21 Savage‘s next album is ready, and he’s not waiting until 2026 to deliver the LP to the masses. The Slaughter Gang CEO announced Monday (Dec. 8) that his What Happened to the Streets? album is slated to be released this week, on Friday (Dec. 12).
21 shocked fans when he posted a menacing black-and-white trailer to Instagram, which closed with the album announcement, and he wants to know what happened to the street code he was raised on.
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The cryptic teaser follows a person walking down a dark alley, and they appear to be the target for a group of gunmen armed with snipers who are looking to wipe out their existence, all to the tune of a heart-pumping orchestra. Footage of the target’s life is chopped up into a montage before the album announcement hits the screen.
Plenty of 21’s peers were excited to hear that the East Atlanta rapper was back, as Conway the Machine, G Herbo, DJ Khaled, Zaytoven and Honorable C.N.O.T.E. all chimed in on IG. “You know you go NO SKIPS every time Buddy,” Herbo commented.
According to Apple Music, the album boasts 14 songs with none already being available as singles. 21 has stayed pretty quiet in 2025, but ended up making a guest appearance on Summer Walker’s “Get Yo Boy” track in November.
21 Savage’s last album, American Dream, topped the Billboard 200 in January 2024 with 133,000 total album-equivalent units earned. The project was 21’s fourth to reach the album chart summit and netted him 14 more Billboard Hot 100 entries.
Watch the What Happened to the Streets? trailer below. Stream the album on Friday (Dec. 12).
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-09 03:01:132025-12-09 03:01:1321 Savage Announces ‘What Happened to the Streets?’ Album — And It’s Coming Sooner Than You Think
Two Australian Metallica fans have been hit with lifetime bans from Perth’s Optus Stadium after climbing a speaker tower during the band’s Nov. 1 show on the M72 World Tour.
According to local outlet PerthNow, 20-year-old Beau William Loch Rollings and 23-year-old Rory Hugh Culbert jumped a safety barrier and scaled the central tower inside the stadium bowl, clinging to the structure at heights reportedly between 10 and 50 meters for around 20 minutes while the concert continued.
The stunt triggered a major security response as venue staff and police moved in, with thousands of fans watching the incident unfold mid-show. Police later seized the pair’s phones, which contained footage of the climb, as part of the trespass investigation.
Magistrate Ruth Dineen was blunt in her assessment, describing the tower climb as “an incredibly stupid thing to do and a good way to ruin your night out,” noting that what “seemed funny at the time” had escalated into a serious safety issue.
Defence lawyer Rachael Gemmell characterized it as “just stupid behavior,” arguing the experience had been sobering for the young fans.
Both Rollings and Culbert entered guilty pleas to trespassing charges, acknowledging the gravity of the situation without offering a motive. Rollings was fined $1,000 and ordered to pay $308.80 in court costs. Culbert received a similar penalty.
Butler, who is currently touring across Europe and the U.K., shared his bluesy interpretation via Instagram, using a custom-made Indian slide guitar known as a Chaturangui. “@metallica ‘Enter Sandman,’ but make it John Butlery,” he captioned the clip.
“It’s taken me a minute to pull my sh*t together after Metallica covered my song ‘Zebra’ last weekend in Perth/Boorloo… I thought I’d tackle one of their lesser-known tracks. I hope you like it.”
In Adelaide on Nov. 5, Hammett and Trujillo mashed up INXS’ “Need You Tonight” with the Angels’ “Am I Ever Gonna See Your Face Again,” blending two Australian staples into a blistering live medley.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-08 04:35:332025-12-08 04:35:33Metallica Fans Hit With Lifetime Bans After Perth Stadium Stunt
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-08 00:54:482025-12-08 00:54:48Zara Larsson On Her Recent Success, Collab With Muni Long & Favorite Christmas Song | Jingle Ball 2025
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-08 00:45:462025-12-08 00:45:46Jackson Wang On His First Time Performing At Jingle Ball & Favorite Christmas Songs | Jingle Ball 2025
Sylvester Stallone, KISS, George Strait and Gloria Gaynor are among the luminaries being celebrated Sunday (Dec. 7) at the annual Kennedy Center Honors, with Donald Trump hosting the show, the first time a president will command the stage instead of sitting in an Opera House box.
