The BRIT Awards has announced the three shortlisted artists for its annual Critics’ Choice award, which tips rising British acts for commercial success.

Alternative folk artist Jacob Alon (Island) and pop breakthrough acts Rose Gray (Polydor) and Sienna Spiro (Capitol Records) make up this year’s group of contenders, with the winner set to be announced on Jan. 14 on Radio 1’s New Music Show with Jack Saunders.

The award was introduced in 2008, and is voted for by a select panel of music journalists, radio and TV heads of music, as well as songwriters, producers and booking agents. Previous winners include Adele, Sam Smith, Florence + The Machine, The Last Dinner Party and 2025 recipient, Myles Smith.

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Between 2020 and 2025 it was known as the BRITs’ Rising Star award, before reverting back to the Critics Choice award for 2026. To be eligible, artists must not have yet achieved a top 20 album or more than one top 20 single on the Official U.K. charts as of Oct. 31, 2025. 

Alon, who was raised in Dunfermline, Scotland, released their debut album In Limerence back in May. The record went on to be nominated for the Mercury Prize, and led to the artist delivering much talked-about performances at British festivals including Glastonbury and Green Man.

East London-born Gray has enjoyed a slow-burning ascent leading up to her crossover moment. The singer began putting out music in 2019 via PIAS, who released her debut album Louder, Please in January. She has built a cult following throughout 2025, having supported the likes of Sugababes, Kesha and Scissor Sisters on tour.  

Buzzy singer-songwriter Spiro, meanwhile, earned a top 10 hit in the U.K. with “Die On This Hill” for the week of Nov. 27 – meaning the 20-year-old still falls within the Critics’ Choice eligibility criteria. She has previously listed jazz and traditional pop greats Etta James and Frank Sinatra as formative influences, who she was introduced to by her father, the renowned jeweller Glenn Spiro.

Stacey Tang, chair of the 2026 BRIT Awards committee and co-president of RCA Records at Sony Music U.K., said: “How exciting to spotlight a new wave of UK musicians shaping popular culture. Awards and recognition for emerging artists is now more important than ever, and Critics’ Choice has long championed brilliantly talented new artists.

“This cohort shares the same early spark displayed by previous winners like Adele, Florence + The Machine, Sam Fender, Myles Smith and Emeli Sande. This year’s finalists are a great reminder that commercial momentum grows from creative ambition and artistic bravery.”

The BRIT Awards 2026 with Mastercard – as the show is formally known – will take place on Feb. 28, at The Co-Op Live arena in Manchester. This marks the first time the show will be held outside of London. It will be broadcast live on ITV and ITVX.


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Ray J doesn’t play when it comes to his sister, Brandy. The “Sexy Can I” artist took to social media on Tuesday (Dec. 2), calling out Jay-Z and Beyoncé for apparently pulling up to multiple The Boy Is Mine Tour shows, but not showing any love to Brandy backstage.

“N—as need to pull up when they come to the show. Come say what’s up to Brandy too, Jay-Z and Beyoncé,” Ray J said. “We big fans, we got our family there and we know y’all there and we love y’all and we look up to y’all.”

He continued: “For y’all to come to every one of Brandy and Monica’s shows and never say what’s up to B and take all the pictures, I don’t like it.”

Elsewhere in the clip, Ray J says that he still has a ton of love for the Carter family, but thinks they could’ve made more of an effort to reach out to Brandy when attending her shows with Monica in Los Angeles and Brooklyn.

“We know you there, just walk by Brandy’s room and pull up and say, ‘What’s up, B? Have a good show.’ She don’t care, she never told me about this and I am crashing out on this one,” he added. “This is crazy.”

