Harry Styles’ fourth solo studio album, Kiss All the Time. Disco, Occasionally., debuts at No. 1 on the Billboard 200 chart (dated March 21) with 430,000 equivalent album units earned in the United States in the week ending March 12, according to Luminate.

The set logs the biggest week for any album by units in five months, and also marks Styles’ fourth leader. All four of his solo albums — which also represent his total number of charting titles — have debuted at No. 1: his self-titled debut (in 2017), Fine Line (2019), Harry’s House (2022) and now Kiss All the Time. Disco, Occasionally.

Styles is only the second solo male artist to see their first four chart entries debut at No. 1 on the Billboard 200. He follows DMX, who topped the list with his first five entries between 1998 and 2003 (It’s Dark and Hell Is Hot; Flesh of My Flesh, Blood of My Blood; …And Then There Was X; The Great Depression; Grand Champ). Styles is also the first solo artist to debut at No. 1 with their first four entries since Alicia Keys went four-for-four in 2001-07 (Songs in A Minor, The Diary of Alicia Keys, Unplugged and As I Am).

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The new March 21, 2026-dated chart will be posted in full on Billboard‘s website on March 17. For all chart news, follow @billboard and @billboardcharts on both X and Instagram.

Of Kiss All the Time. Disco, Occasionally’s 430,000 equivalent album units earned in the latest tracking week, pure album sales comprise 291,000 (it debuts as Styles’ fourth No. 1 on Top Album Sales), SEA units comprise 138,500 (equaling 140.31 million on-demand official streams of the set’s 12 songs, it debuts at No. 1 on Top Streaming Albums) and TEA units comprise about 500.

Styles notches the biggest week for any album by units earned since Taylor Swift’s The Life of a Showgirl debuted at No. 1 with a record-shattering 4.002 million units on the Oct. 18, 2025-dated chart. Styles has the biggest week for any album by a solo male artist since Morgan Wallen’s I’m the Problem launched at No. 1 with 493,000 on the May 31, 2025 chart.

Kiss All the Time. Disco, Occasionally’s first-week sales number was bolstered by its availability across multiple physical editions, including seven vinyl variants (inclusive of a deluxe boxed set containing an LP and branded merch), six CD variants (inclusive of four deluxe boxed sets containing a CD and branded merch) and a cassette. It was also available as a standard digital download. All versions of the album contain the same 12 songs. Styles’ sales week is the biggest for any album since Showgirl started with 3.48 million, and the biggest for a male solo artist since The Weeknd’s Hurry Up Tomorrow debuted at No. 1 with 359,000 on the Feb. 15, 2025 chart.

Notably, vinyl purchases accounted for 186,000 of Styles’ first week — the biggest week for an album on vinyl by a male artist in the modern era (since Luminate began electronically tracking sales in 1991). He beats his own record among male acts, set with his last album, 2022’s Harry’s House, when it bowed with 182,000 vinyl sales. Kiss All the Time. Disco, Occasionally. has the overall seventh-largest sales week for a vinyl album in the modern era — the six larger weeks were all logged by Swift titles. The biggest week for a vinyl set in the modern era was registered by the opening week of Showgirl, with 1.334 million.

Kiss All the Time. Disco, Occasionally. was preceded by the single “Aperture,” which debuted atop the Billboard Hot 100 songs chart dated Feb. 7, marking Styles’ third No. 1. It has also reached the top 10 on both the Pop Airplay and Adult Pop Airplay charts and opened at No. 1 on the all-genre overall Streaming Songs chart (his second leader there).

In its second week on the Billboard 200, Bruno Mars’ The Romantic falls a spot to No. 2 with 80,000 equivalent album units earned (down 57%). Three more chart-toppers round out the top five, as Wallen’s I’m the Problem is steady at No. 3 (76,000, up 1%), Bad Bunny’s DeBÍ TiRAR MáS FOToS dips 2-4 (67,000, down 13%) and Don Toliver’s OCTANE slips 4-5 (60,000, down 9%).

Olivia Dean’s The Art of Loving falls a spot to No. 6 with 58,000 equivalent album units earned (down 2%).

