A newly restored concert film capturing George Michael at the height of his late-’80s superstardom is headed to cinemas later this year.

George Michael Entertainment announced Tuesday (March 10) that George Michael: The Faith Tour — a previously unseen film documenting the singer’s landmark 1988 tour — will receive a worldwide theatrical release in partnership with Mercury Studios and Sony Music Entertainment.

The film was shot during the European leg of Michael’s Faith Tour at Paris’ Palais Omnisports de Paris-Bercy in 1988 and captures the singer during a pivotal moment in his career, shortly after the release of his blockbuster solo album Faith. The footage, assembled from a 14-camera shoot captured on 35mm film across two nights, has been newly restored and remastered for the theatrical release.

Directed by longtime collaborators Andy Morahan and David Austin, the project revives a concert film that had remained largely unseen for decades. The restored footage showcases Michael’s live performance at the peak of the Faith era, widely regarded as the moment he cemented his status as one of pop music’s defining stars of the late 20th century.

The theatrical presentation will open with a short film directed by photographer and filmmaker Mary McCartney. The introduction features previously unheard interview audio from Michael, along with unseen photographs by fashion photographer Herb Ritts and behind-the-scenes footage from the “Faith” music video.

Alongside the film, an accompanying live album titled The Faith Tour will be released globally through Sony Music. The 18-track set will feature previously unreleased performances recorded during the world tour and include material spanning Michael’s solo catalogue as well as songs from his earlier work with Wham!.

Michael’s 1987 album Faith remains one of the defining pop releases of its era. Written, produced and largely performed by the singer himself, the album earned the Grammy Award for Album of the Year and produced four No. 1 hits on the Billboard Hot 100: “Faith,” “Father Figure,” “One More Try” and “Monkey.” Michael remains the only British male solo artist to achieve four Hot 100 chart-toppers from a single album.

The album sold more than 25 million copies worldwide and helped transform Michael — who first rose to fame in the 1980s pop duo Wham! — into one of the defining solo stars of the MTV era.

Across his career, Michael sold more than 125 million records worldwide and earned eight No. 1 hits on the Billboard Hot 100. The singer, who died in 2016 at age 53, was inducted into the Rock and Roll Hall of Fame in 2023.

George Michael: The Faith Tour will open in theatres worldwide later this year, with additional details on release dates and territories expected to be announced soon.

ENHYPEN will continue as a six-member group following the departure of founding member Heeseung, his agency BELIFT LAB announced Tuesday (March 10).

The news was shared in a statement posted across the group’s official channels, where the label said the decision followed extensive discussions about the group’s future direction and the singer’s individual musical ambitions.

“Through in-depth discussions with each of the members about the future they envision and the direction of the team, it became clear that Heeseung has his own distinct musical vision,” the company said.

BELIFT LAB confirmed that Heeseung will leave the group but remain signed to the label as he prepares to launch his solo career. The company said the decision was made after a long period of deliberation between the artist, the group and management.

The remaining members — Jake, Jay, Sunghoon, Sunoo, Jungwon and Ni-ki — will continue promoting as ENHYPEN, though no specific plans for upcoming releases or tour activity were announced alongside Tuesday’s update.

Heeseung also addressed fans known as ENGENE following the announcement, thanking both supporters and his bandmates.

“Thanks to the members with whom I shared countless emotions, and to ENGENE, who always filled every empty space with their support, I was able to take step after step toward a dream that once felt out of reach,” he wrote. “I am working hard on an album so I can meet you all again soon.”

Heeseung debuted as a member of ENHYPEN in November 2020 after appearing on the survival audition program I-LAND. The group launched its career with the release of Border: Day One and quickly built an international fanbase with subsequent releases and global touring.

His exit marks the first lineup change for the group since its debut.

BELIFT LAB said Heeseung is currently preparing a solo album, though additional details about the project have not yet been announced.

Carrie Underwood was visibly moved during a contestant’s performance on the latest episode of American Idol.