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Since returning to office in January, Trump has made Washington, D.C.’s John F. Kennedy Center for the Performing Arts, which is named after a Democratic predecessor, a touchstone in a broader attack against what he has lambasted as “woke” anti-American culture.
Trump said in August that he had agreed to host the show. The Republican president said Saturday at a State Department dinner for the honorees that he was doing so “at the request of a certain television network.” He predicted that the broadcast, scheduled to air Dec. 23 on CBS and Paramount+, would have its best ratings ever.
“It’s going to be something that I believe, and I’m going to make a prediction: This will be the highest-rated show that they’ve ever done and they’ve gotten some pretty good ratings, but there’s nothing like what’s going to happen” on Sunday night, Trump said.
Trump is assuming a role that has been held in the past by journalist Walter Cronkite and comedian and Trump nemesis Stephen Colbert, among others. Before Trump, presidents watched the show alongside the honorees. Trump skipped the honors altogether during his first term.
Since 1978, the honors have recognized stars for their influence on American culture and the arts. Members of this year’s class are pop-culture standouts, including Stallone for his Rocky and Rambo movies, Gaynor for her feminist anthem “I Will Survive” and KISS for its flashy, cartoonish makeup and onstage displays of smoke and fire. Country music superstar George Strait and Tony Award-winning actor Michael Crawford are also being honored.
The ceremony is expected to be emotional for the members of KISS. The band’s original lead guitarist, Ace Frehley, died in October after he was injured during a fall. The band’s co-founder Gene Simmons, speaking on the red carpet when he and the other honorees arrived for the ceremony, said the president had assured him there would be an empty chair among the members of KISS in memory of Frehley.
Crawford called it “a beautiful honor” and said, “It’s humbling, especially at the end of a career.”
Mike Farris, an award-winning gospel singer who is performing for Gaynor, said she is a dear friend. “She truly did survive,” Farris said on the red carpet. “What an iconic song.”
Previous honorees have come from a broad range of art forms, whether dance (Martha Graham, Merce Cunningham), theater (Stephen Sondheim, Andrew Lloyd Webber), movies (Meryl Streep, Tom Hanks) or music (Bob Dylan, Joni Mitchell).
Trump has taken over the Kennedy Center
Trump upended decades of bipartisan support for the center by ousting its leadership and stacking the board of trustees with Republican supporters, who then elected him chair. He has criticized the center’s programming and the building’s appearance — and has said, perhaps jokingly, that he would rename it as the “Trump Kennedy Center.” He secured more than $250 million from Congress for renovations of the building.
Presidents of each political party have at times found themselves face to face with artists of opposing political views. Republican Ronald Reagan was there for honoree Arthur Miller, a playwright who championed liberal causes. Democrat Bill Clinton, who had signed an assault weapons ban into law, marked the honors for Charlton Heston, an actor and gun rights advocate.
During Trump’s first term, multiple honorees were openly critical of the president. In 2017, Trump’s first year in office, honors recipient and film producer Norman Lear threatened to boycott his own ceremony if Trump attended. Trump stayed away during that entire term.
Trump has said he was deeply involved in choosing the 2025 honorees and turned down some recommendations because they were “too woke.” While Stallone is one of Trump’s Hollywood ”special ambassadors” and has likened Trump to George Washington, the political views of Sunday’s other guests are less clear.
Honorees’ views about Trump
Strait and Gaynor have said little about their politics, although Federal Election Commission records show that Gaynor has given money to Republican organizations in recent years.
KISS co-founder Gene Simmons spoke favorably of Trump when Trump ran for president in 2016. But in 2022, Simmons told Spin magazine that Trump was “out for himself” and criticized Trump for encouraging conspiracy theories and public expressions of racism.
Fellow KISS member Paul Stanley denounced Trump’s effort to overturn his 2020 election defeat to Democrat Joe Biden, and said Trump supporters who stormed the Capitol on Jan. 6, 2021 were “terrorists.” But after Trump won in 2024, Stanley urged unity.
“If your candidate lost, it’s time to learn from it, accept it and try to understand why,” Stanley wrote on X. “If your candidate won, it’s time to understand that those who don’t share your views also believe they are right and love this country as much as you do.”
