The complete lineup for REVOLVE Festival 2026 has been finalized. Billboard can reveal this year’s event in Thermal, Calif., features headliner Don Toliver taking the stage on Saturday, April 11 — with Mustard, Kehlani, Chase B, Baby J and Kitty Ca$h also on the schedule.

Held in the Coachella Valley, the invitation-only fest is “where fashion, music and unforgettable moments come together in the desert,” a press release from the fashion retailer that announces the entertainment lineup says on Monday (April 6).

A poster for Revolve Group’s 9th annual event also released on Monday leans into the festival’s bygone carnival-inspired theme for 2026, “The Grand Revivre.”

Beyond enjoying live music performances, REVOLVE Fest attendees can take part in classic carnival games and brand activations from partners Affirm, PopSockets, DC Studios’ Supergirl and more. Drink offerings will be provided by PATRÓN, Hennessy and Bloom; among many food offerings will be a selection of carnival classics from SONIC.

On the fashion side, a curated festival edit including exclusive styles from Leslie Amon, Amanda Uprichard and LAMARQUE will be available on REVOLVE.com.

Headlining artist Don Toliver — who in March was the cover star of Billboard magazine (full cover story here), and who recently performed at Billboard The Stage @ SXSW — brings his live show to the road on his OCTANE Tour in May. Toliver’s OCTANE album debuted at No. 1 in late January, becoming his first Billboard 200 chart-topper, and all 18 tracks from the LP charted on the Billboard Hot 100.

Revolve Festival 2026

REVOLVE Festival 2026

Courtesy Photo

Another pair of key sponsors of London’s Wireless Festival have withdrawn their support over the booking of Ye (formerly known as Kanye West) to headline this summer’s event. Following food and beverage giant PepsiCo’s announcement that it was withdrawing its sponsorship of the event after serving as the festival’s main sponsor for a decade, Diageo, owner of such flagship alcohol brands as Johnnie Walker, Captain Morgan, Guinness, Crown Royal, Smirnoff and Ketel One, has also dropped out.

Diageo confirmed the news to The Independent on Sunday evening (April 5), saying in a statement, “We have informed the organizers of our concerns and as it stands, Diageo will not sponsor the 2026 Wireless festival.”

In addition, Far Out magazine reported on Monday (April 6) that Rockstar Energy is the third sponsor to pull out of the event, citing an unnamed source saying that the energy drinks company was dropping out due to the West booking; Billboard has reached out to Rockstar Energy for confirmation on the report.

The Live Nation-affiliated London Festival, previously branded as “Pepsi MAX Presents Wireless,” is slated to take place in London’s Finsbury Park from July 10-12, with West headlining all three nights; West previously headlined the event in 2014. Ye has faced criticism in recent years over repeated antisemitic actions and statements, including releasing a song entitled “Heil Hitler,” professing a love for Nazis and reviled Third Reich leader Adolf Hitler, selling T-shirts featuring swastikas and the white nationalist phrase “White Lives Matter” among many other antisemitic incidents.

Earlier this year, West took out a full-page ad in The Wall Street Journal apologizing to the Jewish and Black communities for his actions, in advance of the recent release of his Bully album. The Wireless booking also ran afoul of British Prime Minister Keir Starmer, who told The Guardian last week that he felt it was, “deeply concerning that Kanye West has been booked to perform at Wireless despite his previous antisemitic remarks and celebration of Nazism. Antisemitism in any form is abhorrent and must be confronted clearly and firmly wherever it appears. Everyone has a responsibility to ensure Britain is a place where Jewish people feel safe and secure.”

In addition, London Mayor Sadiq Khan said in a statement to Complex, “We are clear that the past comments and actions of this artist are offensive and wrong, and are simply not reflective of London’s values. This was a decision taken by the festival organizers and not one that City Hall is involved in.”

The blowback to Ye’s booking also drew condemnation from the U.K.’s Jewish Leadership Council, which said, “It is deeply irresponsible for Wireless festival to be headlining Kanye West. The UK Jewish community is facing record levels of antisemitism, including a terrorist attack in Manchester, the attack on ambulances in Golders Green and foiled plots which would have killed many more.”

