Offset is the latest rapper to dive into the wild world of WWE. The Grammy-nominated MC made his WWE Raw debut in his hometown of Atlanta on Monday (Feb. 23), with his hit 2025 single “Bodies” serving as the official theme song for the Elimination Chamber.
The most recent edition of WWE Raw, which airs weekly on Netflix at 8 p.m. ET/5 p.m. PT, was packed. Not only did Brock Lesnar make his first appearance since Royal Rumble, but Jey Uso also defeated both Bronson Reed and El Grande Americano to qualify for the men’s Elimination Chamber match. Raquel Rodriguez took down Iyo Sky and Kairi Sane to earn her spot in the women’s Elimination Chamber match.
All of that action didn’t hold a candle to Offset’s appearance, which took place during Je’Von Evans’ face-off against Kofi Kingston. The “Clout” rapper joined Evans in motivational backstage moments, and during the fight, helping the wrestler pull off a win — thanks to his signature OG Cutter move, of course. Backstage, Offset made it clear that he thinks Kingston’s New Day crew sucks, and as he supported Evans from outside the ring, members of the crew tried to intimidate him, yelling, “You don’t belong here!” In response, Offset tossed Grayson Waller over a table, foreshadowing Evans’ ultimate victory.
“Bodies,” which reached No. 72 on the Billboard Hot 100 last year, appears on Offset’s most recent album, 2025’s Kiari. The original version of the song features fellow Grammy-nominated Atlanta rapper JID, as well as a nifty flip of Drowning Pools’ 2001 track of the same name. Last August, producer BNYX, who frequently works with Drake and Travis Scott, shared a version of “Bodies” that more prominently features elements of the Drowning Pool song, and that rock-forward mix soundtracks the Elimination Chamber.
From Wale to Snoop Dogg, the worlds of wrestling and hip-hop have been colliding quite frequently. Notably, Grammy-winning rapper Cardi B, who’s also Offset’s estranged wife and the mother of three of his children, kicked off her summer with an appearance at last year’s WWE SummerSlam, where she debuted a snippet of “Hello,” which later appeared on her Billboard 200-topping Am I the Drama?.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-24 17:26:072026-02-24 17:26:07Offset Makes WWE Debut As His Hit Single ‘Bodies’ Becomes New Elimination Chamber Theme Song
Ticktock, Klay Thompson — Megan Thee Stallion is ready to walk down the aisle. In a new video, the rapper revealed that she’s hoping a proposal is in her future, telling a handful of Olympic athletes in Milan that she’s “manifesting” an engagement ring.
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In the clip posted Monday (Feb. 23) on her YouTube channel, Meg continued her Winter Olympics video series by going out to a cafe with athletes Brittany Bowe and Hilary Knight — who just got engaged to each other — and Laila Edwards. While out and about, the hip-hop star gushes to the Team USA hockey captain and speed skater, “I heard y’all just got engaged, congrats! I love love, that’s so sweet.”
After watching a video of Knight proposing to Bowe earlier in the month before the Winter Games concluded Feb. 22, Ms. Stallion crossed her fingers and added, “Manifesting my engagement, too.”
Meg and a certain Dallas Mavericks baller have been dating since before July of last year, when they made their red carpet debut as a couple after initially sparking romance rumors with subtle posts on Instagram. The pair has been loud and proud, with the two showing off love ever since; the hitmaker often shares videos of their dates and dropped the loved-up single “Lover Girl” in November, which reached No. 38 on the Billboard Hot 100.
In a pre-Valentine’s Day interview with People, Meg opened up about finding love with Thompson at a time when she wasn’t looking for it. “I didn’t even know I was going to be in my relationship, to be honest,” she told the publication at the time.
“I think that because finally I started being in a better mind space about myself and my life, and I had already been doing a lot of work to heal me,” she continued. “Maybe God just opened up that space for me to have somebody that loved me right. This is one of the first times that I’ve ever been just overly comfortable.”
Watch Meg hang out with Olympians and manifest her engagement below.
United Talent Agency (UTA) has announced the signing of multi-hyphenate artist René Pérez Joglar, better known as Residente, for representation in all areas, Billboard can exclusively announce. The entertainment, sports, and advisory company will also represent his production company, 1868 Studios.