Four former No. 1s close out the top 10, as Megan Moroney’s Cloud 9 drops 6-7 (40,000 equivalent album units earned, down 27%), Swift’s The Life of a Showgirl is up a spot to No. 8 (39,000, down 8%), Wallen’s One Thing at a Time jumps 14-9 (37,000, up 3%), and SZA’s SOS climbs 12-10 (36,000, down 2%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Harry Styles brings his most iconic looks to the “everyday man” in a funny new sketch on Saturday Night Live.

Serving as both host and musical guest on the NBC sketch comedy show on March 14, the pop superstar appeared in a live skit titled “Harry for Him,” where he pitched a fictional men’s fashion line in partnership with Target.

“For years I’ve been turning heads with my bold, confident style, and I’ve been approached by countless women who say, ‘My husband’s look is so boring. I wish he dressed more like you.’ Well now, he can,” Styles says at the start of the bit. “I’ve partnered with Target to recreate some of my extraordinary looks for the ordinary man — at a price he can afford. Harry for Him, by Harry Styles. I pulled these looks off, now you can too.”

From there, SNL cast members Ben Marshall, James Austin Johnson, Andrew Dismukes, Mikey Day, Kam Patterson, Marcello Hernández and Kenan Thompson take turns modeling some of Styles’ most outrageous outfits over the years. Styles nails the daring outfits, but can everyday guys pull them off?

“I’m not convinced. When you see me in a side-by-side with Harry, the answer is definitely no,” says Marshall, visibly uncomfortable in the pop star’s checkered rainbow jumpsuit from the 2023 Grammy Awards.

Next, Johnson takes on Styles’ iconic 2019 Met Gala outfit, a frilly, sheer lace top paired with black pants and a dangling pearl earring.

“When Harry wore this, my wife said he looked like the embodiment of elegant masculinity,” the comedian says. “When I wore this, she said, ‘You look like a serial killer who’s wearing the clothes of a woman he killed.’”

Styles then steps in to reassure Johnson, telling him he looks “hot” and pointing out that the Harry for Him line also includes more casual pieces. One of these is the flamboyant sequin outfit the artist wore during a 2022 Coachella performance.

“When he wore this during an awards show, he received glowing reviews,” Dismukes adds while modeling the ensemble. “When I wore this to my 12-year-old son’s basketball game, the reviews were mixed. Some people told me I looked terrible, while others told me to go home and change.”

The sketch continues with more of Styles’ memorable outfits, including the Wizard of Oz-themed Dorothy costume he wore on stage at New York’s Madison Square Garden for Halloween in 2021.

Elsewhere in Saturday’s episode, Styles reflected on his time away from music in a funny opening monologue, then performed two songs from his fourth album, Kiss All the Time. Disco, Occasionally.

Watch Styles in SNL’s “Harry for Him” sketch below.

Harry Styles channeled Lord of the Dance in a hilarious St. Patrick’s Day–themed sketch on Saturday Night Live.

Pulling double duty as both host and musical guest during the late-night comedy show’s March 14 episode, the 32-year-old pop superstar appeared in a pre-recorded bit about a group of male friends who get an unexpected surprise while hitting the club.

The clip, titled “She’s an Irish Dancer,” opens with Styles smoothly crooning about partying in the VIP section with some girls who claim they’re dancers. “She says that she’s a dancer/ That means she’s a freak,” Styles sings.

After a bit of flirtation, one of the ladies (played by Chloe Fineman) pulls Styles aside for a private dance, only to reveal that she’s not the kind of dancer he expected. She then calls over her friends and breaks into over-the-top Irish dancing, complete with traditional costumes and headpieces, in full Riverdance-style fashion.

By the end, Styles has no choice but to “match their freak” before the scene cuts to him wearing a puffy, silky white shirt and black headband, proclaiming, “I’m about to go Lord of the Dance up in here.” Against a starry dark blue backdrop, he launches into an elaborate Irish-inspired routine, eventually joined by his friends on a foggy dancefloor.

The sketch concludes with Styles flashing a wink and wishing viewers a “Happy St. Paddy’s Day.”

Earlier in the show, Styles reflected on his time away from music during a hilarious opening monologue and later performed two tracks from his fourth album, Kiss All the Time. Disco, Occasionally.

Watch Styles in SNL’s “She’s an Irish Dancer” sketch below.