The nation’s Campaign Against Antisemitism also weighed in, saying in a statement, “The Prime Minister is right to be deeply concerned that Wireless wants to headline someone whose anti-Jewish bigotry has gone as far as recording a track titled ‘Heil Hitler’ less than a year ago. He is not a bystander, though. The Government can ban anyone from entering the U.K. who is not a citizen and whose presence would ‘not be conducive to the public good’. Surely this is a clear case. Pepsi has done the right thing by dropping its sponsorship of the festival, but if management are adamant that they want to headline Kanye West, it is only the Government that can stop them.”

At press time it was not clear if the U.K. government would attempt to bar West from entering the country. To date, Wireless Festival organizers have yet publicly to comment on the blowback to the West booking.

West performed two sold-out concerts at L.A.’s SoFi Stadium over the weekend in support of Bully.


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Following the release of a landmark third English album on Friday (April 3), Monsta X is now expanding their new world tour to North America.

Billboard can exclusively share the first details on 10 new stops that Monsta X has added to their ongoing 2026 world tour, THE X : NEXUS, across the United States and Canada. Starting at the EagleBank Arena in Fairfax, Va., on Oct. 3, the group will play dates across the two countries before wrapping on Oct. 24 at the WAMU Theater in Seattle, Wash.

According to a press release, the tour’s title, THE X : NEXUS, “reflects a bond that goes beyond the long-standing connection between Monsta X and MONBEBE, their official fanbase, signaling a deeper sense of unity and a new chapter forward built on more than a decade of shared growth.”

The trek marks Monsta X’s first large-scale tour since 2022’s NO LIMIT Tour, which played 10 dates across the U.S. including New York City’s Radio City Music Hall and the Kia Forum in Inglewood, Calif. Since that time, group members Shownu, Kihyun, Hyungwon, Joohoney, Minhyuk and I.M have remained united, with five of the six completing their individual mandatory military enlistments in the South Korean army and using that time to explore solo and unit releases.

Monsta X spotlighted both group and solo material during the kickoff NEXUS tour dates that began with three days at Seoul’s KSPO Dome in January. Youngest member I.M enlisted for military service in February this year, meaning the upcoming tour will feature the five remaining members.

The new tour dates follow the release of Monsta X’s new album Unfold, the band’s third all-English project following 2020’s All About Luv (which peaked at No. 5 on the Billboard 200) and 2021’s The Dreaming (No. 21 on the Billboard 200). The pop and ballad–focused LP features the lead tracks “baby blue” and “growing pains,” alongside the latest single “heal,” produced by Jeoff Harris, who’s crafted tracks for the likes of K.Flay, Jordy, and Royal & The Serpent.

Tickets for the 2026 Monsta X world tour THE X : NEXUS go on sale starting April 14, at 3 p.m. local time via LiveNation.com.

2026 MONSTA X WORLD TOUR [THE X : NEXUS] NORTH AMERICA DATES:

  • Oct. 3: Fairfax, Va. @ EagleBank Arena
  • Oct. 6: New York, N.Y. @ Infosys Theater at Madison Square Garden
  • Oct. 8: Boston, Mass. @ MGM Music Hall at Fenway
  • Oct. 10: Toronto, ON @ Great Canadian Toronto
  • Oct. 13: Rosemont, Ill. @ Rosemont Theatre
  • Oct. 15: Irving, Texas @ The Pavilion at Toyota Music Factory
  • Oct. 17: Phoenix, Ariz. @ Arizona Financial Theatre
  • Oct. 20: Los Angeles, Calif. @ The Kia Forum
  • Oct. 22: San Francisco, Calif. @ Bill Graham Civic Auditorium
  • Oct. 24: Seattle, Was. @ WAMU Theater

Starship Entertainment/LiveNation


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TOMORROW X TOGETHER unveiled the tracklist and concept photos for their upcoming eighth mini album, 7TH YEAR: A Moment of Stillness in the Thorns on Monday morning (April 6). With thorns playing a key role in the visual language of the group’s six-track mini LP, the photos were shared on the K-pop bands’ social feeds, which showed off different color-coded versions of the upcoming release in pink, purple, green and yellow.

The lead single, “Stick With You,” will be previewed with a video teaser on April 11, with both the mini-album and video for the track due out on April 13. “Stick With You” is described in a press release as an “electro pop track built around an addictive, high-impact  chorus, featuring a vintage 909 drum sound infused with elements of techno punk. Portraying the inability to let go of a partner who is preparing for a breakup, the track captures the desperation of holding onto the drifting relationship for ‘just one more day.’”

