Harry Styles brings his most iconic looks to the “everyday man” in a funny new sketch on Saturday Night Live.

Serving as both host and musical guest on the NBC sketch comedy show on March 14, the pop superstar appeared in a live skit titled “Harry for Him,” where he pitched a fictional men’s fashion line in partnership with Target.

Related

“For years I’ve been turning heads with my bold, confident style, and I’ve been approached by countless women who say, ‘My husband’s look is so boring. I wish he dressed more like you.’ Well now, he can,” Styles says at the start of the bit. “I’ve partnered with Target to recreate some of my extraordinary looks for the ordinary man — at a price he can afford. Harry for Him, by Harry Styles. I pulled these looks off, now you can too.”

From there, SNL cast members Ben Marshall, James Austin Johnson, Andrew Dismukes, Mikey Day, Kam Patterson, Marcello Hernández and Kenan Thompson take turns modeling some of Styles’ most outrageous outfits over the years. Styles nails the daring outfits, but can everyday guys pull them off?

“I’m not convinced. When you see me in a side-by-side with Harry, the answer is definitely no,” says Marshall, visibly uncomfortable in the pop star’s checkered rainbow jumpsuit from the 2023 Grammy Awards.

Next, Johnson takes on Styles’ iconic 2019 Met Gala outfit, a frilly, sheer lace top paired with black pants and a dangling pearl earring.

“When Harry wore this, my wife said he looked like the embodiment of elegant masculinity,” the comedian says. “When I wore this, she said, ‘You look like a serial killer who’s wearing the clothes of a woman he killed.’”

Styles then steps in to reassure Johnson, telling him he looks “hot” and pointing out that the Harry for Him line also includes more casual pieces. One of these is the flamboyant sequin outfit the artist wore during a 2022 Coachella performance.

“When he wore this during an awards show, he received glowing reviews,” Dismukes adds while modeling the ensemble. “When I wore this to my 12-year-old son’s basketball game, the reviews were mixed. Some people told me I looked terrible, while others told me to go home and change.”

The sketch continues with more of Styles’ memorable outfits, including the Wizard of Oz-themed Dorothy costume he wore on stage at New York’s Madison Square Garden for Halloween in 2021.

Elsewhere in Saturday’s episode, Styles reflected on his time away from music in a funny opening monologue, then performed two songs from his fourth album, Kiss All the Time. Disco, Occasionally.

Watch Styles in SNL’s “Harry for Him” sketch below.


Billboard VIP Pass

Oscar Sunday is here at long last. If you’ve been meaning to watch the Songwriters Hall of Fame’s 10th annual “A Conversation With Oscar-Nominated Songwriters,” you have another week to catch it on the SHOF site. (It will be available to stream through March 23.)

All five nominated songs are represented on the Zoom session by their writers (or at least one of their writers). The session was co-moderated by Nile Rodgers, who serves as SHOF chairman, and SHOF board member Paul Williams, a SHOF Johnny Mercer Award honoree and 1977 Oscar winner for best original song for “Evergreen (Love Theme From A Star Is Born).” (At the time the session was taped, he was the only person on the call who had actually won a competitive Oscar.)

Related

The mutual respect among the nominated songwriters is heartening to see. As EJAE put it, “I’m so honored to be on the same screen as you guys. You guys are legends. I’ve learned so much from you guys.”

The best part of the session came at the end when Rodgers asked: “Can you share your best advice for aspiring music creators?”

After they each offered their best advice, Williams shared his take: “I wrote a commercial that I didn’t want to write. My partner [Roger Nichols] had to talk me into it, and I said, ‘I don’t want to write a bank commercial,’ and we wrote the song, and put everything we felt into it, and it was ‘We’ve Only Just Begun,’ which Karen Carpenter turned into a big, big song for us. [Editor’s Note: the Carpenters’ recording of the ballad reached No. 2 on the Billboard Hot 100 in 1970 and brought Williams and Nichols a Grammy nomination for song of the year.]

Williams concluded, “My advice is: Put that word ‘authenticity’ at the front of your alphabet, because it’s your authentic selves that has brought the heart and the soul to the stories that you’re telling.”

Here are the responses by this year’s Oscar-nominated songwriters to the prompt, “Can you share your best advice for aspiring music creators?” Responses were lightly edited for clarity.

Harry Styles channeled Lord of the Dance in a hilarious St. Patrick’s Day–themed sketch on Saturday Night Live.

Pulling double duty as both host and musical guest during the late-night comedy show’s March 14 episode, the 32-year-old pop superstar appeared in a pre-recorded bit about a group of male friends who get an unexpected surprise while hitting the club.

