Perrie Edwards just gave what is arguably her most candid interview to date, opening up about her past struggles with ex-fiancé Zayn Malik and former bandmate Jesy Nelson.

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On the Wednesday (June 10) episode of Great Company With Jamie Laing, the Little Mix singer first addressed the mentally draining experience of splitting from the One Direction alum back in 2015 after being engaged for two years. “When you go through heartbreak, it is hellish,” she began. “You feel abandoned, and you don’t feel good enough, and you feel like you’ve been left for something better.”

“And then what makes it even worse is I feel like the world was then looking at me laughing at me,” Edwards continued, noting she believes Malik’s experience with the breakup was probably less difficult. “When you’re moving on with somebody else, you always get on better. When you’re the one left behind, that’s when it’s hard. Because it’s like, ‘Oh s–t, they’ve left me for someone more beautiful. They’ve met someone better than me.’”

The British boy bander’s next relationship was with Gigi Hadid, with whom he’d have an on-off relationship for about six years years — and welcome daughter Khai in 2020 — before calling it quits for good in 2021. The model also starred alongside Malik in the music video for his Billboard Hot 100-topping single “Pillowtalk.”

“Let’s just say there was a bit of a — I’m just gonna say it — there was a bit of an overlap,” Edwards said of Malik and Hadid. “Then you have a song that they’ve written about you, but then someone else is in the video. It was one thing after the other after the other. I remember finding out about that … it was just the nail in the coffin.”

Billboard has reached out to Malik for comment.

As for where she stands with Nelson — who recently aired out her grievances with Edwards, Leigh-Anne Pinnock and Jade Thirlwall in a new documentary and claimed that the group members didn’t support her through various mental health issues — Edwards said, “Sometimes you just don’t win with people.”

“What upsets me the most is when the other person doesn’t take any accountability,” she continued. “That boils my blood. I’m not blaming everything on you. I’m not saying she’s this f–king monster, and everything was her fault. But take some accountability for your actions and realize you were difficult. You did have difficult moments.”

She continued, “You can only pick somebody up so many f–king times before you lose track of your own sanity … I thought I’d tried anything. So to then sit there in further interviews and discuss it publicly and be like, ‘I wasn’t supported.’ You were, though.”

Edwards added that she’d previously hoped to rekindle a friendship with Nelson, but not anymore. “Part of me wanted to until the documentary, and then part of me withdrew again,” she added on the podcast. “I haven’t got a bad bone in my body, but I can cut you off. I can forgive, but I don’t want you in my space.”

Billboard has also reached out to Nelson’s reps for comment.

The documentary in question is titled Life After Little Mix, a six-part series that premiered on Prime Video in February. In addition to exploring Nelson’s difficult parenthood journey after becoming a mom to twin girls with spinal muscular atrophy in 2025, the doc includes the “Boyz” singer saying that she left Little Mix in December 2020 because she felt ignored and misunderstood by the other three members. Nelson also claimed that one of her bandmates had expressed wanting to leave the group before her.

After that, Edwards, Pinnock and Thirlwall continued group activities as a trio, releasing album Between Us in 2021. Edwards is now in the midst of a solo career, most recently releasing her single “Passenger Princess” in May.

Watch Edwards’ full interview on Great Company With Jamie Laing above.


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With the start of the 2026 FIFA World Cup on Thursday (June 11), there are many ways to watch matches at home. Although streaming matches gives you the opportunity to watch wherever you’d like across various devices, one of the best ways to watch on TV is with an old school digital TV antenna — especially if you want to watch for free.

Priced at $19.59 on Amazon, the indoor Vansky Digital TV Antenna lets you access FOX for English-language broadcasts and Telemundo for Spanish-language broadcasts without a monthly subscription cost. It also lets you access ABC, CBS, NBC, PBS, Univision and other free over-the-air channels on TV.

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Here’s how it works: Just screw in the antenna’s cable into the back of your TV, place it on a wall near a window in your home, go through your TV’s settings to scan for local broadcast networks and let the Vansky Digital TV Antenna work to pull in free over-the-air channels. Now you can watch FOX or Telemundo live for World Cup matches and musical performances from Katy Perry, Future, LISA, Alanis Morissette and others at home.

