No challenge, it would seem, is too great for Taylor Swift. By recording “I Knew It, I Knew You” for Toy Story 5, her latest project was a love story a lifetime in the making. No pressure, right?

In recent days, Swift dotted a trail with Toy Story 5 easter eggs, and confirmed what super-fans knew all along with the release at midnight of the original song “I Knew It, I Knew You.”

The track will appear in the latest addition of the beloved animated franchise, and is something of a dream come true. If proof were needed, she shared an adorable video of herself as a youngster, dressed as cowgirl Jessie, who lassoed us all in at the start of her journey back in Toy Story 2.

“Writing this song felt like a musical departure and coming home at the same time,” Swift writes in a social post. “Creating something for Jessie was a new challenge and also felt like second nature all at once. And being a Toy Story kid from the age of 5 til now… is an adventure I plan to be on, to infinity and beyond.”

Swift gave a shout out to the “brilliant” Toy Story co-writer Andrew Stanton “for imagining me for this, all those years ago when you wrote this newest film.” And gave a thank-you to “the incomparable” Randy Newman for “the gorgeous sonic tapestry of songs and scores you’ve meticulously woven over the years.” Newman, she continued, “created the Toy Story musical world, and we are lucky to get to live in it.”

The “we” includes Swift and her frequent collaborator, producer and “pal” Jack Antonoff, who worked on the single, which she previously revealed was “inspired by the rootin’ tootin’” Jessie.

“We wrote this with so much adoration for these characters that made us laugh and helped us learn lessons and think outside the backyard all throughout our childhoods,” she says of her latest work.

“I Knew It, I Knew You” is Swift’s first release since her hit 2025 album The Life of a Showgirl, and arrives ahead of the movie’s June 19 release, through Disney and Pixar.

Phoebe Bridgers is finally back, but only on her terms. Following a series of small, top secret pop-up shows across the country, the indie rock idol just played her biggest solo concert in years at Madison Square Garden — under the strict condition that the thousands of fans in New York City lock away their phones in special pouches and discard of any writing utensils upon entry.

Such precautions were put in place to prevent any of Bridgers’ unreleased material — much of which she played Thursday night (June 4) — from winding up online ahead of her yet-to-be-announced, widely rumored third solo album. Even allowing journalists on the premises was major, as media hadn’t had access to her prior hush-hush acoustic sets in southern and midwestern America over the past few weeks.

But after securing promises that no new song titles or lyrics would be published in post-show coverage, her team allowed Billboard into the arena to witness exactly what magic Bridgers has been brewing after spending about two years out of the spotlight, and three times that amount of time without releasing a followup to her sophomore effort, Punisher.

She did not disappoint. Now approaching her solo work with the experiences of earning critical acclaim for her part in Boygenius’ phenomenal The Album, opening for Taylor Swift’s billion-dollar box office smash Eras Tour and winning more awards than any other nominee at the 2024 Grammys behind her, she effortlessly caught her audience up to speed with stripped-down renditions of eight unreleased songs from her next project, performed on a tiny stage decked out with a simple couch, lava lamps and a small vintage TV. She had just two other musicians up there with her: Christian Lee Hutson on guitar and Nick White on keyboards.

The songs touched on the deterioration of love and how love changes shape, on going into hiding but wanting now to re-emerge, and on the desire to improve as a person, even if she might not know how just yet. The idea of death has always been laced into Bridgers’ music in a conceptual way, but now, she seems more interested in examining her own mortality, whether its the relationships and patterns that test it or the uncertainty of how her limited time left will be spent. Her parents make cameos throughout the music, with one particularly painful song addressed directly to her late father, elaborating on the complications of her relationship with him that she’s previously only ever hinted at in her music.

Bridgers also isn’t interested right now in playing for people who don’t support one cause in particular she’s passionate about. Aside from press, the thousands of fans in MSG were able to attend by winning seats via a lottery system, and those who were selected were required to donate as little as $1 to the Immigration Bond Freedom Fund assisting people who’ve been detained and deported under the Trump administration. “I hate those ICE idiots,” Bridgers said while thanking the crowd for contributing, quipping also that America’s immigration enforcement officers are like “cops squared.”

