The cancellation of Bluesfest 2026 is already sending shockwaves through the touring ecosystem, with Counting Crows frontman Adam Duritz warning that many acts on the festival’s bill may cancel their entire Australian runs — and that the fallout could discourage international artists from returning to the country in the future.
Duritz, whose band are currently touring Australia in support of their latest album Butter Miracle, The Complete Sweets!, confirmed that Counting Crows would not be cancelling their own shows — three of which are sold out — but painted a stark picture of the financial reality facing many of their peers on the bill.
“That’s going to be devastating for a lot of people’s bottom line because you set up a tent pole like Bluesfest, where for a lot of people, it’s probably the highest paying gig on the tour,” Duritz told News.com.au. “And then it just goes, especially when it goes in this way.” He added that most acts had likely not received upfront payment for their Bluesfest performances and that insurance is unlikely to cover the shortfall following the festival’s liquidation.
The structural economics of Australian touring, Duritz explained, make it nearly impossible to profit even under ideal conditions. Without the anchor of a major festival fee, the math gets worse.
“There’s all these bands coming, and if you’re Buddy Guy or you’re The Wailers or you are The Black Crowes, none of those bands are making a gazillion dollars right now touring,” he said. “And you plan a trip to Australia; you’re going to be barely breaking even or losing some money… it spreads out to the other promoters who have got all these gigs planned.”
Despite his own band’s commitment to their dates, Duritz said he believes others on the cancelled lineup will pull the plug. He also cautioned that the incident would linger in the minds of international artists weighing future Australian runs. “Believe me, there’s no one on earth who doesn’t want to come to Australia every year; it’s f—ing beautiful, people are great,” he said. “But it’s so expensive to tour here. You don’t have buses here because it’s too big, so all the travel is flights. We’re a rock band, and we want to play in Australia, but it’s a struggle not to lose money.”
Butter Miracle, The Complete Sweets!, released May 9, 2025 via BMG, is the band’s first full-length studio album since 2014’s Somewhere Under Wonderland and their eighth overall. Counting Crows released six albums that reached the top 10 on the Billboard 200 during their peak run, including Recovering the Satellites, which debuted at No. 1 in 1996.
Bluesfest 2026 was cancelled on March 13 after organizers cited rising costs and soft ticket demand, with a liquidator appointed to manage financial matters.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-03-17 07:35:372026-03-17 07:35:37Counting Crows Won’t Cancel Australian Tour, But Duritz Warns Others Will After Bluesfest Collapse
“Giggly Squad,” hosted by Hannah Berner and Paige DeSorbo, won Podcast of the Year at the 2026 iHeartPodcast Awards, which were presented live at SXSW in Austin, Texas on Monday (March 16). The show, hosted by comedian Ego Nwodim, was held at ACL Live at the Moody Theater and was streamed live exclusively on VEEPS. The event also was also broadcast on select iHeartMedia radio stations and was available live on the iHeartRadio app.
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Other key winners included: “Call Her Daddy” (Best Pop Culture), “Good Hang With Amy Poehler” (Best Comedy), “All Songs Considered” (Best Music) and “Watch What Crappens” (Best TV & Film).
In addition to the fan-voted and category awards, iHeartMedia presented three Icon Awards – the Social Impact Award to Jay Shetty, the Audible Audio Pioneer Award to Terry Gross and the Innovator Award to Hrishikesh Hirway.
Will Ferrell kicked off the show in full Team USA speed skating gear as he joked with the crowd full of a “few of his peers and many of his admirers.”
Host Ego Nwodim, who was also nominated in the Best Emerging category for her podcast “Thanks Dad,” welcomed the audience and talked about the importance of podcasts.
“Broken Record” host Justin Richmond presented the 2026 Social Impact Award to Jay Shetty and his “On Purpose” podcast. Shetty accepted the award via video message.
Jennie Garth, host of “I Choose Me,” celebrated the shows nominated for Best TV & Film for keeping us all engaged before presenting the award to “Watch What Crappens.” Hosts Ronnie Karam and Ben Mandelker accepted the award.
Eric Andre presented the Best Comedy Award to “Good Hang with Amy Poehler.” Poehler accepted via video message and thanked her listeners, teasing her next episode with Viola Davis.
Juju Green presented the Innovator Award to Hrishikesh Hirway who recounted the beginnings of “Song Exploder” and his desire to dive into every beat of creating the music we hear.