And according to more than 10,000 five-star shopper reviews, the Vansky Digital TV Antenna is easy to set up. It can even deliver up to 4K Ultra HD content straight to your TV. In fact, if you visit antennaweb.org, you can look up to see which local networks are available in your area.

Best Digital Antennas for TV: Best $20 Amazon Indoor Antenna Deal

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Vansky Digital TV Antenna, Indoor

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It’s available in black or white and has a 4 out of 5-star rating on the retail giant.


Between the World Cup, NBA Finals and NHL Stanley Cup Final, an indoor antenna could come in handy for sports fans and TV lovers, alike. The Vansky Digital TV Antenna might just be the answer to streaming troubles, namely short free trials and ever-increasing prices.

It has a detachable signal amplifier for a boosted and enhanced signal reception, and a 16.5-foot coaxial cable with a range of up to 250 miles, per the product description. Meanwhile, Vansky has gained more than 10,000 five-star reviews from verified shoppers on Amazon.

“I didn’t want to commit to monthly subscription fees, so I decided to try this antenna. It’s been a great choice,” shares a delighted reviewer. “Once placed in the right spot, it provides access to a variety of popular channels like ABC, NBC, FOX, and even some less mainstream ones. I’m in NYC, and the reception is generally excellent. The setup was easy, and it’s perfect for someone who wants a budget-friendly way to watch local TV without ongoing costs.”

The Vansky Digital TV Antenna is on sale for $19.59 on Amazon. While it’s not the deepest of discounts, it’s highly rated for quality and very inexpensive at just under $20.

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Want more? For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

Glenn Close is one of our greatest actresses, but she has been a perennial bridesmaid at the Oscars, amassing an 0-8 track record. Close will finally become an Oscar winner, albeit an honorary one, at the 17th Governors Awards on Sunday, Nov. 15. The Academy of Motion Picture Arts and Sciences is presenting the awards at the Ray Dolby Ballroom at Ovation Hollywood in partnership with Rolex.

The academy’s Board of Governors also voted to present Academy Honorary Awards to director Ridley Scott and animator Floyd Norman and the Irving G. Thalberg Memorial Award to producers Christine Vachon and Pamela Koffler.

Like Close, Scott has yet to win a competitive Oscar. He has gone 0-4 on Oscar night. Vachon and Koffler also lost in their only Oscar nod, as producers (along with David Hinojosa) of best picture nominee Past Lives.

While no one who is primarily from the world of music is being honored this year, all of these honorees have some connection to music. Scott received a Grammy nod for best compilation soundtrack for visual media in 2009 (in tandem with Kathy Nelson) for his work on American Gangster, which included such prized songs as Bobby Womack’s “Across 110th Street” and Public Enemy’s “Can’t Truss It.” Close won her third Tony Award for best lead actress in a musical for her role in the revival of Sunset Boulevard. She also received an Oscar nod for her role in The Big Chill. The Motown-saturated soundtrack made the top 20 on the Billboard 200.

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“The academy’s Board of Governors is thrilled to present this year’s Governors Awards to five remarkable individuals whose groundbreaking work has forever shaped the art of filmmaking,” academy president Lynette Howell Taylor said in a statement. “Throughout her extraordinary body of work, Glenn Close’s unparalleled emotional range has brought to life some of the most complex characters in cinema. Floyd Norman is the legendary animator who has broken barriers and inspired generations of artists over his remarkable career. Sir Ridley Scott is a true visionary whose decades-long legacy has left an immeasurable impact on global cinema and culture. Christine Vachon and Pamela Koffler play a central role in American independent cinema, championing bold, ambitious and distinctive storytelling.”

The Honorary Award is given “to honor extraordinary distinction in lifetime achievement, exceptional contributions to the state of motion picture arts and sciences in any discipline, or for outstanding service to the academy.”

The Irving G. Thalberg Memorial Award is presented to a creative producer whose body of work reflects a consistently high quality of motion picture production.

Last year’s honorees were Dolly Parton (the Jean Hersholt Humanitarian Award) and Debbie Allen, Tom Cruise and production designer Wynn Thomas (Academy Honorary Awards). The awards were presented on Nov. 16, 2025.


