Bryson Tiller has announced The Neo Trapsoul Tour, a 61-date world tour launching Aug. 27 in West Valley City, Utah with support from Majid Jordan, Ty Dolla $ign and Austin Millz on select dates.

The North American leg runs through Nov. 1 in Seattle, hitting major stops including Madison Square Garden in New York on Sept. 13, Red Rocks Amphitheatre in Colorado on Aug. 29 and Intuit Dome in Los Angeles on Oct. 25. A European leg follows from Nov. 17, with dates in Zurich, Paris, Copenhagen, Stockholm, Amsterdam, Berlin, Brussels, Dublin and a run of U.K. arena shows closing at London’s The O2 on Dec. 7.

The tour wraps with five Australian and New Zealand dates in January 2027 — Perth’s RAC Arena (Jan. 19), Sidney Myer Music Bowl in Melbourne (Jan. 21), Qudos Bank Arena in Sydney (Jan. 23), Brisbane Entertainment Centre (Jan. 25) and Spark Arena in Auckland (Jan. 27). Artist presale opens Wednesday, June 3 at 12 p.m. local time, with general on sale from Friday, June 5 at 12 p.m. local time. VIP packages are available via vipnation.com.

The tour follows a landmark stretch for the Louisville, Kentucky singer. Last October he celebrated the 10th anniversary of his debut album T R A P S O U L and released the double album Solace & The Vices, with The Vices leaning into high-energy rap-driven production and Solace embracing a more soulful R&B sound.

He also teamed with Chris Brown on “It Depends,” which debuted at No. 1 on Billboard’s R&B Digital Song Sales chart, peaked at No. 16 on the Billboard Hot 100, earned two Grammy nominations, two BET Award nominations, an American Music Award and an NAACP Image Award. A new album is forthcoming, preceded by the recently released single “IT’S OK.”

Tiller broke through in 2015 with the diamond-certified “Don’t” and his 3x platinum debut T R A P S O U L, which helped define modern trap R&B. His follow-up True to Self (2017) debuted at No. 1 on the Billboard 200 — making him only the second artist in chart history to debut at No. 1 with a streaming-only release — while A N N I V E R S A R Y (2020) opened at No. 5 and his 2024 self-titled album landed in the Billboard 200’s top 20.

Dom Dolla has sold out his Marvel Stadium show in Melbourne, with presale allocations exhausted within hours and all remaining tickets snapping up instantly from general on sale.

The Sept. 24 show — which will mark the world premiere of the DJ and producer’s new stadium production — sold out in record time in what promoters Untitled Group and Frontier Touring are calling one of the most significant moments in Australian electronic music history. A waitlist is now open for fans who missed out.

“Untitled Group has been part of Dom’s journey from the very start of his career, and to watch him sell out Marvel Stadium in his hometown is a moment we’ll never forget,” said Nicholas Greco, Co-Founder and Managing Partner of Untitled Group. “This puts electronic music in Australia firmly on the global map and is a historic moment for Dom, for Melbourne, and for electronic music fans across the country.”

The sellout builds on a remarkable run of momentum for the Melbourne-born DJ. In December 2025 he set a new benchmark for electronic music events in Australia with a record-breaking sold-out debut at Sydney’s Allianz Stadium.

In 2025 he also headlined two sold-out nights at Madison Square Garden to more than 30,000 fans, completed a 10-week residency at Hi Ibiza — ranked the world’s No. 1 club — and made his film soundtrack debut with “No Room For A Saint” featuring Nathan Nicholson for the F1 movie soundtrack.

Born Dominic Matheson, Dom Dolla has accumulated more than 1.5 billion streams and won four ARIA Awards for Best Dance/Electronic Release, as well as the inaugural ARIA Global Impact Award presented by Spotify. On Billboard’s Hot Dance/Electronic Songs chart, “Rhyme Dust” with MK peaked at No. 9, “Eat Your Man” with Nelly Furtado reached No. 15, “Dreamin’” featuring Daya climbed to No. 5 — his highest chart peak — and “Forever” with Kid Cudi debuted at No. 9. He received a Grammy nomination for his remix of Gorillaz’s “New Gold” featuring Tame Impala and Bootie Brown.

PRODUCE 101 JAPAN SHINSEKAI, the fourth season of the audition survival show that brought us the artists JO1, INI and ME:I, has been available for viewing, free of charge, since March 2026, exclusively on the Lemino streaming service. It will culminate in the debut of a 12-person global boy band with members chosen through voting by Japanese viewers (Kokumin Producers) and, for the first time on the show, global viewers (SEKAI Producers) as well.

