Beyoncé is standing beside Kamala Harris leading up to Election Day on Nov. 5.

The 32-time Grammy winner took the stage alongside her Destiny’s Child bandmate and childhood friend Kelly Rowland at the Democratic presidential nominee’s rally in their hometown of Houston, Texas, on Friday night (Oct. 25), where they endorsed the Harris-Walz ticket and urged their fellow Texans to do the same.

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“H-Town!” Beyoncé said to rapturous cheers when she took the mic. “We are so happy to be standing here on this stage as proud, country, Texas women supporting and celebrating the one and only Vice President Kamala Harris. A woman who’s been pushing for what this country really needs right now: unity. It’s impossible not to feel the energy in this room, the positivity, the community, the humanity. We are at the precipice of an incredible shift. The brink of history.

“I’m not here as a celebrity,” she added. “I’m not here as a politician. I’m here as a mother. A mother who cares, deeply, about the world my children and all of our children live in. A world where we have the freedom to control our bodies. A world where we’re not divided. Our past, our present, our future merge to meet us here.”

Bey spoke to “all the men and women in this room, and watching around the country,” telling them: “We need you. Your voice has power and magnitude. Your vote is one of the most valuable tools, and we need you. Your freedom is your god-given right, your human right. Everybody say Texas! Texas plays a pivotal role to change the course of our future.”

The superstar then leaned into her music roots to wrap her speech, saying, “It’s time to sing a new song. A song that began 248 years ago. The old notes of downfall, discord, despair no longer resonate. Our generations of loved ones before us are whispering a prophecy, a quest, a calling, an anthem. Our moment is right now. It’s time for America to sing a new song. Our voices sing a song of unity. They sing a song of dignity and opportunity. Are y’all ready to add your voice to the new American song? Because I am. So let’s do this. Ladies and gentlemen, let’s give a big, loud Texas welcome to the next president of the United States, Vice President Kamala Harris.”

In addition to Rowland and Beyoncé, Willie Nelson performed at the Houston rally and Harris ended the night with a speech.

Though Bey hadn’t previously vocalized support for Harris amid the 2024 election cycle, her presence has been strong in the VP’s campaign over the past few months. In August, the superstar was heavily rumored to appear at the Democratic National Convention, but never showed up. Her 2016 track “Freedom” has also been a mainstay in Harris’ campaign, becoming the Democratic nominee’s walkout song in July. CNN confirmed that month that Bey had given direct approval for the song’s use.

She has previously supported other Democratic political causes, including performing with Jay-Z at a Hillary Clinton musical rally in Cleveland in 2016 ahead of that year’s presidential election. In 2020, Bey supported Joe Biden’s campaign and later celebrated his victory on Instagram. Additionally, the “Texas Hold ‘Em” singer performed at both of Barack Obama’s inaugurations in 2009 and 2013.

Watch Beyonce’s full speech below:

Danna talks about how she finds beauty and joy through her music, as well as her glam soundtrack backstage at Billboard Latin Music Week.

Danna:

A little bit of everything. It depends on the mood. Lately, we are listening to a striptease playlist because it’s like R&B, then suddenly a little bolero, to slow reggaeton, a little bit of jazz, like a combination of all these sexy sounds to bring out that femininity. How does my music help me find beauty and joy? To put it simply, it’s in the act of it. I believe that, for me, creating music and dedicating myself to this industry is a very spiritual act. So within spirituality, there is a lot of beauty. It’s the creation of something together with someone. The beauty of friendship, of finding a very unique and magical moment when creating something, I think it’s very special. And I think the beauty and joy after finishing it and listening to it and you hear my fans singing my songs and that song that was made with so much love, gives me everything. What’s my favorite move on the dance floor these days? 

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Zhamira Zhambrano talks about how she finds beauty and joy through her music, as well as her favorite beauty trends while backstage at Billboard Latin Music Week.

Zhamira Zhambrano:

My glam session has a pretty mixed soundtrack. Sometimes I listen to my own unreleased songs because it’s a moment where I’m alone and can concentrate on what I have to fix for certain songs. I listen to my husband’s music. I listen to Morat. I listen to songs in English. I think if you ask me right now, Karol G. I really like her style lately in her performances. Beyond her style, I really like her self-confidence that she shows in front of the cameras because that’s how you can get to know her and I think she’s a person who always looks beautiful, elegant and who’s super confident in herself. I have always said that if you feel beautiful inside, that is what you will radiate outwards. In my case, I try to work on that a lot with myself and involve it in the studio. When I am creating, I am always thinking about how the person or in this case, the woman who listens to this will feel, or even the man, too, because men can also feel beautiful and powerful. I think that as long as you carry a message of positivity, in my personal case, that’s what I try to radiate in the studio through the music with beautiful and motivational words, healthy and clean messages that reach the heart. You will feel good.  