But overall, the night — and mini “tour” as a whole — was a chance for Bridgers to reintroduce herself to her truest fans before she makes a larger comeback later this year. As put by one person up front while as she slammed on the strings of her guitar during the most intense part of opening number “Motion Sickness,” while the audience sang every word: “We’re so back.”

Check out some of the best moments from Bridgers’ top-secret MSG show below.

Billboard’s Friday Music Guide serves as a handy guide to New Music Friday’s most essential releases each week — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

Last week, we featured Ariana Grande, Labrinth, aespa and more.

This week: Taylor Swift’s much-teased Toy Story 5 song, “I Knew It, I Knew You,” arrives ahead of the film; Niall Horan serves up the main course with his new album Dinner Party; and Tinashe teases her next chapter with a new single… plus much more. Check out all of this week’s picks below:

Taylor Swift, “I Knew It, I Knew You”

After dropping a basketful of easter eggs, Taylor Swift confirmed this week that fans “knew it” all along when her came to her musical involvement on Toy Story 5. She wrote on Instagram, “I’ve always dreamed of getting to write for these characters who I’ve adored since I was a 5 year old kid watching the first Toy Story movie.” And on release night, she uploaded a video of her young self dressed much like Jessie, who inspired “I Knew It, I Knew You.” While the song was teased by Disney as a return to Swift’s country roots, the production does fittingly tap into the genre, though her vocals are distinctly modern-era — resulting in a track that “felt like a musical departure and coming home at the same time,” as she wrote in the caption of her cowgirl clip. “Creating something for Jessie was a new challenge and also felt like second nature all at once.”

Role Model, “High Hopes 3000

This week, Role Model shared the first taste of new music post-“Sally” virality (“Sally, When the Wine Runs Out” became his first Billboard charting hit, eventually reaching No. 1 on Adult Alternative Airplay, thanks in part to a live show gimmick in which celebrity guests became each evening’s designated Sally). After announcing his forthcoming third album, Chuck Timely & The Hourglass, the artist dropped lead single “High Hopes 3000” that explores the same country-inspired folk-pop landscape of his last album, Kansas Anymore. The new song tugs at a similar lyrical thread, too, with Role Model questioning his faith in finding love. “I need some high hopes, Lord knows I could use ’em…They say I’m unappealing when I shoot my shot/ Come here, honey, don’t know how to do it/ Does love come around or does one come around to it?” Tune in to find out.

Niall Horan, “Tastes So Good”

Niall Horan’s fourth solo album, Dinner Party, arrives today and delivers on its title — offering up a delectable soundtrack perfect for any intimate gathering over food and drink. “Tastes So Good” in particular plays into the title as well as the overarching theme of the album — being in love — by describing just how smitten he is. “Can’t take another breath without you/ Can’t walk down the street/ No, I don’t know what you’re made of/ But it tastes so good to me.” With a line like that, who needs to see a menu? We’ll have what he’s having.

Tinashe, “Too Easy”

Following an appearance at Coachella’s DoLab in April, Tinashe is back — and she’s letting friend and foe know it. The bouncy “Too Easy” is coated in confidence, as she sings, “If you’re mad, then go to therapy/ I can’t help that I make it look so easy.” The clubby pop track clocks in at just under two minutes, only further proving that Tinashe really does have this locked; it sends a message to listeners, too, because it really is that easy to hit replay on a song this sticky.

Ryan Beatty, “Secret Language”

Alternative singer-songwriter Ryan Beatty was once a quiet force behind the scenes, offering backing vocals on BROCKHAMPTON projects among other collaborations. But his 2023 album, Calico, changed his career, becoming critically acclaimed and boosting his exposure — so much so, that Beyoncé came calling. Beatty co-wrote a handful of songs on Cowboy Carter, winning him his first Grammy as the project took home album of the year in 2025. Now, he’s teasing his fourth solo album, Sweet Fortune, out later this month. The sweet and serene lead single, “Secret Language,” shows off his tender writing, hinting at how his silence can say more than words ever could get across: “I’ll admit, I’m a bit of a mess/ ’cause I’m fragile and tired/ wounded and weak/ and my words are a useless defense.”

