LIV Golf Adelaide has locked in global DJ and producer John Summit as the Saturday headliner for its 2026 tournament, adding another major name to the event’s expanding live music program.

Summit will perform Feb. 14 at 7 p.m. following round three at The Grange Golf Club. The Miami-based artist — who has earned two No. 1 hits on the U.S. Dance Radio chart and multiple Top 10 entries on Billboard’s Hot Dance/Electronic Songs chart — brings his explosive live show to Australia for one of his few local appearances next year. His set is expected to feature fan favorites including “Where You Are” and “Shiver.”

The announcement rounds out a four-day entertainment lineup that already includes Peking Duk, Royel Otis and FISHER. Canberra duo Peking Duk will kick off the music program on Thursday, Feb. 12, performing directly after the opening round with a set that includes their breakout hits “High” and “Stranger,” along with new material. Royel Otis headlines Friday, while FISHER returns Sunday to close out the tournament.

All concerts are included in daily Grounds Pass and hospitality tickets, meaning fans attending Thursday and Saturday events will automatically have access to the live performances. Limited tickets remain available at LIVGolf.com, including Grounds Plus and select premium hospitality packages in the Barossa, Birdie Shack and Ripper Point areas.

For the first time, Summit’s Saturday set will also be streamed internationally on the LIV Golf YouTube channel, part of the league’s push to expand its global fan base.

“LIV Golf is known for bringing world-class DJs and musicians to Adelaide, and we are ecstatic to welcome John Summit this February,” said Ross Hallett, LIV Golf’s executive vice president and head of events. “His high-energy performances perfectly complement the vibe of LIV Golf.”

South Australian premier Peter Malinauskas added that hosting Summit “sets a new benchmark” for the state’s live entertainment offerings, noting that three of the four headlining acts next year are home-grown Australian artists.

Since launching in 2022, LIV Golf has woven live music into the fabric of its tournament experience, hosting more than 30 concerts in 2025 alone — a number expected to climb to 40 in 2026.

Rüfüs Du Sol have officially made touring history. The Grammy-winning Australian trio has been recognised for delivering the highest-selling electronic tour of all time, following a record-breaking run of global dates on their Inhale / Exhale World Tour.

The group was presented with a commemorative plaque in Sydney this week by Live Nation and Untitled Group, celebrating the milestone after the tour moved 750,000 headline tickets and reached 1.5 million fans worldwide across festivals and headline shows in 2025.

The Australia and New Zealand leg marked a peak moment for the band’s touring footprint. More than 180,000 tickets were sold across Perth, Adelaide, Melbourne, Sydney, Brisbane and Auckland — all of which fully sold out. The trio also became the highest-selling Australian act ever at Sydney’s Qudos Bank Arena and set a new all-time attendance record at Auckland’s Outer Fields at Western Springs, drawing 25,000 fans.

The Inhale / Exhale era has been a commercial and critical standout for the group. Their fifth studio album earned a 2026 Grammy nomination for best dance/electronic album and scored four 2025 ARIA Awards nominations. The LP debuted on the Billboard 200 and delivered the band’s first No. 1 at U.S. dance radio with “Music Is Better.”

Across nearly 50 headline dates on four continents, Rüfüs Du Sol have elevated into rare territory for an electronic act — performing in venues typically reserved for legacy or multi-genre touring giants. The tour included historic moments such as becoming the first electronic act to headline Los Angeles’ Rose Bowl, while also playing major festivals including Lollapalooza. The group now stands as the only electronic act currently performing at this scale globally.

The plaque presentation in Sydney arrives just as Rüfüs Du Sol prepare to extend their touring streak into 2026. The band has added new European arena dates in Dublin, Dusseldorf and Bologna and will headline major rooms including London’s The O2, Paris’ Adidas Arena and Barcelona’s Palau Sant Jordi. South America dates begin in February, followed by a spring European run.

Full tour information and remaining tickets are available at rufusdusol.com/live.

Prince Royce‘s cover of Backstreet Boys‘ “I Want It That Way” reaches new heights, as the song climbs 2-1 on Billboard’s overall Latin Airplay chart (dated Dec. 6). The song also banks its fifth week atop the Tropical Airplay list.

“Reaching No. 1 on both the Latin Airplay and Tropical Airplay charts with ‘I Want It That Way’ is incredibly special to me — especially knowing it marks my 19th No. 1 on the former,” Royce tells Billboard. “This song represents a bridge between cultures and generations, and I’m grateful to the fans and radio stations who continue to believe in my music and take this journey with me.”

“I Want It That Way” rises 2-1 with 10 million in audience impressions in the United States during the tracking week ending Nov. 27, as reported by Luminate. The song’s 23% improvement from the week prior ejects Karol G and Feid’s “Verano Rosa” from No. 1, as the latter drops to No. 9 with a 5.3 million impressions, down 35%.

