Fergie has reunited publicly with her former Black Eyed Peas bandmates for the first time in years, marking a rare moment of togetherness nearly eight years after she stepped away from the group.

The singer shared photos on Instagram on Dec. 13 showing herself alongside will.i.am, Taboo and Apl.de.Ap as they gathered to celebrate their milestone birthdays.

“Finally got to break bread and celebrate our milestone birthdays together,” Fergie captioned the post. “What a special night with my brothers, filled with so much love.”

The images show the four artists posing together in coordinated, fashion-forward looks, prompting immediate reaction from longtime fans of the group.

Fergie, born Stacy Ann Ferguson, officially exited the group in 2018, shifting her focus toward solo projects and motherhood. The Black Eyed Peas have continued to release music and tour as a trio since then, while maintaining that the split was amicable.

The birthday reunion follows another recent return to the stage for Fergie. In October, she made a surprise appearance during Ludacris’ set at ONE Musicfest in Atlanta, joining him to perform their 2006 hit “Glamorous.”

After the performance, Ludacris told the crowd that Fergie hadn’t “performed in seven damn years,” later writing on Instagram, “We Got FERGIE OUT THE F—IN HOUSE! ATLANTA WENT CRAZY! Love to my Sis.”

Fergie responded in the comments, writing, “Loved being able to honor you,” before adding, “Cheers to 25 years.”

Though the Black Eyed Peas reunion was informal and celebratory rather than professional, the moment carries weight given the group’s legacy. With Fergie as a core member, the Black Eyed Peas dominated global charts in the 2000s and early 2010s with albums like Elephunk and The E.N.D., producing hits including “Where Is the Love?,” “Boom Boom Pow” and “I Gotta Feeling.”

Hello, Melbourne (안녕, MELBOURNE) has announced ENHYPEN, TREASURE and Taemin as the headline performers for its inaugural edition, scheduled to take place on March 14 at Flemington Racecourse in Melbourne.

Festival promoter APPLEWOOD confirmed the lineup on Friday (Dec. 12), positioning the event as a large-scale celebration of K-pop and Korean pop culture.

“We’re thrilled to announce that a rising K-pop festival is officially coming to Melbourne,” the company said in a statement shared on social media. “Get ready for an incredible celebration of music and culture.”

Tickets for the one-day festival will go on sale Tuesday, Dec. 16, at 12 p.m. AEDT via Megatix. General admission tickets are priced from AUD $249.90, while VIP tickets start at AUD $349.90, with both GA and VIP options split across two designated viewing areas.

Hello, Melbourne will be produced by APPLEWOOD in partnership with Australian promoter Untitled Group, whose recent festival portfolio includes Beyond The Valley and Wildlands.

The collaboration marks a further expansion of large-scale K-pop events in Australia, following a steady rise in arena tours and fan-driven demand across the region.

Founded in 2013, APPLEWOOD has established itself as a major international player in K-pop touring, having produced more than 120 concerts across 18 countries and attracting over 750,000 attendees worldwide. The company has previously presented tours and events featuring BLACKPINK, SEVENTEEN, ENHYPEN, BAEKHYUN, LE SSERAFIM, GFRIEND and G-DRAGON.

K-pop continues to grow as a major commercial force in Australia and New Zealand, both on the charts and on live stages.

TWICE’s recent This Is For tour sold more than 50,000 tickets across Sydney and Melbourne, according to Live Nation, which promoted the dates, underscoring the genre’s ability to deliver arena-level audiences in the region.

On the charts, K-pop’s crossover reach has been equally visible: the K-Pop Demon Hunters soundtrack spent time atop both the ARIA Albums and Singles charts earlier this year, highlighting the genre’s increasing presence within mainstream Australian listening habits.

That momentum reflects a longer-term shift in the live market. Data released by Live Nation last year showed a 600% increase in Asia Pop live shows across Australasia since 2015, alongside a 275% rise in the number of touring artists visiting the region over the same period.

Actress Debby Ryan has given birth to her first child, welcoming baby Felix Winter Dun with husband Josh Dun, drummer of Twenty One Pilots.