The “Rumors” are true: Lizzo‘s new album has arrived.

On Friday (June 5), the Grammy-winning pop star unleashed Bitch, her first studio album since 2022’s Special. The set’s lead single, “Don’t Make Me Love U,” arrived on March 20, with its title track following May 1.

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The title of Lizzo’s new album — which houses songs such as “She Stole My Man,” “Whose Hair Is This” and “Sexy Ladies” — is certainly eye-catching. For the “Truth Hurts” singer, naming her record an expletive was an act of reclamation.

“Reclaiming the word ‘b—h’ is power. It’s taking a label once used to diminish women and turning it into a declaration of confidence and unapologetic self-love,” she said in a statement. “So many incredible women in music have used the word for positivity like Meredith Brooks and Missy Elliott. It was only fitting to name my album Bitch because it has become my favorite word when using it on my own terms, and because I am 100% that b—h!”

At one point, Lizzo had an entirely different name for the project. Back in February, she released the then-lead single and title track for Love In Real Life, which was originally set to serve as her fifth studio LP. After telling Vulture that Love In Real Life “just wasn’t what I was feeling right now,” Lizzo later clarified to Billboard that “[Bitch] is technically the same album… I just changed the name. The music is the same.”

In the interim between pausing the Love In Real Life rollout and launching Bitch, Lizzo returned to her hip-hop roots for her My Face Hurts from Smiling mixtape. Featuring collaborations with Doja Cat and SZA, the rollicking tape also included freestyles over 2025 rap hits like PLUTO & YK Niece’s “Whim Whamiee.”

Lizzo has made herself virtually inescapable in the lead-up to Bitch. She explained why she refuses to settle her career-shifting sexual harassment lawsuit on CBS Mornings (May 4), cracked jokes and whipped out her signature flute at The Roast of Kevin Hart on Netflix (May 10), and lambasted social media algorithms for “destroying the music industry” (May 12).

The Detroit-born star’s last studio album found her helping the world dance its way out of the pandemic. “About Damn Time,” the lead single from Special, hit No. 1 on the Billboard Hot 100 and won the Grammy Award for record of the year. Two other songs from that project hit the all-genre singles chart: “2 B Loved (Am I Ready)” (No. 55) and “Special” (with SZA, No. 52).

Notably, Bitch arrives the same weekend Scary Movie, for which Lizzo recorded an original song, hits theaters. Two weeks ago (May 22), she linked up with Sexyy Red for “Hoes,” which will appear on the official soundtrack for the horror-comedy film.

Stream Bitch now.

Saddle up, Swifties — Taylor Swift is back to her country music roots on “I Knew It, I Knew You,” her new song for the Toy Story 5 movie.

Written with beloved cowgirl character Jessie in mind, “I Knew It, I Knew You” arrived at midnight Friday (June 5) and — both sonically and lyrically — finds the pop superstar tapping into her original genre. The theme will be featured on the franchise’s fifth movie soundtrack, which drops June 19, the same day Toy Story 5 hits theaters.

“I’ve always dreamed of getting to write for these characters who I’ve adored since I was a 5 year old kid watching the first Toy Story movie,” Swift wrote to Instagram on Monday (June 1), when she first announced the song, which she co-wrote and co-produced Jack Antonoff. “I fell instantly in love with Toy Story 5 when I was lucky enough to see it in its early stages, and I wrote this song as soon as I got home from the screening. Sometimes you just know, right?”

Starring Tom Hanks and Tim Allen — who will reprise their iconic voice roles as Woody and Buzz Lightyear, respectively — as well as Joan Cusack returning to voice Jessie, Toy Story 5 will show how Andy’s old toys come to grips with a new electronic tablet taking over the attention of their current owner, Bonnie.