During Monday night’s (March 9) episode, contestant Keyla Richardson performed “A Thousand Years” by Christina Perri during the show’s Ohana Round, prompting an emotional reaction from the judge.

Richardson, a 29-year-old singer from Pensacola, Fla., delivered the performance while her young son Drew watched from the audience, smiling and mouthing the lyrics. The moment resonated with Underwood, who became teary while offering feedback.

“To have the gift of watching you and getting to watch him,” Underwood said of Richardson’s son. “When I’m on stage and my boys are out there, I don’t know what they’re doing. And I feel like I just got a glimpse of what they might be doing when I’m on stage, and it just made my mama heart so happy.”

She added, “Your talent is limitless.”

Underwood shares two sons — Isaiah, 11, and Jacob, 7 — with former NHL player Mike Fisher.

The episode featured the show’s first Ohana Round of the season, where contestants perform for judges Luke Bryan and Lionel Richie alongside family members, peers and industry professionals.

Underwood also offered encouragement to several contestants who struggled emotionally during their performances.

Singer Sheldon Riley became overwhelmed during his rendition of Patrick Watson’s “To Build a Home,” apologizing to the audience after becoming emotional mid-performance. Underwood praised his vocal ability while urging him not to hold back.

“You have so much talent and power and range in your vocals,” she told Riley. “I feel like your brain just gets in the way. You’re building up walls in front of us every time you sing — but you don’t need to do that. You’re enough.”

Another contestant, Chloe Lauren, momentarily lost her place during a performance of Adele’s “Hello.” Underwood encouraged her to continue singing and praised the way she recovered.

“You’re here because we love your voice,” Underwood said. “It’s not about the little things that can go wrong during a performance. It’s how you finish strong.”

At the end of the episode, the judges narrowed the field to the season’s top 20 contestants. Richardson ultimately advanced to the next round, though she was the final contestant announced.

American Idol airs Mondays at 8 p.m. ET/PT on ABC.

PinkPantheress & Zara Larsson’s “Stateside” jumps into the top 10 of the Hot 100. Will Bruno Mars’ ‘The Romantic’ take over the top 10?

Tetris Kelly:

How does Bruno Mars’ new album ‘The Romantic’ shape the chart? This is the Billboard Hot 100 top 10 for the week, dated March 14. Sombr slips to 10 as does Taylor Swift to nine. And “Golden” to No. 8. PinkPantheress and Zarah Larson joined the top 10 at seven. “Opalite” falls to six, and so does “Ordinary” to No. 5. Bruno’s “Risk It All” debuts at No. 4. “Man I Need” is in at No. 3. While “Choosin’ Texas” is down to two. And back up to grab a third week at No. 1 is Bruno’s “I Just Might.” If you want more Billboard, make sure you hit the subscribe button and ring the bell to be notified on all our latest videos.

Smudge your eyeliner, grab your studded belt and lace up your Vans Sk8-His: It’s almost time for Warped Tour.

On Monday (March 9), Vans Warped Tour announced the highly anticipated lineup for the Washington, D.C., stop of the iconic touring festival. The Insomniac-backed tour has been announcing artists for each of the upcoming five dates one-by-one on their Instagram until the surprise drop of the D.C. set. More than 90 acts are set to take the stage during the festival’s two-day stop in the nation’s capital. Highlights from the lineup include Warped Tour alums Coheed and Cambria, Taking Back Sunday, Sleeping With Sirens and Gym Class Heroes as well as newcomers Grandson, Boston Manor and Hoobastank.

Three mystery acts have yet to be announced.

Vans Warped Tour was originally founded in 1995 and toured across the U.S. and Canada every summer for 33 straight years before concluding in 2018. After a three-stop anniversary tour in 2019 and six years off, Warped Tour was revived in 2025 on a smaller scale than the original festival. Rather than dozens of cities in one summer, the tour hit just three the initial first year back — Washington, D.C.; Long Beach, California; and Orlando, Florida. Now, for its second year in this new iteration, Vans Warped Tour is back in those three cities as well as two new ones: Montreal and Mexico City.