Related

The clip, titled “She’s an Irish Dancer,” opens with Styles smoothly crooning about partying in the VIP section with some girls who claim they’re dancers. “She says that she’s a dancer/ That means she’s a freak,” Styles sings.

After a bit of flirtation, one of the ladies (played by Chloe Fineman) pulls Styles aside for a private dance, only to reveal that she’s not the kind of dancer he expected. She then calls over her friends and breaks into over-the-top Irish dancing, complete with traditional costumes and headpieces, in full Riverdance-style fashion.

By the end, Styles has no choice but to “match their freak” before the scene cuts to him wearing a puffy, silky white shirt and black headband, proclaiming, “I’m about to go Lord of the Dance up in here.” Against a starry dark blue backdrop, he launches into an elaborate Irish-inspired routine, eventually joined by his friends on a foggy dancefloor.

The sketch concludes with Styles flashing a wink and wishing viewers a “Happy St. Paddy’s Day.”

Earlier in the show, Styles reflected on his time away from music during a hilarious opening monologue and later performed two tracks from his fourth album, Kiss All the Time. Disco, Occasionally.

Watch Styles in SNL’s “She’s an Irish Dancer” sketch below.


Billboard VIP Pass

Harry Styles brought a taste of his latest album to Saturday Night Live.

The 32-year-old pop superstar pulled double duty as both host and musical guest on the late-night sketch show on Saturday (March 14), performing two tracks from his fourth studio album, Kiss All the Time. Disco, Occasionally.

Related

After reflecting on his time away from music during his hilarious opening monologue, the former One Direction star launched the night’s musical performances with the groovy “Dance No More.” The colorful, disco-leaning set was fittingly introduced by actor Ryan Gosling, who hosted the previous week’s episode, during which Styles made a surprise cameo in the monologue.

The English musician shifted gears for his second performance, slowing things down as he sat at the piano for “Coming Up Roses.” Introduced by legendary singer-songwriter Paul Simon, the performance featured a sweeping string arrangement originally conducted by Grammy-winning arranger Jules Buckley. Styles delivered the yearning ballad in a sleek blue suit with a pink tie.

Styles’ SNL appearance comes in support of his latest album, Kiss All the Time. Disco, Occasionally., which arrived March 6. The project was previewed by the first two singles, “Aperture” and “American Girls.” The set follows Harry’s House, which debuted at No. 1 on the Billboard 200 in 2022 and won album of the year at the 65th Annual Grammy Awards.

Saturday’s episode marked Styles’ second time pulling double duty as SNL host and musical guest. He has also appeared on the show four other times as a performer — three times with One Direction and once as a solo artist in 2017.

Watch Styles’ SNL performances below, and find all the ways to stream the full episode here.


Billboard VIP Pass

Harry Styles returned to Saturday Night Live on Saturday (March 14) for his second turn as host and musical guest, using his monologue to address years of queerbaiting allegations with a joke that brought down the house — and made headlines before the credits rolled.

In the monologue, Styles reflected on his time away from music following the end of his Love on Tour in 2023, joking that he had become “tremendously boring” and that people only pretended to find his hobbies interesting because of who he is.

He then pivoted to the queerbaiting discourse that has followed him throughout his career, noting that fans had fixated on his clothing choices and personal life.

After building to the punchline — in which repertory players Chloe Fineman and Sarah Sherman each appeared and left in dismay as Styles made increasingly pointed remarks about kissing — featured player Ben Marshall appeared onstage and Styles leaned in for a brief kiss.

“Now that’s queerbaiting,” Styles concluded with a wink.

The episode also featured a pair of high-profile surprise guests. Ryan Gosling appeared to introduce Styles’ first musical performance of the night, returning the favor after Styles crashed Gosling’s monologue during the previous week’s episode.

Paul Simon then introduced Styles’ second performance, with Styles performing “Coming Up Roses” from his new album at the piano — a fitting tribute given Styles has spoken publicly about Simon’s influence on his songwriting, including describing One Direction’s “Walking in the Wind” as a homage to Graceland.

Styles performed two tracks from his fourth studio album Kiss All the Time. Disco, Occasionally — opening with “Dance No More” before closing with “Coming Up Roses.” The 12-track album, produced by Kid Harpoon and Tyler Johnson, was released on March 6.

Styles is supporting the album with the Together, Together Tour, a 50-show residency run across seven cities worldwide including Amsterdam, London, New York, Melbourne and Sydney.