With the reimagined “I Want It That Way,” Prince Royce earns his 19th No. 1 on Latin Airplay. The track debuted on Tropical Airplay in August and has now spent five weeks atop that list.

Royce strengthens his position as the tropical act with the second-most rulers on the 30-year-old Latin Airplay chart, trailing only Romeo Santos, who continues to lead with 22 chart-toppers.

“I Want It That Way” builds on the success of the album Eterno’s first single, a redux of the Bee Gees’ “How Deep Is Your Love,” which became Royce’s first track from his top 10 set to reach No. 1 on Latin Airplay (one week in June).

As mentioned, “I Want It That Way” adds a fifth week atop the Tropical Airplay chart, matching the No. 1 run of Royce’s “How Deep” track.

Elsewhere, thanks to its radio haul, the song rises to its No. 23 peak on the multimetric Hot Latin Songs, which combines radio airplay, streaming activity and digital sales into its formula.

El Fantasma Wins Big: Beyond the new No. 1 on the overall Latin Airplay chart, the Regional Mexican Airplay ranking sports a new winner, El Fantasma. The singer-songwriter’s new single “La Lotería” jumps 3-1 for its first week in charge, following a 43% gain in audience impressions during the tracking period, to 8.1 million.

Released via Afinarte Music in July, “La Lotería,” a slow but steady climber on Regional Mexican Airplay, earns El Fantasma a ninth chart-topper, and his second ruler of 2025 (“Ya Me Vale Madre” reigned for one week in June).

The song also breaks new ground on Latin Airplay, moving from No. 9 to No. 3.

All Billboard charts dated Dec. 6 will update tomorrow, Dec. 2, on Billboard.com.

Taylor Swift’s “The Fate of Ophelia” rebounds a spot to No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts, leading each list for a third total week. The song spent its first two weeks on each tally at the summit in October.

Three holiday hits catch a sleigh up the Global 200’s top 10, while two climb Global Excl. U.S., led by Mariah Carey’s “All I Want for Christmas Is You.”

Plus, Stray Kids start at No. 8 on Global Excl. U.S. with “Do It.” The song is from their EP of the same name, which launches at No. 1 on the U.S.-based Billboard 200 albums chart.

Elsewhere, Olivia Dean adds her second Global Excl. U.S. top 10 with “So Easy (To Fall in Love)” (11-9).

The Billboard Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

“The Fate of Ophelia” tops the Global 200 with 82.7 million streams (down 5% week-over-week) and 35,000 sold (up 199%) worldwide in the week ending Nov. 27. Helping spark its sales surge, its remix with the Chainsmokers was released digitally Nov. 25.

“Golden” by HUNTR/X (the singing trio of EJAE, Audrey Nuna and REI AMI), from Netflix’s KPop Demon Hunters, drops to No. 2 after 17 weeks atop the Global 200 beginning in July.

Carey’s “All I Want for Christmas Is You” jumps 6-3 on the Global 200 with 55.5 million streams (up 41%) and 3,000 sold (up 34%) worldwide. The carol has spent a record 19 weeks at No. 1.

Olivia Dean’s “Man I Need” slips to No. 4 from it No. 3 Global 200 best and Alex Warren’s “Ordinary” falls 4-5, following 10 weeks on top beginning in May.

Two holiday classics return to the Global 200’s top 10, with Wham’s “Last Christmas” up 12-6, with 50.8 million streams (up 43%) and 2,000 sold (up 50%) worldwide, and Brenda Lee’s “Rockin’ Around the Christmas Tree” climbing 24-10, with 35.3 million streams (up 51%) and 1,000 sold (up 32%) globally. The songs have both hit No. 2 highs on the chart.

“The Fate of Ophelia” leads Global Excl. U.S. with 62.1 million streams (down 4%) and 10,000 sold (up 55%) beyond the U.S.

“Golden” backtracks to No. 2 after 17 weeks at No. 1 on Global Excl. U.S.; “Ordinary” rises 4-3 after eight weeks at No. 1 starting in May; and “Man I Need” retreats to No. 4 from its No. 3 high.

“All I Want for Christmas Is You” flies 14-5 on the Global 200 with 35.2 million streams (up 41%) and 2,000 sold (up 38%) outside the U.S. It has collected 14 weeks at No. 1.

“Last Christmas” leaps 20-7 on Global Excl. U.S. led by 32.5 million streams (up 45%) beyond the U.S. The song has reached No. 2 on the survey.

Stray Kids’ “Do It” bounds in at No. 8 on Global Excl. U.S. with 34.5 million streams and 3,000 sold outside the U.S. The group adds its fourth top 10 on the chart.

Plus, Dean’s “So Easy (To Fall in Love)” becomes her second Global Excl. U.S. top 10, ascending 11-9 with a 4% increase to 26.7 million streams outside the U.S.

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Dec. 6, 2025) will update on Billboard.com tomorrow, Dec. 2. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.