One of the biggest differences between this season and the past three seasons is that this is now a global audition. The show accepted applications from everyone, regardless of nationality or birthplace (with the exception of a small number of areas). In addition to attracting trainees from around the world, it is also being streamed globally via the global K-pop content platform Mnet Plus, and votes can also be cast from anywhere. The show’s overall emcee, trainee supporter, and KOKUMIN Producer representative is Dean Fujioka. This season, he is joined for the first time by a SEKAI Producer Representative, Choi Soo-young (from Girl’s Generation). The votes of KOKUMIN Producers from Japan and SEKAI Producers from other countries are counted together to launch a boy band that reflects a more international perspective. There are already plans for the band to make its debut simultaneously in both Korea and Japan.

In each of its past seasons, PRODUCE 101 JAPAN has had 101 trainees. Of these, 11 would go on to become debut members. During the first episode of this new season, though, the show announced that 22 global participants have been added, bringing up the number of participants to 123. Of these, 12 will be chosen to debut. In an unexpected twist, unlike in past seasons, the participants didn’t start as trainees, but as trainee candidates. They found themselves suddenly faced with a level placement test, so there was struggle and drama right out of the gates.

This season has already brought us several standout scenes. Episode 6 presented the first half of “POSITION BATTLE: OPEN ROUND.” After the first round of rankings were announced, the 50 remaining trainees were divided into nine teams to compete in the event. In previous rounds, trainees were able to pick their own fields of expertise, like vocals, dance, or rap. But as Dean Fujioka explained, “Today, the borders between vocals, dance, and rap are gone. We’re in an age of all-rounders, where people aren’t hemmed in by the idea of fixed positions.” This time, the battle used an OPEN ROUND approach. It judged the trainees’ ability to handle self-production, including song arrangement and structure. It was a vivid example of how the updates the show had made to its judging approach in order to produce a global boy band for today’s era.

The nine teams competed, each with their own song, and the two top trainees and the top trainee for each of the nine songs in the group battle were selected as leaders. One particularly dramatic scene unfolded for the team PUNCH LINERS, whose leader, RYUJI (Ryuji Sugiyama), picked INI’s song “DOMINANCE.” O.YUSEI (Yusei Obayashi), who was chosen as the main rapper, was psyched, saying “I’ve rarely taken center stage in my own life, so I’m going to go for it.” After listening to the advice of INI members Rihito Ikezaki, Hiroto Nishi, and Jin Matsuda, he looked fulfilled, but after hearing Y.SHU (Shu Yamashita) rap, he asked for the main rapper position to be switched out, saying “I think he’d be better as a main rapper then me.” His team members encouraged him, saying “You got the center position, now you need to go out there and crush it.” O.YUSEI, feeling disgusted with himself, began crying, saying “It was just so frustrating…” His connection with fellow rapper Y.SHU grew even stronger, and then in the main event, he boldly took the stage, putting on a confident performance as main rapper, turning the tables by being selected as no. 1 in his team through the field voting. Y.SHU came in second place, and it was clear to everyone watching how the bonds between them had grown.

Episode 7 featured the second half of the “POSITION BATTLE: OPEN ROUND” and the announcement of the results. “Nature Self” was chosen through field voting as the team that stood out the most. Nature Self was led by CHISATO (Chisato Kobayashi), who chose the song “Natural” by Imagine Dragons.

During the first part of the practice, RYOTA (Ryota Ishida) and CHISATO divided up the choreography duties, but dance trainer KAITA said he felt there was a lack of teamwork. “Did you two coordinate with each other? I could tell that the choreography was by two separate people. It felt disjointed.” Everyone gathered together, and RYOTA and the other members talked about each other’s strengths. They reaffirmed the importance of teamwork and developed a more powerful sense of solidarity. Elsewhere, YURA (Yura Abe), who had been chosen by unanimous accord as main dancer, looked crestfallen, saying “I just couldn’t get excited about being chosen for center position.” He couldn’t shake off his defeat in the previous group battle. “Being in the center position means being under a huge amount of pressure. Even now, I’ve got mixed emotions about it.” CHISATO tried to gave him a push, saying “I want you to go out there and put all your heart into it. I made your choreography with that in mind,” but YURA’s expression remained clouded. SIYOUNG (Park Siyoung), a member of another team, criticized him, saying “We couldn’t see your facial expressions,” and that just sent YURA spiraling further. Dance trainer Rino Nakasone said “You don’t look like a center. You need to be more honest with yourself. Give it your all.” Tears in his eyes, YURA confessed that “Ever since becoming center, I’ve just kept questioning myself.” Nakasone continued, “The song ’Natural’ is all about not bowing under pressure. Don’t keep it all pent up inside, you’ve got all these people around you can turn to.” After telling him that he needed to embody the message of the song, and advising him to rely on his fellow trainees, the other members all embraced him in a hug. The scene eloquently showed that it’s not just about singing and dancing abilities. You also need to truly understand the music at a deeper level.

