After an unexpected comeback with new music in 2023, The Swell Season have announced a full-scale return with their first new album in 16 years.
The duo – comprising Irish musician Glen Hansard and Czech singer and pianist Markéta Irglová – announced that new album Forward would arrive on June 13, with latest single “Stuck in Reverse” accompanying the news.
“It felt right to title the record Forward because it’s a reunion of sorts, but we’re not going backwards,” Irglová said in a statement. “Both of us have grown and changed; we’re in different places and getting to know each other again as the new people we’ve become.”
First formed in 2005, the pair released a self-titled album the following year and received widespread attention after they featured in the lead roles for John Carney’s 2007 film Once. In 2008, their track “Falling Slowly” took home the Academy Award for best original song, with second album Strict Joy following the next year, reaching No. 15 on the Billboard 200.
Though a number of sporadic performances have taken place since, the pair would release “The Answer is Yes” in 2023, their first new piece of music in well over a decade. It was this recording session that inspired an eventual return. “After our whirlwind that led up to the Oscars and after, we were so busy and with that came a pressure that neither of us particularly wanted, and ultimately we kind of drifted in the middle of all of that hard work and celebration,” Hansard explained.
“We remained good friends, helping on each other’s records, keeping up with each other’s families. While touring my last record, I realised I just missed her. I remember calling Marketa and saying, ‘Do you feel like doing some gigs?’ She said, ‘Yeah, that sounds great,’ and the shows went really well. Once we were hanging out again, new songs started coming through, and we started trying new ideas and playing the songs onstage.
“From there the idea was to do a little recording and not put any pressure on it, just see what happens, and suddenly we found ourselves making a record,” he added. “And we were both totally into it, and so here we are, a new chapter of our lives.”
Having recently performed a trio of dates across New York City and Boston in March, the pair will embark on a run of shows throughout Europe and the U.K. in May, before another North American return over the summer.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-04-24 04:20:302025-04-24 04:20:30The Swell Season Announce First New Album in 16 Years, ‘Forward’
Carlos Santana postponed a planned show in San Antonio, TX on Tuesday night (April 22) after being rushed to a local hospital. Santana, 77, was booked to play the Majestic Theatre in the Texas town, but reportedly fell ill during soundcheck as a result of dehydration. According to a statement from the venue, manager Michael Vrionis said the guitarist was taken to a San Antonio hospital for observation.
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“It is with profound disappointment that I have to inform you all that tonight’s show in San Antonio has been postponed,” Vrionis said in a statement. “Mr. Santana was at the venue (Majestic Theater) preparing for tonight’s show when he experienced an event that was determined to be dehydration. Out of an abundance of caution and the health of Mr. Santana, the decision to postpone the show was the most prudent course of action. He is doing well and is looking forward to coming back to San Antonio soon as well as continuing his US Tour.”
Santana is in the midst of his 2025 Oneness tour and Vrionis said the San Antonio show will be rescheduled “soon,” with ticketholders encouraged to hold on to their tickets for the make-up date.
At press time Santana was slated to perform at the Smart Financial Centre at Sugar Land in Sugar Land, TX on Wednesday (April 23), as well as Lucas Oil Live at WinStar in Thackerville, OK on Friday (April 25) and the River Spirit Casino Resort in Tulsa, OK on Saturday (April 26). Following a show on Tuesday (April 29) in Nashville, Santana is slated to take the tour overseas for a summer European run of shows. It was unknown at press time if Tuesday’s incident will impact the upcoming shows on the tour that launched in Highland, CA on April 16.
In 2022, Santana cancelled a run of six shows after he collapsed on stage in Detroit due to what Vrinois said at the time was heat exhaustion. The rock icon also cancelled a 2021 slate of December shows due to an “unscheduled heart procedure.”