It was Styles’ eighth overall appearance on SNL and his second time pulling double duty as host and musical guest, having first hosted during Season 45 in 2019. He is a three-time Grammy winner, taking home Best Pop Solo Performance for “Watermelon Sugar” in 2021 and both Best Pop Vocal Album and Album of the Year for Harry’s House in 2023.

A fan threw a cell phone from the crowd and struck country singer Riley Green directly in the face during his performance at Margaret Court Arena in Melbourne, Australia on Saturday (March 14), bringing the show to a brief halt.

The phone hit Green near his ear, with blood quickly running down his neck following the impact. Crew members rushed to assist the country singer, wiping away the blood with a hand towel as thousands of fans looked on.

Despite the injury, Green addressed the situation from the stage and made clear the behavior would not be tolerated. The fan responsible was immediately removed from the venue. Green subsequently posted to his own Instagram account appearing to address the incident.

After the brief interruption, Green shook off the incident and finished the set, unwilling to let one audience member derail the night. Following the incident, Green shared a fan-captured clip of the moment to his Instagram Stories, followed by a photo of medics tending to his injury backstage. He then returned to the stage to finish the show.

The Melbourne show was the second of two sold-out dates at Margaret Court Arena as part of the Australian leg of Green’s Cowboy As It Gets Tour. The run also featured a surprise mid-set appearance by Randy Houser, who joined Green onstage for Green’s “Cowboy As It Gets” before the pair performed Houser’s own “Like a Cowboy.”

Green continues the Australian run with two shows at Sydney’s Hordern Pavilion on March 16 and 17, before co-headlining CMC Rocks QLD in Ipswich, Queensland on March 20.

The incident is the latest in a years-long and growing trend of concertgoers throwing objects at artists during live performances. In 2023, pop singer Bebe Rexha was struck in the face when a concertgoer threw a phone directly at her during a Manhattan show, splitting her eyebrow and requiring stitches.

In late 2024, country star Zach Bryan had to stop a show at the Tacoma Dome after an item was tossed onstage and struck one of his on-stage guests, addressing the crowd directly to demand the perpetrator be identified.

Artists across genres — including Harry Styles, Kelsea Ballerini, Cardi B and Drake — have all dealt with similar incidents in recent years.

Green is one of country music’s most consistent performers on the charts and at radio. His third studio album Don’t Mind If I Do delivered his first solo Billboard Country Airplay No. 1 with “Worst Way” in mid-2025. He also won Single of the Year at the 2025 Academy of Country Music Awards for his collaboration with Ella Langley, “You Look Like You Love Me.”

Green recently released Don’t Mind If I Do (Deluxe), adding six new tracks to the project, and heads into a packed North American leg of the Cowboy As It Gets Tour beginning in April.

“Tonight y’all will understand why I been here doing what I been doing and why they say the things about me,” Don Toliver promised newer fans in an interview with Billboard hours before taking The Stage at SXSW on Friday (March 13).

The hard work has paid off for Toliver, as 2026 has been a year of raising the bar. He earned his first No. 1 album on the Billboard 200 with OCTANE, which arrived in late January, and saw all 18 tracks from the LP hit the Billboard Hot 100.

Following performances from openers like Chase B, Yakiyn and Sosocamo, Toliver hit the Moody Amphitheater stage shortly after 9:30 p.m. CT in front of nearly 5,000 raucous fans in Austin.

It was a victory lap of sorts for Toliver, who has been steadily climbing the ranks in rap’s food chain before making the quantum leap to join his mentor Travis Scott as part of the genre’s A-list with OCTANE.

Draped in a dove white jacket with matching pants and boots courtesy of designer Dingyun Zhang, the Texas native kicked off his set with a slowed-down intro riding into his OCTANE opener “E85.”

The temperature got turned up several notches on a mild Austin night with Toliver’s Justin Timberlake-sampling anthem “BODY” sending the crowd into a frenzy, which was followed by the moshpit-inducing nature of “OPPOSITE.”

With the 31-year-old on his fifth album, the anniversaries are starting to pile up. Friday also marked the sixth anniversary of Toliver’s Heaven or Hell, which was released just before the world shutdown due to the COVID-19 pandemic in March 2020.

The Houston native thanked the fans for being on this ride with him and commemorated his debut’s anniversary by taking them back to Heaven or Hell staples like “Cardigan,” and finished the 75-minute set with “After Party.”

The crowd saw a mix of Gen-Z ragers and millennials filling the Moody Amphitheater, as Toliver jumped around his discography for his 2018 ASTROWORLD introduction “Can’t Say” to fan-favorites like “No Pole,” “Bandit” and “Lemonade.”