In the main event, the whole team put on a powerful and magnificent show. It was like they’d all broken out of their shells, and their performance of “Nature Self” was met with a huge round of applause. The decision to pick them as the standout team was a clear and obvious one. KOTARO (Kotaro Asaka) was chosen no. 1 in the team, with YURA taking the no. 3 position. KOTARO revealed that he’d felt great respect for YURA ever since the first time he went to Korea, and he thanked him. YURA also gave a glimpse of his own personal growth, saying that the experience had given him confidence.

PRODUCE 101 JAPAN SHINSEKAI is the kind of show that gives birth to great scenes like these. One of the highlights of this audition show is that it doesn’t just consist of ranking competitors through voting, but it also helps the trainees grow. Tomorrow, your own vote could be instrumental in the dramatic personal growth of trainees.

–This article by Kaori Komatsu first appeared on Billboard Japan

Dua Lipa has officially entered a new chapter in her life, tying the knot with actor Callum Turner in an intimate London ceremony held on May 31.

The civil wedding took place at London’s historic Old Marylebone Town Hall, a venue long favored by couples seeking a discreet civil ceremony rather than something over-the-top.

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The “Electricity” singer’s arrival in custom Schiaparelli Haute Couture drew attention. Lipa wore a sharply tailored ivory skirt suit and completed the outfit with an eye-catching Stephen Jones hat lined in gold accents, long white gloves and Christian Louboutin heels. She complemented the ensemble with a Bulgari Serpenti necklace. The groom wore a navy blue tailored suit.

While the couple didn’t disclose official details about the event, various reports stated that the town hall ceremony was intimate, with attendance limited to close family members and a small circle of friends. Other outlets also suggest that this event leads up to the couple’s second celebration, which is expected to take place throughout the course of three days in Sicily, Italy, during the first weekend of June.

The Grammy winner’s wedding also closes a widely followed romantic chapter that has unfolded over several years. Before Turner, Lipa was previously linked to Anwar Hadid, Jack Harlow and Trevor Noah, in relationships that helped shape the public narrative around her love life long before her Mr. Right arrived.

Below is a closer look at her complete dating timeline and how each relationship led to this point in her story.

Taylor Swift confirmed Monday (June 1) that she will release the new song “I Knew It, I Knew You” from Toy Story 5 this Friday — and the news also marks Swift’s return to country.

A press release announcing the song says it “marks a return to Taylor Swift’s country roots” and that it’s “inspired by the rootin’ tootin’ cowgirl Jessie’s ongoing journey,” referencing the cowgirl toy character introduced in Toy Story 2. On the new Billboard Pop Shop Podcast, Katie & Keith are discussing everything we know about the song so far, and how it also brings Swift back to movie music after her four best original song Golden Globes nominations in the past.

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Listen below:

Also on the show, Drake holds atop the Billboard 200 albums chart with ICEMAN for a second week, while “Janice STFU” spends a second week at No. 1 on the Billboard Hot 100. Notably, of Drake’s 15 No. 1 albums, ICEMAN is the sixth to spend multiple weeks at No. 1. And, on the Hot 100, “Janice STFU” is also his sixth No. 1 — of his 15 total No. 1s — to spend more than a week at No. 1. And it’s his first to spend multiple weeks at No. 1 since 2018, when “In My Feelings” spent 10 weeks at No. 1.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

Drake still dominates the top 10 of the Hot 100, but can Olivia Rodrigo’s debut entry, “The Cure,” or Ella Langley’s “Choosin’ Texas” sweep Drake from his No. 1 spot this week?

Tetris Kelly:

Does Olivia Rodrigo have what it takes to overcome the Drake takeover? This is the Billboard Hot 100 top 10 for the week dated June 6th. “Man I Need” is back up to 10. “Whisper My Name” falls to nine. “I Just Might” rises to No. 8, as does “So Easy” to seven. “Ran To Atlanta” slips to six. Olivia’s “The Cure” debuts at five. Drake’s “Shabang” is locked at four. “Be Her” jumps back up to No. 3, and Ella’s “Choosin’ Texas” to No. 2. So grabbing a second week at No. 1 is Drizzy with “Janice STFU.” If you want more Billboard, make sure you hit the subscribe button and ring the bell to be notified on all our latest videos.