UPDATE: Later today (April 23), Santana’s representative issued an update: “Santana is postponing his Oneness Tour 2025 show at Smart Financial Center, tonight (Wednesday, April 23, 2025) in Sugar Land, Texas. Mr. Santana has tested positive for Covid and is resting at his hotel. Michael Vrionis, manager, said, “As some of you are aware, we postponed last night’s show in San Antonio. Unfortunately, out of an abundance of caution, the decision was made to also postpone this evening’s show in Sugar Land. Carlos experienced dehydration yesterday, and has since tested positive for Covid. I am happy to report that Carlos is doing well and will be back on his US Tour this Friday in Thackerville, OK. We appreciate everyone’s well wishes and concern. Carlos is looking forward to seeing you all very soon.” Please hang onto your tickets – we will advise on the rescheduled show date as soon as possible.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-04-24 03:25:302025-04-24 03:25:30Carlos Santana Postpones San Antonio Concert After Collapsing During Soundcheck, Tests Positive for COVID: Update
Despite her success at celebrity roasts and comedy specials, comedian Nikki Glaser revealed at the TIME100 Summit on Wednesday (April 23) that there was one joke she told during the 2025 Golden Globes on Jan. 5 that she worried went too far.
“I didn’t say anything that was like, calling anyone ugly or fat,” she told TIME deputy editor Kelly Conniff in New York City. “I think I get a reputation of being mean because of the roasts. I’m hired to be mean for those. [At] the Golden Globes, it’s not my job to ruin their night.”
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However, she conceded she was initially concerned enough about a quip aimed at Selena Gomez’s fiancé, producer Benny Blanco, that she ended up texting Blanco to get his permission to go ahead with the line.
“I said that ‘Selena Gomez is here because of Emilia Pérez and Benny Blanco is here because of the genie who granted him that wish.’ And looking back, I’m like, that could [seem] mean, because everyone’s like, ‘He’s not attractive enough for her,’” she said. “For me, I’ve never looked at them and actually thought that. I feel like she won too. I think he’s really cool. So, because that joke didn’t actually come from a mean place, I felt like it was OK for me to say.”
Still, she was concerned enough about it that she texted him. “I got his number. I said ‘You don’t know me, but I’m hosting this thing, and I hear you’re going to be there. Can I say that you’re there because a genie granted you a wish?’ He was like, ‘That’s hilarious; let me run it by Selena.’ We were all just waiting in the writers’ room. He said ‘Selena thinks it’s great.’ So they gave me permission. It was actually Jimmy Kimmel who told me if you’re worried about a joke and how it’s going to go over, just ask them.”
The fact that Glaser reached out to Blanco to get his permission to tell a borderline-mean joke shows her character. And the fact that Blanco gave her the go-ahead to tell a joke at his expense shows his.
Gomez was nominated for three awards at this year’s Golden Globes: best supporting actress, motion picture for Emilia Pérez as well as two awards (acting and executive producing) for Only Murders in the Building. She didn’t go home with a Globe, but she went home with something better – a partner who is secure in himself and has a good sense of humor.
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At the TIME event, she said that she sensed that the audience this year was unsure of how hard she was going to go in her humor. “When I first walked out, I knew the energy was like ‘We don’t know what she’s going to do. We’ve seen her do the Tom Brady roast most recently’ – that’s kind of where I popped for most people. In retrospect, I looked back at how terrified they all looked because they were like, ‘She’s going to roast us! She’s going to be just as mean as she was to Tom Brady.’ So, I heard from a lot of them that they were really, really scared. I wish I would have known that. I would have done something to defuse that a little bit.
“Next time is going to be a lot more fun because I think they know the tone that I have now. I go [for jokes], but I’m not going to embarrass you. And if you laugh, I’m only going to make you look good because you’re going to look so relatable laughing. It’s one of the best ways for an untouchable kind of celebrity on a pedestal to look normal.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-04-24 03:00:352025-04-24 03:00:35Nikki Glaser Had a Golden Globes Joke About Benny Blanco She Thought Might Be Too Mean — So She Asked Him
Billy McFarland says he’s ready to sell Fyre Festival 2 to the highest bidder.