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Here are thumbnail sketches of this year’s honorees.

It appears Wu-Tang Clan may be set to invade Madison Square Garden, according to multiple reports as well as hints from the group itself. The legendary rap crew has been tapped to perform the halftime show for Wednesday’s (June 10) game four of the NBA Finals, a source confirmed to Rolling Stone.

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Page Six first reported that the Wu would be heading to MSG as halftime’s entertainment with the NBA Finals returning to the Big Apple for the first time since 1999, which also saw the New York Knicks battling the San Antonio Spurs back then.

Wu-Tang Clan’s official Instagram also appeared to confirm that the group would be performing at MSG on Wednesday night. “Bring Da Hive Knicks in 5,” the Wu captioned a post on its Instagram Story.

Billboard has reached out to Wu-Tang Clan’s reps, the NBA and the Knicks for comment.

It’s still unclear which members will be representing Wu-Tang Clan, but Method Man is a prominent Knicks fan and courtside staple at MSG. Meth also fired up the crowd when he performed the halftime show during game two of the Eastern Conference Finals as the Knicks throttled the Cleveland Cavaliers in May.

The Wu is currently on a break from the crew’s Wu-Tang: The Final Chamber tour. The farewell trek will resume with a North American leg kicking off in August. The crew will be making stops in Atlantic City, Kansas City, Cincinnati, Toronto, Atlanta, Orlando, Tampa, Albuquerque, Salt Lake City and Las Vegas before hosting a final show on Oct. 4 in Phoenix.

2026 is slated to be a celebratory year for Wu-Tang Clan, as the Staten Island group is set to be inducted into the Rock and Roll Hall of Fame in November as part of the performers category in the class of ’26. Wu-Tang Clan was also inducted into Billboard‘s Hip-Hop Hall of Fame in 2025.

The Wu will follow Cardi B, who performed at halftime of game three of the NBA Finals at MSG on Monday (June 8). As the series currently stands, the Knicks hold a 2-1 lead with a pivotal game four on tap for Wednesday night.


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Tyla is headed to the big screen. The South African singer announced to fans on Tuesday (June 9) that she has joined the Sub-Saharan voice cast of Pixar’s eagerly anticipated Toy Story 5. “Hey South Africa! It’s Tyla. Toy Story 5 is coming to cinemas on the 19th of June,” she told fans in a video in which Buzz Lightyear and Woody dolls hung out in the background.

“Come and watch with your whole family because your girl Tyla is in the movie as the inflatable flamingo,” the Grammy-winner added about her voice acting debut in which she will bring some South African flavor to the cast that includes returning stars Tom Hanks as Woody, Tim Allen as Buzz Lightyear, Tony Hale (Forky) and Joan Cusack (Jessie), as well as Greta Lee (Lilypad), Conan O’Brien (Smarty Pants), Craig Robinson (Atlas), Keanu Reeves (Duke Caboom) and many more.

The 24-year-old singer will be featured as the pool toy who becomes friends with the gang in the film that finds the crew trying to figure out where they belong in a world where technology is rapidly pushing aside traditional children’s toys.

In a promo video, Tyla, an avowed Toy Story superfan, said when she was asked to join the cast she was so excited that, for the first time, she was bugging her management team every day for updates on the gig. “I just couldn’t believe that the offer was even presented to me,” she said, noting that the storyline in the film is “so fire,” and not just because she’s in it. “I just grew up watching Toy Story, it’s such a big movie in my family. My parents love it, my whole family loves it. We all love going to the cinema and watching every new one,” she said.

Not for nothing, back in 2023, Tyla tried to manifest a Disney/Pixar miracle when she posted on X, “Disney hmu when you free,” followed by a princess emoji. Last year, Tyla recorded the original track “Everything Goes With Blue” for the soundtrack to the Smurfs movie.

She also has plenty of A-list company in the TS5 universe, including from Taylor Swift, who attended Tuesday night’s premiere of the film in Los Angeles, where she performed her new soundtrack song, “I Knew It, I Knew You,” and Bad Bunny, who has a cameo in the film as Pizza with Sunglasses.