Washington, D.C.’s dates (June 13 and 14) are the first of this year’s stops. After D.C., the tour will head to Long Beach on July 25-26, followed by Montreal on Aug. 21-22 and Mexico City on Sept. 12-13, before concluding in Orlando on Nov. 14-15.

Fans hoping to hit one (or all) of the upcoming Warped Tour stops can find passes on the Vans Warped Tour website.

Bruno Mars released his debut album in 2010, while Harry Styles and his One Direction bandmates dropped theirs in 2011. In the decade and a half since, these two have skyrocketed to superstardom in their own ways — and then in the past two weeks, they each blessed pop fans with a brand-new project.

On the new Billboard Pop Shop Podcast, Katie & Keith are taking a closer look at Mars’ The Romantic (released Feb. 27) and Styles’ Kiss All the Time. Disco, Occasionally (March 6) and where each pop star is in his respective career. For Mars, he’s cementing the loverboy credentials he’s built up through “Just the Way You Are” all the way through Silk Sonic’s 1970s come-ons. For Styles, he’s taking a sonic left turn and introducing his rabid fanbase to new soundscapes and subject matters as they evolve through life together.

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Listen to our full breakdown in the new episode below:

Also on the show, we’ve got chart news on how Mars is back at No. 1 on the Billboard 200 albums chart for the first time in more than a decade, as The Romantic debuts atop the chart. Meanwhile, the set’s lead single “I Just Might” comes back to No. 1 on the Billboard Hot 100 songs chart. Plus, could Styles debut at No. 1 on the Billboard 200 next week with Kiss All the Time?

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

The road to WrestleMania has finally hit its end destination. After a year of surprises, upsets and championship title changes, the WWE is gearing up for an epic conclusion to the 2026 season at WrestleMania 42. Taking place at Allegiant Stadium in Las Vegas on April 18 and 19, wrestling fans will be eating good with world title matches finally set. After the results of Elimination Chamber, Raw superstars CM Punk and Stephanie Vaquer will defend their belts against Romans Reigns and Liv Morgan, while SmackDown stars Cody Rhodes and Jade Cargill will face “Legend Killer” Randy Orton and Rhea Ripley.

If you’re a wrestling fan who want’s to experience WWE’s tentpole event live, tickets to WrestleMania 42 are still available online.

How to Buy WrestleMania 42 Tickets, At a Glance

From CM Punk and Roman Reigns running back their WrestleMania 41 main event, this time without Seth Rollins, to Brock Lesnar’s open challenge to any wrestler daring enough to step in the ring with him, to women heavyweights Rhea and Jade going toe-to-toe, there so many grand moments taking place in Vegas.

One aspect fans love about WrestleMania are the surprise cameos. To predict one, Drew McIntyre will surely create a scene during the Rhodes vs. Orton match, right? Since losing the undisputed championship title to Cody recently on SmackDown, we should expect the Scottish Warrior to take his anger out on any and everyone standing in his way. After Travis Scott’s viral moments last year, could we see another musical guest step into the ring? Will Bad Bunny make an epic return?

If you want to experience WrestleMania 42 live, we’ve compiled a ticketing guide to shop the best seats, affordable prices and discounts for WWE’s tentpole event. Take a look below at all the confirmed matches for WrestleMania 42 as well.

Where to Buy WrestleMania 42 Tickets Online

Looking for cheap seats to see WrestleMania 42 live? Here’s where to find tickets still available and on sale online for both two day passes as well as separate day one (April 18) and day two (April 19) tickets.

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WWE WrestleMania 42: Where to Buy Tickets, Discounts, Promo Codes

Shop WrestleMania Tickets on Gametime


Gametime promises to be the go-to destination for the cheapest last-minute tickets to the WrestleMania 42 and more live events. Right now, you can find options for as low as $242, and score an extra $20 off purchases of $150+ when you enter the code SAVE20 at checkout. Found cheaper options on another site? The Gametime Price Guarantee will give you 110% of the difference back when you show proof to the resale site.