Earlier today, the convicted fraudster took to social media to post a mea culpa about his failures as a festival promoter while once more rebranding Fyre Festival as “one of the most powerful attention engines in the world,” in his words.
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The double-speak is part of McFarland’s attempt to liquidate Fyre Festival’s only assets — its trademarks and IP — to the highest bidder now that Fyre Fest 2 has been indefinitely postponed. Early this month, government officials with the city of Playa del Carmen, Mexico, poured cold water on the long-shot festival — designed in part to rehabilitate McFarland’s image following the disastrous, aborted 2017 edition of the event in the Bahamas that resulted in global mockery, competing documentary films and a federal prison sentence for McFarland — by writing on social media that “there is no record or planning of any such event in the municipality.”
McFarland has said the idea for a follow-up festival came to him while serving time in solitary confinement, and he began pitching Fyre Festival 2 after his release from prison in 2022, hyping his plans on social media with splashy videos and spurious claims. As McFarland would finally admit on Wednesday (April 23), he has failed to regain the trust of fans, major talent agencies and the municipal government of Playa Del Carmen.
In his letter to fans, McFarland explained, “I can’t risk a repeat of what happened in Playa Del Carmen, where support quickly turned into public distancing once media attention intensified,” noting, “For FYRE Festival 2 to succeed, it’s clear that I need to step back and allow a new team to move forward independently, bringing the vision to life on this incredible island.”
On Fyre’s website, where McFarland once hawked $1.1 million ticket packages for Fyre Fest 2, he now features a short pitch deck for the sale of Fyre’s IP, sharing details about Fyre’s web traffic and Google analytics while noting he’s ready to hand off the tarnished brand.
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Giving control “to a new group is the most responsible way to follow through on what we set out to do: build a global entertainment brand, host a safe and legendary event, and continue to pay restitution to those who are owed from the first festival,” McFarland wrote, noting that he owes his victims from the first Fyre Festival more than $26 million.
On Monday (April 21), news broke of Fyre’s first licensing deal: an agreement for Fyre Music Streaming Ventures, LLC, a fan-curated on-demand music video streaming service and ad-supported TV channel. As its founder, Shawn Rech, told Billboard: “I just want people to remember the [Fyre] name.”
To view the sales material for Fyre, visit Fyre.mx.
Luis R Conriquez has recently faced public backlash for not performing his narcocorridos at his concert due to a ban by Texcoco, and we’re taking a deeper dive into the genre’s controversial history. Keep watching to learn more about the debate on the genre.
Do you think narcocorridos should be banned? Let us know in the comments below.
Narrator:
Eight years after being banned from performing in the U.S. due to accusations by the U.S. Department of the Treasury’s Office of Foreign Assets Control for money laundering in 2017, Julión Álvarez — “The Box Office King” — took to SoFi Stadium for a sold-out night of Mexican music, including corridos, a genre that’s currently the subject of a whole lot of controversy, with stars like Natanael Cano and now Luis R Conriquez, who was recently prohibited from performing “narcocorridos” during a set in Mexico.
“They said that if I sang a corrido, they would cut off the sound,” Conriquez told Billboard Latin’s Leila Cobo. The fans booed and threw things on stage, but Luis had his support from the music community backing him up, like Peso Pluma and Alejandro Fernández, who’s not even in the genre, reaching out, saying, “Keep your head up, man, hang in there.” Conriquez was just following the rules and regulations established by Texcoco, a Mexican municipality that, since April 9, prohibited “expressions that glorify violence” following the implementation of a law targeting mass events.