Swift revealed just five days prior to the track’s release that she was involved in Toy Story 5, only after mysterious “TS” billboards using the movie franchise’s signature font appeared in different locations around the world. The 14-time Grammy winner’s website also changed to show a Toy Story-themed countdown leading up to the announcement on Monday.

Toy Story 5 director and screenwriter Andrew Stanton said in a statement, “It’s incredible just how meaningful it’s been having Taylor write and perform this song.”

“Her connection to Jessie and the immediate way she understood what the character was going through was undeniable,” he added. “The song is so deeply connected to Toy Story. So much so that on first listen, it instantly felt like it had always belonged there, like a long-lost family member.”

Listen to Swift’s new track “I Knew It, I Knew You” for Toy Story 5 below.


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After teaming up with Grindr to take over the gayborhood grid in April, Madonna and the LGBTQ+ app joined forces on Thursday (June 4) to transform Times Square with a surprise Pride Month pop-up performance at a new venue, The Square.

The venue is unusual in the sense that you don’t realize it’s a concert space until suddenly it is. One moment you’re looking at an LED screen in Times Square, the next moment its previously invisible walls are diving inward to reveal a performance space; it’s as if one of the Times Square skyscrapers suddenly opened up to reveal the coolest secret party going on behind the walls of the world’s most photographed intersection. And you don’t have to squint: 18,000 square feet of LED screens are there to help boost what’s going on inside the in-building space (at least until the walls close back up).

At 6:27 p.m. ET, the more-or-less invisible doors of a Times Square LED screen opened to reveal the Queen of Pop’s surprise performance, which opened with the undeniable Confessions II jam “I Feel So Free” backed by Stuart Price on the turntables. (Price is the visionary producer behind her 2005 classic Confessions on a Dance Floor, who has returned to the studio for Confessions II.) After touching forefingers like God and Adam, Madonna and Price invited New York into their confessional jam session, which encompassed three tracks from Confessions II and three tracks from Confessions on a Dance Floor.

“All right New York City, are you ready for this?” asked Madonna, a human who showed up to New York City in the late ’70s with $35, a dream and a lot of moxie and then conquered the world. “C’mon, gays. Happy Pride!” The Grindr-sponsored event opened with “I Feel So Free,” “Bring Your Love” (minus duet partner Sabrina Carpenter) and new track “Love Sensation.” Even in the live setting amid one of the world’s busiest intersections, “Love Sensation” felt like an astoundingly strong tease of Confession II — not a pop single, but a future fan favorite.

After teasing Confessions II with a coterie of choreographed dancers, Madonna offered up a pinch-me medley of tracks from Confessions on a Dance Floor, starting with the low-key fave “Get Together,” moving into the saucy “I Love New York” and concluding with “Hung Up” (and briefly straddling the plastic barrier separating her from the crowd with her leg, naturally). Between the Confessions to Confessions II switchover, Madonna flipped the in-venue lights to the Pride flag and turned Times Square into a massive screening room for a montage of Pride’s radical, riotous roots.

Of the audience, a select lucky group of fans caught the best vantage point of the 15-minute show from the TKTS red steps in Times Square, courtesy of Grindr; meanwhile, despite the on-street barriers, a slow but steady stream of tourists filtered through the Times Square hub, many of them jamming out to era-defining hits like “Hung Up” while walking down the sidewalk, seemingly oblivious to the fact that the artist herself was performing the music above them.

The Madonna x Grindr collab launched in late April with an exclusive picture disc of Confessions II, the hotly anticipated sequel to Madonna’s 2005 masterpiece Confessions on a Dance Floor. The collab continues with a limited-edition Madonna x Grindr merch capsule collection including hats and t-shirts sporting lyrics and imagery from the picture disc artwork (some of the merch was available at a nearby Times Square after party).

Recently, Madonna sat down with Ivy Mugler, Raul Lopez, Jeremy O. Harris, Bob the Drag Queen and Marcelo Gutierrez for a genuinely confessional Grindr chat, where she revealed the best sex of her life and talked about the best bedroom playlist.