It continues, “that yearning parallels the group’s own determination to hold onto their dreams and continue moving forward. Rather than marking a conclusion, the song signals a renewed starting point as they enter their seventh year together.”

Album opener “Bed of Thorns” was inspired by the idiom, “you’ve made your bed, now lie in it,” with a message focused on “fully embracing the consequences of one’s choices.” It will be featured alongside third track, “Take Me to Nirvana” (feat. Vinida Weng), which “captures the rush of liberation” that follows letting go of uncertainty.

Other songs include “So What” “21st Century Romance” and “Dream of Mine,” which closes things out with a note of “anticipation, embracing tomorrow as the future remains unknown.”

The group — featuring members SOOBIN, YEONJUN, BEOMGYU, TAEHYUN, and HUENINGKAI — began teasing out the imagery and vibe of the EP last month with a concept trailer featuring a figure in a spiky all-black leather suit with spine-covered mask walking through a city in a lonely haze alongside the caption, “From where does anxiety arise, and how may this pain be stilled?” The striking visual was accompanied by photos of four concepts: “THORN,” “HUNGER,” “TENSION” AND “ANXIETY,” each representing different emotional states tied to the EP’s central metaphor.

“The monochrome visuals of the ‘THORN’ concept evoke a sense of rebirth, where the absence of color marks the threshold of a new beginning,” the release continues. “The ‘HUNGER’ concept explores the void left after a turbulent emotional storm, contrasting the members’ serene expressions in pajamas against a thorn-covered debris. In the ‘TENSION’ concept, the thorns in the wallpaper seem to loom over the members like an ominous shadow, capturing a moment of restless stillness, while ‘ANXIETY’ shows the group in a surreal forest, signifying a profound acceptance of the unknown and a quiet readiness for what lies ahead.”

7TH YEAR: A Moment of Stillness in the Thorns is the follow-up to last summer’s fourth full-length studio album, The Star Chapter: TOGETHER, which debuted at No. 3 on the Billboard 200 album chart.

TOMORROW X TOGETHER will headline KCON LA 2026 on Aug. 16 with an hourlong solo set.

Check out the concept photos and album packages below.


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Tool singer Maynard James Keenan made the political personal over the weekend when he posted a lengthy Instagram message in support of his one-time West Point Academy classmate General Randy George after the four-star general was forced to take immediate retirement by Defense Sec. Pete Hegseth for reasons so far not revealed.

The decorated Army Chief of Staff was ousted in the middle of Donald Trump’s grinding air war in Iran, shocking many military observers, including one who told Axios that such an action in the midst of a potentially historic conflict was “insane.”

Keenan posted images from his time at West Point of himself with George — who had just one year left in his term — and wrote of their time together at the distinguished military academy that has turned out Army officers for more than 224 years. “A few thoughts on my old friend, General Randy George,” wrote Keenan, who explained that as long as he could remember, he’d wanted to be some kind of artist, but after high school the “reality of tuition” set in so he had to figure out another path to his dream.

“My family were living on a teachers salary. Not much left over after bills. Grants and student loans weren’t going to cover it. So I joined the Army to take advantage of the Army College Fund. And as it turns out, I excelled in the military. Not what I was expecting,” Keenan wrote of the time in the early 1980s when he was figuring out his path. “I was awarded Distinguished Graduate from both basic and advanced training. Then after many many rounds of testing I was chosen to attend U.S.M.A.P.S. and to apply to the U.S. Military Academy, West Point. As you can imagine most of my classmate at West Point Prep were there with a singular mission. To be a West Point graduate and serve in our military. Focus, drive, a plan, and zero compromise. I, on the other hand, was one of the few with doubts and inner conflict.”

But when the time came to make a decision, he declined an appointment, which, he said, many around him at West Point at the time, saw as a “huge mistake. But a handful were very supportive. They knew me well enough to respect that decision. One of those supportive classmates was my Cross Country teammate, Randy George.”

Keenan noted that George went on to a distinguished military career, rising to the rank of four-star general and U.S. Army Chief of Staff. “He was approaching his 40th year of service. I can’t even imagine how disappointed and upset he must feel for having been ‘asked’ to retire early,” Keenan said. “So I’m just here to return that favor of support. We’re here for you, Randy. Might be time for a beer or three. See you soon.”