Ryan posted the birth announcement Saturday (Dec. 13) on Instagram, where she shared a personal video clip of herself in a home birthing tub, as well as the first public photos of the couple’s child, including a snapshot of Josh Dun holding their newborn.

“We sat under the full moon— the cold supermoon— reminiscing on our life as a family of two, and told the child I was harboring that we were ready to become three. By midday, Felix was born under christmas lights with snow outside our bedroom window, right into her father’s hands,” Ryan captioned her post.

The actress said her husband was “an incredible teammate,” and thanked her birth team and the women who provided support during her pregnancy. Ryan then wrote about baby Felix, whom she affectionately called “lil moonbeam.”

“Her hair is made of silk and her breath smells like vanilla ice cream and every chirp, squeak and whimper is music and everytime I look away and look back, she’s gotten smaller somehow,” wrote Ryan. “I know too soon, I’ll look away and look back and she’ll be bigger and bigger still so for now I’d like to spend my days trapped under the immovable 8 pounds of Felix Winter Dun. I’ve been a lot of things but her home, a grow light, a portal to bring a new soul into the world— these are my greatest honors. Welcome to earth lil moonbeam. Love you forever.”

Dun and Ryan were married in a New Year’s Eve ceremony on Dec. 31, 2019, a year after the two got engaged.

Ryan, who had her breakthrough as a Disney Channel series regular on Jessie (2011-2015) and The Suite Life on Deck (2008-2011), most recently appeared on American Horror Stories and in the film Turtles All the Way Down (both in 2024). She’s next expected to be seen in celebrity thriller Famous alongside Zac Efron, Phoebe Dynevor, Nicholas Braun, and is set to topline sci-fi thriller Orion.

Twenty One Pilots just earned their 13th career No. 1 on the Alternative Airplay chart with their latest single, “City Walls,” marking their third No. 1 on the chart this year following “The Line” (in August) and “The Contract” (in February). The band ties Cage the Elephant and Green Day for the third-most No. 1s on Alternative Airplay since the chart began in September 1988. (Red Hot Chili Peppers hold the record with 15 Alternative Airplay chart toppers.)

Their latest studio album, Breach, debuted at No. 1 on the Billboard 200 in September.

Lady Gaga suddenly halted her show in Australia after one of her dancers fell off the stage.

During her Mayhem Ball stop at Sydney’s Accor Stadium on Saturday (Dec. 12), the 39-year-old pop superstar paused mid-performance after a dancer accidentally slid off the stage while performing “Garden of Eden.”

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Fan-captured video on X shows the dancer, Michael Dameski, gliding off the end of the stage, which had become slippery due to heavy rainfall at the open-air venue, according to TMZ.

After noticing the fall, Gaga immediately stopped the concert to check on the performer, earning applause from the audience. Fans on social media reportedly noted that she paused the show long enough to help him find shoes with better grip.

Following the concert, Dameski shared a video on social media dancing in what appeared to be a hotel bathroom amid animated rain, confirming he was not injured.

“Hey everyone! I’m ok. Thank you for checking. Happy I was able to finish the last show of the year!” he captioned the clip on his Instagram Story.

“The show must go on!” he wrote in a second clip, which showed him performing during the concert.

Gaga’s back-to-back shows at Accor Stadium, concluding Sunday night (Dec. 13), marked the final 2025 dates of her Mayhem Ball Tour. Dameski is expected to return when the tour resumes in Tokyo in January 2026.

The pop superstar ranked No. 12 on Billboard’s 2025 year-end top tours list, grossing $166.2 million and drawing 722,000 concertgoers across 35 shows, according to figures reported to Billboard Boxscore. The year-end tracking period includes all worldwide shows between Oct. 1, 2024, and Sept. 30, 2025.

The Mayhem Ball tour notably marked Gaga’s return to arenas after performing in stadiums for The Chromatica Ball (2022) and combining both stadiums and arenas on the Joanne World Tour (2017–18).


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Abraham Isaac Quintanilla Jr., the father and manager of late Tejano music star Selena, has died. He was 86.