What The Sphere has been to Las Vegas, The Square hopes to be for New York City, reimagining concerts as cultural multimedia experiences. One bonus: the space operates within a hotel, so artists can potentially move from their hotel room to a worldwide stage without ever exiting the building. While Madonna isn’t the first to occupy this space (Charli xcx and others have performed there recently in more limited capacities), she’s the first to play The Square at its full operational strength. As always, many artists will likely follow in Madonna’s footsteps, taking this one-of-a-kind Times Square stage before the year is over.

“We thought she was the right person to talk across multiple generations of fans,” says Jeff Marks, the CEO of Innovative Partnerships Group, the company behind turning the Times Square space into The Square. “Young fans still like her, as we saw when she popped up at Coachella with Sabrina. She’s at the World Cup [headlining its first halftime show alongside BTS and Shakira on July 19]. You don’t get someone better than her, who can talk to anyone in the world. I don’t think anyone would say they don’t like her. And, with the brand that was chosen, I think it’s going to give them their big Hollywood moment, and they’ve been around for a while.”

Twenty-four hours after turning Times Square into a dancefloor, Madonna will appear at Tribeca Festival on Friday (June 5) night, screening a 10-minute visual project centered around the first six tracks from Confessions II. After the premiere, Madonna and the project’s directors — David Toro and Solomon Chase (TORSO) – sit down with Jimmy Fallon for a conversation.

In late April, Madonna popped up with Sabrina Carpenter during Sab’s second weekend at Coachella; their duet “Bring Your Love” dropped shortly thereafter and hit the Billboard Hot 100, peaking at No. 74. Album preview “I Feel So Free” went No. 1 on Billboard’s Dance/Mix Show Airplay chart, becoming her first No. 1 on that tally in 18 years. Confessions II, which reunites her with OG Confessions producer Stuart Price, drops July 3.

RIIZE is laying out the full shape of its next chapter.

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The group have unveiled the six-track lineup for its second mini-album, II, due June 15 via SM Entertainment/RCA Records. The project opens with “SOAR,” moves into “Do Your Dance” and closes with “In a Loop,” with “D-D-Done,” “Overdrive” and “Like a Bomb” rounding out the set.

The release lands in the middle of a packed stretch for SM Entertainment, which has been rolling out a wave of comebacks across late spring and early summer. TAEYONG returned in May with his debut solo LP WYLD , aespa followed with LEMONADE on May 29 and SHINee released Atmos on June 1, with Hearts2Hearts set to arrive in June 22. RIIZE slots into the center of that schedule with II, adding to one of the label’s busiest early summer release windows in recent memory.

For the group, the mini-album marks its first new project since Fame in November, and follows last year’s debut studio album, ODYSSEY. According to the label, II expands RIIZE’s sound while continuing the real-time, emotionally direct storytelling that has shaped the group’s catalog. Led by “Do Your Dance,” the mini-album is positioned around the group’s performance-driven energy, drawing from a March festival run that made RIIZE the first K-pop boy group to perform at Lollapalooza South America, with appearances in Argentina, Chile and Brazil.

RIIZE has steadily climbed Billboard’s album charts. The group’s first EP, RIIZING, reached No. 5 on World Albums and No. 11 on Top Album Sales, while debut full-length ODYSSEY climbed higher on both rankings, reaching No. 4 on World Albums and No. 9 on Top Album Sales following its U.S. physical release in 2025. RIIZE has also appeared on Billboard Global Excl. U.S. with multiple international hits, with “Boom Boom Bass” peaking highest at No. 87 in 2024.

Here’s the full tracklist for II:

  1. “SOAR”
  2. “Do Your Dance”
  3. “D-D-Done”
  4. “Overdrive”
  5. “Like a Bomb”
  6. “In a Loop”


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Yung Miami recently sat down with former NFL star Cam Newton for his YouTube show Funky Fridays and told a funny story of the time she tried to get Drake on a song while he was in the middle of his beef with Kendrick Lamar and Metro Boomin back in 2024.