The news arrives alongside the announcement of Residente‘s directorial debut, Porto Rico. The “epic Caribbean western,” as it’s described, tackles the harsh realities of colonialism and paternalism in Puerto Rican history, blending storytelling with an all-star cast. At the film’s helm will be Residente’s longtime collaborator, global music superstar Bad Bunny, taking on his first-ever leading role.
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“I’ve dreamed of making a film about my country since I was a child. The true story of Puerto Rico has always been surrounded by controversy,” Residente previously said in a statement. “This film is a reaffirmation of who we are, told with the intensity and honesty that our history deserves.”
Renowned filmmaker Alejandro G. Iñárritu (Amores Perros, 21 Grams, Babel, Biutiful) is an executive producer of Porto Rico.
Joining Bad Bunny (real name Benito Antonio Martínez Ocasio) on screen is an ensemble cast of celebrated actors, including Javier Bardem, Edward Norton, and Viggo Mortensen, with Residente co-writing the script alongside screenwriter and playwright Alexander Dinelaris (The Revenant). The project will also feature Penélope Cruz, who collaborated with Residente on his latest solo album, Las Letras Ya No Importan (2024).
When asked about working with Cruz in 2024, Residente toldBillboard Español, “I originally said, ‘I’d like Penélope to be in it. I talked to her and she said yes. Little by little she connected with the song,’” referencing their work on the music video for “313.” Speaking about the creative process, Residente said, “When you’re directing you have to think as a producer, writer, editor, and actor. I’m thinking about everything at the same time.”
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In 2024, Pérez Joglar also debuted as an actor at the Sundance Film Festival with In The Summers, a film that earned the Grand Jury Prize. This year, he made his return to the festival with Frank and Louis, where he stars alongside British actor Kingsley Ben-Adir.
Pérez Joglar first rose to prominence in the mid-2000s as the frontman of Calle 13, a groundbreaking Latin hip-hop duo with its fusion of urban and socially conscious lyrics. He currently holds the record for the most Latin Grammy wins, with 29, followed by Juan Luis Guerra (28).
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-24 17:01:232026-02-24 17:01:23Residente Inks Deal With United Talent Agency for Representation Across All Areas
Every year, Billboard‘s Women in Music Awards celebrate the ladies in the industry who made some of the biggest strides of the past 12 months — and that’s exactly why in 2026, Teyana Taylor, Tate McRae, Ella Langley, Kehlani, Laufey and Zara Larsson have all made the latest honorees list.
This year’s Visionary Award will go to One Battle After Another actress Teyana Taylor, while Gen-Z Canadian pop star Tate McRae will receive the Hitmaker Award and Alabama country singer Ella Langley will take home the Powerhouse Award. All three ladies are in the midst of major career years, with Taylor earning a Grammy nod in November for her album Escape Room before winning a Golden Globe and earning an Oscar nomination this past January, and McRae and Langley scoring their first-ever Billboard Hot 100 No. 1 hits in the past year (for “What I Want” with Morgan Wallen and “Choosin’ Texas,” respectively).
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Several other women in music will also receive recognition at the ceremony this spring too: Kehlani is set to accept the Impact Award, Laufey will receive the Innovator Award and Mariah the Scientist will be given the Rising Star Award presented by Honda Stage. Zara Larsson is the winner of 2026’s Breakthrough Award, while Thalia is set to take home the Icon Award.
Hosted by Keke Palmer and complete with a dynamic lineup of performers and presenters, this year’s Women in Music celebration will take place April 29 at the Hollywood Palladium in Los Angeles. Tickets and tables for the event will be available to the public to purchase.
The recipient of the coveted Woman of the Year prize — which went to Doechii in 2025 — will be announced in the coming weeks.
“The 2026 Billboard Women in Music honors artists who are not only shaping the sound of today, but defining the culture of tomorrow,” Jason Lipshutz, Billboard‘s co-chief content officer, said in a statement. “This year’s honorees represent bold creativity, global influence and artistic excellence across genres. From breakthrough voices to enduring icons, each of these women is pushing the industry forward in powerful ways.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-24 17:01:222026-02-24 17:01:22Billboard Women in Music 2026 to Honor Teyana Taylor, Tate McRae, Ella Langley & More
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If you and your loved one are stuck at home sans-babysitter for date night, you can still make the most out of your situation with help from DoorDash.