But corridos are nothing new. The style dates back to the Mexican revolution in the early 20th century. Today, in 2025, narcocorridos, which specifically talk about the exploits of drug dealers, are getting pushback. And when Billboard asked the president of Mexico if narcocorridos should be banned on a national level, she had this to say…
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-04-24 03:00:342025-04-24 03:00:34Should Narcocorridos Be Banned? | Billboard News
A rare, celebratory moment of LGBTQ+ representation in the K-pop scene took place in Los Angeles on Tuesday night during the final stop of JUST B’s JUST ODD World Tour, when member Bain took a moment to speak to the crowd while performing a section of the concert solo.
“Before I start the next song, tonight I want to share something with you guys,” he told the audience at the Vermont Hollywood, pausing for a moment before declaring, “I’m f—ing proud to be part of the LGBT community,” with the announcement drawing massive cheers from concertgoers, according to on-the-ground footage.
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“Shout-out to my queen Lady Gaga for showing me that being yourself is beautiful,” Bain continued through the supportive shouting. “To everyone out there who’s part of the LGBTQ+ or still figuring it out, this is for you guys. And also, this is for everyone. You’re seen, you’re loved, and you are born this way.” The 24-year-old then broke out into a remixed performance of Gaga’s Billboard Hot 100 No. 1 hit and LGBTQ+ anthem “Born This Way.” The star later posted those words on his personal Instagram account with footage from the night.
Bain and his bandmates Geonu, Lim Jimin, Siwoo, DY and Sangwoo launched the U.S. leg of JUST B’s world tour earlier this month after kicking off in Tokyo in March. Over 10 American dates, the group performed singles like “Medusa,”“TICK TOCK” and “Damage,” with each member also performing solo stages in different cities. Bain’s sets paid homage to 2000s pop divas with covers of Britney Spears’ “Toxic,” Destiny’s Child’s “Survivor,” the Pussycat Dolls’ “Buttons” and Lady Gaga’s “Bad Romance” and “Judas.”
In a final address to the crowd, Bain swam in even more supporting cheers from the audience and his group members.
“L.A., thank you so much,” he shared, per fan footage. “Today, it means a lot to me — I’m so happy that I can be myself,” before one of his bandmates followed up, saying, “We are happy too,” with another confirming with a supportive “Yeah!” Bain closed out by saying, “Until next time: stay bold, stay fierce, and lastly, always, always be your true self,” as his bandmates pushed him to take in the center-stage spotlight.
JUST B debuted on June 30, 2021, under the agency BLUEDOT Entertainment with their first EP, Just Burn, featuring Bang Yongguk of pioneering K-pop boy band B.A.P producing the lead single “Damage.” The sextet has released five EPs and multiple singles to date, including last year’s English pop-punk crossover cut “Daddy’s Girl,” with 2024 proving to be a major year of opportunities for JUST B.
In January 2024, Bain competed in the Korean singing competition Build Up : Vocal Boy Group Survivor, which saw top male vocalists battling for a spot in a new quartet. In September, JUST B formed a supergroup with fellow rising boy band ATBO called The CrewOne to compete on the popular boy-group series Road to Kingdom: Ace of Ace alongside other next-gen K-pop acts like CRAVITY, ONEUS and 8TURN. The CrewOne placed fifth in the finale, but not before Bain got to show off his vocal chops once again in a special performance of the “Vocal Aces,” where he sang alongside fellow powerhouses.
But while K-pop acts are increasingly courting global audiences, with JUST B earning 6 million on-demand official streams for their songs in the U.S. and 22.6 million for their songs globally to date, according to Luminate, Bain’s announcement has the chance to accelerate conversations about representation and acceptance in the industry — particularly given South Korean society’s traditionally conservative stance on LGBTQ issues.
The moment marks one of the very few times an active artist in the Korean pop scene has come out, with it being all the more rare to come from a boy band arguably at the peak of its career. While individual Korean artists like Holland and Mrshll have been open about their LGBTQ identities from the start of their careers — with former idols like Magolpy and Jiae of girl group WA$$UP opening up soon after their careers began — Bain’s disclosure on a major world-tour stage marks a new moment for queer visibility in K-pop.
