Morgan Wallen‘s Nashville bar, restaurant and music venue will soon have its neon sign, joining the slate of massive signs beckoning both tourists and locals to downtown Music City.
On Dec. 17, the Metro Nashville City Council gave permission for the installation of a 20-foot-high neon sign over Morgan Wallen’s This Bar & Tennessee Kitchen, with the council giving its approval by a vote of 30 to 1, according to The Tennessean.
East Tennessee native Wallen partnered with TC Restaurant Group for the six-story This Bar & Tennessee Kitchen, which opened back in June at 107 4th Ave N in Nashville. The approximately 30,000-square-feet venue features three music stages, six bars and an open-air rooftop. TC Restaurant Group is also known for other celebrity restaurant/bar concepts including Miranda Lambert’s Casa Rosa and Jason Aldean’s Kitchen + Rooftop Bar.
The sign approval for Morgan Wallen’s This Bar & Tennessee Kitchen comes after a previous failed attempt back in May, when the Metro Nashville City Council rejected the original request from Wallen and TC Restaurant Group, with only three members voting in favor of the sign at that time and some members of the council citing Wallen’s past behavior.
Wallen made an appearance in a Nashville courtroom last week, where he pleaded guilty to two misdemeanor counts of reckless endangerment following charges of throwing a chair off of the roof of Eric Church’s Chiefs bar in downtown Nashville back in April. During the hearing, Wallen was sentenced to a spending a week in a DUI Education Center, to supervised probation for two years, and to paying a fine of $350.
Wallen also picked up four trophies at the Billboard Music Awards earlier this month, including top male artist, top country artist, top country male artist and top collaboration (for his Post Malone collaboration “I Had Some Help”).
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-12-19 00:15:082024-12-19 00:15:08Metro Nashville City Council Gives Approval for Morgan Wallen’s Bar Sign
“Paul Wall, baby. Whatchu know ’bout me?” is apparently a deeper question than we’ve realized.
The Houston rapper and jeweler was recently on The Breakfast Club where he revealed that he wasn’t aware that he was white until elementary classmates pointed it out.
“I didn’t know I was white ’til white people told me I was white,” said The People’s Champ with a bashful smirk on his face. “They was like, ‘You white. Why you talk and act like that? You white. And I’m like, what do you mean?’”
Co-host Jess Hilarious then asked when he did finally realize that he was indeed white. “Definitely in elementary school or middle school,” Wall answered. “I mean, all my friends were Black or Mexican or Asian. I lived in a very diverse neighborhood, there were white people there, but it was Mexican, Black, Vietnamese, Indian… A lot of everything. So, we got a great mixture of growing up in America, I guess.”
He then jokingly pointed out that his mother took a DNA test and said she was three percent African before adding, “I know she can’t say the N-word. That ain’t enough for her to say the N-word,” which drew a couple laughs from the room.
Paul Wall recently released his 15th solo album Once Upon a Grind which features DJ Fresh, Slim Thug, Cartel Bo, Lil’ Keke, Eddie Coke, Crys Wall, Big Tonka, Z-Ro, Big K.R.I.T., Berner, Freeway, Rich the Factor, Termanology, and Young Al.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-12-19 00:15:082024-12-19 00:15:08Paul Wall Says He Didn’t Realize He Was White Until Classmates Pointed It Out
Twenty-five films have been selected for the Library of Congress’ National Film Registry in 2024 “due to their cultural, historic or aesthetic importance to preserve the nation’s film heritage.” They include two that had Billboard 200-topping soundtracks, Beverly Hills Cop and Dirty Dancing; one (Dirty Dancing) that featured an Oscar-winning song, “(I’ve Had) the Time of My Life”; and one (The Social Network) that featured an Oscar-winning score by Trent Reznor and Atticus Ross.
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The selections span 115 years, from a silent film created to entice audiences at the dawn of cinema in 1895, Annabelle Serpentine Dance, to the newest selected film from 2010, The Social Network, a drama about social media.
Popular Hollywood releases selected this year include the first Star Trek film added to the registry – 1982’s Star Trek II: The Wrath of Khan, as well as Eddie Murphy’s first feature film on the registry, Beverly Hills Cop.
Two films selected this year, American Me and Up in Smoke, were produced by Lou Adler, a music industry legend who produced Billboard 200-topping albums by the Mamas and the Papas and Carole King. Adler, 91, was voted into the Rock and Roll Hall of Fame in 2013 and received a trustees award from the Recording Academy in 2019. Adler has several other films on the registry including Monterey Pop, The Rocky Horror Picture Show and 20 Feet From Stardom, in which he made an appearance.