As earnings season prepares to get underway, K-pop companies were among the week’s rare winners as music stocks broke a six-week winning streak. 

YG Entertainment surged 6.1% this week as the company appears to have scored a hit with “APT” by ROSÉ, a member of the girl group BLACKPINK, featuring Bruno Mars. The track got off to a blistering start this week, topping Spotify’s global and U.S. daily streaming charts and earning 13.3 million streams in the U.S. in its first four days of release. SM Entertainment, home to NCT 127 and RIIZE, rose 4.1%, while HYBE, with a roster including Seventeen and Tomorrow X Together, improved 2.1%. JYP Entertainment, the agency behind Stray Kids and ITZY, improved 1.4%. 

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Stock prices are likely to see movement in the coming weeks as companies release their results for the quarter ended Sept. 30. The first music companies out of the gate are Reservoir Media (Oct. 30), SiriusXM (Oct. 31), Universal Music Group (Oct. 31) and Cumulus Media (Nov. 1). Other companies that have announced earnings release dates include Sony Corp. (Nov. 8), Tencent Music Entertainment (Nov. 12), Live Nation (Nov. 12) and Spotify (Nov. 12). 

The 20-company Billboard Global Music Index (BGMI) fell 0.6% to 1,974.72 in the week ended Oct. 25 after breaking 2,000 for the first time the prior week and posting gains the previous five weeks. In the week ended Oct. 18, the BGMI reached 2,001.28, more than doubling in value since the index launched in February 2022. After the recent decline, the index’s year-to-date gain stood at 29.7%, ahead of both the Nasdaq composite (up 23.4%) and S&P 500 (up 21.8%).  

Stock markets were mixed this week. In the U.S., the S&P 500 rose 0.2% to 18,518.61 while the Nasdaq composite fell 1.0% to 5,808.12 despite Tesla’s 22% gain after the electric vehicle maker beat earnings expectations and upgraded its growth outlook. In the U.K., the FTSE 100 dropped 1.6% to 8,248.84. South Korea’s KOSPI composite index dipped 0.4% to 2,583.27. China’s Shanghai Composite Index rose 1.2% to 3,299.70.  

Outside of South Korean companies, one of the biggest movers of the week was Live Nation. Ahead of the company’s Nov. 12 earnings release, numerous analysts increased their price targets on the concert promoter’s stock this week: Redburn Atlantic (to $126 from $118), Jefferies (to $132 from $113), JP Morgan (to $137 from $118) and Goldman Sachs (to $132 from $128). Given that the third quarter is historically Live Nation’s strongest period and the company has set all-time records in previous quarters, Q3 results are likely to boast more all-time highs.  

Spotify was one of the index’s few stocks to post a weekly gain — albeit with just a 0.1% increase. Morgan Stanley raised its price target on Spotify on Wednesday to $430 from $400. Analysts see much upside for Spotify. Global subscription penetration (excluding China) “remains relatively low” at 15%, Goldman analysts explained in a Tuesday (Oct. 22) investor note, and Spotify has the ability to further raise prices. Additionally, they wrote, Spotify’s growing audiobook business proved the company can generate more revenue from its subscribers than was possible when it offered just music.

Most music stocks had modest, single-digit declines this week. Warner Music Group fell 0.1% to $32.38, Universal Music Group dropped 1.9% to 23.61 euros, Tencent Music Entertainment declined 3.2% to $11.50, Reservoir Media dipped 3.4% to $8.55, iHeartMedia was down 4.3% to $1.80, and both Sphere Entertainment Co. and SiriusXM were off 4.4%. 

LiveOne was the week’s biggest loser after falling 10.6% to $0.58. The music streamer has fallen 38% since its Oct. 1 announcement that Tesla will no longer subsidize the LiveOne-powered streaming service in new vehicles. Radio broadcaster Cumulus Media dropped 9.4% to $1.16, bringing its year-to-date decline to 78.2%. 

Datawrapper, Global Music Index, October 25, 2024
Datawrapper, Share Prices, October 25, 2024
Datawrapper, Share Prices, October 25, 2024

María Becerra talks about how she finds beauty and joy through her music, as well as her most memorable fan interaction while backstage at Billboard Latin Music Week.

María Becerra:

Well, the few times we listen to music when we are doing glam, we like to start off with something with a little movement because usually the glam is in the morning, so we start the morning more upbeat with Argentine cumbia, Cumbia En Base, Santafesina cumbia, cuarteto or if not, Mexican cumbia, Columbian, but always a little cumbia to get us going. I feel that the simple fact of making music helps me to find beauty and joy in life. The truth is that I am lucky to be a woman who can make a living from what she loves, whose job is to express, to write her emotions as an open letter, and on top of that, to put it into music. I feel that this fact brings me joy and helps me to find beauty in life every day. This is something that has been around for a while, but the truth is that the “cat eye,” you see, the type of makeup or eyelash to make the eye look more dragged out, fascinated me from the moment I saw it and I love it. I like to do it, I like to have it done, that’s what I like the most.