Holland, Jiae and K-pop’s first LGBTQ boy band LIONESSES have spoken about facing discrimination and homophobia working in Korean entertainment due to their sexual identities, with the scene boasting a history of celebrities’ careers derailed for publicly coming out. One of the most notable examples came via actor Hong Seokcheon, who came out in an interview in 2000, just six years into his award-winning career, leading him to be fired from his television gigs and forced out of the entertainment business. Despite Korea’s still-conservative culture and society, Hong managed to return to entertainment in TV, hosting, and, eventually, acting with significant support from the younger generation. Today, Hong regularly appears on top Korean programming and features top artists on his own programs — most recently having Tomorrow X Together’sYeonjun on his Treasure Box series.
While BLUEDOT Entertainment did not reply to Billboard‘s request for comment after Tuesday night’s show, the group’s official Instagram did share Bain’s post with a hashtag #ProudOfBain, proving how these few moments in East Hollywood have the potential to resonate and make change far further than the concert hall.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-04-24 03:00:332025-04-24 03:00:33Bain of K-Pop Boy Band JUST B Comes Out at L.A. Concert: ‘F—ing Proud to Be Part of the LGBT Community’
Brian Littrell‘s love for his son Baylee is clearly larger than life.
The Backstreet Boys singer’s 22-year-old son Baylee Littrell auditioned for season 23 of American Idol, debuting on the show last month and surviving all the way to this week, before he was eliminated just shy of the top 14 contestants on Monday night.
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Baylee took to Instagram on Tuesday to reflect on his Idol journey, sharing three photos from the show and writing, “My American Idol journey has come to an end. Thank you so much to all that supported me this season. I love you all. #idol #bayleetrain”
His famous dad commented on the post, writing, “Bubba I am and always will be in your corner. [You] are so strong and so very talented, and inspire me every day. It’s never the end, only the beginning for so many to be blessed by your gifts….. you killed it last night.”
Baylee’s mom, actress Leighanne Littrell, chimed in as well in the comments: “You killed it bubba! SO SO VERY PROUD! You are a true artist, no bells and whistles needed! Keep on keepin on! I can’t wait for what’s to come!”
Brian Littrell’s bandmate (and cousin) Kevin Richardson wrote with a heart emoji: “So glad you got to experience this. Proud of you young man. Your journey has just begun…”
Throughout his time on the show, Baylee covered Pharrell Williams’ “Happy,” John Legend’s “All of Me,” and Brian Littrell’s own solo song “Gone Without Goodbye.” Below, you can revisit Littrell’s audition with an original song, plus a mini-duet with Dad.
American Idol airs Sundays and Mondays on ABC at 8 p.m. ET/5 p.m. PT. On Sunday’s episode, host Ryan Seacrest will unveil the 2025 inductees into the Rock & Roll Hall of Fame on a special episode mentored by Rock Hall member James Taylor.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-04-24 03:00:322025-04-24 03:00:32Backstreet Boys’ Brian Littrell Tells Son Baylee He’ll ‘Always Be in Your Corner’ After ‘American Idol’ Exit
As Deltron 3030 reportedly prepare the release of their long-awaited third album, they’ll first be taking a look back at their debut, performing the record in full on their upcoming North American tour.
The revered hip-hop supergroup – comprising rapper Del the Funky Homosapien (aka Deltron Zero), producer Dan the Automator (the Cantankerous Captain Aptos) and turntablist Kid Koala – will be returning to the live stage this summer, launching a 16-date tour in Vancouver, BC on July 18 before traveling throughout the U.S. and Canada over the next three months.
The tour will see Kid Koala pulling double duty as he opens the shows alongside Lealani, while the main event will see Deltron 3030 performing their self-titled debut album in full.
Originally released in May 2000, Deltron 3030 didn’t reach dizzying commercial heights, instead peaking at No. 194 on the Billboard 200 and No. 18 on the Independent Albums charts. However, it was highly-regarded by critics, with the hip-hop concept album pairing stark social commentary with tongue-in-cheek humour as atmospheric beats accompanied narratives of dystopian society in the year 3030.