The 2024 selections feature diversity both in the filmmakers and in the stories depicted on screen.
Five films selected this year include prominent Hispanic artists or themes – American Me, Mi Familia, Star Trek II: The Wrath of Khan, Spy Kids and Up in Smoke.
Mi Familia and American Me both feature actor Edward James Olmos, who is now featured in eight films on the registry. American Me marks his first appearance as a director on the registry.
With this year’s addition of Mi Familia, director Gregory Nava now has three explorations of the Hispanic experience on the registry. Mi Familia joins previous selections El Norte and Selena.
Two films this year, Up in Smoke and Spy Kids, feature Cheech Marin. These are Marin’s first films on the registry. Up in Smoke is also the first Cheech & Chong film on the registry.
Several films this year were made by Black directors, including Ganja and Hess (1973, Bill Gunn); Uptown Saturday Night (1974, Sidney Poitier), Will (1981, Jessie Maple) and Compensation (1999, Zeinabu irene Davis). Will is considered to be the first independent, feature-length film directed by a Black woman.
Common Threads: Stories from the Quilt, an Academy Award-winning documentary selected this year, tells the story of the National AIDS Memorial Quilt, and an important period in LGBTQ history.
Deaf characters and culture are represented in two films this year: The Miracle Worker from 1962 and Compensation from 1999. In The Miracle Worker, director Arthur Penn depicted the Helen Keller story in a direct and unsentimental manner that was unusual for its time.
The selection Powwow Highway from 1989 stands out as one of the first indie films to treat Native Americans as ordinary people, navigating the complexities of everyday life, departing from long-perpetuated stereotypes.
“Films reflect our nation’s history and culture and must be preserved in our national library for generations to come,” Librarian of Congress Carla Hayden said in a statement. “We’re honored by the responsibility to add 25 diverse new films to the National Film Registry each year as we work to preserve our cultural heritage.”
Turner Classic Movies (TCM) will host a TV special on Wednesday, Dec. 18 at 8 p.m. ET to screen a selection of films named to the registry this year. Hayden will join TCM host and film historian Jacqueline Stewart, who is chair of the National Film Preservation Board, to discuss the films.
Under the terms of the National Film Preservation Act, each year the Librarian of Congress names 25 motion pictures to the National Film Registry that are “culturally, historically or aesthetically” significant. The films must be at least 10 years old. The Librarian makes the annual selections after conferring with the members of the National Film Preservation Board and a cadre of Library specialists.
This year’s selections bring the number of titles in the registry to 900. Also considered were 6,744 titles nominated by the public. Nominations for next year will be accepted through Aug. 15, 2025, at loc.gov/programs/national-film-preservation-board/film-registry/nominate/.
Here’s a complete list of the 25 films that were selected as 2024 additions to the National Film Registry. They are listed in chronological order.
Annabelle Serpentine Dance (1895) KoKo’s Earth Control (1928) Angels with Dirty Faces (1938) The Pride of the Yankees (1942) Invaders from Mars (1953) The Miracle Worker (1962) The Chelsea Girls (1966) Ganja and Hess (1973) The Texas Chainsaw Massacre (1974) Uptown Saturday Night (1974) Zora Lathan Student Films (1975-76) Up in Smoke (1978) Will (1981) Star Trek II: Wrath of Khan (1982) Beverly Hills Cop (1984) Dirty Dancing (1987) Common Threads: Stories from the Quilt (1989) Powwow Highway (1989) My Own Private Idaho (1991) American Me (1992) Mi Familia (1995) Compensation (1999) Spy Kids (2001) No Country for Old Men (2007) The Social Network (2010)
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-12-19 00:01:432024-12-19 00:01:43‘Dirty Dancing,’ ‘Beverly Hills Cop’ & More Films That Were Added to the National Film Registry in 2024
The view count for Mike WiLL Made-It‘s “23” music video just surpassed a much bigger number on YouTube.
Starring the producer, Miley Cyrus, Wiz Khalifa and Juicy J, the visual has reached 1 billion plays on the website more than a decade after it was first uploaded in 2013. Directed by Hannah Lux Davis, the “23” video finds the four musicians wreaking havoc in a high school, partying in the principal’s office, bathroom, locker room and gymnasium while wearing a number of Chicago Bulls-inspired outfits and walking in slow-motion past twerking cheerleaders.
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“I’m in the club high on purp with some shades on/ Tatted up, mini skirt with my J’s on,” the “Flowers” singer raps over a trap beat, followed a few beats by Juicy’s repeating “J’s on my feet, J’s on my feet” refrain.
