Doja Cat is opening up about her mental health struggles.

The 30-year-old pop star revealed through TikTok on Friday (March 13) that she has been diagnosed with borderline personality disorder (BPD).

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“I’ve learned from a very young age to pretend that I like stuff, to pretend that I’m happy, to pretend that I don’t like stuff that I do, to appear like everything is okay,” Doja said in the video. “I’ll get it done. And it caught up with me, and I think it always does for people. I’m now struggling with BPD.”

Borderline personality disorder “is a mental health condition that affects the way people feel about themselves and others,” according to the Mayo Clinic. The condition can make it difficult to function in everyday life and “includes a pattern of unstable, intense relationships, as well as impulsiveness and an unhealthy way of seeing themselves.”

Doja added that she has been “struggling” with BPD for “probably forever” and that it has been “agonizing.” “I’ve been in therapy for years now, and I am so relieved and so proud of myself,” she said. “I’ve made it so far and I still make mistakes, but it is an eight-year process of curing, treatment and healing.”

This isn’t the first time Doja Cat has opened up about her mental health. The “Kiss Me More” singer told Rolling Stone in 2021 that she struggles with ADHD and dropped out of high school at 16 because of it.

“It felt like I was stuck in one spot and everybody else was progressing constantly,” she said at the time.

In her TikTok video, Doja also defended Chappell Roan following the artist’s recent run-in with paparazzi at Paris Fashion Week, praising her for staying true to herself.

“I had to learn how to be honest,” Doja said. “I had to learn how to be honest with myself. I lied to myself for years, for most of my life, and to see her sit there, and I love it. I love that she can do that without hurting people. She hasn’t hurt one person by being herself, and that shows that I can do the same.”

Doja added that she respects Roan for embracing her discomfort and standing up for herself. “She can be uncomfortable, comfortably in front of people, and protect herself and be honest,” Doja said.

If you or anyone you know is struggling with mental health or substance abuse disorders, reach out to the Substance Abuse and Mental Health Services Administration‘s national helpline 24/7 at 1-800-662-HELP (4357) for confidential treatment referrals and information. For those who are experiencing suicidal thoughts and/or distress, the National Suicide Prevention Lifeline is available 24/7 at 1-800-273-8255. You can also call or text 988 to get connected to trained counselors.


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Phil Campbell, the longtime guitarist of Motörhead, has died. He was 64.

Campbell’s death was announced Saturday (March 14) through the Instagram account for his band, Phil Campbell and the Bastard Sons.

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“It is with great sadness that we announce the passing of our beloved father, Philip Anthony Campbell, who passed away peacefully last night following a long and courageous battle in intensive care after a complex major operation,” the statement read.

“Phil was a devoted husband, a wonderful father, and a proud and loving grandfather, known affectionately as ‘Bampi’. He was deeply loved by all who knew him and will be missed immensely. His legacy, music and the memories he created with so many will live on forever.”

The reason for Campbell’s original operation remained unclear at press time.

Born in Wales in 1961, Campbell began his music career in the 1970s with the metal band Persian Risk before being recruited by Lemmy Kilmister to join Motörhead in 1984 following the departure of guitarist Brian Robertson. At the time, Michael “Würzel” Burston was also a guitarist for Motörhead, remaining with the band until 1995.

Campbell’s first album with Motörhead was the band’s seventh, Orgasmatron, released in 1986. He went on to become the group’s longest-tenured guitarist, spending three decades with the band until they disbanded following Kilmister’s death in 2015. Overall, Campbell recorded 16 albums with Motörhead.

After his time in Motörhead, Campbell formed Phil Campbell and the Bastard Sons in 2016, and the band released several albums. He released his solo debut, Old Lions Still Roar, in 2019.

The Bastard Sons had been scheduled for a European tour earlier this year, but the outing was canceled “due to medical advice Phil has just received,” the group announced at the time.

Motörhead was nominated for the Rock & Roll Hall of Fame in 2020, but Campbell was not initially included among the members considered for induction. Only Kilmister, founding guitarist “Fast” Eddie Clarke, and drummer Phil “Philthy Animal” Taylor were nominated. Following an outpouring of support from fans, Campbell and drummer Mikkey Dee were added to the ballot. The band has not yet been inducted.

Dee, who joined Motörhead in 1992 and remained with the band until Kilmister’s death, honored his bandmate on Instagram following Campbell’s passing.

“He was the funniest guy I have ever known and the best rock guitar player I have ever played with,” Dee wrote. “His vibe and feel for rock music were outstanding. We wrote 12 studio albums together, and he never stopped surprising me with his extreme talent. Most of all, I will miss hanging out with the nicest guy you could ever meet.”