TikTok creators and podcast hosts Clifford Taylor IV and Timothy Martin presented Best Business & Finance to “The Diary of a CEO with Steven Bartlett.”
Jonathan Goldstein presented the Audible Audio Pioneer Icon Award to “Fresh Air” host Terry Gross, who accepted her award via video message. She recounted her beginnings as a volunteer at her college radio station and gaining her skills by broadcasting in front of nearly no audience.
Iliza Shlesinger presented Podcast of the Year to Giggly Squad hosts Hannah Berner and Paige DeSorbo.
Executive producers for the 2026 iHeartPodcast Awards were John Sykes, Tom Poleman, Conal Byrne and Bart Peters for iHeartMedia.
Here’s a full list of nominees for the 2026 iHeartPodcast Awards, with winners marked:
Podcast of the Year
Good Hang With Amy Poehler
The Breakfast Club
The Mel Robbins Podcast
Pablo Torre Finds Out
The Daily
The Rest Is History
This Past Weekend w/ Theo Von
Call Her Daddy
Heavyweight
WINNER: Giggly Squad
Best Overall Host
Amy Poehler
Pablo Torre
Alex Cooper
Emma Chamberlain
WINNER: Caleb Hearon
Best Overall Ensemble
We Can Do Hard Things
SmartLess
WINNER: The Basement Yard
This Is Important
Get Played
Best Pop Culture
Las Culturistas
WINNER: Call Her Daddy
Therapuss With Jake Shane
Giggly Squad
The Viall Files
Best Music
The Bobby Bones Show
Song Exploder
Switched On Pop
WINNER: All Songs Considered
One Song
Best TV & Film
The Big Picture
The Rewatchables
How Did This Get Made?
WINNER: Watch What Crappens
Girls Rewatch
Best Comedy
WINNER: Good Hang With Amy Poehler
The Toast
Distractible
Handsome
The Basement Yard
Best Business & Finance
Earn Your Leisure
How I Built This
Acquired
Young and Profiting With Hala Taha
WINNER: The Diary of a CEO With Steven Bartlett
Best Crime
Crime Junkie
Rotten Mango
Anatomy of Murder
My Favorite Murder
WINNER: Wisecrack
Best Food
WINNER: Eating While Broke
The Sporkful
Home Cooking
The Splendid Table
Dinner’s On Me
Best Wellness & Fitness
On Purpose With Jay Shetty
Huberman Lab
WINNER: The Mel Robbins Podcast
10% Happier
Maintenance Phase
Best History
WINNER: The Rest Is History
You’re Wrong About
Throughline
American History Tellers
SNAFU
Best Kids & Family
Story Pirates
Wow in the World
WINNER: Circle Round
The Big Fib
Brains On!
Best News
The Daily
The Megyn Kelly Show
Pivot
WINNER: The MeidasTouch Podcast
Up First From NPR
Best Fiction
The NoSleep Podcast
Havoc Town
Old Gods of Appalachia
Table Read
WINNER: Murder at the Patel Motel
Best Sports
New Heights
WINNER: Pardon My Take
The Zach Lowe Show
Club 520
The Ringer Fantasy Football Show
Best Science
Radiolab
Ologies
WINNER: Hidden Brain
StarTalk Radio
Shell Game
Best Technology
Hard Fork
Black Tech Green Money
Galaxy Brain
WINNER: Acquired
All-In
Best Ad Read
Conan O’Brien Needs a Friend
Call Her Daddy
WINNER: My Brother, My Brother and Me
Dudes on Dudes
Distractible
Best Political
Pod Save America
The Bulwark Podcast
WINNER: Breaking Points With Krystal and Saagar
Hacks on Tap
The Ben Shapiro Show
Best Spanish Language
Gracias, Come Again.