“23” peaked at No. 11 on the Billboard Hot 100 in 2013. Mike WiLL Made-It had previously produced for all three of his collaborators on the track before the joined him on a song of his own, and the hitmaker’s work on Cyrus’ hit “We Can’t Stop” was a major part of her transformation from Disney Channel darling to rebel pop superstar.
In 2016, Mike reflected on “23” in an interview with Billboard. “People told me that Miley’s ‘23’ wasn’t hip-hop,” he said at the time. “Let me tell you, she went in and owned that track. She smoked more weed in one week than most rappers I know. That song was not some far-fetched thing she had to reach for. She was ill as hell. When people question me about whether something is hip-hop, I ask them, ‘Does it sound hard? Does it hit home? Is it raw and real?’ If it is, I did my job.”
Watch the billion-times-viewed “23” music video above.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-12-18 23:06:282024-12-18 23:06:28Mike WiLL Made-It’s ’23’ Video With Miley Cyrus, Wiz Khalifa & Juicy J Joins YouTube Billion Views Club
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The discount comes in the form of monthly bill credits, meaning the savings are spread out over a set period, typically 36 months. You’ll pay the full price of the iPhone 16 Pro upfront, but the trade-in credit within 3 billing cycles will be applied as monthly bill credits, reducing your overall cost. This allows you to enjoy the new device right away while benefiting from savings over time rather than a one-time discount. With up to $1,000 in credits over 36 months, it’s an affordable way to upgrade.
Whether you’re shopping for a new phone, smartwatch or tablet, AT&T has great deals to keep you up to date with the latest tech. Plus, you’ll have access to flexible payment plans, discounts with trade-ins and a variety of devices to choose from. For those looking to upgrade your tech or finding a gift for someone special, AT&T makes it easy to get an iPhone 16 while saving you money.
Keep scrolling to learn more about AT&T’s iPhone 16 holiday offer.
Unlock Savings for the Holidays: AT&T’s iPhone 16 Trade-In Deal
AT&T’s iPhone trade-in deal makes a great gift for the tech lover in your life, offering up to $830 off the iPhone 16, based on your trade-in device.
The process is simple: first, check if your phone qualifies for trade-in. The phone must have a minimum trade-in value of $230 to qualify for up to $1,000 off the iPhone 16 Pro. Your new iPhone must be purchased on a 36-month 0% APR installment plan with payments up to $44.45/month. Well-qualified customers may pay $0 down because they meet AT&T’s criteria, but others might need to make a down payment if their credit history requires it. You’ll also need to be on or switch to an eligible postpaid unlimited plan, which starts at $75.99/month, along with taxes and a $35 activation fee.
Without the trade-in deal, the iPhone 16 Pro is available for $27.78/month and the iPhone 16 Pro Max for $33.34/month on AT&T’s 36-month installment plan. These prices showcase the full cost of the devices, paid in equal monthly installments, with no trade-in discounts applied.
The iPhone 16 Pro is available in four different colors: Desert Titanium, Black Titanium, White Titanium and Natural Titanium. From 1 GB to 1 TB, you can find the storage solution that suits your needs.In addition to the iPhone 16 Pro deal, you can also get an Apple Watch SE 2nd Gen and an iPad 10th Gen for $0.99/month with qualifying purchase. The Apple Watch can be discounted for up to $264.36, and the iPad for up to $464.36, both spread across 36 monthly bill credits. These devices must also be purchased on a 36-month 0% APR installment plan.
To qualify for this offer, you need to activate a new line for both the Apple Watch and iPad. Plus, you’ll also need a postpaid plan, starting at $10.99/month for the Apple Watch and $20.99/month for the iPad.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-12-18 22:57:182024-12-18 22:57:18AT&T Is Upgrading Your Tech With This Holiday Trade-In Promo: Here’s How to Score an iPhone 16
There were snubs and surprises aplenty in the Oscar shortlists that were announced on Tuesday (Dec. 17). Every year, the Academy of Motion Picture Arts & Sciences releases shortlists in 10 categories, including best original song, best original score and best documentary feature. These shortlists constitute an early holiday present for those who made it, and a “sorry, it’s not going to be your year” to those who didn’t. (At least the ones who aren’t shortlisted can get their disappointment out of the way now rather than carry false hope all the way through to the reveal of the nominations on Jan. 17.)
Many things in the shortlists went as expected. Of the five songs that were nominated for best original song at both the Golden Globes and Critics’ Choice Awards, four made the Oscar shortlist — “Compress/Repress” from Challengers, “Kiss the Sky” from The Wild Robot, and “El Mal” and “Mi Camino,” both from Emilia Pérez.