While date night at home might not be what you expected, we believe that any setting can be romantic if you’re prepped with an arsenal of products to make your night special. Lucky for you, DoorDash has everything you need available for delivery, from groceries to flowers and even beauty essentials, to get a good date going. To help you along your way to the perfect date night spent staying in, ShopBillboard has compiled a few products hailing from DoorDash’s grocery or retail tabs to cover all bases, from ambiance to gifting and everything in between.
Candles, especially scented versions, are amazing for curating a mood. Scented options also just make your house smell amazing.
First up, we need to get the vibes right to make sure your loved one feels, well, loved. Creating a mood sets the tone for the day and makes for a lasting impression. To set a scene, we’d suggest picking up a few candles — scented if that’s your thing — along with a few cozy throw blankets for snuggling up. If you’re feeling like whipping up a few drinks but don’t know where to start, the delivery platform even has cocktail books to guide you through the complicated world of mixology.
DoorDash has a ton of options to meet your specific needs for dates at home and beyond. To really get the mood going, we’d recommend grabbing a speaker to play some music, something that ShopBillboard is very passionate about. That way, you can play some tunes for your lover, ensuring high-quality sound from brands such as Marshall, Beats and JBL, among others.
If you’re a last-minute gifter, DoorDash has a ton of options too, including fresh flowers and all the thoughtfully presented yummy chocolate your heart desires. The delivery platform even has dinner locked down with gourmet options from prepped steak or sushi dinners to appetizers such as a charcuterie board with all the fixins all under their grocery tab. The delivery service prioritizes your locality, sorting through grocery options to find the ones closest to you. Users can also sort through options based on deals, ratings and brands to find the best possible option for their date night spent at home.
While chocolate can be overdone, it can also be really meaningful. DoorDash has a ton of yummy options for last-minute gifting.
Products chosen will be delivered right to your door on the same day you purchased. All grocery options featured on the service generally feature fresh and frozen grocery staples along with snacks, household goods and local products to supply you with everything you need for your date. For those looking to grab groceries from DoorDash, first-time customers will be able to shop with zero dollars in delivery fees. The brand also offers flexible payment options.
While spending the day at home with your loved one might not be what you expected, DoorDash is equipping lovebirds with the arsenal they need to have a great time this holiday.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-24 16:41:112026-02-24 16:41:11Spending Date Night at Home? DoorDash Has Couples Covered for a Romantic Night to Remember
Twenty One Pilots knew they had to go massive for their first official concert movie. So why not film their biggest headlining show to date and have the videographer who has been by their side almost the entire journey behind the camera?
“I can’t believe this is my life,” says Mark Eshleman, the director of the upcoming IMAX concert film Twenty One Pilots: More Than We Ever Imagined, which will opens in theaters worldwide on Thursday (Feb. 26) for a limited run, with exclusive IMAX previews slated to begin on Wednesday (Feb. 25). The group’s longtime videographer/photographer and friend first met the band back when they were playing for 100 people in the basement bar of a club in singer Tyler Joseph and drummer Josh Dun’s hometown of Columbus, Ohio.
At the time, Joseph liked how Eshleman’s photos captured the emotion of the duo’s shows so much he invited him to move from nearby Dayton into his apartment in Columbus. Flash forward 16 years and those dingy subterranean shows have been swapped out in the film for a sold-out crowd of more than 65,000 Skeleton Clique diehards at Estadio GNP Seguros in Mexico City on the band’s 2024-2025 world tour.
It was the band’s highest-capacity headlining show to date and after visiting IMAX HQ with the pair’s manager to see what the large format could offer them, Eshleman — who has directed dozens of the band’s videos, including some of the key clips in the decade-long Blurryface saga — says they were convinced it was the right call for the expansive vision they had in mind. That ambitious plan included more than 20 cameras placed all around the stadium to maximize the focus on the band and their hardcore fans.
Eshleman made sure to zoom in on those ecstatic fans laughing, crying, jumping, hugging and reaching out to try and lay even just a finger on Dun and Joseph as they wade into the crowd throughout the show, with the Clique’s reactions to their favorite songs playing a huge role in the structure, and emotion, of the two-hour film. While the vibrant, pyro-fueled shots of Estadio GNP from above and from the floor level are breathtaking, Eshleman also wanted the film to give a more intimate look at the special friendship shared by Dun and Joseph.