Coca-Cola Flow Fest — Mexico’s biggest reggaeton party celebrating Latin urban music — unveiled its 2026 lineup on Monday (June 1). Headlined by Anuel AA, Tito Double P, Ozuna and Kali Uchis, the event is set to take place Nov. 28 and 29 at Mexico City’s Autódromo Hermanos Rodríguez, promoter OCESA announced.

The lineup also features standout artists like Chencho Corleone, Manuel Turizo, Yandel, Trueno, Farruko, Ñengo Flow, Zion, El Bogueto, Tito El Bambino, and more. Additionally, this year’s Flow Fest will include special guests: Grupo Frontera on the first day, and Justin Quiles and Lenny Tavárez on the second.

The Autódromo Hermanos Rodríguez, home to Mexico City’s Formula 1 races, will once again transform into the global epicenter of perreo, hosting a star-studded lineup of world-renowned artists.

“This is THE call for everyone who wants to get their perreo on,” reads a post shared by Coca-Cola Flow Fest and OCESA on Instagram.

In previous editions, the Flow Fest has hosted icons and stars like Daddy Yankee, J Balvin, Don Omar, Feid, Wisin & Yandel, Maluma, Rauw Alejandro, Sebastián Yatra, Rels B, as well as representatives of “reggaeton mexa” scene like El Malilla and Cachirula & Loojan.

This year will also feature performances by Tokischa, Kevin Roldan, Ken-Y, Clarent, Dei V, Alleh, J Alvarez, FloyyMenor, Yan Block, and Kybba.

The presale for Citibanamex cardholders will take place this Thursday (June 4), organizers announced. General ticket sales will begin the following day.

Check out the full lineup for the Coca-Cola Flow Fest 2026 below:

 

Peabo Bryson was the king of collaborations in the 1990s. Of his 12 Hot 100 hits, seven were collaborations with other top artists, including two pairings each with Regina Belle and Roberta Flack.

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We learned over the weekend that the velvet-voiced Bryson has suffered a stroke and is currently under medical care. A representative for Bryson sent the following statement to Billboard: “At this time, the family requests privacy as they navigate this deeply personal moment together. The thoughts, prayers and love of friends and fans are welcomed and deeply appreciated.”

Bryson is best known for the duets “Beauty and the Beast” and “A Whole New World (Aladdin’s Theme).” Those songs, both composed by Alan Menken for Disney blockbusters, won back-to-back Oscars for best original song. Bryson also won back-to-back Grammy Awards for best pop duo/group collaboration for performing those hits, with Celine Dion and Belle, respectively.

Bryson and Dion, whose version of “Beauty and the Beast” was heard over the end credits of that film, performed the song on the 1992 Oscars in tandem with Angela Lansbury, who sang it in the body of the film. Bryson and Dion also performed the song at the 1992 American Music Awards, the 1993 Grammys, the World Music Awards, The Tonight Show With Jay Leno, Top of the Pops and more.

Bryson had 13 hits on Billboard’s R&B/Hip-Hop Songs chart before he landed his first hit on the Hot 100 – “Lovers After All,” a collab with Melissa Manchester, in 1981.

But now it’s your turn to weigh in. What’s your favorite of Bryson’s 12 Hot 100 hits? They are listed here in chronological order. Vote!

John Summit recently sat down with Billboard‘s Kristin Robinson for an episode of her On the Record podcast to talk about life as a high-flying dance star.

While acknowledging that the dance world functions differently than many other areas of the music industry — from how dance labels work as tastemakers to how the scene is fueled largely by singles rather than albums — Summit also talked about being one of the rare dance artists to headline a major multigenre festival.

Speaking to the question of whether dance artists need to “prove themselves more than pop artists” in order to earn this headlining multigenre festival slot, Summit said, “Yes, and you still see the comments of all the pop fans being like ‘Who the f–k is John Summit?’ And I was like, ‘Damn, I thought I was doing pretty well’, but I still have a lot of heads to turn still. I’ve kind of touched the pop realm, but I still think I’m just fully in dance music though, because I still haven’t had like, a Billboard [Hot] 100 track or anything. They chart in dance music, it’s just a different world.”