Radio Ambulante
Leyenda Legendarias
WINNER: Chente Ydrach
Relatos de la Noche
Best Advice/Inspirational
IMO With Michelle Obama and Craig Robinson
On Purpose With Jay Shetty
WINNER: Thanks for Asking
Just Heal With Dr. Jay
Self-Conscious With Chrissy Teigen
Best Beauty & Fashion
Nymphet Alumni
Fashion Neurosis With Bella Freud
Articles of Interest
Lipstick on the Rim
WINNER: Naked Beauty
Best Travel
WINNER: Women Who Travel
Travel With Rick Steves
Zero to Travel
Points Talk
The Travel Diaries
Best Spirituality & Religion
Deeply Well With Devi Brown
Girls Gone Bible
Joel Osteen Podcast
WHOA That’s Good Podcast
WINNER: Elevation With Steven Furtick
Best Branded Podcast
This Is Not a Beauty Podcast (L’Oreal)
Crucible Moments (Sequoia Capital)
WINNER: The Unshakeables (Chase for Business)
ZOE Science & Nutrition (ZOE)
Smart Talks (IBM)
Best Emerging
Khloé in Wonder Land
WINNER: Smart Girl Dumb Questions With Nayeema Raza
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-03-17 06:00:302026-03-17 06:00:30‘Giggly Squad,’ ‘Call Her Daddy,’ ‘Good Hang With Amy Poehler’ & More Win at 2026 iHeartPodcast Awards: Full List
Kelly Clarkson made her advantage count on the Season 29 premiere of The Voice Battles round Monday night (March 16), deploying her coveted “Super Steal” to keep Liv Ciara on Team Kelly after losing the head-to-head battle to Mikenley Brown — blocking both John Legend and Adam Levine, who had also turned to steal her.
Clarkson earned the Super Steal — a first in the show’s history — by winning the Triple Turn Competition during the Blind Auditions, which grants her the power to override any other coach’s steal attempt.
The move made for one of the night’s most dramatic moments, with all three coaches attempting to claim Ciara before Clarkson exercised her override.
The night’s standout battle came early, when Team Kelly’s Liv Ciara and Mikenley Brown went head-to-head on H.E.R.’s “Focus.” Levine called it “the best Battle round I’ve ever heard” across his many seasons on the show. Brown ultimately advanced, while Ciara stayed on Team Kelly via the Super Steal.
Guest advisors Jennifer Hudson with Team Kelly, Benji Madden with Team Adam and Muni Long with Team Legend worked with artists in rehearsals ahead of the performances. Hudson’s involvement carried additional context — she stepped in to run Team Kelly’s rehearsals after Clarkson missed sessions following the death of her ex-husband, Brandon Blackstock.
Other notable results from the night: Team Adam’s Bay Simpson bested Hunter Jordan in a tense country battle on Morgan Wallen’s “I’m the Problem,” while Team Legend’s Lucas West edged out 14-year-old AJ Robinson on “Wanted.” Alexia Jayy won her battle for Team Adam, with Legend using his steal to claim Moses G. for Team Legend.
The Voice: Battle of Champions airs Mondays at 9/8c on NBC and streams the following day on Peacock. Season 29 features the show’s first-ever three-coach lineup, with all three coaches — Clarkson, Levine and Legend — being previous winners of the competition.
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We’ve all seen an Oscar recipient played off by the orchestra before, so why did it feel especially brutal when the songwriting team behind best original song winner “Golden” from KPop Demon Hunters was cut off on Sunday night?
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On the new Billboard Pop Shop Podcast, Katie & Keith are discussing the moment, which has been nine months in the making, ever since the animated hit premiered on Netflix in June. The breakout smash song from the project, “Golden,” ended up spending eight weeks at No. 1 on the Billboard Hot 100 and won a Golden Globe and a Grammy on its way to Oscar glory. Many viewers — especially younger fans and K-pop listeners — were likely tuning in for this award, in addition to the dynamic performance of the HUNTR/X song minutes earlier. So when EJAE gave her heartfelt speech and then began to pass to her fellow songwriters only for them to be cut off by music and a commercial break, it felt like a missed opportunity not to be able to hear from Yu-Han Lee and Mark Sonnenblick about the historic win — though the two songwriters were able to share their speeches backstage after the show, if not to the millions of viewers at home.
Listen to Katie & Keith’s full conversation about the moment below:
Also on the show, we’ve got chart news on how Harry Styles goes 4-for-4 on the Billboard 200, scoring his fourth No. 1 debut, which is the entirety of his charting releases. Has anyone else seen their first four chart entries debut at No. 1?
The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)
Thanks to Netflix, we’re about to get a BTS look at BTS themselves.
Four years after announcing their hiatus, K-pop royalty BTS are finally back. On Monday (March 16), Netflix shared a new trailer for BTS: The Return, a forthcoming documentary following the group’s epic return to the stage. In the trailer, the group’s seven members speak about the pressures of returning to an ever-changing industry together after an extended period of time apart.