Those moments come in black-and-white confessional interludes, where the pair sit in the empty, cavernous stadium talking about how mind-blowing it is to have gotten to this point, as well as sharing some of their backstage pump-up routines — Dun’s involves a boxing workout — and butterflies about show day.
Eshleman says that shots of fans are Joseph and Dun’s favorite parts of other band’s live concert films. “Whenever someone takes the time to explore the band, their takeaway is always how emotional and attached the fans are,” he tells Billboard. That’s why, after having watched 21P run through the show more than 30 times before the historic Mexico City gig, Eshleman’s team planted nearly two dozen cameras around the venue in order to catch all the action, on stage, and in the crowd.
Though they had a good sense of where Joseph and Dun would be during the gig based on the meticulous blocking of the show — which took some of the burden off Eshleman’s sprawling team — at one point in the movie Joseph is on stage during the afternoon walk-through and spots a landing at the top of the massive soccer stadium and decides he might like to be up there instead of on the riser already built for him.
“We rehearsed the blocking so much we didn’t have to think about it,” Eshleman says. “And then Tyler looked over and saw those buildings and, of course, wanted to climb that, which was something that was a bit different.”
Joseph and Dun don’t do a ton of in-depth interviews and they keep their private lives mostly out of view, so Eshleman’s fly-on-the-wall moments with them in the car or backstage pull back the curtain in a way he suspects will be thrilling for fans.
“You get the giant, full-color scope of the event and then it goes down to letterbox with a different aspect ratio … I always say the show is from the fan’s perspective and the documentary [footage] is from Tyler and Josh’s perspective,” the director says of the quieter moments where we see some of the worry and anxiety that suffuses Joseph’s lyrics, as well as the lead singer’s crystal clear vision for how he wants the show to unfold.
Even though it was his first time directing a full-length film, Eshleman says he knew going in that he could rely on his old friends to bring it for 60,000-plus as hard as they did for 60+ in their early days. “Back in 2011, even when they were playing a VFW as an opening act, they treated it like it was a huge deal,” he says. “Like they were the biggest band in the world … the documentary footage [in the movie] is more like, ‘we can’t believe we get to do this,’ not ‘look at how awesome we are.’ It’s ‘look how awesome this opportunity is, how lucky we are.’ It’s the guys you know, but they’re talking in a way you’re not used to.”
When the final shot was wrapped during the traditional show-closing song “Trees,” Eshleman says 21P’s longtime manager Chris Woltman came over and gave him a big bear hug. “I was very nervous about stepping up to that level, but the band taught me that I had what I needed to do this,” he says.
Click here to see where More Than We Ever Imagined is playing near you.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-24 16:21:032026-02-24 16:21:03Twenty One Pilots Director Talks Taking Helm For Band’s Massive ‘More Than We Ever Imagined’ IMAX Movie: ‘I Can’t Believe This Is My Life’
Miley Cyrus wants a judge to dismiss a long-running lawsuit claiming her chart-topping “Flowers” ripped off Bruno Mars’ “When I Was Your Man,” arguing nobody should be allowed to monopolize “commonplace tropes in breakup songs.”
Nearly two years after the case was first filed against Cyrus, her attorneys say in a Monday court filing that it’s now time to finally end the high-profile legal battle — arguing that her hit song is “very different” from the earlier track and clearly does not constitute copyright infringement.
“Man, a slow piano ballad, is a breakup song from the perspective of a man who regrets not doing various things he believes could have saved his relationship,” writes Miley’s attorney Peter Anderson in a motion obtained and first reported by Billboard. “On the other hand, Flowers, an upbeat, danceable pop song, is a breakup song from the perspective of a woman rejoicing in her independence and self-reliance.”
Mars is not involved in the case against Cyrus; it was instead filed by Tempo Music Investments, a financial entity that bought the copyrights of “Man” co-writer Philip Lawrence.
In seeking to end Tempo’s case, Miley’s lawyers say the only actual similarities are the seemingly call-and-response lyrics of the two songs, such as his “I should’ve bought you flowers” and her “I can buy myself flowers.” But her attorneys say those are just basic words you might hear in any song about a failed relationship, not evidence of infringement.
“No one owns these words, which are commonplace tropes in breakup songs,” Anderson writes.