Taylor Swift’s The Life of a Showgirl returns to No. 1 on the Billboard 200 albums chart (dated Dec. 13), up from No. 3 a week ago, collecting its eighth nonconsecutive week atop the list. The set earned 99,000 equivalent album units in the United States in the tracking week ending Dec. 4 (up 12%), according to Luminate, aided by Black Friday promotions at retail and newly available signed CDs sold through the artist’s webstore.
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The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Dec. 13, 2025-dated chart will be posted in full on Billboard‘s website on Dec. 9. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of The Life of a Showgirl’s 99,000 equivalent album units earned in the latest tracking week, SEA units comprise 53,000 (down 18%, equaling 69.38 million on-demand official streams of the set’s tracks — it holds at No. 2 on Top Streaming Albums), album sales comprise 46,000 (up 121%; it climbs 4-2 Top Album Sales) and TEA units comprise less than 1,000 (down 76%).
Three former No. 1s are Nos. 2-4 on the latest Billboard 200, as Morgan Wallen’s I’m the Problem rises 4-2 (71,000 equivalent album units, down 6%), the KPop Demon Hunters soundtrack steps 5-3 (66,000, down 1%) and Stray Kids’ DO IT falls 1-4 in its second week (64,000, down 78%).
The Wicked: For Good soundtrack drops 2-5 in its second frame, earning 63,000 (down 49%).
Michael Bublé’s former No. 1 Christmas returns to the top 10, climbing 12-6 with 58,000 equivalent album units earned (up 70%), largely driven by streaming activity (48,000 SEA units, equaling 64.86 million on-demand official streams of the project’s songs; it zooms 11-3 on the Top Streaming Albums chart). Christmas was released in 2011, spent five weeks at No. 1 in December 2011 and early January 2012 and has returned to the top 10 in every following holiday season. The set boasts Holiday 100-charting favorites like “Have Yourself a Merry Little Christmas,” “Holly Jolly Christmas,” “I’ll Be Home for Christmas” and “It’s Beginning to Look a Lot Like Christmas.”
The Billboard 200’s latest tracking week captured the first seven days following the Thanksgiving Day holiday (Nov. 28 through Dec. 4). There are three more tracking weeks during the Christmas season, as the Christmas holiday (Dec. 25) falls on a Thursday this year.
Bing Crosby’s Ultimate Christmas rises 16-7 on the Billboard 200 with 52,000 equivalent album units earned (up 78%). Nearly all of that sum is powered by streaming activity, as SEA units comprise 48,000 (equaling 63.55 million on-demand official streams of the set’s tracks). The album also rockets 14-4 on the Top Streaming Albums chart.
The Ultimate Christmas best-of set was released in 2024 and peaked at No. 3 on the Jan. 4, 2025-dated chart. It marked the late Crosby’s highest-charting album in 66 years, dating to when his former No. 1 Merry Christmas ranked at No. 2 on the Jan. 5, 1959 chart. (Merry Christmas previously spent a week at No. 1 on Jan. 6, 1958-dated chart.)
Ultimate Christmas contains such classic Holiday 100-charting tunes from Crosby as “White Christmas” (featuring The Ken Darby Singers and John Scott Trotter and His Orchestra), “It’s Beginning to Look a Lot Like Christmas,” “Do You Hear What I Hear?” and “Mele Kalikimaka” (with The Andrews Sisters).
Olivia Dean’s The Art of Loving falls 7-8 on the latest Billboard 200 (48,000 equivalent album units earned, down 1%).
Vince Guaraldi Trio’s soundtrack to the A Charlie Brown Christmas animated TV special is back in the top 10 for the first time in nearly three years, as it surges 18-9 with 46,000 equivalent album units earned (up 68%). It was last in the top 10 on the Jan. 7, 2023-dated chart, when it ranked at No. 10. Of the 46,000 units the album earned for the week, SEA units comprise 26,000 (up 72%, equaling 33.81 million on-demand official streams of its songs; it rises 43-13 on Top Streaming Albums), album sales comprise 20,000 (up 64% and largely owed to vinyl purchases; it jumps 10-4 on Top Album Sales) and TEA units comprise a negligible sum (up 42%). The album earns its biggest sales week in three years, since it sold 23,000 copies on the Dec. 31, 2022 chart.
The A Charlie Brown Christmas soundtrack was released in 1965, the same year that the Emmy Award-winning special premiered on CBS, but it did not reach any Billboard ranking until 1987. That year, it debuted on the Top Holiday Albums chart, where it later peaked at No. 2 (Jan. 27, 2007). On the Billboard 200 chart, the set visited the top 10 for the first time on the Jan. 2, 2021-dated list, later peaking at No. 6 on the Jan. 1, 2022-dated chart.