The drummer continued, “My family and I send our thoughts to Phil’s family. I truly wish them all the best for the future, and I will be right here if they ever need anything. Sleep well, my friend and rock soldier. Say hi to Lemmy, Würzel, Filthy and Eddie. I am sure you’ll be a crazy gang hanging out together again!”


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Dolly Parton is sharing an update about her health during her first major public appearance of 2026.

On Friday (March 13), the iconic 80-year-old singer delivered a keynote address on opening day at her Dollywood theme park in Tennessee, celebrating the park’s 41st anniversary.

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“I’ve not been touring, as you know,” Parton said, according to footage shared by local station WVLT 8. “I’ve had a few little health issues, and we’re taking good care of them.”

Parton’s Dollywood visit comes months after the “Jolene” hitmaker postponed her Las Vegas residency at the Colosseum at Caesars Palace due to undisclosed medical procedures. The residency, originally set to start in December, is now scheduled to begin in mid-September.

The postponement also followed the death of her husband, Carl Dean, who passed away at age 82 in March 2025. The couple had been married for nearly 60 years.

“I just kind of got worn down and worn out, grieving over Carl and a lot of other little things going on,” Parton continued. “I just got myself kind of where I needed to build myself back up spiritually, emotionally, and physically. But, all is good. It didn’t slow me down.”

She then joked that she’s “not dating anybody,” before sharing more heartfelt words about her late husband. “I think Carl Dean’s waiting for me,” she said. “If I should show up at the pearly gates with somebody else, he would not like that. He’d be saying, ‘Who’s that little pisser? You leave him outside the gates.’ ”

Parton also revealed Friday that she’s rewriting songs for her upcoming Broadway musical, Dolly: An Original Musical, which is expected to launch in New York this year.

At the event, Parton took a question from the audience about the guidance she follows in life. “Never forget who you are, never forget where you came from, and always kind of go back home,” Parton responded. “You can always go back home in your heart and in your mind.”


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After an amazing and hilarious episode with Ryan Gosling and Gorillaz last week, Saturday Night Live is back for this week with Grammy Award-winner Harry Styles as host. The singer/actor is set as host for the second time on Saturday, Mar. 14. In addition, Styles does double duty as musical guest. SNL broadcasts live on NBC with a start time of 11:30 p.m. ET/PT.

While he made a surprise appearance last week, Harry Styles hosts SNL this week to promote his new album Kiss All the Time. Disco, Occasionally. It’s his fourth studio album and first in four years since Harry’s House in 2022. Styles is also set to go on world tour starting at Johan Cruijff ArenA in Amsterdam, Netherlands on Wednesday, May 20. He’s scheduled for a 30-date residency at Madison Square Garden in New York City beginning on Wednesday, Aug. 26.

Want to watch SNL online without cable and for free? Your easiest bet is to grab a free trial to DirecTV to stream an NBC live feed online without needing a subscription.

Keep reading to learn all the other streaming options to watch SNL online without cable.

How to Livestream ‘Saturday Night Live’ Online for Free

In order to watch SNL, you’ll need to have access to NBC. If you have cable, then you just need to look up what channel NBC is on, which you can find it in your channel guide through your cable provider. Don’t have cable? There are a few ways to watch Saturday Night Live online for free.

A subscription to DirecTV — which comes with NBC for SNL — gets you access to live TV, local and cable channels, starting at $39.99 per month for the “MyNews” package. The service even offers a five-day free trial to watch for free, if you sign up now. You can watch local networks such as CBS, ABC and FOX, while you can also watch many cable news networks, including CNN, FOX News, C-Span, MS Now and others.

A subscription to Sling Blue, which comes with NBC for SNL, gets you access to live TV, local and cable channels. You can watch local networks such as ABC and FOX (in select markets), while you can watch many cable networks, including Bravo, Cartoon Network, Discovery Channel, E!, Fox Sports, FX, Fox News, MSNBC, National Geographic, SYFY, TLC, USA Network, A&E, AMC, BBC America, BET, CNN, Comedy Central, Food Network, Fuse, HGTV, History Channel, IFC, Lifetime, Nick Jr., QVC, TBS, TNT, Travel Channel, Vice and many others.

Please note: Prices and channel availability depends on your local TV market. You can learn more about Sling TV here.

Another great option is to subscribe to Peacock, which is the official NBC streamer. The Peacock Premium Plus plan ($16.99 per month) gives you access to the NBC channel, which means you can watch SNL live. There is no free trial for the streaming platform, but if you want to watch the episode on-demand, Peacock does comes with an ad-supported plan that’s only $10.99 per month month and you’ll have access to new episodes of SNL the day after it airs.