“Flowers,” which spent eight weeks atop the Hot 100 after it was released in January 2023, was immediately seen by many fans as an “answer song” to “Man,” which itself had reached the top of the chart in 2012. According to internet sleuths, Cyrus had no gripe with Mars but instead with her ex-husband Liam Hemsworth, who had supposedly once dedicated “Man” to her.
Despite those links, legal experts told Billboard at the time that Cyrus was likely not violating copyrights simply by using similar lyrics to fire back at the earlier song. But Tempo sued in September 2024, claiming “Flowers” had lifted numerous elements beyond the clap-back lyrics, including “melodic and harmonic material,” “pitch ending pattern,” and “bass-line structure.”
In Monday’s motion, Cyrus’ lawyers flatly denied those allegations. They asked the judge to grant them summary judgment – meaning rejecting the case without requiring a jury trial — based on a lack of genuine similarities between the two songs.
Musically, they say the songs share no melodic overlap and only “random, unprotectable elements” elsewhere. As for the lyrics, they say the well-documented similarities have also been in other breakup songs, such as a 2011 track by Justin Bieber: “That Should Be Me is a breakup song that also refers to flowers, holding hands, taking an ex-lover places, and talking for hours,” her attorneys write.
Miley’s lawyers also make another notable argument: That “Flowers” is shielded by copyright’s fair use doctrine, which allows for the re-use of protected material in a way that criticizes or comments on the earlier work. Though they say Cyrus and the other co-writers continue to “strenuously deny” any connection to “When I Was Your Man,” they argue that such artistic intent is irrelevant.
“Fair use … instead considers whether a reasonable observer could interpret Flowers as commenting on Man,” her lawyers write. “Even plaintiff acknowledges that Flowers’ upbeat lyrics have been perceived as responding to Man’s despondent lyrics.”
Cyrus previously moved to dismiss the case on procedural grounds, arguing that Tempo lacked the legal standing to file it in the first place. But that motion was denied last year, allowing the case to move ahead to this week’s more substantive arguments over similarities.
An attorney for Tempo did not immediately return a request for comment. The company will file its own response to the motion next month.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-24 16:21:022026-02-24 16:21:02Miley Cyrus Wants ‘Flowers’ Case Over Bruno Mars Song Dismissed: ‘No One Owns These Words’
Jung Kook of BTS has found a pair of jeans that are roomy enough for him to cut loose in — footloose, to be precise.
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The K-pop star is the face of Calvin Klein’s latest campaign, repping the brand’s ’90s jean in all three of its forms — baggy, relaxed and straight — in photos and a video posted Tuesday (Feb. 24). The dynamic visual finds Jung Kook stopping through a New York City record store and listening to different genres, each of which transports him to a different dance-filled fantasy.
In one daydream, the performer meditates and watches ocean waves from a tranquil seaside house, and in another, he bounces around from wall to wall in a liminal orange room. The final sequence shows Jung Kook channeling Kevin Bacon while dancing to Kenny Loggins’ 1984 Billboard Hot 100 No. 1 hit “Footloose” in the record store, momentarily forgetting himself before realizing that he’s back in the real world when an employee — played by Rosie Perez — reminds him, “This is a record store, not a dance floor.”
“I love Calvin Klein jeans because they’re designed to be lived in,” Jung Kook said in a statement about the partnership. “The looks I wore for this campaign nod to ‘90s style while feeling completely modern. It was exciting to bring together my love of music, dance and fashion against the energy of the city.”
The campaign comes amid an exciting time for Jung Kook, who’s gearing up to drop Arirang, his first album with his BTS bandmates since 2020’s Be, on March 20. In April, the septet will kick off its highly anticipated world tour, beginning with a string of shows in Goyang, South Korea.
But even before the boy band was gearing up to make its big comeback, Jung Kook was working with Calvin Klein. This past October, he all but broke the internet with an ad for the denim company showing off his impressive abs, and he also starred in CK campaigns in 2024 and 2023.
Watch Jung Kook’s commercial and see photos from the Calvin Klein campaign shoot below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-24 16:15:352026-02-24 16:15:35Watch Jung Kook of BTS Cut ‘Footloose’ in a Dance-Filled Denim Daydream for a Legacy Fashion Brand
Sublime has inked a partnership with Atlantic Records, following a record-breaking independent radio run that saw the band spend eight consecutive weeks at No. 1 on Billboard’s Alternative Airplay chart with “Ensenada.”