The news was shared by his son, Abraham “A.B.” Quintanilla III, in a social media post on Saturday (Dec. 13).

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“It’s with a heavy heart to let you guys know that my Dad passed away today…” A.B., Selena’s brother and producer, wrote on Instagram.

The post included a photo of Quintanilla set to Pedro Infante’s “Cien Años.”

A cause of death had not been disclosed as of press time.

Born in 1939 in Corpus Christi, Texas, Quintanilla began his music career as a teenager, joining the vocal group the Dinos in 1956. He later left the band in the late 1960s to focus on raising his family.

Quintanilla was married to Marcella Quintanilla, and together they had three children: A.B., Suzette and Selena, who was fatally shot at age 23 in March 1995 by her former fan club president, Yolanda Saldívar.

After recognizing Selena’s talent at a young age, Quintanilla went on to manage and help develop one of Latin music’s most celebrated artists. He oversaw Selena y Los Dinos, the family band that included A.B. on bass, Suzette on drums and Selena’s husband, Chris Pérez, on guitar.

“I found out she had the talent to sing when she was six-and-a-half years old,” Quintanilla told Billboard in August 2022. “As she grew older, I would sit down with her and teach her how to sing in Spanish. I would teach her how to pronounce the word and what the word meant so she can put some emotion into it. She learned it very well. She was a good student in learning music.”

Selena’s short-lived but historic career earned her the title of the Queen of Tejano. In the 1990s, she revolutionized the genre and broke barriers in a male-dominated field, powered by hits such as “Como La Flor,” “Dreaming of You,” “Amor Prohibido” and “Bidi Bidi Bom Bom.”

On the Billboard charts, Selena logged 24 entries on Top Latin Albums, including 16 top 10s and seven No. 1 titles. Among them were Amor Prohibido, which spent 20 weeks at No. 1 in 1994, and the posthumous Dreaming of You, which topped the chart for 40 weeks in 1995. She also earned seven No. 1 albums on the Regional Mexican Albums chart and six on the Latin Pop Albums chart.

See A.B. Quintanilla’s post about his father’s death on Instagram here.


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From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.

Shakira & Sons Sing Live in Concert

In the midst of the Latin American leg of her Las Mujeres Ya No Lloran tour, Shakira surprised fans in Buenos Aires by bringing out her two sons onstage. In the very rare performance — and a first in her world tour — the Colombian artist was joined by Milan and Sasha for the live debut of “Acróstico,” a powerful open letter to her children that she released on Mother’s Day in 2023. “Buenos Aires, thank you for this moment that will last forever,” she expressed on social media following the heartfelt moment on stage. “It was magical to sing with my children and see them express the music they have inside, while we watched entire families also singing and hugging each other!”

10 Years Serving Santa Marta

This week, Carlos Vives and wife Claudia Elena celebrated 10 years of their foundation Tras La Perla—created to improve the quality of life in Vives’ native Santa Marta, and the ecosystems of Sierra Nevada and the Ciénaga Grande. “Looking back and reflecting on the journey we’ve taken over these years, it fills us with hope to see how an idea rooted in love for our land has blossomed into projects that are now transforming realities in the territory where I was born,” Vives said in a press statement. Throughout the decade, Tras La Perla—which also offers health care and education to families in need—has fostered the connection of communities “through restored habitats and by strengthening their identity, history, and culture as key elements of their holistic development,” according to the foundation’s website.

Carlos Vives and Claudia Elena

Carlos Vives and Claudia Elena

Tras La Perla

Grupo Frontera & Perlita

In one of their latest music videos for “Se Me Sale,” Grupo Frontera documented the sweet encounter they had with one special fan named Perla Leyla, who’s a cancer patient. In the nearly three-minute clip, where they sing about a beautiful girl that has their heart racing in their true cumbia norteño fashion, the Texan group is seen spending quality time with their young fan in Disney. The heartwarming video also demonstrates clips of Perlita’s process in the hospital and features adorable moments with her parents. “Dedicated to Perlita, who found light even in the darkest days. All funds collected from this video will be for her and her family,” reads a letter at the beginning of the clip.