While some “crashouts” from Ray J are met with a negative reception, there seemed to be more people understanding where he’s coming from this time around. “THIS IS COMING FROM THE HEART!! And I LOVE MY FAMILY AND I LOVE JAY AND BEY!! ——BRANDY AND THE FAMILY DID NOT CO-SIGN THIS,” he captioned the post. “SHES SUPER FOCUSED ON MAKING EVERY SHOW GREAT! – I WILL PROB GET IN TROUBLE FOR THIS!! – BUT I LOVE JAY Z AND BEY!!”

NFL Hall-of-Fame wide receiver Terrell Owens agreed with Ray J. “Can respect where this is coming from,” T.O. wrote.

Beyoncé posted photos of her appearances at The Boy Is Mine Tour to her website, which includes a picture posing with tour opener Kelly Rowland, Monica, Solange and Patti LaBelle.

Brandy and Monica’s co-headlining The Boy Is Mine Tour continues on Thursday (Dec. 4) with a show in Atlanta, before heading to New Orleans, Houston, Miami, Jacksonville and Tampa Bay.

Watch Ray J’s video message below:

There’s no trouble in paradise for Taylor Swift and Travis Kelce, who have never gotten into a single fight in the two and a half years they’ve been together, according to the Kansas City Chiefs tight end.

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On the latest episode of his New Heights podcast with brother Jason Kelce posted Wednesday (Dec. 3), Travis touched on his relationship with the pop star after this week’s guest, George Clooney, said that he’s never clashed with his wife, human rights lawyer Amal Clooney, in the 10 years they’ve been a couple. When the two-time Oscar winner asked if Travis and Swift ever spat, the football player replied, “Well, it’s only been two and a half years, and you’re right.”

“I haven’t gotten into an argument,” Travis added proudly. “Never once.”

The Happy Gilmore 2 star and 14-time Grammy winner first started dating in 2023. This past August, they announced their engagement with a post on Instagram, writing, “Your English teacher and your gym teacher are getting married.”

On this week’s New Heights, Clooney — who’s been married to Amal since 2014 and shares two twin children with her — went on to share his outlook on spousal tiffs with the Kelce brothers. “Neither of us are gonna win the argument, so why get in?” George explained. “Dude, I’m 64 years old. What am I gonna argue about at this point? I’ve met this incredible woman, she’s beautiful and smart, and she stands for all the most important things that I believe in in the world … So what am I going to fight about?”

“I’m just taking notes this whole time, big guy,” Travis responded. “You don’t even know.”

The younger Kelce brother and Swift are now gearing up to celebrate their third Christmas together, closing out 2025 with numerous accolades under their belts. The singer dropped her 12th studio album, The Life of a Showgirl, in October, shattering records for biggest opening sales week in modern music history and spending seven weeks so far at No. 1 on the Billboard 200. And, thanks to Swift’s appearance on New Heights in August, Jason and Travis scored a spot on Apple’s best podcast episodes of 2025.

“She’s just so magical,” Travis said of Swift when Apple first announced the feat.

Watch the full new episode of New Heights featuring Clooney below.


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The Jonas Brothers have racked up a lifetime of memories during their two decades on stage and screen together. As they gear up for the final push of shows on their celebratory Jonas20: Greetings From Your Hometown tour, Nick, Joe and Kevin sat down with Variety for a look back at the high, lows and curveballs in their 20 year career as a sibling band, including an early Grammy loss that stung at the time, but feels just about right in retrospect.

The trio — who will be honored with a handprint and footprint ceremony at the TCL Chinese Theatre in Hollywood on Wednesday (Dec. 3), adding their imprints to the other stars in cement in front of the theater in honor of their 20th anniversary — recalled their nomination for best new artist at the 2009 Grammy Awards. Though they said they were honored just to be nominated, even after all this time the trio admitted that losing out to Adele made perfect sense.

“Of all the people to lose to, that’s just fine,” Nick said, with Joe adding, “she’s the right person to lose to.” The group has still not won a Grammy, but Nick said seeing multi-generational families coming out to their shows is “the best part” of their longevity as a group.