The Southern California trio — Bud Gaugh, Eric Wilson and frontman Jakob Nowell — will release its first full-length album with Nowell later this year. The deal follows the band’s decision to independently release recent singles through Sublime Recordings, in partnership with Regime Music Group, while maintaining ownership of their masters and handling marketing and radio promotion internally.
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That strategy delivered measurable results. “Ensenada,” released independently and branded under Nowell’s SVNBVRNT venture, spent eight consecutive weeks at No. 1 on Billboard’s Alternative Airplay chart, becoming the longest-running No. 1 on alternative radio in 2025 and surpassing the band’s previous benchmark set by “What I Got,” which held the top spot for three weeks.
Prior to that, “Feel Like That,” a collaboration with Stick Figure, logged eight weeks in the Top 10 on Alternative Airplay.
According to manager Kevin Zinger, the band’s independent approach was intentional from the outset.
“When Sublime began releasing new music, I sat down with the band and our team at Regime and we made a very intentional decision to release the first few singles ourselves. Between our label division at Regime and Joe Escalante’s past experience owning Kung Fu Records, we had the infrastructure in place. Most importantly, we wanted the band to stay in control of their music.
The band put tremendous trust in us, and we weren’t going to let them down. There was no additional financial upside for us in taking on the extra work as the label — nor were we looking for one. When ‘Ensenada’ hit #1 at Alternative radio, that was more than enough reward. It was a defining moment for all of us and Sublime’s legacy.
That success brought a wave of calls about the album’s future. Truthfully, I never assumed we would end up at a major label. But we took the meetings. Before sitting down with anyone, we had already outlined what a partnership would need to look like. After meeting with Atlantic, we all walked out knowing we had found the right home. The passion, the energy, and the commitment Johnny, Chris, Elliot, and the entire team showed made it clear — this was the right place for the next chapter of Sublime.”
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Frontman Jakob Nowell addressed the signing in characteristically irreverent fashion, saying: “Atlantic told us that if we signed with them they would pay for my experimental cosmetic surgery to have the body of a goat and the head of a goat.”
He added, “They seem like real straight shooters, and their office has bowls of Halloween candy dated March of last year, but it still tasted fine to me. We’re gonna change California music history or die trying.”
Drummer Bud Gaugh reflected on the label’s legacy, adding: “You have no idea how many records I had growing up as a kid watching them spin around and around with the Atlantic Records label on them. Everything from AC/DC to Zeppelin, and so many others! I am beyond excited to announce this partnership with Atlantic Records and Sublime!! So Get Ready! Here comes some new stuff for your ears to hears!”
Bassist Eric Wilson said of the partnership: “So great to partner with Atlantic Records finally! I’m excited about our new album; it truly is an organic Sublime album…can’t wait for people to hear it.”
Joe Escalante, who co-manages the band alongside Zinger, emphasized that the move ultimately came down to alignment rather than leverage.
“Working with Sublime again feels like coming home. I was there in the early days, so helping guide this new chapter means a lot to me personally. It’s also special to be reunited with Kevin Zinger — we’ve shared a long history with this band and this music.
As things came together, we had plenty of opportunities, but it ultimately came down to people. After meeting with Atlantic, we all looked at each other and knew — these are the people. There’s real respect for Sublime’s legacy and real belief in where they’re going next. I’m excited for what we’re building together.”
From the label side, Atlantic’s Johnny Minardi said: “Sublime’s impact on music and culture is undeniable, and this next chapter carries the same fearless punk rock ethos that made them iconic. They have been one of my all-time favorite bands, so this is a defining moment for me personally. We’re honored they chose Atlantic Records to help drive this new era forward.”
Founded in Long Beach in 1988 by Wilson, Gaugh and the late Bradley Nowell, Sublime’s 1996 self-titled album went 5x Platinum and has driven more than 18 million RIAA-certified album sales. A new era began in late 2023 when Bradley’s son Jakob joined the original members onstage, leading to high-profile reunion performances including Coachella 2024.