“Trends shift every season. Standing still isn’t an option,” says RM. “And we’re trying to find out what makes us BTS.”
It’s clear from the teaser that viewers will get an inside look at exactly that — what makes BTS, BTS — as the camera follows them from the studio to the tour bus and from Seoul to L.A. What we also learn from the trailer is that though the group is rightfully nervous about making such a big return, they are also excited. Despite the pressure on them, they know that making music and performing together are exactly what they’re supposed to be doing.
“We are finally back where we’re meant to be,” Jimin says in the teaser.
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After six Billboard Hot 100 No. 1s, becoming the first K-pop act to receive a Grammy nomination and the formation of one of the most dedicated fanbases ever, BTS announced an extended hiatus in 2022. The decision to take a break came about due to desires to work on solo projects as well as members’ need to fulfill South Korea’s mandatory military duty. Though the break was originally described as “indefinite,” the band’s members knew that they would find their way back to one another again.
“I think that change is what we need right now,” J-Hope in the hour-long FESTA dinner where the announcement was first made. “It’s important for BTS to start our second chapter.”
That second chapter is finally here. Back in January, the group announced their return and the release date for their highly anticipated fifth studio album Arirang, set to be released on Friday March 20. Alongside dropping the new album, BTS has also partnered with Netflix on the upcoming documentary as well as a live comeback concert. The concert, airing from Seoul’s Gwanghwamun Square, will stream on the platform on Saturday March 21, the day after the album drops.
A week following the album’s release, BTS: The Return will chronicle the process of rebuilding BTS, working together for the first time in nearly half a decade and making new music that is fresh but still distinctly BTS. The feature-length film is directed by Bao Nguyen (The Stringer,The Greatest Night in Pop) and produced by This Machine and HYBE.
In addition to the documentary, Netflix will also stream BTS THE COMEBACK LIVE | ARIRANG, a live concert special from Gwanghwamun Square in Seoul, South Korea, on March 21, that will broadcast the first full BTS group concert since 2022.
Six days later, BTS: The Return will air exclusively on Netflix on March 27. Watch the documentary’s trailer below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-03-17 01:00:372026-03-17 01:00:37BTS Take ARMY Inside Their ‘Return’ in First Trailer for Netflix Documentary: ‘Standing Still Isn’t an Option’
During a recent episode of Complex’s Sneaker Shopping, host Joe La Puma brought up A$AP Rocky‘s appearance on The Questlove Show, where the Harlem rapper revealed that he throws on a balaclava —which has since become synonymous with the Memphis rapper — whenever he hops on a train to maneuver through his hometown unnoticed.
“When I take the train, I put a Pooh Shiesty on,” Rocky told Questlove. “Sometimes I’m by myself. Sometimes I’m with security. I take the train to keep myself grounded.”
Someone off camera then tossed La Puma a package of a Nike Hyperwarm Knit Hood and the two got into how the fashion accessory has become known as a “shiesty,” with Pooh saying, “Come on, man. That’s supposed to me right there, man.” Adding, “For real, these junks get you through some places, you know? Like he told you, he snuck through the subway. Wouldn’t be able to do that with no regular [look.]”
When asked if he knew him throwing on a “shiesty” would become so influential, he replied that he never really thought anything of it at first. “Nah, I ain’t think that,” he answered. “But you know a lot of stuff a man do, a lot of people gravitate to.”
Pooh Shiesty’s bubbling career hit a snag back in 2022 when he was sentenced to five years in prison for a gun case, but hit the ground running after his release last October with the single “FDO” that has been on the Billboard Hot 100 going on 12 weeks now.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-03-17 00:31:162026-03-17 00:31:16Pooh Shiesty Says He Should Be a Nike Balaclava Model After Making the Accessory Popular: ‘That’s Supposed to Me Right There’
The members of country music group LANCO survived a harrowing experience Sunday night when their tour bus caught fire.
After wrapping a show in Des Moines, Iowa, the band was forced to pull over on the side of the road around 4 a.m. while en route to Nashville, due to a nearby snowstorm.
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The group decided to stay in a hotel for the night, though due to the blizzard conditions, tow services were halted in the area, so local police from Pella, Iowa, took LANCO band members, as well as show openers Willie Tate and Dawson Anderson, along with some crew members to nearby hotels.