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WWE WrestleMania 42 Match Lineup

Here’s a list of all confirmed matches for WWE WrestleMania 42 so far.

World Heavyweight Championship: CM Punk (c) vs. Roman Reigns

Undisputed WWE Championship: Cody Rhodes (c) vs. Randy Orton: Orton

Brock Lesnar vs. TBA (Open Challenge match)

WWE Women’s Championship: Jade Cargill (c) vs. Rhea Ripley

Women’s World Championship: Stephanie Vaquer (c) vs. Liv Morgan

Twenty-nine seasons in, and The Voice is still finding new ways to shake up the competition.

On Monday (March 9), the singing competition series announced the introduction of new mentor roles as well as a whole new game within the game. The show, which premiered its 29th season last month, will see the return of familiar faces, new advisors stepping up to the plate and an all-new all-star competition.

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Three iconic The Voice coaches are returning to the show to help mentor contestants as they try to sing their way to victory. Original The Voice coach CeeLo Green will serve as a Mega Mentor for Adam Levine and John Legend’s teams. Meanwhile Michael Bublé, who judged the previous three seasons of the show, will be a Mega Mentor for Kelly Clarkson’s contestants. Jennifer Hudson will also return as an Alumni Coach to help mentor Team Kelly during coaching rehearsals.

The three returning coaches aren’t the only ones stepping onto The Voice stage as mentors: The Voice Australia coach and Good Charlotte guitarist Benji Madden will join Levine as an advisor during the battle rounds. Meanwhile, Grammy-winning R&B singer Muni Long will assist Team Legend as a battle advisor.

On top of the new mentor roles, The Voice is also reintroducing some alumni contestants to the show. In the new in-season all-star competition, each of the three coaches will bring back two artists from their teams in previous seasons to compete in head-to-head sing-off battles. CeeLo will serve as the judge for the All-Star Showdown and determine the winner. Representing Team Adam in the in-season competition are season 1 winner Javier Colon and season 9 winner Jordan Smith. Team Kelly will be represented by season 21 winner Girl Named Tom and season 17 winner Jake Hoot. Season 16 winner Maelyn Jarmon and season 27 fan favorite RENZO will represent Team Legend. The coach with the most sing-off wins will be guaranteed a second finalist in the finale. With the new showdown format, these returning contestants may help determine the winner of the season.

The Voice airs weekly Mondays at 9 p.m. ET on NBC and is available for streaming the next day on Peacock.

Despite what headlines you might have read, Jack White does not in fact think Taylor Swift‘s music is boring.

On Monday (March 9), White shared a lengthy text post to his Instagram, with the White Stripes co-founder explaining that he’s putting the post up for just a day and then taking it down. White then gets straight into business. “I didn’t say I think Taylor Swift’s music is ‘boring,’” White says. “Or whatever click bait the net is trying to scrape together.”

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The post is a direct response to backlash from a Sunday interview with The Guardian. When asked if any of his songs were entirely autobiographical, White said that they are not. “Now it’s become very popular in the Taylor Swift way of pop singers writing about all of their publicly aired break-ups.” He then says that he doesn’t find this style of songwriting “interesting at all.”

Naturally, the Internet quickly went ablaze. Less than 24 hours after the interview was published, publications recirculated the quote under headlines announcing that White was “throwing shade” at the “Anti-Hero” singer. Insider Hook‘s managing editor Bonnie Stiernberg shared a think piece titled “There Is ‘No Right’ Way to Write a Song.” And, of course, Swifties were quick to defend their queen. Some called out White for being a “hypocrite,” stating that half of his music was about his divorce with Karen Elson. Others pointed out that White’s comments came out on International Women’s Day. One simply said “not all men but always a man.”

In response to the flak, the “Seven Nation Army” singer clears the air in his Instagram post. He explains that his point was that he found writing about himself in his lyrics uninteresting, and that imaginary characters are “more attractive for me as a writer.”

He continues to acknowledge Swift’s and other similar songwriters’ success in the industry and says that he is “very happy for them that they’ve succeeded in engaging with so many music lovers in their own way.”