According to Reuters, the Pentagon confirmed George’s early retirement, but gave no reason for his ouster at a time when thousands of soldiers from the Army’s elite 82nd Airborne Division are making their way to the Middle East for possible ground operations in Iran. Though there were reportedly no outward signs of friction between Hegseth and George, the move was the latest in a string of more than a dozen firings of senior military officers carried out by the former Fox & Friends Weekend host over the past year.

In an outgoing email following his shock ouster, George told Pentagon officials that U.S. soldiers deserve “courageous leaders of character,” according to CBS News. “I know you’ll all continue to stay laser-focused on the mission, continue innovating, and relentlessly cut through the bureaucracy to get our warfighters what they need to win on the modern battlefield,” George wrote. “Our soldiers are truly the best in the world – they deserve tough training and courageous leaders of character. I have no doubt you will all continue to lead with courage, character, and grit.”


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On Saturday, April 4, Sky Ferreira dropped in a fan’s Instagram comments after they reposted a clip of the singer’s 2012 music video “Everything Is Embarrassing” on X (formerly known as Twitter). With the retweet, they questioned: “i wonder what’s her form of income.”

Ferreira was led to the user’s Instagram page, commenting on their most recent post, writing: “Someone sent me your X account. I toured for years. I work. I hate to break it to you, but your favorite artist records my old songs.I hope that answers your question. Xoxoxo”

In a since-deleted post, the same X user also uploaded a screenshot to the platform of a text conversation with an “industry insider” who alleged that two songs on Charli’s Wuthering Heights album were “ripped” from Ferreira demos dating back to 2018 and 2015. Ferreira responded to those claims via Instagram comments as well, sharing, “Your industry ‘insider’ is wrong. Close but wrong…It isn’t worth the trouble bc I know how the world works.”‘

Ferreira is, however, credited as a featured artist, co-writer and vocal producer on Wuthering Heights track “Eyes of the World.”

The exchange continued, with Ferreira also writing in the comments: “I wasn’t going to say anything…It brought back a lot of things I have worked really hard to move past.”

Charli has yet to reply, and her team confirms she is currently in Kyoto filming a movie and finishing her forthcoming new studio album. When asked for comment, her management team shared the following statement with Billboard:

“Charli has made seven albums, four mixtapes and one EP, and has written countless songs for other artists throughout her career. She began as a songwriter with ‘I Love It,’ and her work has been recorded by and pitched to multiple artists. She has her own personal history with publishing and production negotiations and because of this, she always shares credits fairly and appropriately, and values her collaborators tremendously. 

“Ahead of the Wuthering Heights album release, a standard review process was conducted on a small number of tracks from the album, including fragments of material originating from earlier sessions. This process involved managers, legal representatives, artists and producers, and included a thorough review of archival materials and demo recordings.

“All relevant parties were consulted throughout, and the album was played in full in advance of release to everyone. Songwriting credits and splits were determined and agreed collectively in writing, with reference to documented timelines and contributions.

“All credits were finalized and formally approved by the appropriate parties prior to the album’s release.”

Billboard has reached out to Ferreira for comment.

“Time,” the new single from pop singer-songwriter Sofia D’Angelo, tops this week’s fan-voted music poll.

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Listeners voted in a poll published Friday (April 3) on Billboard, choosing the artist’s latest song — a solo release outside of her group MICHELLE — as their favorite new release of the week.

“Time” ticked ahead other new releases in a week that also saw new music streaming in from actress Anne Hathaway, Jack White (who appeared as musical guest on SNL Saturday night), Arlo Park, floweroflove and more. At the poll’s closing time on Sunday, D’Angelo clocked out with more than 69% of the vote.

A New York native and longtime performer, D’Angelo released “Time” alongside a nostalgia-driven music video this week. The visual, filmed at a Bushwick bar, is a flash forward to an aged version of the singer-songwriter — who still has the spirit of her early 20s heyday within.

“Every seven years or so, even Grandma needs a good time,” she quips in the clip, directed by Steph Rinzler. D’Angelo is credited as executive producer, with Anahita von Andrian-Werburg as producer and Natalie Williams as associate producer.

“Just gotta work with what you got,” she sings on the track. “At the end of everything/ Will I remember 23?/ If I survive I’ll know/ If time was on my side.”

Among the new releases trailing behind “Time” are Anne Hathaway’s “My Mouth Is Lonely for You” from her upcoming film Mother Mary, with 16% of the vote, and Jack White’s pre-SNL surprise “G.O.D. and the Broken Ribs,” with 4% of the vote.