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On Tuesday (June 9), Billboard honored this year’s Indie Power Players during an event held at the Cutting Room in midtown Manhattan, celebrating many of the independent music industry’s top artists and music executives.

Billboard co-chief content officers Jason Lipshutz and Leila Cobo kicked off the evening, highlighting how indie music’s market sector has continued to expand over recent years.

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“Many of the world’s biggest artists are signed to indie labels,” Cobo said. “Some of them are here in the house. And, more importantly, what you do is really fueling creativity and musicianship at a very essential and existential time for music.”

Zena White, COO of Partisan Records, accepted the award for Executive of the Year, which was presented to her by Femi Koleoso, the drummer and leader of British jazz group Ezra Collective. The group has had two top 10 hits on Billboard’s Contemporary Jazz Albums chart with 2019’s You Can’t Steal My Joy and 2024’s Dance No Ones Watching. Partisan is also the label home to Geese, Cigarettes After Sex, Blondshell and Interpol, among many others.

“Your belief and support is allowing us to scale and genuinely compete with established players with much bigger pockets than us,” White said in her acceptance speech. “Art is not a luxury. It’s necessary for us to connect with and understand one another, as well as ourselves. It can be a balm, an escape and in some cases, even a lifesaver.”

Cobo presented Rubén Blades with the Icon Artist award.

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“My decision to come to New York was a product of desperation, not careful planning,” Blades said in his acceptance speech. “My first job was as the only employee in the mailroom finding records at the No. 1 salsa recording label in the world. One of my chores was to label and carry a hefty load of LPs and cassettes to the nearest post office while trying to avoid being run over by a bus, taxi or messenger bicycle. To explain how from there I have ended up here tonight will take a while. So instead, my intention is to let everyone understand that my success also belongs to many other people’s talents.”

Richard Gottehrer, co-founder of The Orchard, received the Lifetime Achievement Award, presented by current Orchard CEO Brad Navin. Gottehrer detailed his early career as a songwriter, creating “My Boyfriend’s Back” along with Jerry Goldstein, who was also in the room. Gottehrer recalled that, during a downturn in his career where his songs weren’t charting, “if you’re not making hits, no one wants to hire you anymore.” He said how his mother wanted him to go to law school, but he found himself on the Lower East Side in Manhattan in front of a storefront on Orchard Street — which became the first office of what is now the biggest indie label distribution company in the world.

“From the beginning, all we cared about was bringing independent music to the world — anywhere in the world, it makes no difference,” Gottenhrer said. “What language you sing makes no difference. Music is a shared culture that breaks down barriers between people. The Orchard stands for that, believes in it.”

Billboard Indie Power Players cover artist RAYE was honored with the Indie Spirit Award. RAYE has had three songs enter the Billboard Hot 100, including 2025’s “Where Is My Husband!” which peaked at No. 11 on the chart. Her most recent album, This Music May Contain Hope, peaked at No. 11 on the Billboard 200, a career milestone for the wildly talented singer and songwriter whose journey through the major label system to independence has been one of the most intriguing stories in music.

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“[RAYE] is a wildly talented singer and songwriter whose career faced years of trials and tribulations, the product of an imperfect major label system that she eventually rejected,” Lipshutz said while presenting RAYE with the award. “The fact that she has gone on to score huge hits, played to sprawling audiences, and released one of the most ambitious albums of any genre this year all as an independent pop superstar is both a miraculous feat of professional reinvention and a foregone conclusion for an artist bursting with ideas.”

In her own speech, which captivated everyone in the room with its inspirational tone, RAYE was effusive about her indie label, Human ReSources, and its founder J Erving, who believed in her when many in the industry had said her career was over.

“I just want to encourage us to ignore the lies, ignore people that don’t need to have an opinion over what you are, who you can be and what you’re gonna do,” she said. “You get to decide that. So let’s keep deciding to make art that inspires us. Maybe it’s seven minutes long, I don’t care. I like it, I believe in it, and that’s what I want to spend my life doing. I’m so grateful, so grateful, that after 14 years in this industry since I started as a songwriter at 14, I really feel like we’re just doing it now. I’m so grateful to J, Human Re Sources, The Orchard and independent artists, come on, let’s go! Thank you!”


