In honor of her first studio album in more than a decade, Jill Scott and Live Nation Urban are announcing the To Whom This May Concern World Tour.

The 36-date outing is slated to kick off in Nashville at the Ryman Auditorium on June 4. From there, the U.S. itinerary includes stops in Los Angeles, New York, Chicago, Atlanta, Washington, D.C., Oakland and Scott’s hometown of Philadelphia. Scott will then travel across the ocean to Europe and the U.K., starting in Birmingham, U.K. on Sept. 29. That circuit will include stops in Berlin, Paris, Amsterdam and London. The world tour will wrap with two dates in South Africa: Pretoria on Nov. 7 and Cape Town on Nov. 11.

According to the press release, the tour will “center on a series of residency-style performances, placing live band instrumentation at the heart of the experience. Each city will host uniquely curated shows designed to create deep, immersive connections between artist and audience.”

In a statement, Scott noted, “Creating unique experiences for people in every city is incredibly important to me. Music is a conversation, and the stage is where we come together to share truth, joy and the beauty of being alive.”

Released Feb. 13 through Blues Babe and Human Re Sources, To Whom This May Concern debuted in the top 10 of seven Billboard charts. Those highlights include Top Album Sales (No. 7), Top R&B Albums (No. 4), Top R&B/Hip-Hop Albums (No. 10) and Independent Albums (No. 6).

Tickets for the To Whom This May Concern World Tour will be available via an artist presale beginning on Tuesday (March 10) at 10 a.m. local time and ending that same day at 10 p.m. local time. The general on-sale starts at 10 a.m. local time on Tuesday (March 11) at MissJillScott.com.


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It’s been nearly half a century since a group of childhood friends from the Orchard Park public housing projects in Roxbury, Boston got together to form a vocal group inspired by Michael Jackson and the Jackson 5. Now, those lifelong friends are on the cusp of induction into the Rock & Roll Hall of Fame and it sounds like the joyous culmination of a long dream.

“It feels incredible,” charter New Edition member Bobby Brown told the Boston Globe in a recent interview after the 2026 RRHOF nomination class was announced last month. “Just knowing that our prayers are being answered and everything is going in the direction that we had hoped for, and we wished upon, and we worked hard for … it’s a great thing … we’re really happy to be a part of this.”

The recognition for New Edition — Brown, Ricky Bell, Michael Bivins, Ronnie DeVoe, Johnny Gill and Ralph Tresvant — came 43 years after the R&B vocal group released their 1983 teen pop album Candy Girl, which featured such sugary sweet confections as the title track, “Popcorn Love” and “Is This the End.” The Globe noted that it also came after the group was honored last summer with a “New Edition Day” in Boston, with member Bivins telling the paper that despite all their success they still had two major goals left to accomplish.

“We still don’t own a Grammy,” Bivins said at the time. “And we still have aspirations of being in the Rock & Roll Hall of Fame.”

The nomination news came as New Edition is gearing up to launch the New Edition Way tour on Friday (March 13) with guests Boyz II Men and Toni Braxton. They got wind of the nomination via a group text from their managers just days before a gig in Cleveland, Ohio, home of the Rock Hall. DeVoe told the Globe that a few of the members got a chance to ride by the museum to take photos and videos, unaware that within days they’d be nominees.

“It’s just ironic that we’re leaving Cleveland, and here comes this blessing that we have been waiting for, to a certain extent, all of our careers,” said DeVoe. “It was just fitting, like God just presents things in a way where it’s almost confirming.” He also noted that the group is aware that “there’s still work that has to be done,” since a nomination doesn’t guarantee entry and this year’s class is especially large and filled with heavy-hitters. “So those ‘New Edition for life’-ers and family members and everybody have to really begin to put in the real work, but we’re excited about all the possibilities,” he added.

New Edition are among 17 nominees for Rock Hall induction this year, a group that also includes: the Black Crowes, Jeff Buckley, Mariah Carey, Phil Collins, Melissa Etheridge, Lauryn Hill, Billy Idol, Joy Division/New Order, INXS, Iron Maiden, Oasis, P!nk, Sade, Shakira, Luther Vandross and the Wu-Tang Clan.


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If “Golden” from KPop Demon Hunters wins the Oscar for best original song at the awards ceremony on March 15, it will set several records. It will become the first Kpop smash to win an Oscar; the first winner in this category with more than four credited writers; and the first where each of the winners won’t receive an Oscar statuette. (The Motion Picture Academy has a strict rule that it will award no more than four statuettes in this category. If a song has five or more co-writers, as is the case with “Golden,” the writers must sign an agreement that, should they win, they will share one statuette.)