The look back was filled with some fun, silly memories, including one about the New Jersey-bred trio’s first trip to Hollywood as teens, where their management company took them on a ride around town in a rented Mini Cooper as they shouted along to Weezer’s “Beverly Hills.”

“We were listening to Weezer’s album,” Joe recalled. “We were singing, ‘Beverly Hills, that’s where I want to be.’ We were like, ‘We’re going to do this. We’re going to be out here, we’re going to make it out here.’” Though they were dropped by Columbia Records after releasing their debut album (2006’s It’s About Time), Disney’s Hollywood Records scooped them up and release three hit albums and two Camp Rock TV movies that turned the trio into pop superstars.

It was a heady time, with Joe dating fellow pop stars Taylor Swift and Demi Lovato and Nick dating Miley Cyrus and Selena Gomez, even as the public was laser-focused on the purity rings the brothers wore, which they insisted at the time meant they were saving themselves for marriage. “There was a lot of interest in our sexual life during our teenage years, which was odd,” Joe said of the scrutiny of their teen sex lives that Nick labeled “very inappropriate.” 

And then, to their fans’ shock, they broke up in 2013, a split Kevin said he thought they would “never” return from. Though Kevin was about to welcome his first child with wife Danielle, he quickly realized that sitting on the couch “doing nothing for hours, days” was spiraling him into depression and anxiety as the brothers pursued their own solo careers. They did, of course, get back together in 2019 to release the single “Sucker,” which debuted at the top of the Billboard Hot 100, giving them their first chart-topper.

After the massive anniversary tour and release of their Greetings From Your Hometown album in August, as well as the November debut of their holiday movie, A Very Jonas Christmas, Nick said it’s been a “wonderful year to celebrate this journey with the fans and with each other. To be family that not only is able to continue to, but to actually enjoy it and to be doing new things this far into our career, like the Christmas movie and other things — it’s a really meaningful thing for us. I feel like we’re in our favorite chapter of our journey.”

Reflecting on the most difficult part of their journey, Joe said it’s professional, but also personal. “We are a band, but we’re also a band of biological brothers. I think with a band breaking up, it arguably hits way harder than a normal band breaking up because Thanksgiving dinner might be a little bit more awkward than most,” he said, noting that somehow they pushed through by leaning on each other for support.

They also recalled their first red carpet, at the Kid’s Choice Awards, where they huddled beforehand and decided to mimic a carpet trick employed by bands such as Green Day, Blink-182 and the Backstreet Boys and stick their tongues out in every picture. “We were young,” Nick said.

Asked what they would tell their younger selves given what they know now, Nick said he’d counsel them, “just to take a little pressure off. I think we came up in a time — our work with Disney — and obviously, demographics of that being primarily a younger audience, teens, so there’s this real pressure to be a role model, to be an example. I think back when we would’ve said, ‘Oh, we love that. We don’t mind the pressure. We’re trying to be good guys.’ I think as a 33-year-old, talking to my 13-year-old self, I’d say, ‘Hey, don’t try to carry the world on your shoulders. If you just need to be a kid growing up, going through experiences, do that.’”

With so many achievements under their belts, the trio are not done yet. Nick said they’d love to go “full circle” and work with fellow Jersey native Bruce Springsteen, while Kevin is interested in hitting the studio with producer/songwriter Mark Ronson and Joe has his eye on working with veteran producer Rick Rubin.

As for the next generation of Jonases, Nick thinks his four-year-old daughter with wife Priyanka Chopra, Malti, could have the genes, but the couple are determined to take it slow. “[She] loves music and she loves to sing, but I think we’re going to be very patient and make sure she is teed up for emotional success as well as other success by way of how we parent her,” he said. “If she wants to pursue a career in music or acting, then of course we’ll be supportive of whatever she wants to do. We want to see her thrive.”

The JoBros will be back on stage on Wednesday night at the Intrust Bank Arena in Wichita, Kan. and wind down their anniversary tour on Dec. 20 at the Barclays Center in Brooklyn.