Harry Styles returned to Saturday Night Live on Saturday (March 14) for his second turn as host and musical guest, using his monologue to address years of queerbaiting allegations with a joke that brought down the house — and made headlines before the credits rolled.

In the monologue, Styles reflected on his time away from music following the end of his Love on Tour in 2023, joking that he had become “tremendously boring” and that people only pretended to find his hobbies interesting because of who he is.

He then pivoted to the queerbaiting discourse that has followed him throughout his career, noting that fans had fixated on his clothing choices and personal life.

After building to the punchline — in which repertory players Chloe Fineman and Sarah Sherman each appeared and left in dismay as Styles made increasingly pointed remarks about kissing — featured player Ben Marshall appeared onstage and Styles leaned in for a brief kiss.

“Now that’s queerbaiting,” Styles concluded with a wink.

The episode also featured a pair of high-profile surprise guests. Ryan Gosling appeared to introduce Styles’ first musical performance of the night, returning the favor after Styles crashed Gosling’s monologue during the previous week’s episode.

Paul Simon then introduced Styles’ second performance, with Styles performing “Coming Up Roses” from his new album at the piano — a fitting tribute given Styles has spoken publicly about Simon’s influence on his songwriting, including describing One Direction’s “Walking in the Wind” as a homage to Graceland.

Styles performed two tracks from his fourth studio album Kiss All the Time. Disco, Occasionally — opening with “Dance No More” before closing with “Coming Up Roses.” The 12-track album, produced by Kid Harpoon and Tyler Johnson, was released on March 6.

Styles is supporting the album with the Together, Together Tour, a 50-show residency run across seven cities worldwide including Amsterdam, London, New York, Melbourne and Sydney.

It was Styles’ eighth overall appearance on SNL and his second time pulling double duty as host and musical guest, having first hosted during Season 45 in 2019. He is a three-time Grammy winner, taking home Best Pop Solo Performance for “Watermelon Sugar” in 2021 and both Best Pop Vocal Album and Album of the Year for Harry’s House in 2023.

“Tonight y’all will understand why I been here doing what I been doing and why they say the things about me,” Don Toliver promised newer fans in an interview with Billboard hours before taking The Stage at SXSW on Friday (March 13).

The hard work has paid off for Toliver, as 2026 has been a year of raising the bar. He earned his first No. 1 album on the Billboard 200 with OCTANE, which arrived in late January, and saw all 18 tracks from the LP hit the Billboard Hot 100.

Following performances from openers like Chase B, Yakiyn and Sosocamo, Toliver hit the Moody Amphitheater stage shortly after 9:30 p.m. CT in front of nearly 5,000 raucous fans in Austin.

It was a victory lap of sorts for Toliver, who has been steadily climbing the ranks in rap’s food chain before making the quantum leap to join his mentor Travis Scott as part of the genre’s A-list with OCTANE.

Draped in a dove white jacket with matching pants and boots courtesy of designer Dingyun Zhang, the Texas native kicked off his set with a slowed-down intro riding into his OCTANE opener “E85.”

The temperature got turned up several notches on a mild Austin night with Toliver’s Justin Timberlake-sampling anthem “BODY” sending the crowd into a frenzy, which was followed by the moshpit-inducing nature of “OPPOSITE.”

With the 31-year-old on his fifth album, the anniversaries are starting to pile up. Friday also marked the sixth anniversary of Toliver’s Heaven or Hell, which was released just before the world shutdown due to the COVID-19 pandemic in March 2020.

The Houston native thanked the fans for being on this ride with him and commemorated his debut’s anniversary by taking them back to Heaven or Hell staples like “Cardigan,” and finished the 75-minute set with “After Party.”

The crowd saw a mix of Gen-Z ragers and millennials filling the Moody Amphitheater, as Toliver jumped around his discography for his 2018 ASTROWORLD introduction “Can’t Say” to fan-favorites like “No Pole,” “Bandit” and “Lemonade.”

Fans were still rapping along to OCTANE deep cuts such as “TMU,” “Call Back” and “Pleasure’s Mine,” a testament to the project’s staying power (it remains in the Billboard 200’s top five).

It’s only a taste of what’s to come with Toliver’s OCTANE Tour, which will take over arenas across North America starting with his headlining set at Rolling Loud in May.

Watch the full set below.