After clearing up what he meant regarding songwriting and Swift’s style, White turns his attention to journalists.

“These are the times where I’m made less and less interested in doing interviews,” he says. “Because in the age of this massive demand for click bait and content, any scrape of anything interesting or off the beaten path that can be turned into drama is swarmed over and spit out as bait.”

As a result, White finds himself less willing to give answers with “any sort of romance or passion or reflection” as he feels they may be misconstrued and used to boost page views.

Hopefully, White’s post — which at the time of publication is still up — will lay to bed the newly manufactured beef between the rocker and pop star.

A group of independent artists, songwriters and producers has brought a new copyright infringement lawsuit accusing Google of training its Lyria 3 artificial intelligence model on unlicensed music pulled from YouTube.

The complaint, filed on Friday (March 6) and reviewed by Billboard, follows a series of copyright cases brought by music rightsholders against AI song generators Suno and Udio over the past two years. This is the first such lawsuit to go after Google, which launched Lyria 3 through the Gemini app last month, allowing users to generate up to 30-second AI songs based on text and image prompts.

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Google’s entry into the AI music market differs from existing services because it already owns YouTube, home to millions of songs uploaded by artists and labels. Friday’s lawsuit alleges Google used this position “to pivot from distributor to competitor,” supposedly extracting audio elements from YouTube videos and feeding them into the Lyria training set without paying artists.

“Google had every opportunity to develop this product legally,” reads Friday’s lawsuit. “It owns YouTube and runs Content ID. It has long-standing relationships with major labels and distributors. It has the technical infrastructure, financial resources and industry connections to clear rights before training. Google chose not to do so, not because licensing was impossible, but because copying was faster and cheaper.”

Reps for Google did not immediately return a request for comment on the lawsuit on Monday (March 9). In a statement to Billboard last month, the company said Lyria 3 is mindful of copyright concerns and only trains on music that YouTube and Google have “a right to use under our terms of service, partner agreements and applicable law.”

The lawsuit was filed by an all-indie group of music creators: singer/songwriter Sam Kogon, composer/producer Magnus Fiennes, songwriter/producer Michael Mell, R&B group Attack the Sound, father-and-son folk rock duo Stan Burjek and James Burjek, and the Chicago-based band Directrix.

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All of those artists publish music on YouTube and therefore allege their work was likely included in the Lyria 3 training dataset. They’re bringing copyright infringement claims against Google as to both publishing and recorded music rights, plus various other intellectual property, privacy and consumer protection claims.

The case is a proposed class action, meaning the plaintiffs want relief for all indie artists who have allegedly been harmed by Google’s conduct. They’re seeking financial damages and noting that music produced by Lyria 3 is taking real work, such as sync licensing opportunities, away from human beings.

“Google markets these outputs for the same uses, and to the same buyers, as the music plaintiffs create and license,” reads the lawsuit. “The result is not incidental competition from a tool with a different purpose. It is direct, designed-in market substitution at a scale that individual human creators cannot match.”

The same group of artists previously brought similar copyright lawsuits against Suno, Udio and AI music generator Mureka. Another indie artist, Tony Justice, also has pending class action lawsuits against both Suno and Udio.

The more closely watched front in the AI music copyright war, however, is litigation brought by the three major label groups. Back in 2024, Universal Music Group (UMG), Warner Music Group (WMG) and Sony Music teamed up to sue both Suno and Udio for allegedly training on stolen work “at an almost unimaginable scale.”

Udio settled with both UMG and WMG near the end of 2025, striking landmark licensing deals that promise to compensate rightsholders and keep songs generated on the service within a so-called “walled garden.” WMG then signed a settlement with Suno, which allowed licensed AI music to be downloaded and distributed on streaming.

UMG is continuing to hold out in its fight against Suno, and Sony has not settled either case. For the claims that remain, Suno and Udio are mounting a defense that their AI training was permissible under the principle of “fair use” — a tenet of copyright law that allows unlicensed work to be used in “transformative” fashion.


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