Deltron 3030 were largely inactive in the years following their debut album’s release, though they would re-emerge in 2013 with a sequel record titled Event 2. The album would hit No. 41 on the Billboard 200 and reach No. 6 on the Top R&B/Hip-Hop Albums chart, with the group touring in earnest in the following years.
Currently, the release of a 2016 live album (fittingly-titled Live) is the group’s latest commercial release, though Deltron 3030 have hinted towards a third studio LP in previous years. Alongside news of their forthcoming tour, it’s been confirmed that a new record is indeed in the works, though it’s likely that fans will have to wait until the completion of their live commitments before new material or updates arrive.
Deltron 3030 – 2025 Tour Dates
July 18 – Commodore Ballroom, Vancouver, BC July 19 – Summer Concerts at the Pier, Seattle, WA July 21 – Revolution Hall, Portland, OR July 23 – The Regency, San Francisco, CA July 25 – Bellwether, Los Angeles, CA July 26 – Observatory, Santa Ana, CA July 27 – House of Blues, San Diego, CA Sept. 24 – Uptown, Minneapolis, MN Sept. 25 – House of Blues, Chicago, IL Sept. 27 – Majestic Theatre, Detroit, MI Sept. 28 – The Concert Hall, Toronto, ON Sept. 29 – Théâtre Beanfield, Montreal, QC Oct. 2 – Big Night Live, Boston, MA Oct. 3 – Union Transfer, Philadelphia, PA Oct. 4 – 9:30 Club, Washington, DC Oct. 6 – Webster Hall, New York, NY
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-04-23 05:41:112025-04-23 05:41:11Deltron 3030 to Play Debut Album in Full for 25th Anniversary Tour
Sharon Osbourne has shared her disdain of Northern Irish hip-hop trio Kneecap and the outspoken messaging present in their recent Coachella set, going so far as to call for the revocation of their work visas.
Osbourne shared her comments on social media on Tuesday (April 22), days after Kneecap played the second weekend of the Coachella festival. The Friday (April 18) performance drew recognition for the band’s use of strong anti-Israel sentiments during their set – sentiments which they had claimed were censored during their first weekend appearance.
“Israel is committing genocide against the Palestinian people,” the projected messages read. “It is being enabled by the U.S. government who arm and fund Israel despite their war crimes. F–k Israel; free Palestine.”
These messages weren’t the only pro-Palestinian sentiments shared during the 2025 edition of the festival. Notably, Green Day altered lyrics to reflect the plight of Palestinian children, while names such as Bob Vylan and Blonde Redhead displayed Palestinian flags during their sets. In the case of the latter, the onstage event was soundtracked by audio of Mahmoud Khalil – the detained Columbia University graduate student currently being held in an immigration detention center following his role in on-campus protests.
However, Osbourne shared a lengthy response to the apparent politicisation of Coachella, noting that this year’s edition will be remembered “as a festival that compromised its moral and spiritual integrity.”
“Goldenvoice, the festival organizer, facilitated this by allowing artists to use the Coachella stage as a platform for political expression,” she wrote. “At a time when the world is experiencing significant unrest, music should serve as an escape, not a stage for political discourse.
“While festivals like Coachella showcase remarkable talent from around the globe, music’s primary purpose is to unite people. It should not be a venue for promoting terrorist organizations or spreading hate.”
As Osbourne continued, she noted that despite being a fan of Saturday headliners Green Day, she felt that their own views of events in the Middle East would have been more appropriate if shared “at their own concert, not at a festival.” Kneecap’s sentiments, however, were deemed so egregious that she closed by asking supporters to join in her “advocating for the revocation of Kneecap’s work visa.”
“Kneecap, an Irish rap group, took their performance to a different level by incorporating aggressive political statements,” Osbourne wrote. “Their actions included projections of anti-Israel messages and hate speech, and this band openly support terrorist organizations.