LANCO’s bus driver opted to stay behind on the bus but ultimately awoke to the bus on fire in the early morning hours of Monday (March 16). The driver was able to escape the fire with only minor injuries. Though the band’s equipment trailer survived the fire, the group did lose some instruments when the bus was engulfed in flames.
LANCO lead singer Brandon Lancaster told Billboard in a statement, “It’s been a surreal 18 hours honestly, and we are so thankful that everyone on board is safe and sound. It was a very scary situation and I can’t imagine what would have happened if we all decided to sleep on the bus. I know God was watching over us.”
The group is still in Pella, Iowa, and their next tour date is scheduled for March 26 in St. Augustine, Florida.
The ACM Award-winning LANCO formed nearly a decade ago and includes members Brandon Lancaster (lead vocals), Chandler Baldwin (bass), Tripp Howell (drums), Jared Hampton (keyboard/guitar) and Tim Aven (guitar). The group is known for songs including its 5x multi-Platinum RIAA-certified hit “Greatest Love Story,” which also topped Billboard‘s Country Airplay chart for two weeks in 2017. They also earned a Country Airplay top 20 hit in 2018 with “Born to Love You.” The group’s song “Hallelujah Nights” was RIAA-certified gold.
The group shared the video of the incident above as well as photos of the charred bus below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-03-17 00:11:122026-03-17 00:11:12LANCO Survives Bus Fire in Iowa: See Harrowing Video & Photos
The Kennedy Center’s board of directors voted on Monday to shut down operations for two years following this summer’s July 4 celebrations. The widely expected decision comes in the wake of numerous resignations and cancellations during President Donald Trump’s second term, although Trump himself has cited the need for repairs as a reason for the closure.
“We’re going to ensure it remains the finest performing arts facility of its kind anywhere in the world,” Trump told reporters at the White House before the board met Monday.
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The board also voted to install Matt Floca as CEO and executive director, replacing Trump ally Richard Grenell, who oversaw far-reaching changes at the venue that prompted an outcry from many artists and exacerbated the operation’s financial challenges. Trump praised Grenell on Monday, saying he had been a longtime friend, and wished Floca “good luck with everything.”
The Kennedy Center said the vote was unanimous, though Rep. Joyce Beatty didn’t cast a vote. The Ohio Democrat is an ex officio member of the board and sued to preclude the Trump administration from excluding her from Monday’s meeting. Over the weekend, a federal judge ruled she was entitled to participate in the meeting but didn’t require that the board allow her to vote.
Trump hosted the board meeting at the White House in a reminder of the influence he has held over the Kennedy Center during his second term. Shortly after returning to office last year, Trump ousted the center’s previous leadership and replaced it with a hand-picked board of trustees that named him chairman. He also brought in Grenell, who served in a variety of capacities during Trump’s first term, when the president mostly ignored the Kennedy Center.
The center’s lineup has since included more Trump-friendly programming, including serving as the venue for the premiere of first lady Melania Trump’s documentary, “Melania.” The board also announced it had renamed the facility the Trump Kennedy Center, a change scholars and lawmakers say must be initiated by Congress, and physically added the president’s name to the building’s facade.
The fallout from the arts community was swift and intense. Actor Issa Rae, musician Bela Fleck and author Louise Penny were among the numerous artists who withdrew from appearances, while consultants such as musician Ben Folds and singer Renée Fleming resigned. Earlier this month, the executive director of the National Symphony Orchestra, Jean Davidson, left to head the Los Angeles-based Wallis Annenberg Center for the Performing Arts.
Without mentioning the abandoned performances, Trump said in February he would close the Kennedy Center to fix what he has described as a dilapidated building.
Ahead of the closure, Grenell warned staff about impending cuts that will leave “skeletal teams.” Floca, Grenell’s successor, had been serving as vice president of operations. According to his LinkedIn page, he joined the Kennedy Center in January 2024, during the Biden administration.
A center press release from the time describes him as “an experienced facilities management professional with a construction management background and an appreciation for whole building design principles.”
Previous experience for Floca listed on LinkedIn includes a handful of positions with the District of Columbia government, among them associate director of sustainability and energy and director of facilities management. He graduated from Louisiana State University in 2009 with a Bachelor of Science degree in construction management.
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“New breakdowns coming Dylan,” the message reads in the screenshot Garcia posted recently.