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This story is part of Billboard’s Global World Cup Series, a collection of 11 cover stories which pairs top soccer stars across the world competing in the 2026 FIFA World Cup with highly-touted musicians in accompanying countries.

“When are we dropping the next hit?” Lucho Díaz asks Ryan Castro with a laugh, as they switch roles to interview each other for Billboard Colombia as the stars of Billboard‘s Global World Cup Series, in a special edition for the 2026 FIFA World Cup. 

More than an interview, it felt like a conversation between two friends whose bond was sealed with “EL RITMO QUE NOS UNE,” the anthem that accompanied Colombia’s national team during the 2024 Copa América. From Orlando, Florida — where La Tricolor was holding its training camp ahead of the 2026 World Cup — Ryan and Lucho reunited with hugs, inside jokes and music talk, especially around “La Promesa,” the champeta track that marked Lucho’s debut as a solo artist. 

This was no ordinary meeting. Sitting face-to-face were two of Colombia’s biggest names of the moment. On one side, Lucho Díaz, star of Colombia’s national team and the country’s all-time top scorer in Champions League history. On the other, Ryan Castro, one of the strongest voices in urban music and the artist with the most weeks at No. 1 on the Billboard Colombia Hot 100

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While one represents Colombia from the soccer field and the other from the stage, both speak the same language: the language of the Ghetto. Ryan grew up in Pedregal, Medellín, dreaming of becoming a reggaetón artist while surviving through different jobs, including working as a waiter in Curaçao. Lucho, from Barrancas, La Guajira, played barefoot soccer among dust, vallenato music and financial struggles, dreaming of making it to the biggest leagues in the world.

Today, both of them bring stadiums to life, each in his own way: one by scoring goals and the other by singing. With the hope of continuing to celebrate goals in the Ghetto — and hopefully also in the 2026 FIFA World Cup final — they sat face-to-face to talk about music, soccer, dreams, and even a possible new musical collaboration. 

Lucho Díaz: I’ll go first so the pressure’s on you. As an artist, what do you admire most about athletes? 

Ryan Castro: Wow, I think what I admire most — and what’s the hardest part — is the discipline of training every day. 

Castro: As an athlete, what do you admire most about musicians?

Díaz: Being able to sing, bro. Having the talent to sing, create and write — that’s the hardest thing to me. 

Lucho Díaz Billboard Colombia

Lucho Díaz

Natalia Aguilera

Díaz: Do you think musicians and athletes have more in common than people think? 

Castro: Yeah, discipline and passion connect us. When we’re onstage and when you’re on the field, we’re not thinking about money — we genuinely enjoy it.

Díaz: That represents both of us. In soccer and in music … we wake up listening to music. We go to the stadium, train and leave listening to music, too. 

Díaz: Did you ever play any sports? 

Castro: Of course. Soccer my whole life. Basketball, tennis, ping-pong, too … but soccer always came first. 

Díaz: What position would you play?

Castro: Yours [left winger]. I score goals too … just a few less than you. (Laughs.)

Castro: If you hadn’t become a soccer player, would you have liked to be an artist? 

Lucho Díaz: Yeah. My family is very musical — my dad sings, too. When I was little, I played accordion, but I don’t remember much now. 

Lucho Díaz and Ryan Castro Billboard Colombia

Lucho Díaz (left) and Ryan Castro

Natalia Aguilera

Castro: What do you listen to before a big match? 

Díaz: Reggaetón and trap… “Sanka,” “La Villa”… that song is a banger. It really motivates me. 

Castro: And when you miss Colombia? 

Díaz: Some vallenato. That instantly takes you back home.

Lucho Díaz: Before a concert, what do you listen to? 

Castro: Honestly, you won’t believe me … I listen to Rocío Dúrcal and Ana Gabriel. 

Díaz: Seriously? Damn, bro. 

Castro: Also reggaetón, Vicente [Fernández], Diomedes Díaz… 

Díaz: “EL RITMO QUE NOS UNE” brings together soccer, music and country. Why do you think it connected so much?

Castro: Because it felt real. It has so many Colombian rhythms and it came at a special moment during Copa América. People felt that connection between soccer and music. I felt like stadium fans needed a song they could truly sing together, and that’s why I think it’ll last forever.