Although Peacock doesn’t have a free trial anymore, you can sign up for a Walmart+ 30-day free trial to watch Harry Styles on Saturday Night Live for free. Learn more about Walmart+ here.

You can also expand your streaming library through Hulu + Live TV, which gives you access to the entire Hulu, Disney+ and ESPN Unlimited libraries on top of hundreds of live TV channels, like NBC.

In the meantime, watch a promo reel for tonight’s episode below:

Want more? For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

Spacey Jane have released a new single, “Do You Really Love Her,” alongside a music video, and announced an extensive run of U.S. summer tour dates — the Australian indie rock band’s first new music since their critically acclaimed third album If That Makes Sense.

Frontman Caleb Harper explained the song was left off the album but always destined to surface. “For some reason the song didn’t feel like the right fit for the album but we always wanted it to see the light of day,” he said in a statement.

Written on Mulholland Drive in the Hollywood Hills with collaborators Sarah Aarons and Joel Little, and produced by John Hill, “Do You Really Love Her” draws on classic Australian pub rock. “Bands like INXS, The Church and Icehouse are both nostalgic and inspirational to us,” Harper said.

Harper described the single — and what follows — as a deliberate creative experiment. “This release and the others to follow are almost experiments,” he said. “Songs we love that didn’t end up on an album. Something we want to share while we take stock and reset.”

The If That Makes Sense Tour kicks off June 2 in New Haven, Conn., with festival appearances at Governors Ball Music Festival (June 6), Bonnaroo Music and Arts Festival (June 14) and Osheaga Festival (Aug. 2). The band will also support Rainbow Kitten Surprise on a run of amphitheater dates through July, including stops at the Greek Theatre in Los Angeles (July 21) and Fiddler’s Green Amphitheatre in Denver (July 25). Artist presale begins March 17 at 10 a.m. local time; general on-sale follows March 20.

Additionally, the band will release Live at The Hordern Pavilion (Sydney, NSW) 2025 on Record Store Day this April — a live album drawn from three sold-out nights at the legendary Sydney venue.

If That Makes Sense debuted at No. 2 on the ARIA Albums Chart and earned nominations for Best Rock Album and Best Video at the 2025 ARIA Awards, while Spacey Jane was named the most played artist on Triple J for the year.

The band’s 2020 debut Sunlight produced the signature single “Booster Seat,” which won the ARIA Award for Song of the Year and has since been certified 7x platinum.

The Pretty Reckless are back with new music and a new album.

The Taylor Momsen-fronted rock band has announced their fifth studio album, DEAR GOD, due June 26 via Fearless Records, and released its lead single “When I Wake Up” on Saturday (March 14).

Described by the band as one of their most raw and uncompromising records yet, DEAR GOD was built around diaristic songwriting, vulnerability and artistic freedom. The 14-track set will also include “For I Am Death,” the band’s chart-topping single from last year.

A headlining world tour in support of the album was also announced, with North American dates in New Orleans, Dallas and Los Angeles before heading to Europe.

Momsen described the new single as a cautionary descent. “It’s the story of a dream becoming a nightmare,” she said in a statement. “When a life of excess leads you on a rollercoaster that is doomed to crash but you just can’t see it. It’s a good time…” Musically, “When I Wake Up” leans into a punk-driven sound while retaining the band’s signature explosive guitars and Momsen’s powerhouse vocals.

The announcement follows a busy stretch for the group. The band performed at the 2026 MusiCares Person of the Year gala honoring Mariah Carey, appeared at the 2025 Rock & Roll Hall of Fame ceremony — where Momsen performed alongside Soundgarden for their induction — and completed a two-year run as direct support on AC/DC’s PWR UP Tour.

The Pretty Reckless’ “For I Am Death” hit No. 1 on Billboard’s Mainstream Rock Airplay chart (dated Nov. 8), making it the band’s eighth No. 1 and fourth consecutive — a streak that dates to 2020, when “Death by Rock and Roll” led the chart for three weeks, followed by reigns for “And So It Went” and “Only Love Can Save Me Now” in 2021.

With eight No. 1s, The Pretty Reckless holds the record for the most chart-toppers by a woman-fronted act in the Mainstream Rock Airplay chart’s 44-year history, surpassing Halestorm. DEAR GOD arrives June 26.

Don Toliver made the quantum leap to rap’s A list with the arrival of the Houston native’s OCTANE album in January. Toliver’s fifth LP topped the Billboard 200 with 162,000 album units earned — his first No. 1 — and all 18 tracks landed on the Billboard Hot 100.