He posted the first video in his series entitled “Explaining Drake songs to my girlfriend” about a week ago, and it has since clocked in around 2 million views.
Each video shows Garcia and his shorty sitting in a car listening to Drake songs as she asks questions and he tries to answer them for her. And then after his videos have been racking up views, he posted an update over the weekend revealing that not only did Drake send him a message, but he followed him as well. After his girlfriend Char asked what the message meant, Dylan replied, “It means he’s releasing his new album soon and we’re going to have some new breakdowns to do.”
Drake has been rolling out Iceman for about a year now, with the first episode of the YouTube series being posted on his account on July 5, 2025. Drake also released the single “What Did I Miss?” on the same day. Speaking of which, Garcia’s Instagram reel explaining one of the lines from “What Did I Miss?” has garnered 4 million views and counting. Not sure if he’s explaining it right aside from the TLC, Chilli and Left Eye reference, but you can be the judge.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-03-16 23:01:202026-03-16 23:01:20Drake DMs Fan After His ‘Explaining Drake Songs to My Girlfriend’ Videos Go Viral: ‘New Breakdowns Coming’
State attorneys general have resumed the antitrust trial against Live Nation — just as Senate democrats released a new report decrying “half measures” in the Department of Justice’s settlement with the company.
Monday (March 16) marked the first day of Live Nation’s trial since the DOJ revealed a surprise settlement — after witnesses began testifying last week. The deal calls for Live Nation to change certain practices that have allegedly stifled competition in live music, including by capping ticketing fees and relaxing exclusivity policies, though it does not require the company to divest Ticketmaster.
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Breaking up Live Nation and Ticketmaster was the original goal stated by both the feds and dozens of states when they teamed up to sue back in 2024. Many states, including officials in New York and California, say this is still a sticking point and have refused to sign onto the DOJ settlement. These states brought back the jury on Monday, picking up the trial right where their now-absent federal colleagues left off.
“California is excited to get back to work, present new evidence to the jury, and to fight for a better deal for consumers,” said California Attorney General Rob Bonta in a statement Monday. “Any resolution in this case must actually serve consumers, the marketplace and the law.”
These states received a vote of confidence Monday from Democrats on the Senate Permanent Subcommittee on Investigations, which released a minority report titled, “So Casually Cruel: How Ticketmaster’s Monopoly Supercharges Prices and Fees.”
The result of a three-year investigation, including the review of more than 100,000 pages of internal documents, the report claims Ticketmaster is largely to blame for the rising cost of concert tickets. The subcommittee says this is because Ticketmaster has pushed artists to “aggressively” ramp up the use of dynamic pricing and make their tickets available for resale before general on-sales begin.
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The report ultimately concludes that Live Nation and Ticketmaster should be split up, with ranking member Sen. Richard Blumenthal (D-Conn.) writing that the DOJ’s settlement “will do little to protect musicians, their fans and independent venues.”
“As state attorneys general move to continue this important antitrust case, this report reinforces what DOJ said when filing its suit in 2024, but which the Trump Administration has evidently forgotten: ‘It is time to break up Live Nation-Ticketmaster,’” wrote Blumenthal.
Ticketmaster representatives criticized the report in a statement on Monday, saying it “misrepresents how the live events industry works.” The company added, “Secondary ticketing creates industry-wide challenges faced by every tour no matter which promoter or ticketing company is used. This is why we’ve long called for industry resale reform, including price caps, while also developing tools to empower artists and protect fans.”
Twenty-six states and the District of Columbia are proceeding full steam ahead with the trial in New York federal court. Three states have officially signed onto the DOJ settlement (Arkansas, Nebraska and South Dakota), while a handful of others are still negotiating with Live Nation. Any states that do settle will be paid financial damages out of a $280 million fund created by Live Nation as part of the DOJ deal.
The trial resumed on Monday with AEG Presents CEO Jay Marciano, who’d been testifying when news of the settlement pulled the proceedings to a screeching halt last week. Next up on the witness stand was Bob Roux, Live Nation’s president of U.S. concerts.
The jury is expected to hear testimony for several more weeks. Billboard is providing weekly one-sheet trial recaps each Friday, where we’ll sum up all the major testimony and courtroom fireworks and tell you why it matters.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-03-16 22:45:332026-03-16 22:45:33Live Nation Trial 2.0: States Still Eyeing Ticketmaster Breakup With Support From Senate Dems