“I got a song called ‘Take Me to Chanel’ and I was trying to get him on the song,” she recalled. “I remember DM’ing him, but that was at the time when he was going through all his sh–. And when people going through they sh–, like, I get it, I understand. … But I DM’d him like, ‘Drake, I think you’ll sound good on ‘Take Me to Chanel.’ He just liked the message like come on, now, don’t do that! Drake, don’t do that now ’cause when you called me I was there! But, nah, I f— with Drake, I understand.”

She then added that she’s hyped for ICEMAN and Drake’s return to rap’s forefront. “I’m excited. I love Drake, she began before explaining why. “He’s so special that it’s like his music is like, ‘You gotta know to know.’ He’ll say some sh– and it’s like what made him … he’s clever. And I just love how he does his interludes. He’ll go and get a soundbite and blow it up, and he’s gonna show you love. It just be little things like that. And he just always got one. You can play Drake at a graduation, any function and you’re gonna feel good.”

Yung Miami and her former City Girls bandmate JT lent their vocals to the Toronto rapper’s 2018 smash hit “In My Feelings” — a 10-week No. 1 on the Billboard Hot 100 — and she also talked about how it helped launch their careers. “That was the breakthrough for the City Girls,” she said. “I would never forget that phone call that we got like, ‘Drake wants y’all on his album.’ And it was like April Fool’s Day. This gotta be a joke and it was like, ‘Nah, y’all gotta come to the studio, we gotta play the record.’ And we press play and it’s like Drake saying our names.”

You can watch the full interview below.

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Released on May 16, 1966, Pet Sounds from The Beach Boys is still as iconic, experimental and cool in 2026 as the album was back in the ’60s. This summer is the 60th anniversary of the seminal album, and the band is celebrating with new merch and apparel.

Whether you’ve been there from the very beginning or you just found the classic rock band’s iconic album, ShopBillboard has rounded up the best Beach Boys gear to show off your love for Pet Sounds. In fact, the band has an official store from the retail giant that features T-shirts, logo apparel, sweatshirts and other items. There are even stylish Beach Boys tote bags going for $24.99 each.

Scroll down and shop the best Beach Boys merch and apparel you can buy on Amazon.

How to buy Beach Boys 'Pet Sounds' 60th anniversary merch and apparel online

THE BEACH BOYS

‘Pet Sounds’ 1966 T-Shirt

Drops on Monday, June 15


How to buy Beach Boys 'Pet Sounds' 60th anniversary merch and apparel online

THE BEACH BOYS

‘Wouldn’t It Be Nice’ Jersey

Drops on Monday, June 15


How to buy Beach Boys 'Pet Sounds' 60th anniversary merch and apparel online

THE BEACH BOYS

‘Pet Sounds’ Nylon Coaches Jacket

Amazon Exclusive


How to buy Beach Boys 'Pet Sounds' 60th anniversary merch and apparel online

THE BEACH BOYS

‘Pet Sounds’ Flamingo T-Shirt

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How to buy Beach Boys 'Pet Sounds' 60th anniversary merch and apparel online

THE BEACH BOYS

‘Pet Sounds’ Giraffe Tote Bag

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How to buy Beach Boys 'Pet Sounds' 60th anniversary merch and apparel online

THE BEACH BOYS

‘Pet Sounds’ Rhino Stainless Steel Insulated Tumbler

Amazon Exclusive


Meanwhile, The Beach Boys have a documentary from 2002 about the making of Pet Sounds for the album’s 35th anniversary with interviews from then-surviving members, including Brian Wilson, Mike Love and Al Jardine. You can buy it on Blu-ray for just $11, or you can stream the documentary on Prime Video. It’s rentable for $4.99, or buyable as a digital download for $12.99.

How to buy Beach Boys 'Pet Sounds' 60th anniversary merch and apparel online

THE BEACH BOYS

Classic Albums: ‘Pet Sounds’

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‘Pet Sounds’ 60th anniversary


And if you’re an Amazon Prime member, you can order now and any one of these merch and apparel items will be delivered to your home in less than two days, thanks to Prime Delivery.