The 31-year-old stopped by the Billboard House @ SXSW on Friday (March 13) ahead of his headlining performance later that night at The Stage at SXSW.

Sitting down with Billboard staff writer Michael Saponara, Toliver discussed OCTANE‘s success, having Travis Scott as a mentor, sampling Justin Timberlake on “BODY” and already starting to work on his next album.

Even six weeks after its arrival, “BODY” currently remains inside the Hot 100’s top 25 (No. 23). Toliver gushed about his fandom of Timberlake, but admitted he didn’t initially recognize the “Rock Your Body” sample when he was recording the track.

“Honestly, I love Justin Timberlake a lot. My mom played him, Pharrell and Outkast and all these crazy great artists when I was growing up as a kid in the car,” Toliver explained. “I got a lot of fond memories of that. Justin Timberlake is always one of my favorites. Justified, that album is literally in my top 10 favorite albums of all time.

He continued: “I didn’t think that deep into it. As I sat with it for like a week, I was like, ‘Hold on, this is literally one of my favorite songs of all-time.’ ‘Rock Your Body’ is one of those songs that triggers an endorphin in my body. To put those two together was so iconic for me.”

Toliver reconnected with his Cactus Jack mentor, Travis Scott, on OCTANE standout “Rosary,” but it was an 11th-hour appearance from La Flame, who sent over his vocals nearly at the buzzer. Their relationship has grown since Don T signed to Cactus Jack in partnership with Atlantic Records in 2018.

“I really try to keep the relationship that me and him have as far away from music as I can sometimes,” he said. “At the end of the day, we are human beings.”

Toliver added: “This album, I was like, ‘Whatever Travis wanna do — he could pull up however he wanna do it. I just wanted to make sure he understood my journey with the music when I played it for him. He just caught a vibe for ‘Rosary’ and he understood my idea for it. It was crazy, I really love his verse on the song.”

Even though OCTANE arrived less than two months ago, Toliver revealed he’s already working on his next album.

“I am already working on my next album,” he said. “To be honest, bro, I just realized within myself that I just love music and I just feel like right now if I don’t put out anything, I just need to capture this moment because it’s a lot going on in my life when I was making this album and when it came out and it’s just fueling me to be as creative as I can possibly be.”

In addition to panel conversations all weekend, Billboard House is also hosting daily performers, with Dizzy Fae, Alicia Creti, Kairo Keyz and Babyfxce E taking the stage on Friday’s day 1. DJ Cortez also provided daytime sounds for the space.

Watch the full interview with Don Toliver below.

With The All-American Rejects‘ comeback continuing into 2026 with AAR’s first album since 2012, Sandbox, which arrives in May, band members Tyson Ritter and Nick Wheeler stopped by the Billboard House @ SXSW on Friday (March 13).

In a conversation with Billboard co-chief content officer Jason Lipshutz, the band members discussed a range of topics, including shifting to an independent model in the current landscape after dominating the mainstream, their viral backyard tour, and making their first album nearly 14 years ago.

Clips from performances on the backyard tour took over social media and packed on a heavy dose of nostalgia and brought the band closer together.

“While we were in the belly of that beast, when we were a week in and it was popping off, it felt like we were holding the tail of the dragon, man,” Ritter raved. “Those shows were the greatest things I’ve ever been a part of, let alone been to, let alone performed in.”

The idea for the backyard tour across America came from their manager, Meghan Kraemer. “That created something — especially being from Oklahoma — it felt like the shows we were playing when we were kids,” Ritter added.

After dominating the 2000s with Interscope Records, the band chose to pursue an independent route for its new music out of necessity.

“Nobody wanted to touch us,” Ritter revealed. “Nobody wanted to really roll the dice on us as far as new music is concerned, including the management we had at the time… Independence was what we had to do to continue the story of this band.”

With their first album in 13 years, Ritter and Wheeler focused on ensuring the band could grow its artistry through new music, rather than attempting to recreate the magic of decades past.

“My fear for this band was can we grow together musically? The last thing we wanted to do was reach into some bag and be like, ‘Cool, this looks just like it used to and sounds like it used to, let’s go make a transactional experience for our fans of the lackluster watered-down concentrate of the juice they were drinking 20 years ago,” Ritter continued. “I’m happy I believe in what we’re doing.”

Wheeler echoed a similar sentiment. “That’s the only reason we’re doing it. We would’ve been happy to ride off into the sunset and play state fairs and casinos,” the guitarist said. “We always said we wouldn’t even attempt this again unless we really wanted to and we were excited about it and wanted to challenge ourselves again.”

In addition to panel conversations all weekend, Billboard House is also hosting daily performers, with Dizzy Fae, Alicia Creti, Kairo Keyz and Babyfxce E taking the stage on Friday’s day 1. DJ Cortez also provided daytime sounds for the space.