Ryan Castro Billboard Colombia

Ryan Castro

Natalia Aguilera

Castro: What does it mean to represent Colombia around the world? 

Díaz: Pride. We want to be an example for young people. The most important thing is that when your career ends, people remember who you were, what you achieved and what kind of person you were. That’s legacy to me. 

Castro: And also the responsibility of setting a good example and representing your homeland the right way. 

Castro: What excites you most about the next World Cup? 

Díaz: Fulfilling the dream of playing my first World Cup. Representing Colombia at that level is indescribable. I dream of going very far with this team … God willing, we want to finish first. 

Castro: Playing in a World Cup is insane — my God! I believe in these guys.

Castro: If Colombia wins the World Cup, what’s the first thing you’d do?

Castro: I’d probably cry a little. (Laughs.) 

Díaz: Me too. You wouldn’t even know how to react. 

Castro: We’d do everything: cry, celebrate, scream, thank God … we’ve got to work hard to get to that day. 

Castro: So, when are we dropping the next hit? 

Díaz: I’m ready. We’ve already talked about it. 

Castro: (Singing.) “And the real combination, Lucho Díaz, Ryan Castro, El Cantante del Ghetto… Plo, plo, plo, plo!”

Billboard Colombia World Cup Cover, Lucho Díaz and Ryan Castro

With a catalog containing 19 studio albums dating back to 1974, Rush has an incredible amount of music to choose from for its current Fifty Something tour.

The trek’s second night, held June 9 at the Kia Forum in Los Angeles, emphasized this vastness of choice, with the band playing a 22-song setlist that was roughly 50% different from night one, which happened at the same venue on June 7.

Notably, the night two setlist included the complete “2112: Overture,” a 20-minute opus from Rush’s 1976 album 2112. The six-part suite turns 50 this year, with this June 9 show marking the first time the band played it in its entirety in 29 years. (Opening night did include select elements of “2112: Overture,” which, like the complete “Overture,” were played as the opener of the show’s second act.)

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The June 9 concert marked the second time that mighty drummer Anika Nilles played as part of a Rush tour, with the German instrumentalist filling in for Rush’s legendary drummer, Neil Peart, who died of brain cancer in 2020. The show contains many tributes to Peart, with Rush’s remaining members Geddy Lee and Alex Lifeson thoughtfully incorporating their late friend through the visuals, song selections and segments during which Peart’s voice booms through the speakers while video and photo montages of him play.

Made up of 88 shows, the Fifty Something Tour will travel across North America through the end of 2026 and then make its way to South America and Europe in 2027. Tuesday’s show was the second of four sold-out Rush shows at the Kia Forum this week.

Here’s the complete setlist from night two of the run.

Cara Delevingne opens up about the deeply personal journey behind her music. She talks about sobriety, mental health, vulnerability and why she waited until now to share this side of herself with the world. The star reflects on turning pain into art, finding connection through music and creating an album that felt fully honest. She also discusses songwriting, her creative process, collaborators, live performance nerves and the artists who have inspired her most.

Cara Delevingne: I didn’t wanna do this album unless I felt like I was metaphorically exposing my innards. For some people, I think it might be a bit of a shock that I’m doing music, but it is something I’ve done since I was a kid.

Tetris Kelly: Welcome to Billboard News. It’s Tetris, and I’m so happy you’re here with me today, especially knowing that you had a show last night, so you were busy.

I would say so. I’m excited, though. I’m excited to meet you.

No, excited to meet you and hang out.

And I wanna just start off by saying I didn’t know you were doing this interview, by the way, and I’m really glad it’s you.

Well, I love to get to meet new people for the first time.

You can tell that when you do your interviews. And it was really nice.

Thank you. Yeah. Well, let me start by asking the question that everybody’s gonna wanna know, OK? 

What is that?

What’s the catalyst for this moment? Why did you decide this was the time you wanted to release this?

The catalyst for me was, it wasn’t about if, it was about when. Some things you just can’t control. There was a point in which I’m not someone that prays a lot, but I was praying every day to make something powerful, beautiful, creative out of the pain I was going through at the time. This was a period of time where I was trying to get sober. And for some people, I think it might be a bit of a shock that I’m doing music, but it is something I’ve done since I was a kid. But it’s been something really personal for me, quite sacred. Something that I was always really shy of because I just thought everyone else was so good, and it was something that I used as therapy for myself.