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Billboard Korea, together with Billboard, launches two new songs charts in Korea to more precisely capture the momentum and influence of K-Music. The newly introduced charts are Billboard Korea Global K-Songs and Billboard Korea Hot 100.

The charts mark Billboard‘s first tracking of how K-Music is consumed in the global music market.

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These charts are part of Billboard’s K-Music initiative in Korea and have been designed through close collaboration between Billboard U.S. and Billboard Korea. Drawing on Billboard’s longstanding expertise in global chart systems, the project aims to accurately capture the dynamics of Korea’s music ecosystem within an internationally aligned framework.

Both charts are songs-based rankings, each serving a distinct purpose:

Billboard Korea Global K-Songs

A global songs chart that reflects the popularity of K-Music across regions worldwide — including Korea — based on listening and purchasing activity. It provides a clear view of how K-Music resonates with audiences around the world.

Billboard Korea Hot 100

A domestic songs chart highlighting the most popular tracks in Korea regardless of language, offering a direct and up-to-date reflection of what Korean listeners are consuming and responding to.

The rankings are based on data that includes streaming activity and digital music sales collected from major global and domestic music platforms, utilizing officially reported and trusted data sources to establish an objective and reliable benchmark for fans and industry stakeholders.

While the U.S.-based Billboard Hot 100 and Billboard 200 remain the flagship rankings among Billboard’s global chart menu, these new charts from Billboard Korea act as a natural extension of that system — reflecting the global growth and influence of K-Music.

With the launch of these charts, global K-Music fans will be able to understand how Korean music is performing internationally and which tracks are currently leading within Korea. The charts are intended to serve as a shared language connecting artists, labels, global listeners and the broader K-Music community.

“We are excited to reintroduce a more comprehensive Billboard Korea Hot 100 to highlight the wide range of songs and artists that are resonating with music fans in South Korea,” said Silvio Pietroluongo, EVP of Charts & Data Partnerships at Billboard. “And while the reach of Korean music globally has been well established, the newly launched Billboard Korea Global K-Songs chart will formally showcase the highest-performing songs across the world on a weekly basis.”

Billboard and Billboard Korea plan to build upon these two charts through a diverse range of future projects and collaborations centered on K-Music. Story-driven content, partnerships with artists and brands, and various live event formats will be developed to showcase the creativity, depth, and global potential of Korean music in more multifaceted ways.

Both charts will be updated weekly, with the latest rankings available on Billboard.co.kr and Billboard.com.

United Talent Agency has signed multi-platinum artist Don Toliver for North American touring representation, the company announced today (Dec. 3). The deal brings one of hip-hop’s most distinctive voices into UTA’s growing music roster as Toliver gears up for his next touring chapter.

The Houston-born singer-rapper, known for blending hip-hop, R&B and soul into a sleek, melodic sound, continues to accelerate his global footprint. Earlier this year, Toliver dropped his single “Tiramisu,” adding to a catalog that has generated billions of streams and drawn more than 39 million monthly listeners on Spotify.

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Toliver recently wrapped the second leg of his Psycho Tour, which stretched across arenas in the U.S. and Europe. The run included sold-out shows at New York’s Barclays Center and Los Angeles’ Crypto.com Arena, following major festival and touring appearances throughout the year.

Since breaking out with 2019’s viral smash “No Idea,” Toliver has landed four consecutive Top 10 debuts on the Billboard 200: Heaven or Hell, Life of a Don, Love Sick, and Hardstone Psycho. The latter hit No. 1 on Billboard’s Top R&B/Hip-Hop Albums chart and produced fan favorites including “After Party,” “Lemonade,” “Private Landing,” and “No Pole.”