Later in the interview he comments again on the befuddled reactions among pop fans when the Lolla lineup was announced, saying that “Then the dance music fans [were] like ‘What are you talking about?’ We’re just totally in our own world [in dance], which I think is pretty awesome.”

Summit will headline Lollapalooza on July 30, with Lorde, Charli xcx, Smashing Pumpkins, Olivia Dean, Jennie, Tate McRae and The xx also headlining the three-day fest. The occasion marks something of a full circle moment for Summit, who grew up in the Chicagoland area and told Billboard in 2023 that seeing deadmau5 play Lolla in 2011 was the moment he knew he wanted to work in the genre too.

“I feel like everyone always has that moment when they’re like, ‘Oh my god, this is my genre,’” Summit said. “That’s when I knew I wanted to be a part of electronic music.”

Elsewhere in the interview, Summit says that after his recently announced North American arena tour wraps, “I don’t know when I’m going to play America next at all. I’m going to take a long break,” adding that he and his team are also narrowing down the number of shows he’ll play in Las Vegas. Listen to the complete interview below.

Michael Jackson’s not-so-hidden gem “Chicago” debuts on the Billboard Hot 100 songs chart, among overall growth for his catalog as the late King of Pop’s biopic Michael continues to dominate at the box office.

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The viral “Chicago” enters the Hot 100 (dated June 6) at No. 30, almost entirely from 10.7 million official chart-eligible streams (up 30% week over week) in the United States May 22-28, according to data tracker Luminate. (Older songs are allowed to appear on the chart if ranking in the top 50 and showing meaningful gains.)

The song has drawn 388 million streams to date, with its latest frame up from 8.3 million (May 30-dated charts), 6.9 million (May 23), 5.4 million (May 16) and 3.8 million (May 9 — reflecting the first week of tracking after Michael premiered April 24). Its May 9 chart sum was 83% higher than the week before.

“Chicago” was released on Jackson’s album Xscape in 2014, nearly five years after he died. The set produced two Hot 100 hits that year: “Love Never Felt So Good,” with Justin Timberlake (No. 9 peak) and “Slave to the Rhythm” (No. 45).

Timbaland and JRoc produced “Chicago,” which Cory Rooney wrote.

The track becomes Jackson’s 52nd Hot 100 hit as a soloist, dating to his initial entry, “Got To Be There,” in 1971. It’s his first since Drake’s “Don’t Matter to Me,” featuring Jackson, debuted at its No. 9 peak in July 2018, becoming Jackson’s 30th top 10, 13 of which hit No. 1.

Plus, the Jackson 5/Jacksons, with Jackson as a member, tallied 11 Hot 100 top 10s, including four No. 1s, in 1969-84.

Jackson becomes the first artist to have debuted new entries on the Hot 100 in each decade since the 1970s. His totals by decade: ‘70s — 11; ‘80s — 20; ‘90s — 12; 2000s — four; ‘10s — four; and ‘20s — one.

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When Jackson’s “Thriller,” originally a No. 4 Hot 100 hit in 1984, rode Halloween gains to No. 10 on the Nov. 15, 2025-dated chart, he became the first artist ever to rank in the top 10 in six distinct decades.

Jackson’s iconic music has surged amid Michael’s run, but “Chicago” stands out as not having been a major hit upon its original release — and it’s not featured in the film. On the May 23-dated Hot 100, a personal-best six songs of his charted simultaneously, with all having bounded to the top 10 and five having reached No. 1 in their original release schedules in the ‘70s-‘80s: “Billie Jean,” “Human Nature,” “Beat It,” “Don’t Stop ‘Til You Get Enough,” “Dirty Diana” and “Rock With You.”

On the latest Hot 100, “Chicago” is Jackson’s second-highest-charting song, after “Billie Jean” at No. 19. Below “Chicago” are “Human Nature” (No. 31) and “Don’t Stop ‘Til You Get Enough” (No. 43).

Social media has helped “Chicago” take its place among Jackson’s Hot 100 history, including usage on TikTok.

In a 2014 track-by-track Billboard review of Xscape, Joe Levy praised “Chicago” as “a dark funk tale of an affair with a married woman, with trap snares and washes of keyboard drama. Out front, Jackson’s tenor voice lays out the promise of a love (‘This woman had to be an angel from heaven sent just for me’), while his backing vocal screams of the consequences (‘She tried to lead a double life, loving me while she was still your wife’). At the 3:20 mark, the drums drop out and the vocals and finger snaps take over. Timbaland sometimes felt he was hearing Jackson’s spirit speak to him in the studio,” Levy added. “This is one of those moments.”