The A Charlie Brown Christmas TV special aired annually on CBS during the holiday season from 1965 through 2000. ABC picked up the rights to the show from 2001 to 2019. In 2020, Apple TV acquired the rights to the special, along with other classic animated Peanuts programs. Each year, Apple TV also makes A Charlie Brown Christmas available free for a limited time; this year, the free window will take place Dec. 13-14.
Closing out the top 10 on the latest Billboard 200 is Tate McRae’s former leader, So Close To What, which falls 6-10 with 44,000 equivalent album units earned (down 31%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-07 21:40:392025-12-07 21:40:39Taylor Swift’s ‘The Life of a Showgirl’ Returns to No. 1 for Eighth Week Atop Billboard 200
Violet Grohl is officially dropping original new music.
On Friday (Dec. 5), 19-year-old daughter of Foo Fighters frontman Dave Grohl announced through social media the release of her debut solo track “THUM”, accompanied by the B-side “Applefish.”
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“I’m beyond excited to finally share a little bit of what i’ve been working on over the last year,” Grohl wrote on Instagram. “I made these tracks with the most badass group of musicians, so happy they’re finally yours:).”
The songs are available as a 7-inch vinyl for $8 through Bandcamp. The alt-rock-leaning “THUM” is available for streaming, while the moody “Applefish” can be purchased digitally or on vinyl.
Violet’s new music follows rumors that she has been working on her debut album since last year. According to The Hollywood Reporter, she spent time in a studio gifted by her father for her birthday, collaborating with producer Justin Raisen, who has worked with Charli XCX, Drake, John Legend and Kim Gordon.
Violet first emerged as a musician in 2018 at age 12, performing a cover of Adele’s “When We Were Young” with her father. Since then, she has performed with the Foos frontman and surviving members of Nirvana on a cover of “Heart-Shaped Box,” and provided backing vocals for artists including St. Vincent and Beck.
She has also contributed backing vocals on the Foo Fighters’ albums Medicine at Midnight and But Here We Are, and performed at tribute concerts honoring the late drummer Taylor Hawkins. In 2021, she released a cover of X’s “Nausea,” in collaboration with her father.
Most recently, she sang lead vocals on Nirvana’s In Utero hit “All Apologies” at the 2025 FireAid LA Benefit Concert, sharing the stage with her dad, Krist Novoselic, Pat Smear and Gordon.
Springsteen: Deliver Me From Nowhere received mixed reviews from critics, and got off to a slower-than-expected start at the boxoffice, but as of Sunday (Dec. 7) it has grossed $44.6 million worldwide, according to boxofficemojo.com. That enables it to move up a rung to No. 19 on Billboard‘s list of music biopics with the highest worldwide grosses. It pulls ahead of the Notorious B.I.G. biopic Notorious.
Springsteen: Deliver Me From Nowhere isn’t a traditional cradle-to-grave biopic — for one thing, its protagonist is, thankfully, still very much with us. It’s part of a subgenre of biopics which focuses on one fateful period in an artist’s life. Springsteen: Deliver Me From Nowhere is set in the period following Springsteen’s 1980 commercial breakthrough, The River (which spawned his first true pop smash, “Hungry Heart”) where the artist felt compelled to make a low-key, acoustic album, Nebraska. All concerned understood that this project wouldn’t have the same commercial potential as The River, which had spent four weeks at No. 1 on the Billboard 200. (And it didn’t, peaking at No. 3.) But Springsteen has always been an artist, more than just a hitmaker, and this was the album he wanted and needed to make at that time.
Here are the highest-grossing biopics of musicians in terms of worldwide box office. We didn’t include a few high-grossing films about real-life music personalities because the subjects are not well-known music stars in their own right. These include The Sound of Music (which tells the story of Maria von Trapp and the Trapp Family Singers); Green Book (which deals with a road trip taken by pianist and composer Don Shirley); Florence Foster Jenkins (about an heiress and hopelessly untalented soprano by that name); and Music of the Heart (about violinist and music educator Roberta Guaspari). Meryl Streep starred in the latter two films.