Fans were still rapping along to OCTANE deep cuts such as “TMU,” “Call Back” and “Pleasure’s Mine,” a testament to the project’s staying power (it remains in the Billboard 200’s top five).

It’s only a taste of what’s to come with Toliver’s OCTANE Tour, which will take over arenas across North America starting with his headlining set at Rolling Loud in May.

Watch the full set below.

Junior H sits down with Billboard’s Co-Chief Content Officer, Leila Cobo, for the Superstar Q&A at SXSW 2026 to chat about  his chart-topping album ‘DEPR</3$$ED MFKZ,’ his journey from recording music secretly in a closet to becoming the “godfather of the sad kids,” and revolutionizing regional Mexican music with vulnerability and emotion. He reflects on what it means to be a “sad boy,” how fans shaped his identity, and how Mexico’s corrido ban impacted his music, leading him to shelve multiple albums. He discusses launching Sad Boy Records, signing his first artist Gael Valenzuela, his upcoming Latin America tour with plans to expand to Europe, and breaking traditional machismo stereotypes.

After making waves with his most recent album, DEPR</3$$ED MFKZ, his fifth release to reach No. 1 on the Regional Mexican Albums chart, Junior H joined the Billboard House @ SXSW on Saturday (March 14) to talk about vulnerability, his chart success and his future ambitions. The event — held at Mohawk Austin as part of the South by Southwest festival, where he sat down with Billboard‘s co-chief content officer Leila Cobo — served as a prelude to his headlining concert at the Moody Amphitheater for THE STAGE x SXSW, presented by Billboard.

Related

Junior kept things laid-back, donning a striped, red-and-white long sleeve shirt paired with white sneakers, exuding his signature “sad boy” charm. “A ‘$ad Boy’ is practically the meaning behind all the music we’ve shared,” he explained. “It doesn’t mean I’m sad all the time, but that’s how my fans identified me… That’s how they made me, how they labeled me. You could say I’m the godfather of sad kids.”

That melancholic but honest identity has captivated fans across borders, making Junior H a voice for a new era of Mexican music. Yet fame did not come easy for the young artist. He recounted how his journey started in solitude, in his childhood closet, where he would record music unbeknownst to his busy parents.

“I worked, went to school, was busy all day, and still managed to save up some money to buy my first guitar, which I learned to play through YouTube. There are no excuses […] If you don’t put yourself out there, if you don’t do it, nothing will happen. You have to make it happen.”

Since those days of secret closet recording, Junior H’s music has become a very personal form of creative expression. He shared that many of his songs function as an emotional “diary” — reflections of his own experiences, an ode to love and heartbreak, and stories of those close to him. “I write and sing for myself. They are events that have happened in my life, my friends’ lives, anecdotes.”

The artist has become a prominent voice in conversations around vulnerability and masculinity in modern Mexican music, breaking away from the traditional “macho” stereotype often associated with the genre. When Cobo asked about the impact of his songs, Junior H was candid about the messages he receives from his followers.

“I feel like my fans have a strong connection with me. They open up, they share personal stories with me. There are a lot of people who need support. But the beautiful thing is seeing them embrace these kinds of feelings. There’s nothing wrong with feeling. Just because you’re a man, there’s nothing wrong with crying, you know. We all feel, we’re not made of plastic.”

Aside from his “$ad boy” identity, Junior H showed off his lighter side during the conversation, shedding light on a surprising obsession: Disney. “I’m always watching Disney, I’m a Disney fan. My favorite character is Mike Wazowski,” he revealed. “A lot of people think I’m emo… but if they knew how I am with my close friends, I’m very cheerful.”

While he’s busy leading $ad Boy Records and launching Gael Valenzuela’s career, Junior H remains laser-focused on his own artistry. With vaults of unreleased music — particularly corridos currently shelved due to government restrictions in Mexico — Junior H sees his career as fluid and adaptive. He also teased several possibilities for his next release, from a solo album to collaborations or even a covers project. “I have so much music saved […] about two albums, they’re practically aging, but I’m also working on new things. Very interesting new projects are coming.”

In addition to panel conversations all weekend, Billboard House is also hosting daily performers, with Karina Galicia, EddyJae, Mosmo, Oscar Ortiz, Lena Dardelet, Sofish, BrunoOG and Hermanos Espinoza taking the stage on Saturday’s day 2. DJ Cortez also provided daytime sounds for the space.

Read Billboard‘s Junior H recent cover story here, and catch Junior H’s full conversation with Leila Cobo at the Billboard House @ SXSW in the video above.

War of the Worlds, the 2025 sci-fi film starring Ice Cube, was bestowed the ‘honor’ of worst picture of the year in the 2026 Razzie Awards, it was announced Friday (March 13). Worst picture was just one of five award categories in which the picture placed first, after being nominated in six of them.