Toliver has also become a staple on blockbuster film and gaming projects. In 2025, he contributed tracks to the soundtracks for Sinners (“Flames of Fortune”) and F1 (“Lose My Mind,” featuring Doja Cat). His voice has appeared on major franchise releases including Fast & Furious (“Fast Lane,” with Lil Durk and Latto) and Spider-Man: Across the Spider-Verse (“Home,” with Lil Uzi Vert and Metro Boomin). To support his Hardstone Psycho album rollout, he collaborated with Epic Games on Hardstone, an immersive Fortnite experience.

Toliver continues to be managed by David Stromberg, Randall “Sickamore” Medford, and Erin Duran, and remains represented by Wasserman Music for all territories outside North America.


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Trisha Yearwood will help usher in the holiday spirit Wednesday night (Dec. 3) by serving as host for NBC’s Christmas in Nashville. In this early look at the television special, Yearwood trades in stately holiday classics for one with a little more bite, performing “You’re a Mean One, Mr. Grinch.” The song was originally composed for the 1966 film Dr. Seuss’ How The Grinch Stole Christmas and has since become a holiday standard.

The Christmas in Nashville special will air on NBC starting at 10 p.m. ET, following NBC’s Christmas in Rockefeller Center. The special will also stream the following day on Peacock.

Aimed at helping bring viewers some holiday cheer straight from Music City, Christmas in Nashville was filmed at Luke Combs’s Category 10 bar. The special will also feature performances from Bill Murray & His Blood Brothers, Lauren Alaina, Ne-Yo, The War and Treaty, and Trace Adkins. Christmas in Nashville was executive produced by Jesse Collins Entertainment.

Last month, Yearwood released her holiday album Christmastime, which includes her recorded version of “You’re a Mean One, Mr. Grinch,” along with other her renditions of classic holiday tunes like “Candy Cane Lane” and Elvis Presley’s “Blue Christmas.” The album also includes an original holiday track, “Merry Christmas, Valentine,” which Yearwood wrote and recorded with her husband and fellow country star Garth Brooks.

Christmastime is Yearwood’s first holiday album since 2016’s Christmas Together, which she recorded with Brooks. She previously recorded a solo holiday album, The Sweetest Gift, which first released in 1994.

Watch three-time Grammy winner Yearwood sing this ode about the beloved “Mr. Grinch” being as “cuddly as a cactus” and as “charming as an eel” below:

Before she became a pop-music showgirl herself, Sabrina Carpenter idolized Taylor Swift — making it all the more special when the latter invited the former to collaborate on the title track of The Life of a Showgirl, which dropped this fall.

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And in a cover story interview with Variety published Wednesday (Dec. 3), the Gen-Z pop star opened up about the surreal experience of singing a duet with her childhood hero. “Ten-year-old me, for so many reasons, could not believe it — to hear our voices together,” Carpenter told the publication, going on to explain that Swift was the one to reach out with the idea of working together.

“We definitely realized it was special, but I would have never been like, ‘Hey, bestie, put me on a song,’” she said. “She was so gracious to think of me for a song that spoke to our life experiences in such a real, genuine way. It really sums up what so many young women in this industry go through.”

“The Life of a Showgirl” appears at the very end of Swift’s Billboard 200-topping October LP. Sampling audio from Carpenter’s guest appearance one night on the Eras Tour, the track finds the two ladies singing about the hidden downfalls of being a young starlet eaten up by the entertainment industry. (“Do you wanna take a skate on the ice inside my veins?” Carpenter sings on the track. “They ripped me off like false lashes and then threw me away.”)

“i know someone who’s freaking out and it’s me,” the Work It star wrote on Instagram after the collaboration was first announced in August.

Elsewhere in the Variety interview, Carpenter opened up about her own album, Man’s Best Friend, which builds upon the witty, NSFW writing style with which she first shot to superstardom on 2024’s Short n’ Sweet. Of the backlash to some of her PG-13 lyrics, the singer — who first found fame as a tween acting on Disney Channel’s Girl Meets World — said, “I think it wouldn’t matter so much if I wasn’t a childhood figure for some people.”