Look for Sandbox to arrive on May 15. Watch the full interview with The All-American Rejects here.

Richard Grenell, an ally of President Donald Trump who oversaw far reaching changes at the Kennedy Center that prompted many artists to abandon the iconic performing arts venue, will step down as the institution’s president.

Trump announced the change in a social media post on Friday after it was first reported by Axios. The president said Matt Floca, who manages the Kennedy Center’s facilities operations, will succeed Grenell. The moves are expected to be finalized at a board meeting scheduled for Monday at the White House, according to a person familiar with the matter who requested anonymity to discuss plans that are not yet public.

Grenell’s departure comes as the Kennedy Center prepares to close this summer for a two-year renovation.

“Ric Grenell has done an excellent job in helping to coordinate various elements of the Center during the transition period, and I want to thank him for the outstanding work he has done,” Trump said online. “THE TRUMP KENNEDY CENTER will be, at its completion, the finest facility of its kind anywhere in the World!”

Grenell was a central player in Trump’s push to dramatically overhaul the Kennedy Center following the president’s return to office. After mostly ignoring the center during his first term, Trump made it a focal point in his war against “woke” culture. He ousted the Kennedy Center’s previous leadership and replaced it with a hand-picked board of trustees who voted to rename the facility the Trump Kennedy Center, a change scholars and lawmakers say must be initiated by Congress.

More recently, Trump’s name was physically added to the building’s iconic facade.

The fallout from the arts community was swift and intense, with prominent musicals, such as “Hamilton,” canceling performances. Actor Issa Rae and author Louise Penny also withdrew from appearances while consultants such as musician Ben Folds and singer Renée Fleming resigned. Last week, the executive director of the National Symphony Orchestra, Jean Davidson, left to head the Los Angeles-based Wallis Annenberg Center for the Performing Arts.

The Kennedy Center was long known as an apolitical space

Perhaps best known for its annual honors program, the Kennedy Center was long one of the few places in Washington where political differences were put aside. Supreme Court Justices Antonin Scalia and Ruth Bader Ginsburg — ideological opposites — famously attended the opera together.

But the venue became something of an extension of Trump’s White House during his second term. The president was instrumental in convincing FIFA President Gianni Infantino to hold the World Cup draw there in December. Just a few days later, Trump himself hosted the Kennedy Center honors, the first for a president.

Since then, Trump has addressed House Republicans at the Kennedy Center. The documentary of first lady Melania Trump also premiered there.

Grenell is a longtime Republican foreign policy adviser. During Trump’s first term, he was the U.S. ambassador to Germany and special presidential envoy for Serbia and Kosovo peace negotiations. He also served as acting director of national intelligence and was considered a contender for secretary of state in Trump’s second term, a post that ultimately went to Marco Rubio.

In his position at the Kennedy Center, Grenell emphasized what he called “common sense” programming, aiming to steer the venue toward events that appealed to a broad audience and didn’t lose money. But his moves prompted criticism from many Democrats on Capitol Hill.

Sen. Sheldon Whitehouse, the top Democrat on the Environment and Public Works Committee, released documents in November showing the Kennedy Center entered into an agreement giving FIFA “exclusive” use of the facility from Nov. 24 through Dec. 12 at no cost, arguing that the venue was at risk of losing millions in potential revenue because of the arrangement.

The Kennedy Center told the AP at the time that it was being paid $7.4 million to host the draw, including a $2.4 million donation from FIFA, as well as sponsorship opportunities and expenses. In a response to Whitehouse, Grenell said he raised $117 million last year.

But the wave of cancellations proved difficult to sustain. Without mentioning the abandoned performances, Trump said in February he would close the Kennedy Center for two years after this summer’s July Fourth celebrations to repair what he has described as a dilapidated building.
Ahead of the closure, Grenell warned staff about impending cuts that will leave “skeletal teams.”
According to Floca’s LinkedIn page, he joined the Kennedy Center in January 2024, during the Biden administration.

A center press release from the time describes him as “an experienced facilities management professional with a construction management background and an appreciation for whole building design principles.”

Previous experience for Floca listed on LinkedIn includes a handful of positions with the District of Columbia government, among them associate director of sustainability and energy and director of facilities management. He graduated from Louisiana State University in 2009 with a Bachelor of Science degree in construction management.

This story was first published by The Associated Press.


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The All-American Rejects’ Tyson Ritter and Nick Wheeler discuss their new album, the surprising success of their House Party tour, longevity in modern rock music and how up-and-coming artists can find creative ways to amplify their voices.