Silvana Makes Late-Night TV Debut

Silvana Estrada made her late-night TV debut on Jimmy Kimmel Live, where she was joined by Los Angeles Philharmonic for a powerful performance of “Dime,” part of her Vendrán Suaves Lluvias album. “I CAN’T BELIEVE THIS!!! I’m overwhelmed with emotion and nerves. It’s beautiful to see the journey these new songs are taking me on. I feel so much gratitude,” the Mexican singer-songwriter expressed on Instagram when she shared the news. Following her performance, Estrada shared an anecdote on how she drove from San Francisco to Los Angeles, and made it just in time for her Kimmel Live rehearsal. “It was a very emotional moment for everyone, especially considering that I wrote this song during a very difficult time in my life and now it’s been captured in this little bubble in Los Angeles during this beautiful moment in December. Thank you for supporting my music,” she noted on Instagram.

It’s been quite a year for Taylor Swift.

In March, a nearly six-years-long battle ended: She announced that she bought back her masters from Shamrock Capital. (The private equity investment firm purchased them from Scooter Braun’s Ithaca Holdings in 2020, who owned them through Braun’s acquisition of Swift’s former label Big Machine Records in 2019.)

“To say this is my greatest dream come true is actually being pretty reserved about it. To my fans, you know how important this has been to me — so much so that I meticulously re-recorded and released four of my albums, calling them Taylor’s Version,” she wrote at the time in a letter on her website. “The passionate support you showed those albums and the success story you turned The Eras Tour into is why I was able to buy back my music.”

After lying low professionally most of the summer, by August she made more headlines. Swift hopped on her then-boyfriend Travis Kelce’s podcast with his brother Jason, to reveal her 12th studio album – The Life of a Showgirl – would make its curtain call in October.

About two weeks later on Aug. 26, she broke the internet with the news: “Your English teacher and your gym teacher are getting married,” she captioned the Instagram post of her engagement. (Later, we’d learn, thanks to her interview on The Graham Norton Show, Kelce popped the question the same day the pair recorded New Heights.)

Then October arrived and with it, The Life of a Showgirl earned the modern-day record for equivalent album units sold in its first week, ultimately spending eight non-consecutive weeks on the top of the Billboard 200 and taking the No. 1 spot on that year-end chart for 2025. Meanwhile its lead single “The Fate of Ophelia” spent eight straight weeks on top of the Hot 100.

But she wasn’t done. Swift released her tour docuseries The End of an Era along with The Eras Tour: The Final Show, just one day before her 36th birthday, which is today, Dec. 13.

So let’s celebrate Swift and all her accomplishments with 13 triumphant lyrics about life, love and perseverance from her catalog.

Jewel is revisiting one of the most surreal and dangerous chapters of her early career — a real-life encounter with Mexican police during a drug bust that would later inspire one of her most enduring songs.

Speaking during her Not Alone Summit at Wynn Las Vegas in November, the singer, who has reached the top 10 on the Billboard 200 with six albums, reflected on the experience in an exclusive interview with PEOPLE, which first reported the story exclusively.

According to Jewel, the incident took place in the summer of 1994, when she was 20 years old and traveling through Mexico with longtime collaborator Steve Poltz during a break from writing music.

What began as a quiet songwriting retreat quickly escalated into something far more perilous. While spending time on a remote beach in Baja California, Jewel and Poltz were approached by armed men in uniform identifying themselves as Mexican federal police.

After casually asking if the officers knew where they could go whale watching, the pair were invited onto a small boat — only to learn mid-trip that the officers were in the middle of an active drug bust.

“They said, ‘We’re on a drug bust,’” Jewel recalled. When she asked if the situation was dangerous, she said the officer responded simply: “Sí.”

The singer later realized that the wooden bench she was sitting on doubled as storage for automatic weapons. As the boat chased a fleeing vessel that refused to identify itself, Jewel said she watched officers pursue suspects, uncovering large quantities of marijuana hidden under rocks along the shoreline.

Despite the gravity of the situation, Jewel recalled moments of disbelief and dark humor, including fears that she and Poltz could be framed or imprisoned.