“This behavior raises concerns about the appropriateness of their participation in such a festival and further shows they are booked to play in the USA. Reports indicate that Goldenvoice was unaware of Kneecap’s political intentions when they were booked. However, after witnessing their performance during the first weekend, allowing them to perform again the following weekend suggests support of their rhetoric and a lack of due diligence.”
In the wake of Kneecap’s performance, Goldenvoice CEO Paul Tollett reportedly claimed he was “blindsided” by the band’s actions. While HYBE America CEO and former talent manager Scooter Braun – who previously staged exhibits in Los Angeles and Israel about the October 7, 2023 attacks in Israel – defended Tollett, Osbourne expressed disbelief that anyone who attended exhibits such as Braun’s could book an artist such as Kneecap for the festival.
“Furthermore, the Independent Artists Group, which represents Kneecap, includes individuals of Jewish heritage,” she continued. “It is disheartening that they have not used their positions to prevent the promotion of such controversial messages. Shame on them.
“As someone with both Irish Catholic on my Mothers side and Ashkenazi Jewish heritage on my Fathers side, and extensive experience in the music industry, I understand the complexities involved,” she added. “Goldenvoice’s claim of being ‘blindsided’ by Kneecap’s performance seems implausible given the circumstances. I know for a fact that certain people in the industry had written to Goldenvoice, airing their concerns around the booking of Kneecap.”
For their part, Kneecap have not responded directly to the criticism of their messaging, instead sharing examples of the myriad supportive messages they have received in the wake of their Coachella sets. The group will return to North America in October for another run of live dates.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-04-23 04:50:202025-04-23 04:50:20Sharon Osbourne Calls for Kneecap’s Work Visas to Be Revoked After Coachella Set
Lorde has given fans in New York City a preview of her new single after plans for an in-person event fell by the wayside thanks to local law enforcement.
The New Zealand singer is currently preparing to launch new single “What Was That” on Friday (April 25), with the track serving as her first piece of solo music since 2021. The first taste of her upcoming fourth album, Lorde initially teased the single with her first-ever post on TikTok, sharing a video of herself walking through Washington Square Park in New York City while listening to the dreamy synth-pop track.
In lieu of traditional social media updates, Lorde has since taken to connecting with fans by way of text messages and voice notes, with her legions of supporters receiving a message on Tuesday (April 22) which told fans to “meet me in the park” at 7pm.
As a result, fans flooded to Washington Square Park to hopefully catch a glimpse of the musician, though the gathered masses were soon urged to leave by local law enforcement.
Lorde took to her Instagram Stories soon after to address those who had turned out for the last-minute affair. “Omg @thepark the cops are shutting us down I am truly Amazed by how many of you showed up !!!” she wrote. “But they’re telling me you gotta disperse … I’m so sorry.”
According to Rolling Stone, a spokesperson for New York City’s DCPI stated that officers had been alerted to an “unscheduled event” within the park, adding that a “sound and parks permit” is required to hold a concert event in a NYC park. “This individual did not possess either,” the statement added. “Organizers of the event were informed they could not perform and they left the location.”
Fans who remained within Washington Square Park were rewarded for their patience, however, with the singer later showing up to play her new single. Though Lorde didn’t perform the track live, she danced along to “What Was That” while it was being played by producer Dev Hynes of Blood Orange fame.
Lorde’s appearance in New York City comes just over a week after she made a surprise appearance during Charli XCX’s Coachella set to guest on a performance of “Girl, So Confusing.”
With her new single set to arrive in a matter of days, Lorde’s new era is fast-approaching, telling fans in her recent voice note that “everything is about to change.” She added, “These are the last moments where it’s just us, which is crazy. But so right. I’m so ready.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-04-23 03:41:002025-04-23 03:41:00Lorde Previews New Single in NYC After Police Axe ‘Unscheduled’ Pop-Up Appearance