See the final results of this week’s poll below.


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All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

If you’re hitting up any music festivals this year, a great bag is an absolute necessity, and few brands make a better festival carry-all than Lululemon.

The brand’s All Night Festival Bag has been a bestseller since it arrived a few years ago, with reviewers praising its roomy (but still compact) size, its weather-resistant material and a zipper around the top that keeps everything safe and secure.

Now, Lululemon has released the latest version of its Festival Bag, in a sleek and minimalist black colorway with gold zipper detailing.

Lululemon All Night Festival Bag 5L

BESTSELLER

Lululemon All Night Festival Bag 5L

While the bag was available last year in a viral pink colorway, we much prefer the wearability and fashionable aesthetic of this black color, which works with almost any festival outfit or personal style. The streetwear-inspired silhouette is also firmly unisex, with a fold-over design that’s part-messenger bag and part-trendy crescent bag. More proof of its fashion cred: Even if we weren’t heading to Lollapalooza or Stagecoach, we would still wear this bag to brunch or for a night out.


Another quality that makes this bag ideal for any outdoor events is that it’s made of durable, water-repellent fabric. It has an adjustable strap that makes it easy to wear over the shoulder or as a crossbody bag, which is great if you want to switch up the way you wear it throughout the day. It also has an easily accessible front pocket that has a covered zipper.

The fold-over design keeps things chic and compact but you can also expand the bag say, if you’re hoping to carry a water bottle, sunscreen or any larger items for the long days of shows. The 5L capacity offers plenty of space and the material will stretch a little bit to cram everything in. If you decide to fold the bag in half, the bag features magnets to hold the folded-over flap firmly in place.

If you are looking for a great summer music festival option, make sure you go ahead and add this to your cart as Lululemon’s bags are popular and known to sell out. At only $78 — and available now in this classic black color — this Festival Bag is sure to sell quickly too. See more details here.

One thing to note: this is great for outdoor festivals where bag rules are a little more relaxed. For outdoor concerts or sporting events, you’ll still want to check the venue’s website for a list of stadium-approved bags.

Everywhere Belt Bag 1L
Clear

ALSO CONSIDER

Lululemon Everywhere Belt Bag 1L (Clear)

Most stadiums and concert venues are still requiring you to carry everything in a clear bag in order to enter. Luckily for us, Lululemon makes one of those too.


This bag is a see-through take on the brand’s bestselling Everywhere Belt Bag, and an easy way to get your phone, keys and accessories through concert security with ease.

Guns N’ Roses unearthed a deep cut during their recent South American tour stop.

While headlining Monsters of Rock Brazil at São Paulo’s Allianz Parque on Saturday (April 5), the rock icons performed the Use Your Illusion I track “Bad Apples” live for the first time in 35 years.

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This marks only the second live performance of the song, which they debuted at Brazil’s Rock in Rio in 1991, according to Rolling Stone. Slash has also revisited the gritty track with his side band Myles Kennedy and the Conspirators.

Saturday’s show also featured the rarely heard “Dead Horse,” from Use Your Illusion I, as well as Appetite for Destruction’s “Rocket Queen.”

During an interview earlier this year with Las Vegas radio station KOMP 92.3, Slash promised that Guns N’ Roses would play both new and old songs on their 2026 world tour, which launched March 28 at the Tecate Pa’l Norte festival in Monterrey, Mexico. That opening show featured the live debuts of last December’s “Atlas” and “Nothin’,” the first new songs from GNR since their 2023 one-off singles “The General” and “Perhaps.”

During the interview, the famed guitarist also teased that GNR may be releasing new material in the near future: a possible collection of older tracks the band has been slowly releasing over the past few years, as well as the long-awaited follow-up to 2008’s Chinese Democracy.

“I think in this instance it’s what we’re doing, because we only re-recorded those songs — like a couple of songs here, a couple of songs there. These were the last two that are left to do, and we actually did them not even back to back,” Slash said of “Nothin’” and “Atlas.”

“And then there’s really no more of that sort of old rehash stuff to release,” the musician added of the vault-clearing. “But I think what we’re gonna do, we’re gonna take all those songs and put them on something and release that as a package. And then the next record that we’re gonna do is gonna be all new original stuff, and that’ll be an actual album.”

Guns N’ Roses’ next performance is scheduled for April 7 in São José do Rio Preto, Brazil, followed by several more Brazilian stops before heading to Florida in late April.