“I was really paranoid we were gonna end up in a Tijuana prison,” she said.

Photographs from the incident — including one showing Jewel holding a rifle alongside officers — later circulated online, becoming a piece of ’90s music lore.

In the aftermath, Jewel and Poltz remained in Mexico briefly, continuing to write music. One of the songs born from that period would become “You Were Meant for Me,” released in 1995 on her debut album Pieces of You.

Florence Welch might be used to commanding festival stages alongside her band Florence + The Machine, but even she wasn’t ready for the finely tuned machinery that is Taylor Swift’s The Eras Tour.

The Florence + the Machine leader appears in Taylor Swift’s new Disney+ docuseries Taylor Swift: The Eras Tour – The End of an Era, where she recounts her surprise duet performance of “Florida!!!” during Swift’s final night at London’s Wembley Stadium in August 2024.

The moment marked a rare onstage link-up between the two artists — and, as Welch admits, came with a heavy dose of pressure.

“I have performed on big stages, but I thought I’d just run around because that’s what I do at my own shows,” Welch recalls in the doc.

“When I got there, they were like, ‘This is your choreography.’ I was like, ‘No, no, no, wait, you must be confused. I don’t do this! I’m gonna f— this up!’”

Of course, she didn’t — Welch nailed her cues, hit the emotional high note, and helped close out one of Swift’s five Wembley nights without a hitch. But even a seasoned performer can get a little starstruck when faced with the sheer scale of Swift’s universe.

“The feeling of coming up for the first time in that lift, it was kind of like landing on Mars, ‘cause I’d never seen the stage lit up before,” Welch continues. “It’s like, you see this cultural moment from the outside, and I suddenly was inside of it. It was wild, but it was really fun and completely terrifying.”

Welch also admitted that seeing Swift as the pop deity at the center of a global phenomenon — rather than as her “cozy” friend — briefly scrambled her brain.

“Taylor is my friend, and I know her as this very cozy person, and I came out of that lift and I was like, ‘Oh my God, it’s f—ing Taylor Swift!’”

The docuseries, which dropped its first two episodes this week on Disney+, pulls the curtain back on the tour’s unseen moments — from backstage rehearsal hangouts with Ed Sheeran to personal calls with Travis Kelce that Swift likens to a “vitamin drip.”

“I want to overserve the fans,” Swift says in the series. “That was my main goal.”

You can stream The End of an Era on Disney+ now.

Fat Joe has revealed what he describes as one of the most surreal moments of his career — claiming he was once invited to “shoot rockets” by alleged members of the Taliban while performing in Lebanon.

The Bronx rapper shared the story during the Dec. 2 episode of his Joe and Jada podcast, where he and co-host Jadakiss were joined by comedian Bill Bellamy. The trio had been discussing the unpredictable scenarios that can come with international travel when Joe launched into a tale that left both his co-host and guest stunned.

“I was in Lebanon,” he began. “I do a show in Lebanon, it’s so incredible. I come back to this hotel, and when I come back, three guys stand up like synchronized swimming.”

According to Joe, the men approached him with a cryptic message: “The guys, they wanna shoot rockets with you.”

When he asked who “the guys” were, the response instantly sent up red flags.

“‘The Taliban, they love you,’” Joe recalled being told. “My a**hole got this tight, okay,” he joked, before clarifying that the situation didn’t feel like a joke at all. “I met the Taliban, it’s no f***ing bullshit. The real Taliban came through and was like, ‘Yo, shoot rockets?’”

Joe says he declined the invitation and immediately made moves to get out.

“I rushed upstairs, packed my bags and went to the airport at one in the morning,” he explained. But even that escape wasn’t easy. “This s*** ain’t take off until 10 in the f***ing morning. We stood in the airport overnight just shook to death.”

While Joe didn’t specify the exact year, he has performed in Lebanon multiple times, including appearances at Beirut’s Pier 7 nightclub in both 2011 and 2012. The incident allegedly took place following one of those shows.

“We really thought something was about to happen,” he said. “That was one of those nights I’ll never forget.”