Not a member? Sign up for a 30-day free trial to take advantage of all that Amazon Prime has to offer, including access to Amazon Music for online music streaming, Prime Video and Prime Gaming; fast free shipping in less than two days with Prime Delivery; in-store discounts at Whole Foods Market; access to exclusive shopping events — such as Prime Day in June and Black Friday in November — and much more. Learn more about Amazon Prime and its benefits here.

In the meantime, shop more merch and apparel from The Beach Boys on Amazon below.

Want more? For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

In recent years, the National Independent Venue Association’s advocacy efforts have been focused on the Department of Justice’s monopoly case against Live Nation, which resulted in a jury finding that the company illegally monopolized the market for ticketing services and the use of amphitheaters. In April, it also found that Live Nation illegally tied the use of its venues to its concert promotion services.

Now, as the association heads into its fifth annual conference, NIVA executive director Stephen Parker says the association is turning its attention to ticketing resale caps and building a more stable future for independent venues and promoters.

“This conference is more about our vision for what live entertainment looks like in a post-monopoly world. My hope is that our NIVA members are able to articulate what that vision should be,” Parker tells Billboard of the NIVA ‘26 gathering that will take place June 7-10 at various independent venues in Minneapolis. “We have been working towards a future that’s better, not just working to make sure that one company is help accountable.”

The four-day conference will kick off with a Sunday night opening party in celebration of Prince, who was a frequent performer and visitor of renowned indie venue First Avenue, where the opening party will take place. From there, NIVA will address the attendees on the current “state of live,” followed by panels on everything from marketing, ticketing platforms, food and beverage strategies, dealing with the growing number of performing rights organizations and the resale cap legislation that is being introduced across the country.

As of June 2026, 20 states across the U.S. have introduced legislation that would cap the price of concert tickets on secondary ticketing platforms like StubHub, SeatGeek and more. The wave of bills comes as fans are feeling gauged by sky-high ticket prices, while the price of a night out also continues rising.

“There’s not a single state that introduced a resale price cap this year that we went to and said, ‘Please introduce this legislation.’ In some cases, we just saw it drop,” says Parker. “The fact is, this has been such an organic movement, a bipartisan organic movement, to see a problem and see a solution and work towards that solution.”

Maine and Vermont are the only two states that have signed resale cap legislation into law, while states including New York and California have similar laws up for consideration. “We’re going to talk about all the dollars that have been spent to defeat this legislation and how we have spent very little getting a couple of these passed in the last year,” Parker says. “We’re gonna talk about how this is basically artists, fans and everybody who actually is in the live entertainment industry against scalpers.”

The conference will take place across what Parker calls an “incredible indie venue scene” in Minneapolis including First Ave and 7th Street Entry, storied Jazz club The Dakota, new space Green Room and the musician hangout Ice House. Despite the turmoil Minneapolis faced earlier this year with the Immigration and Customs Enforcement operations and the killing of civilians Renée Good and Alex Pretti, Parker says Minneapolis NIVA members wanted the conference to take place in the city.

“We heard from the community early on, the one thing that the venues and the community leaders wanted more than anything was for people not to abandon them,” Parker says. Minneapolis mayor Jacob Frey will welcome attendees to the conference on June 8 at the Pantages Theater.

Other notable speakers at NIVA ‘26 include CAA agent Carly James, The Daily Show comedian Jordan Klepper, as well as musicians Jimmy Jam, Cornbread Harris, Cory Wong of Vulfpeck and The Black Keys’ Patrick Carney.

The main focus, Parker says, will be detailing plans for a more sustainable independent live sector. The conference will discuss what the association and its members are doing to support the cultural infrastructure across the country by lobbying for tax credit programs or live performance funds that can help independent venues and creating more music offices at the city and state levels.

“What can we do to make sure that live performance isn’t just something that politicians and policy makers go to, but something that politicians and policy makers create a seat at the table for at the state and local level, and at the federal level across the country,” Parker says. “Let’s get past the monopoly. Let’s get past the predatory resale and let’s focus on the things that matter which is building the infrastructure that we need for independent venues and festivals and artists and fans to actually be able to connect without all these other things getting in the way.”