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BTS’ ARIRANG rules the Billboard 200 albums chart (dated April 11) for a second week, earning 187,000 equivalent album units in the United States in the week ending April 2, according to Luminate. That’s down 71% compared the album’s opening week of 641,000, the biggest week of 2026 thus far. With a second week at No. 1, ARIRANG now has the most weeks atop the chart among BTS’ seven leaders — the other six each spent one week at No. 1.

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Also in the top 10 of the latest Billboard 200 chart, the latest albums from Ye (formerly Kanye West), Melanie Martinez and Yeat debut.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 11, 2026-dated chart will be posted in full on Billboard‘s website on April 7. For all chart news, follow @billboard and @billboardcharts on both X and Instagram.

Of ARIRANG’s 187,000 equivalent album units earned in the latest tracking week, album sales comprise 114,000 (down 79%; it’s No. 1 on Top Album Sales for a second week), SEA units comprise 65,000 (down 31%, equaling 68.49 million on-demand official streams of the set’s songs; it falls 1-3 on Top Streaming Albums) and TEA units comprise 8,000 (down 49%).

Ye scores his 14th top 10 album on the Billboard 200 — all of which have reached the top two — as BULLY debuts at No. 2 with 152,000 equivalent album units earned in the tracking week ending Thursday, April 2. Of that sum, SEA units comprise 96,000 (equaling 98.43 million on-demand official streams of the set’s songs; it debuts at No. 1 on Top Streaming Albums), album sales comprise 56,000 (it debuts at No. 3 on Top Album Sales) and TEA units comprise the remainder.

The album arrived at physical retail on March 27 (on CD, vinyl and cassette), and at digital retail and streaming services on March 28. Also on March 28, Ye dropped the music video for the album’s “FATHER,” featuring Travis Scott and directed by Bianca Censori.

During BULLY’s release week, Ye staged his first major U.S. concert in nearly five years, playing SoFi Stadium in Inglewood, Calif., on April 1. A second SoFi show took place on Friday (April 3), one day after BULLY’s first chart tracking week closed.

First-week sales of BULLY were aided by its availability across multiple color vinyl variants, deluxe boxed sets containing branded merch and a copy of the CD, as well as signed vinyl and CD editions.

Melanie Martinez notches her fourth top 10-charting set on the Billboard 200 as HADES bows at No. 3 with 84,000 equivalent album units earned. Of that sum, album sales comprise 63,000 (it debuts at No. 2 on Top Album Sales), SEA units comprise 21,000 (equaling 22.85 million on-demand official streams of the set’s songs; it debuts at No. 28 on Top Streaming Albums) and TEA units comprise a negligible sum.

Martinez previously hit the top 10 on the Billboard 200 with PORTALS (No. 2 in 2023), K-12 (No. 3, 2019) and Cry Baby (No. 6, 2015).

HADES’ first-week sales were bolstered by its availability across multiple vinyl and CD variants, deluxe boxed set editions containing branded merch and a copy of the physical album, and signed vinyl and CD editions.

Morgan Wallen’s chart-topping I’m the Problem falls 3-4 on the Billboard 200 with 76,000 equivalent album units earned (down less than 1%).

Yeat collects his seventh top 10-charted effort on the Billboard 200 as ADL arrives at No. 5 with 57,000 equivalent album units earned. Of that sum, album sales comprise 26,000 (it debuts at No. 4 on Top Album Sales), SEA units comprise 31,000 (equaling 32.53 million on-demand official streams of the set’s songs; it debuts at No. 12 on Top Streaming Albums) and TEA units comprise a negligible sum.

ADL’s opening-week sales were aided by its availability across multiple vinyl and CD variants, deluxe boxed set editions containing branded merch and a copy of the physical album, and signed editions.

Luke Combs’ The Way I Am dips 2-6 in its second week on the Billboard 200 with 55,000 equivalent album units earned (down 45%), while Olivia Dean’s The Art of Loving shifts 6-7 (54,000 units, up 1%). The rest of the top 10 comprises former No. 1s, as Don Toliver’s OCTANE moves 5-8 (53,000 units, down 3%), Bad Bunny’s DeBÍ TiRAR MáS FOToS drops 7-9 (50,000 units, down 7%) and Harry Styles’ Kiss All the Time. Disco, Occasionally. falls 4-10 (48,000 units, down 25%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.


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