Related

Besides the worst picture of the year recognition, War of the Worlds lead Ice Cube was named worst actor, while director Rich Lee earned worst director. The movie was also the choice for the worst prequel, remake, rip-off or sequel award — plus worst screenplay (Kenny Golde, Marc Hyman).

The Razzies, short for the Golden Raspberry Awards, recognized War of the Worlds as “a cult hate-watch classic almost immediately,” The Hollywood Reporter shared on Saturday.

Organizers for the Razzies noted, “War of the Worlds (the 2025 version) has been cemented in Razzie history as a near sweeper of our $4.97 trophy winner.” They added, “Utterly destroying H.G. Wells’ classic novel, director Rich Lee (maybe inspired by Ed Wood) chose a goofy gimmick, hack dialogue and a particularly hilarious performance by its lead, Ice Cube, to seize 2025’s biggest number of statues.”

Additional winners at this year’s awards include “all seven artificial dwarfs” from Disney’s live-action Snow White, who collectively achieved the worst supporting actors and worst screen combo honors. (“It cost a fortune and lost a fortune, perhaps cursed by Walt [Disney] himself for having ignored his dying wish for it never to be remade,” Razzies organizers said of the 2025 adaptation.)

On a more positive note: Kate Hudson achieved the 2026 Razzie Redeemer Award for her Oscar-nominated portrayal of Claire Sardina in the Song Sung Blue. She delivered a “pitch-perfect performance” in the movie, organizers said, after receiving less flattering distinctions by the Razzies in previous years for several past film roles.

Awards are voted on online, with 1,223 Razzie members making their picks.

See the full list of 2026 Razzies winners below.

Worst Picture

The Electric State          
Hurry Up Tomorrow
Disney’s Snow White
 (2025)   
Star Trek: Section 31
WINNER: War of the Worlds (2025)

Worst Actor

The Electric State          
Hurry Up Tomorrow
Disney’s Snow White
 (2025)   
Star Trek: Section 31
WINNER: War of the Worlds (2025)

Worst Actress

Ariana DeBose / Love Hurts
Milla Jovovich / In the Lost Lands
Natalie Portman / Fountain of Youth 
WINNER: Rebel Wilson / Bride Hard 
Michelle Yeoh / Star Trek: Section 31

Worst Supporting Actress

Anna Chlumsky / Bride Hard 
Ema Horvath / The Strangers: Chapter 2
WINNER: Scarlet Rose Stallone / Gunslingers
Kacey Rohl / Star Trek: Section 31
Isis Valverde / Alarum

Worst Supporting Actor

WINNER: All Seven Artificial Dwarfs / Snow White (2025)
Nicolas Cage / Gunslingers
Stephen Dorff / Bride Hard
Greg Kinnear / Off the Grid
Sylvester Stallone / Alarum

Worst Remake/Rip-Off/Sequel

I Know What You Did Last Summer (2025)
Five Nights at Freddy’s 2
Smurfs (2025)
Snow White (2025)
WINNER: War of the Worlds (2025)

Worst Screen Combo

WINNER: All Seven Dwarfs / Snow White (2025)
James Corden & Rihanna / Smurfs (2025)
Ice Cube & His Zoom Camera / War of the Worlds (2025)
Robert De Niro & Robert De Niro (as Frank & Vito) / The Alto Knights
The Weeknd & His Colossal Ego / Hurry Up Tomorrow

Worst Director

WINNER: Rich Lee / War of the Worlds (2025)
Olatunde Osunsanmi / Star Trek: Section 31
The Russo Brothers / The Electric State
Trey Edward Shults / Hurry Up Tomorrow
Marc Webb / Snow White (2025)

Worst Screenplay

The Electric State  / Screenplay by Christopher Markus and Stephen McFeely. Adapted from the illustrated novel by Simon Stalenhag

Hurry Up Tomorrow / Screenplay by Trey Edward Shults, Abel Tesfaye, Reza Fahim

Snow White (2025)  / Screenplay by Erin Cressida Wilson and a bunch of others too numerous to mention. Drawing from the original fairy tale by the Brothers Grimm

Star Trek: Section 31 / Screenplay by Craig Sweeny with original story concept developed by Bo Yeon Kim & Erika Lippoldt

WINNER: War of the Worlds (2025) / Screen story and screenplay by Kenny Golde and screenplay by Marc Hyman, adapting (or destroying) the classic novel by H.G. Wells

Razzie Redeemer Award

WINNER: Kate Hudson / Song Sung Blue