“But I also can’t really help that,” she added. “It’s not my fault that I got a job when I was 12 and you won’t let me evolve.”

See Carpenter on the cover of Variety below.


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It looks like wedding bells are on the horizon for artists Molly Tuttle and Old Crow Medicine Show frontman Ketch Secor.

The longtime couple revealed that they were engaged on Wednesday (Dec. 3), showing off engagement photos on Instagram. They captioned the photos, “We first met at the Ryman Auditorium. We became friends, then harmony singers, then songwriters, then much more. This thanksgiving, in an old growth forest, with our families, we decided it’s time to make our biggest move yet, forever. ❤️”

Earlier this year, Secor released his solo album Story The Crow Told Me, while Tuttle released her album So Long Little Miss Sunshine. The two have been steady contributors to each other’s albums over the past few years, including Secor playing banjo, fiddle, mandolin and more on So Long Little Miss Sunshine, while Tuttle is featured on the final track of Story The Crow Told Me, “What Nashville Was.”

Several of the couple’s musical colleagues offered up congratulations, including Sierra Hull, who commented, “So excited for you guys!” and Gabe Lee, who wrote, “Whatta Ketch.” Artist-musician and 2024 CMA musician of the year winner Charlie Worsham also noted, “Hot dog!!! Congrats y’all, so happy and excited for you both!!!!”

Heading into next year’s Grammy Awards, Tuttle is nominated for best Americana performance for “That’s Gonna Leave a Mark” and best Americana album for So Long Little Miss Sunshine. To date, Tuttle has won two Grammys in the best bluegrass album category, for the albums City of Gold and Crooked Tree, while Secor’s work as part of Old Crow Medicine Show has earned two Grammys, for best folk album (Remedy) and best long form music video (“Big Easy Express”).

Plenty of bombshell revelations were made in Netflix’s Sean Combs: The Reckoning docuseries surrounding The Notorious B.I.G. and Diddy’s relationship.

Following Biggie’s tragic death on March 9, 1997, Diddy had plans to make the Brooklyn rapper’s funeral a grand event, but he allegedly ended up putting the costs onto Biggie’s estate after seeing the bill, according to Bad Boy co-founder Kirk Burrowes.

“Sean said, ‘We’re gonna do the biggest funeral for Biggie that New York has ever seen,’” Burrowes said, “We start to put that together, he starts to see the price. He says, ‘We’re gonna do the biggest funeral, but Biggie’s gonna have to pay for this funeral.’”

Burrowes added: “He was gonna make the funeral be a recoupable charge to Biggie in death. Sean doing a big show looks good on him. But he’s not gonna tell the world that Biggie was gonna pay for it.”

Biggie was laid to rest on March 18, 1997, and the funeral was held at Frank E. Campbell Funeral Chapel. A funeral procession was held as thousands of fans lined the BK streets to shed tears and celebrate the life of Christopher Wallace. Lil’ Kim, Lil’ Cease and Faith Evans were among the stars in attendance.

There were more damning allegations made by Burrowes against Diddy, which included Combs coercing Burrowes to make changes in Biggie’s record deal with Bad Boy to make the terms more lucrative and favorable for the label.

Another claim from Burrowes said that Biggie didn’t even want to be in L.A. promoting his upcoming Life After Death album, amid rising tensions between the West Coast and East Coast. Burrowes alleged that Combs cancelled B.I.G.’s trip to the U.K. to have him remain in L.A. into early March.

B.I.G. attended the Soul Train Awards on March 7 and was allegedly slated to fly to London, but stayed in L.A. under Combs’ advisement.

Biggie went to a VIBE party on the night of March 8, and while leaving during the early hours of March 9, he was shot multiple times in a drive-by. The rapper was transported to Cedars-Sinai Medical Center, where he was pronounced dead at 24. Exclusive, never-before-seen footage of the chaotic scene of Biggie’s shooting was also included in The Reckoning.