Keep watching for more!

On the eve of the fan-centered CMA Fest, Billboard put the focus on country’s movers and shakers with a June 3 Country Power Players party that saw five artists and executives honored with awards that recognized both a new generation of talent and the predecessors who set the table for them.

Tucker Wetmore received the rising star award during the event at Category 10 in Nashville. Red Clay Strays took the groundbreaker award, Riley Green earned the hitmaker award, and The Neal Agency founder Austin Neal collected executive of the year. Miranda Lambert received the icon award.

The hand-me-down nature of the format, which sees the music evolve as new classes of artists and business people emerge, was most evident in Neal’s emotional acceptance of his honor. His father, retired WME partner Kevin Neal, handed off the executive trophy to Austin, acknowledging that Kevin’s own father, the late Bob Neal, was Elvis Presley’s first manager.

As a third-generation construct, The Neal Agency started as a boutique agency, but with a roster that includes Green, Morgan Wallen, HARDY and Ella Langley, Kevin noted, “it’s no longer a boutique agency.”

Green received his hitmaker hardware from Clint Black, a key figure from a previous generation who Green cites as one of his strongest influences. Like Black, Green writes the bulk of his own material while remaining firmly rooted on the traditional end of country’s spectrum. Appropriate to tradition, he paid a nod to his grandparents at the podium.

HARDY hailed Wetmore as a hard-working man reaping the benefits of his dedication, and comedian Matt Rife introduced Red Clay Strays’ mix of country, rock and blues as “a timeless sound that sends us back to music’s golden age at a time when the world sometimes feels like it’s lost its soul.”

Red Clay frontman Brandon Coleman paraphrased another comedian, Eddie Murphy, while embracing their improbable rise: “It’s not a row boat, it’s a sailboat. We’re not looking at a destination and just being like, ‘I’m going to go there and I’m going to achieve this.’ We’re just in a sailboat going where the wind takes us, just trying to be honest and authentic along the way.”

Songwriter Tom Douglas (“The House That Built Me”) celebrated Lambert as an artist who’s “rugged enough to weather whatever this town brings and generous enough to let the young ones stand on her shoulders.”

Lambert confirmed her desire to share her knowledge.

“I’m trying to lift up the next generation,” she said, “because country music is my life. It’s what I’ve dedicated my entire adulthood to.”

Go here for the Country Power Players list.

25 Years Ago

Once Upon A ‘Twice,’ Kenny Chesney Made A Youthful Run At No. 1

The Country Music Hall of Fame member’s single referenced another Hall member’s chart-topper

Most people fall in love more than once during their lifetime, but one thing holds true for everyone: Falling for the first time can only happen once.

That’s the gist of Kenny Chesney’s “Don’t Happen Twice,” which took him to No. 1 for the fourth time in his career on Billboard’s Hot Country Songs chart dated June 9, 2001. Young romance was definitely a thing for Chesney in that part of his career — 1995’s “Fall in Love” became his first top 10 single, and his early successes also included “Me and You”; his first No. 1, “She’s Got It All”; and six-week chart-topper “How Forever Feels.”

Songwriters Thom McHugh (“Holdin’ Heaven,” “Life Goes On”) and Curtis Lance drew the opening line of the “Don’t Happen Twice” chorus — “We sang ‘Bobby McGee’ on the hood of my car” — from Lance’s own romantic memories. They paid homage in the process to Kris Kristofferson, whose “Me and Bobby McGee” rose to No. 1 on the Billboard Hot 100 after it was covered by Janis Joplin.

“Don’t Happen Twice” followed “I Lost It,” which peaked at No. 3 on Hot Country Songs, as the two new singles pulled from Chesney’s Greatest Hits, which emerged as his first package to lead Top Country Albums on Oct. 14, 2000. Chesney has amassed 23 total No. 1s on Hot Country Songs to date and sent an additional 10 titles to the summit on Country Airplay. He joined the Country Music Hall of Fame last October — that’s another thing that just don’t happen twice.


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