Here are the 25 biopics of music stars with the highest worldwide grosses.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-07 20:15:342025-12-07 20:15:34‘Springsteen: Deliver Me From Nowhere’ Moves Up a Rung on Billboard’s List of Music Biopics With the Highest Worldwide Grosses
Wicked: For Good has grossed $440.1 million worldwide in its first 16 days at the boxoffice, which allows it to move up to No. 4 on Billboard’s list of the top-grossing films that are adapted from Broadway musicals. Our list is drawn from boxofficemojo.com’s running tally of the 1,000 top-grossing films of all time in terms of worldwide grosses.
Both Wicked: for Good and its predecessor, 2024’s Wicked, were adapted from the 2003 Broadway musical Wicked. The first Wicked film opened on Nov. 22, 2024. In just five weeks, it pulled ahead of Mamma Mia! to become the top-grossing film adapted from a Broadway musical. Wicked received 10 Oscar nominations on Jan. 23, 2025, including nods for both of its stars, Cynthia Erivo and Ariana Grande. It won two awards at the Oscars ceremony on March 2, 2025 — best costume design and best production design.
Both Wicked and Wicked: For Good were directed by Jon M. Chu, whose hit-studded résumé includes a previous film adaptation of a Broadway musical, the 2021 movie version of Lin-Manuel Miranda’s breakout hit In the Heights.
Eight film adaptations of Broadway musicals appear on Box Office Mojo’s list of the top 1,000 films in terms of their lifetime worldwide grosses. One disclaimer about this list right at the top: The biggest blockbusters of earlier eras simply can’t match the grosses of today’s hits. (It’s not just your imagination that ticket prices are much higher than they used to be.) The Sound of Music has grossed $161.4 million worldwide, according to Box Office Mojo — not enough to make their list of 1,000 top-grossing films. But that 1965 adaptation of the 1959 Broadway musical is one of the biggest hits in film history. (Of course, back then a movie ticket cost less than a box of Raisinets does today.)
Our list does not include Mamma Mia: Here We Go Again, the Cher-featuring sequel to Mamma Mia!, on the grounds that it was really just a sequel to a hit movie. (The sequel did astonishingly well, with a worldwide gross of $395.6 million.) By contrast, Wicked: For Good had the same source material as Wicked — the 2003 Broadway show.
Here are the eight top-grossing film adaptations of Broadway musicals in terms of lifetime worldwide grosses.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-07 20:06:322025-12-07 20:06:32‘Wicked: For Good’ Moves Up List of Top-Grossing Film Adaptations of Broadway Musicals: Full List
Sleep Token has unveiled a brand-new coloring book.
The English masked metal band partnered with U.K. independent publisher Rock N’ Roll Colouring to create a 25-page book inspired by their chart-topping 2025 album, Even in Arcadia.
“Featuring 25 extraordinary designs from Sleep Token’s enigmatic, groundbreaking and genre fluid career,” reads the book’s opening page. “This book encourages you to summon your creative powers and colour your way through deeply mesmerizing images, immersing yourself in the unique visual world of Sleep Token.”
The coloring book, priced at $17.99 and printed on high-quality paper, was sold out on the band’s U.S. merch store at press time, but it remained available for £12.99 at the U.K. merch site Eyesore Merch.
Rock N’ Roll Colouring — which has previously released coloring books for Iron Maiden, KISS, Alice Cooper, Motörhead, Judas Priest, Cannibal Corpse, Megadeth, and more — revealed on Instagram that the Sleep Token book had been two years in the making.
A limited number of copies on Eyesore Merch include an exclusive print featuring a colored version of a mandala image specially created for the book.
The project was created with input from Sleep Token and the band’s management, featuring imagery from their fourth studio album, Even in Arcadia. The album debuted at No. 1 on the Billboard 200 in May and also topped the U.K.’s Official Albums Chart. The marked Sleep Token’s major-label debut on RCA Records.
In early 2024, Sleep Token signed with RCA Records after previously releasing music through the indie label Spinefarm. The masked band — whose members have remained anonymous throughout their career — made their debut on the all-genre Billboard Hot 100 in March with “Emergence,” a track from their latest album.
Check out reveal of Sleep Token’s coloring book on Instagram below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-07 19:30:452025-12-07 19:30:45Sleep Token Releases Coloring Book Inspired by Chart-Topping ‘Even in Arcadia’ Album