathYellowstoneSuitsThe OfficeModern Family and Parks & Recreation.

The streaming service is also the home to exclusive music programming, such as Girl You Know It’s True, Toby Keith: American Icon, When Metal Ruled the World, America’s Got Talent and others.

Where to Watch the Winter Olympic: Ice Hockey Online for Free

If you’re a cord-cutter, then there are a number of ways to watch ice hockey without cable — especially if you want to watch for free. DirecTV has a five-day free trial, while Hulu + Live TV offers a free trial too. This is a good way to watch NBC, USA Network and CNBC without spending money up front.

Keep reading for more details on how to watch Winter Olympics: Ice Hockey on NBC, USA Network and CNBC with DirecTV and Hulu + Live TV and others.

You can watch NBC, USA Network and CNBC on DirecTV. New users are eligible for a five-day free trial through DirecTV when you sign up for one of its packages. The streamer’s “MySports” streaming package goes for %59.99 for the first two months ($69.99 per month afterwards).

Sling TV offers the Blue + News Extra package, which goes for $60.99 per month and comes with NBC, USA Network, CNBC, MS NOW, Bravo and others. Blue is one of the most affordable options and comes with more than 40 channels and can be streamed on up to three devices at a time. Please note: Pricing and channel availability varies from market-to-market.

2026 Winter Olympics: How to Watch Ice Hockey Events Online For Free

Hulu + Live TV


The networks NBC, USA Network and CNBC are available to watch with Hulu + Live TV too. Prices for the cable alternative start at $89.99 per month, while each plan comes with Hulu, Disney+ and ESPN Unlimited at no additional cost.

Hulu + Live TV might be best for those who want all of these streaming services together in one package. It features many other networks, like CBS, ABC, FOX, BET, CMT, Disney Channel, ESPN, Hallmark Channel and more.

More Ways to Watch

Viewers who want to stream the Winter Olympics internationally can use ExpressVPN, NordVPN and PureVPN to access several streaming platforms.

Winter Olympics: Ice Hockey broadcasts on NBC, USA Network and CNBC. Peacock and DirecTV are the best ways to watch events.

Want more? For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

Taylor Swift has filed a legal action aimed at blocking a bedding company from getting a trademark on a logo featuring the name “Swift Home.”

In legal papers filed Wednesday, the superstar asked the U.S. Patent and Trademark Office to reject a trademark registration sought by Cathay Home Inc., which applied last year for a logo featuring the “Swift Home” name in cursive script.

Lawyers for Taylor’s company, TAS Rights Management LLC, say the logo is too similar to her own signature logo – meaning it could “deceive and mislead” the public into thinking that the star “sponsors, approves of or endorses” the brand.

“Consumers would immediately recognize the name “SWIFT” as identifying the Artist,” Taylor’s attorney, Rebecca Liebowitz of the law firm Venable LLP, writes in the filing, which was obtained by Billboard.

Such cases, filed at the PTO’s Trademark Trial and Appeal Board, are a common legal procedure for big brands like Nike or Apple or Wal-Mart, aimed at preventing similar-sounding names from being granted federal trademark protections. But many celebrities, including major music stars, also file them regularly to fend off copycats.

Over the past decade, Jay-Z has filed eight such cases. Nirvana has brought three of them, and Snoop Dogg has filed five more, including one against a company selling a product called “SnoopGuard.” Last year, Eminem launched such a case against an Australian beach umbrella brand called “Swim Shady,” claiming it was too similar to his “Slim Shady.”

Swift is no stranger to such cases either. Her company moved to block a “Swifty” trademark in 2017, and threatened to bring a case in 2022 against a company that wanted to register “Speak Now.” In 2024, her attorneys successfully blocked a “Taylor Talk” trademark.

Cathay Home, a textile company based in Manhattan, applied last fall to register the “Swift Home” logo as a federal trademark for blankets, pillows, towels and other similar products. Such a registration allows companies to stop others from using similar trademarks on related products – and to use the R symbol on their branding.