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Brad Paisley stepped into the baseball diamond on Friday night (Oct. 25), where he performed the national anthem at the first game of the World Series between the New York Yankees and the Los Angeles Dodgers.

Accompanied by a green electric guitar, he performed a slowed-down version of the U.S. anthem, as a massive American flag was stretched across the field.

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See the full performance here:

The country star is a longtime Dodgers fan, and the performance marks his fourth time singing the anthem at a World Series game. Ice Cube and Fat Joe are also set to perform at games 2 and 3 representing their respective hometowns.

Last month, Paisley dropped the single “Truck Still Works,” off his upcoming full-length LP. The new album, which will likely come out in early 2025, will be his first full-length album since 2017 and his first since moving from Sony Nashville’s Arista imprint to Universal Music Group Nashville’s EMI Records. 

“The project has some deeper things on it but, like the song itself, is really about creativity and nostalgia and you know the themes that you want to hear right now,” he told Billboard. “Sometimes, like in these times, it’s great to give people something they just want to turn up and takes them to a place where they feel good.”

Three members of San Diego metalcore band As I Lay Dying have abruptly exited the band, citing clashes with personal morals amid the band’s turbulent history.

Guitarist Ken Susi, bassist Ryan Neff, and drummer Nick Pierce shared statements this week detailing their reasons for his departure, leaving just controversial frontman Tim Lambesis and guitarist Phil Sgrosso in the lineup.

In a statement posted on social media on Oct. 24, Susi explained that his morals had been “tested to a breaking point.”

“My time playing with As I Lay Dying has come to an end today. I leave with so much gratitude for everyone who followed and supported me from my days in Unearth to this era of my career,” Susi wrote. “I jumped into the AILD camp with full knowledge of the heightened dramatic history but had a drive to just play great music with great friends.”

He added, “Unfortunately, my personal morals have recently been tested to a breaking point, and it’s not the saddest ending to what could have been the greatest second chance for this band.”

This follows a post by bassist Ryan Neff, who left on Oct. 18, calling it “the right step for my personal and professional journey.”

Susi had noted in his announcement that Neff had received “a lot of backlash for stepping down first.” He added, “I regret not sharing this decision sooner and standing confidently with my friend — he’s a flawless musician and an even better person. I’ll miss you all on this stage, and I look forward to seeing you on the next one. Anyone looking for a guitar player? My resume is ready.”

Neff reflected in his own statement, “As of today, I have made the decision to leave As I Lay Dying,” Neff wrote via Instagram. “This choice comes after much reflection, and I believe it is the right step for my personal and professional journey. I am grateful for the experiences and connections I’ve made during my time with the band. Thank you to all the fans for your support.”

Drummer Nick Pierce joined them in departing, also citing personal reasons in his own statement. “As of now, I am no longer playing drums for As I Lay Dying,” Pierce wrote. “This is far from being the ending I anticipated, and I feel I need to distance myself from the band in an effort to retain my personal health and integrity.”

It follows the band’s touring manager, Alex Kendrick, also announcing his departure from working with the group.

In a now-deleted tweet, Kendrick wrote: “I no longer work for AS I LAY DYING – I do not wish to be asked questions nor will I answer any. I’ve made life long memories that will never be forgotten but my chapter of the book has completed. I wish everyone the best of luck and clearly I’m still rocking with Phil out here.”

Founded in 2000, As I Lay Dying rose to prominence as a Grammy-nominated act but became embroiled in controversy in 2013 when Lambesis was arrested and later sentenced to prison for attempting to hire a hitman to kill his then-wife, Meggan Lambesis. Lambesis pleaded guilty in the case and served two years of a six-year sentence.

After his release in 2016, the band reunited in 2018 with a mix of original and new members. However, tensions lingered. Former guitarist Nick Hippa, along with drummer Jordan Mancino and bassist Josh Gilbert, previously left in 2020. Since then, Susi, Pierce, and Neff joined the lineup, only to now announce their exits.

At the time of writing, Lambesis has not addressed the departures, and the future of As I Lay Dying remains uncertain. Their eighth album, Through Storms Ahead, is still set for release on Nov. 15.

Seven years after delivering “The Cure,” Lady Gaga is finally diagnosing the “Disease.”