Also shortlisted is “Forbidden Road” from Better Man, which was nominated for a Golden Globe, and “Harper and Will Go West” from Will & Harper, which was nominated for a Critics’ Choice Award.
Hans Zimmer’s score for Dune: Part 2 was nominated for both a Golden Globe and a Critics’ Choice Award but didn’t make the Oscar shortlist. But you can’t really call it a snub. The Academy had ruled that it wasn’t eligible on the grounds that it contains too much music that was in Zimmer’s Oscar-winning score for the first Dune. That’s bound to be a disappointment for the two-time Oscar winner, but it’s not really a snub. (Happily, Zimmer is shortlisted for another score, Blitz.)
Diane Warren made the Oscar shortlist for best original song for “The Journey” from The Six Triple Eight. Warren has been nominated (not just shortlisted) in that category the last seven years in a row. If she’s nominated again this year, she’ll tie midcentury lyricist Sammy Cahn for the most consecutive nominations (eight) in the history of the category.
Here are the biggest snubs and surprises in the 2025 Oscar shortlists – music edition.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-12-18 22:52:552024-12-18 22:52:55Snubs & Surprises in the 2025 Oscar Shortlists: Music Edition
Bryson Tiller explains the concept behind opening for himself, creating an alter ego, why “Whatever She Wants” has become his favorite song to perform live, what’s coming up for him in the next year and more at Rolling Loud Miami.
Bryson Tiller My favorite song from the new album to perform is probably “Whatever She Wants,” you know, and it really wasn’t supposed to be on the new album. Shout-out to RCA and all the people that forced me to put that song on the album, but, you know, I get it, and it’s cool, but that was my mixtape song, and I had a lot of other songs with that song that kind of matched that vibe. So it’s a little bit random, but, you know, the Bryson Tiller album was about versatility, so it’s all good. It made sense in the end. But that would have to be my favorite, favorite song to perform. I’m trying to add some new ones though. You know, I’ve been, you know, I never got a chance to rehearse any of the new album stuff, so I kind of just had to, like, get right on tour. So I’m about to take some time and just figure out which ones I could perform and see which ones the fans want to hear me perform as well.
Interviewer What songs from the Bryson Tiller album would you most want to perform live?
Bryson Tiller I definitely want to try to perform “Calypso” a little bit. I’m not sure yet. I just kind of got to browse through, because you never know like listening to Him, listening to them is a different vibe. You know, you like, Oh, I like listening to this, but when you when I start performing this, it can just be a whole different so I don’t know some stuff is just better live.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-12-18 22:52:552024-12-18 22:52:55Bryson Tiller on Opening for Himself, Why ‘Whatever She Wants’ Is One of His Favorites to Perform & More | Rolling Loud Miami 2024
LONDON (AP) — A teen charged with killing three girls and wounding 10 other people in a stabbing rampage at a Taylor Swift-themed dance class in England this summer remained silent in court Wednesday as not guilty pleas were entered on his behalf.
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Axel Rudakubana, 18, who has refused to speak in each court appearance, was read the charges of three counts of murder, 10 counts of attempted murder and additional charges related to possessing the poison ricin and for having an al-Qaida manual.
Justice Julian Goose ordered a clerk to enter the pleas in Liverpool Crown Court as Rudakubana stayed mum during a video appearance from a London prison where he is held.
His trial is scheduled for Jan. 20.
It was the first time in a court appearance that the teen did not pull his sweatshirt collar over his nose to obscure his face.
He appeared to smile as an officer confirmed that the court proceeding could be heard at the prison. The judge noted that Rudakubana was not responding. He swayed from side to side as the charges were read and bent forward at one point.
Rudakubana was charged in August with murdering three girls — Alice Dasilva Aguiar, 9, Elsie Dot Stancombe, 7, and Bebe King, 6 — and stabbing 10 other people on July 29 in the seaside town of Southport in northern England.
The attack at a small dance and yoga studio on the first day of summer vacation sparked rioting across England and Northern Ireland fueled by far-right activists that lasted a week.
The violence, which injured more than 300 police officers and led to fiery attacks on hotels housing migrants, began after Rudakubana — then unnamed –- was falsely identified as an asylum seeker who had recently arrived in Britain by boat.
Rudakubana was born in Wales to Rwandan immigrants.
More than 1,200 people were arrested for the disorder that lasted a week and hundreds have been jailed for up to nine years in prison.
A report released Wednesday was critical of police for failing to recognize the threat of violent disorder after a number of smaller incidents across the U.K. in the previous two years.