In asking the PTO to block the registration, Swift is not suing Cathay for damages or accusing the company of infringement. She is simply asserting that the company should not be able to claim its own trademark rights to the logo, given its similarities to her existing logo. Representatives for both Cathay and Swift did not immediately return requests for comment on Friday.

Public Enemy frontman Chuck D is used to the triennial grumbling from KISS bassist/singer Gene Simmons about how hip-hop does not belong in the Rock and Roll Hall of Fame. But after the 2014 Rock Hall inductee once again took aim at rap being included in the HOF earlier this week, the Hard Rhymer provided the God of Thunder with a little history lesson on what rocks, and what rolls.

“Gene Simmons seems to say this every three years,” said D, whose group was inducted into the Rock Hall in 2013 — one year earlier than KISS — in a video posted by TMZ on Thursday (Feb. 12). “I guess when the latest group of hip-hop artists and rap music artists come in he’s gonna issue his point. He’s the rock god, you know? But what he fails to realize is that it’s the Rock and Roll Hall of Fame. And everything else, other than rock, when rock n’ roll splintered in the ’60s, is the roll.”

Last year’s inductees included Outkast and Salt N Pepa, with A Tribe Called Quest getting the call in 2024.

Ticking off soul music, reggae and rap, D said the vocal on top of the music is what he deemed “the roll, that’s the flow, that’s the soul in it. Yeah, KISS are rock gods, but they don’t have a lot of roll to them.” Born in 1960 and raised as a child in the peak of the civil rights movement, D, 65, said he’s not even phased by being told he doesn’t belong somewhere. “I really relish the opportunity that I’m able to even be in the music business at all,” said D. “Thank God for hip-hop and rap music making it possible.”

Well aware that Simmons, 76, “is never gonna get off of that point,” D expects the greasepaint rocker to keep banging on about rap’s place in the RRHOF, casually plugging his new book, In the House of Chaos: Art & Activism With Public Enemy’s Chuck D, as well as the fact that he taught a UCLA class on hip-hop culture and its deep historical roots.

D’s response came after Simmons opined on the place of rap in the Rock Hall on the LegendsNLeaders podcast, lamenting that Iron Maiden is not in the Hall, but that hip-hop pioneer Grandmaster Flash [class of 2007] is. “Ice Cube and I had a back and forth — he’s a bright guy, and I respect what he’s done,” Simmons continued. “It’s not my music. I don’t come from the ghetto. It doesn’t speak my language. I said in print many times: Hip-hop does not belong in the Rock & Roll Hall of Fame, nor does opera, symphony orchestras … it’s called the Rock & Roll Hall of Fame.”

In his retort, D also noted that he’s not trying to change Simmons’ seemingly sclerotic beliefs, but rather keep the dialogue open. “Ghetto don’t mean Black… ghettos came out of [a] European term, a cluster of people who were kind of like the same tribe in the same area,” he said. “You just gotta have education so you won’t be rattled by things that just come out of left field.”

Speaking of an open dialogue, back in 2014, D was magnanimous when KISS finally got their turn after 15 years of Rock Hall eligibility. “I always felt KISS deserved to be inducted,” Chuck said at the time. Simmons, naturally, did not reciprocate, saying in an interview around the time that hip-hop acts such as PE don’t belong in the Hall. Back then, though, D stuck a similar note, saying he thought the rock elder statesman was taking an, “old-fashioned, limited position that rock ’n’ roll is for guitars and some other primitive s–t like that. I guess his point was that he wants to be judged against the artists he thinks are his peers, like maybe Aerosmith.”

Simmons defended his comments from earlier this week in an interview with People, in which he doubled-down on his “ghetto” rhetoric, while paying homage to rock’s Black roots. “Let’s cut to the chase. The word ‘ghetto,’ it originated with Jews. It was borrowed by African Americans in particular and respectfully, not in a bad way,” said Simmons, who insisted that he was not using the word in a racist or bigoted way to refer to rappers.

“Ghetto is a Jewish term … How could you be, when rock is Black music? It’s just a different Black music than hip-hop, which is also Black music,” Simmons said. “Rock ‘n’ roll owes everything to Black music, statement of fact, period. All the major forms of American music owe their roots to Black music.”


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