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After some sly teases through a Spotify playlist and a pair of custom websites, Gaga finally confirmed the single’s release date via Instagram on Monday (Oct. 21). In the post, the Grammy and Oscar winner shared the single’s cover art, which finds her posing face-down on the hood of a white car with the song’s title written upside down in street paint. The following day (Oct. 22), she shared a brief teaser of what appears to be song’s official music video, soundtracked by haunting piano keys. “I could play the doctor/ I can cure your disease/ If you were a sinner/ I could make you believe,” she croons in the chorus of the lead single for her eighth solo studio album.

Gaga has been very musically active in 2024. In August, she teamed up with Bruno Mars for the rousing ballad “Die With A Smile,” which has peaked at No. 3 on the Billboard Hot 100 and spent eight weeks atop the Billboard Global 200. The following month, the pop icon launched Harlequin, a companion soundtrack album for Joker: Folie à Deux, in which she stars alongside Oscar winner Joaquin Phoenix as Harley Quinn. Featuring Gaga-fied versions of a slew of jazz and musical theater standards including “That’s Entertainment” and “Oh, When the Saints,” Harlequin debuted atop Jazz Albums, becoming Gaga’s third No. 1 entry on the ranking. Harlequin also includes one original cut: the BloodPop-produced “Happy Mistake.”

It’s been four years since Gaga debuted atop the Billboard 200 with Chromatica, her last solo studio album, which featuring the Grammy-winning Billboard Hot 100 chart-topper “Rain On Me” (with Ariana Grande). Mother Monster boasts six Billboard 200 No. 1 albums and five Hot 100 No. 1 singles, including 2009’s “Poker Face” (one week), 2011’s “Born This Way” (six weeks) and 2018’s Bradley Cooper-assisted “Shallow” (one week).

Stream “Disease” now.

Summer Walker released her new single “Heart of a Woman” on Friday (Oct. 25) via LVRN and Interscope Records.

“Heart of a Woman” is the lead single from her upcoming third studio album Finally Over It. The new LP follows the theme of Walker’s 2021 sophomore album, Still Over It, and 2019 debut album, Over It. Both releases topped Billboard‘s Top R&B/Hip-Hop Albums chart, and Still Over It also topped the Billboard 200.

In an album teaser video she posted on Instagram earlier this month, the Atlanta-born R&B hitmaker is seen at home hopping out of the shower and into a hot pink robe. With a drink in tow, she listens to voicemail messages left on her answering machine. “Damn, you gotta do me like that? I was just helping my cousin with groceries. Hit me back when you can talk. I know you’re finally over it, but damn, let’s talk about it, I love you,” the messages go. Walker shatters the glass in her hand. The caption reads, “Finally Over It. Call me before I change my number 404-476-6404.” She then released the audio from the teaser video, titled “+1(404) 476-6404,” on DSPs.

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Walker dropped an EP last year, Clear 2: Soft Life, which featured two collaborations with J. Cole (“To Summer, From Cole – Audio Hug”) and Childish Gambino (“New Type”). The nine-song set reached No. 26 on the Billboard 200 and No. 7 on Top R&B/Hip-Hop Albums.

Listen to Summer Walker’s new “Heart of a Woman” single below.

Here it is, Hotties! Megan Thee Stallion dropped her Megan: Act II deluxe album on Friday (Oct. 25) via Hot Girl Productions.

The set features 12 new tracks plus “Neva Play,” featuring RM of BTS, as a bonus. TWICE is featured on the remix of her Billboard Hot 100 No. 36 hit “Mamushi,” originally featuring Yuki Chiba, while Flo Milli and Spiritbox are the other guests. “Mamushi” recently earned Megan her fifth No. 1 on Billboard’s Rhythmic Airplay chart (dated Oct. 26). Megan showed love to TWICE and Flo Milli on X ahead of Megan: Act II‘s release.

The rapper released her third studio album, Megan, on June 28. The 18-track set features previously released singles “Cobra,” the Hot 100 No. 1 “Hiss,” “Boa” and “Mamushi,” and collaborations with Kyle Richh of 41 (“B.A.S.”), Yuki Chiba (“Mamushi”), GloRilla (“Accent”), UGK (“Paper Together”), Victoria Monét (“Spin”), and Big K.R.I.T. and Buddah Bless (“Miami Blue”). The set peaked at No. 3 on the Billboard 200 and topped the Top R&B/Hip-Hop Albums chart.

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Next week, she’ll star in the Megan Thee Stallion: In Her Words documentary, which is premiering on Prime Video on Halloween. TIME Studios, Roc Nation and Amazon MGM Studios are producing the intimate documentary surrounding the Grammy-winning artist and her most vulnerable moments. “Her raw and beautiful spirit really shines through in the film. She is a champion for all women who deserve their truth to be heard,” the documentary’s director Nneka Onuorah said in a statement.

Listen to Megan: Act II below.