The report from the Inspectorate of Constabulary and Fire and Rescue Services said there were also lapses in gathering intelligence from social media and the dark web.
Rudakubana was charged in October with additional counts for production of a biological toxin, ricin, and possession of information likely to be useful to a person committing or preparing to commit an act of terrorism for having the manual in a document on his computer.
Police have said the stabbings have not been classified as acts of terrorism because the motive is not yet known.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-12-18 22:52:542024-12-18 22:52:54Teen Charged in Taylor Swift-Themed Dance Class Stabbings Pleads Not Guilty to Murder
Rich the Kid talked “Carnival” going to No. 1 on the Hot 100, his ideal NBA starting five, wanting to live in a Missy Elliott music video, what’s coming up for him next year and more at Rolling Loud Miami.
Rich the Kid What’s up Billboard, it’s Rich the Kid and I’m at Rolling Loud.
Interviewer You’re building a starting five with athletes or rappers. NBA, who are the five people you’re picking on your team fantasy league?
Rich the Kid In the NBA?
Interviewer Yup. Starting five.
Rich the Kid Kobe, LeBron, Shaq, Jordan, myself — I’m on the team.
Interviewer I like that. OK, if you could live in any hip-hop music music video from the past, which one would you pick?
Rich the Kid One of Missy Elliott videos.
Interviewer Why?
Rich the Kid Because that sh– was crazy. That sh– was fire.
Interviewer OK, what is the craziest thing a fan has done to get your attention?
Rich the Kid Damn, sh–, wait at the airport when I got there.
Interviewer Just waiting?
Rich the Kid Yeah.
Interviewer Just standing there. Like, like, that’s crazy. How do they know when your plane got there?
Rich the Kid I don’t know.
Interviewer That’s wild.
Rich the Kid I don’t know either.
Interviewer OK, what do you think is the most exciting trend in hip-hop right now?
Rich the Kid Exciting trend, damn. That’s a hard one. Exciting trend in hip-hop. I don’t know. I don’t really follow the trends, I guess.
Interviewer You make your own trends.
Rich the Kid Yeah.
Interviewer OK, so you had a crazy year, obviously, beginning with “Carnival,” No. 1 on the Billboard Hot 100. What’s coming up in 2025?
Rich the Kid Yeah, new albums, more No. 1s, you know, stuff like that.
Interviewer What can we expect on your album?
Rich the Kid Fire, different production, different flows, different everything, new sh–.
Interviewer Amazing. Thank you so much. Have a good night.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-12-18 22:36:362024-12-18 22:36:36Rich the Kid on ‘Carnival’ Going to No. 1, His NBA Starting Five, What’s Next for Him & More | Rolling Loud Miami 2024
A week after Kendrick Lamar joined a select club of artists upon replacing himself at No. 1 on Billboard’s Hot R&B/Hip-Hop Songs chart, the rapper stands in a class of his own by becoming the first artist to achieve three successive No. 1s without interruption on the 66-year-old list.
Lamar makes history with “Luther,” a collaboration with SZA, which climbs from No. 2 to lead the Hot R&B/Hip-Hop Songs chart dated Dec. 21. It swaps positions with the rapper’s “TV Off,” featuring Lefty Gunplay, which took over the top slot from Lamar’s “Squabble Up” a week prior. (“Squabble Up” is No. 3 on this week’s chart.)
All three tracks appear on Lamar’s GNX album, which was released without warning on Nov. 22. The set, on pgLang/Interscope Records, rules the Top R&B/Hip-Hop Albums chart for a third consecutive week with 125,000 equivalent album units in the tracking week of Dec. 6 – 12, according to Luminate.
“Luther” traces its coronation to a combination of 28.7 million official U.S. streams (down 11% compared with the previous week), 2,000 song downloads (up 53%) and 9.8 million in airplay audience (up 63%) in the tracking week. The consumption totals push the track 2-1 for its first week atop the R&B/Hip-Hop Streaming Songs chart and a 5-3 gain on R&B/Hip-Hop Streaming Songs. Although “Luther” remains below the threshold for the all-genre Radio Songs chart (all airplay for a song, regardless of format, contributes to a title’s rank on Hot R&B/Hip-Hop Songs), it drives 18-15 on R&B/Hip-Hop Airplay.
As “Luther” unlocks an unprecedented achievement for Lamar, let’s review more of the historic feats from the chart’s newest champ:
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-12-18 22:36:362024-12-18 22:36:36Kendrick Lamar Makes History With Third No. 1 in Three Weeks on Hot R&B/Hip-Hop Songs Chart