In 2026, the band will celebrate the 30th anniversary of its self-titled album with two nights at Red Rocks Amphitheatre (April 17-18) and launch its own touring festival brand, Sublime Me Gusta, debuting May 9 in Fort Worth, Texas.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-24 16:00:592026-02-24 16:00:59Sublime Signs With Atlantic Records Following Record-Breaking Alternative Airplay Run
UPDATE (Feb. 24): The University of Guadalajara announced on Monday (Feb. 23) that the International Music Fair and the PortAmérica Festival, initially scheduled for this week in Guadalajara, will be rescheduled. The move comes after recommendations from state authorities due to the wave of violence stemming from a military operation on Sunday (Feb. 22) in Jalisco to capture the leader of a criminal group, who was killed in the effort.
“This decision is the result of responsible planning and aims to ensure that our audience, artists, speakers and music industry professionals can participate in an environment that is fully conducive to the event,” the university stated in a statement.
Organizers asked the public to stay tuned to FIM’s social media channels and official website, where updated information on the new dates and procedures for ticket holders will be shared.
PREVIOUSLY (Feb. 23): Concerts and music events in several states of Mexico were canceled and rescheduled this weekend after a military operation by Mexican armed forces on Sunday (Feb. 22) in the state of Jalisco to capture Rubén Nemesio Oseguera–“El Mencho,” considered the most wanted and dangerous drug lord in the world — resulted in his death. The news unleashed a wave of violence in various regions of the nation.
A red alert was still in place in at least 10 states across the country following reports of blockades and disturbances in several cities in Jalisco, Michoacán, Guanajuato, Nayarit, Colima, Aguascalientes and Veracruz.
A performance by Kali Uchis scheduled for Sunday at the Auditorio Telmex in Guadalajara was canceled, according to the promoter Ocesa, which announced refunds for ticket holders. The Colombian-American singer’s show this Wednesday (Feb. 25) at the Palacio de los Deportes in Mexico City was still set to take place.
Other concerts scheduled for Sunday, from acts including Mi Banda el Mexicano in Zitácuaro, and La Arrolladora Banda El Limón in Jacona, both in the state of Michoacán, were also canceled. The same happened with performances by Virlán García in Río Grande, Zacatecas; Saúl El Jaguar in Yautepec, Morelos; Banda Tierra Mojada in Puebla; and Pancho Barraza in Huaristemba, Nayarit.
Previously, the governor of Jalisco, Pablo Lemus, announced on social media that the state activated the “red code” to protect residents in response to the possible reaction of criminal groups. He added that mass events scheduled for Sunday were canceled throughout the state.
In Mexico City, the third day of the Electric Daisy Carnival (EDC) music festival, held at the Autódromo Hermanos Rodríguez, went ahead without incident with more than 100,000 attendees, according to Ocesa.
President Claudia Sheinbaum called for calm during her Monday (Feb. 23) morning press conference, stating that blockades had been cleared and “practically all activity has been restored,” though a “command center” remains active to coordinate nationwide security.
Oseguera Cervantes, known as “El Mencho,” led one of the fastest-growing criminal networks in Mexico, notorious for trafficking fentanyl, methamphetamine, and cocaine to the United States and for brazen attacks on government officials who challenged them, according to the Associated Press.
Promoters Ocesa and MusicVibe confirmed on Monday to Billboard Español that their events scheduled for the coming days in Mexico City and other parts of the country will proceed as planned. These include upcoming performances by Colombian superstar Shakira at the GNP Seguros Stadium on Friday (Feb. 27) and her free concert at Mexico City’s Zócalo square on March 1.
This week, the 2026 edition of the Feria Internacional de la Música (FIM) in Guadalajara and the PortAmérica Festival, taking place from Feb. 25 to 28, are expected to go ahead. Organizers told Billboard Español on Monday that, for now, there was no additional information, and that updates would be provided later in the day.
Events announced for the Arena Guadalajara this week remain scheduled at this time, including concerts by Despechadas on Feb. 26, Jessy y Joy on Feb. 27 and Bryan Adams on Feb. 28.
The Feria de Texcoco, set to take place from March 17 to April 12, and the Feria de Aguascalientes, scheduled from April 17 to May 10, remain unchanged.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-24 15:52:332026-02-24 15:52:33Wave of Violence in Mexico Leads to Cancellation of Concerts by Kali Uchis & More Following Drug Lord’s Death