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If Diane Warren wins for “Dear Me” from Diane Warren: Relentless, she’ll set a record as the songwriter or composer who had the most nominations before finally winning. She has lost 16 times in this category without winning. Randy Newman had lost 15 times (in song and score categories combined) before he finally won best original song in 2022 for “If I Didn’t Have You” from Monsters, Inc.

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We’re going to look at 25 best song winners that have set records, but first, a quick reminder of this year’s nominees:

  • “Dear Me” from Diane Warren: Relentless; Music and Lyric by Diane Warren
  • “Golden” from KPop Demon Hunters; Music and Lyric by EJAE, Mark Sonnenblick, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seo and Teddy Park
  • “I Lied to You” from Sinners; Music and Lyric by Raphael Saadiq and Ludwig Goransson
  • “Sweet Dreams of Joy” from Viva Verdi!; Music and Lyric by Nicholas Pike
  • “Train Dreams” from Train Dreams; Music by Nick Cave and Bryce Dessner; Lyric by Nick Cave

Without further ado, here are 25 songs that have set records in the best original song category since it was introduced in 1935. The years shown are the year of the Oscar ceremony.

Selena Gomez was feeling all the love on Sunday (March 8) as she celebrated husband Benny Blanco‘s 38th birthday with an Instagram photo dump that included two glamorous shots from the couple’s September 2025 wedding.

“Happy birthday my love,” Gomez, 33, wrote in the caption. “I love you with all my heart.”

The post opened with a black and white shot of the couple smiling and laughing while seated at what looks like a fancy dinner, followed by a glimpse of the happy newlyweds walking down the aisle at their wedding, with the guests behind them clapping and cheering them on after their vows. That was followed by another glam wedding pic, this one of the pair walking, with Blanco dressed in a classic tuxedo and Gomez wearing a white romantic silk lace off-the-shoulder Ralph Lauren gown.

Elsewhere we saw a snap of Blanco laying a kiss on Gomez’s cheek as he hugged her from behind in an outdoor candid, as well as the couple enjoying tacos and Blanco cooking up a tray of meatballs as Gomez leans on his back with a grin. There are also a few cute shots of them kissing, or about to kiss and one from their date night at this year’s Golden Globes.

The couple, who began dating in summer 2023, were in the news again last week when Gomez went on the producer’s new podcast, Friends Keep Secrets, and made headlines when she sweetly kissed his bare feet a week after he’d caused a scandal on the first episode of the pod by displaying his dirty soles.

While chatting with third host, rapper Dave “Lil Dicky” Burd’s wife Kristin Batalucco, about the pros and cons of putting toddlers on “leashes,” Gomez suddenly leaned over and gently smooched Blanco’s toes, which once again were exposed and propped up on Burd and Batalucco’s coffee table. Blanco couldn’t help but smile as he looked at Burd and asked, “you like that?”

Gomez wasn’t up for being a pawn in the men’s constant game of one-upmanship, though, counseling her husband, “Don’t make it a moment.”


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A woman was taken in custody on Sunday (March 8) after she allegedly fired shots into the Los Angeles-area home of Rihanna and A$AP Rocky. The Los Angeles Times reported that officers responded to a report of a shooting at 1:21 p.m. on Sunday, with an unnamed 30-year-old female detained in the incident.

According to reports, a round penetrated a wall of the mansion and at least 10 shots were fired at the residence from inside a car parked across the street from the property’s gate. No injuries were reported in the shooting, which police said left bullet holes in the gate of the pop superstar’s home and in an RV parked in the driveway. ABC7 reported that Rihanna was at home at the time of the shooting and that nobody was hurt.

After opening fire, the white Tesla then fled the scene and police shared details about the suspect, including that she wore her hair in braids, had on a cream-colored shirt and that the bottom of her car was dirty. A police helicopter eventually spotted the car and followed it to a shopping center parking lot in nearby Sherman Oaks, where the suspect was arrested around 30 minutes after the 911 call came in.

“When they pulled the suspect over and took her into custody, they searched the vehicle and located an assault rifle and seven casings,” LAPD spokesperson Armen Arias told the Times. NBC reported that the alleged shooter used an AR-15-style assault rifle.

Rihanna reportedly lives in the home with partner Rocky and their three young children, though it was unclear at press time if all were home at the time of the incident and a spokesperson for the singer had not returned Billboard‘s request for comment at press time. It’s not the first time one of Rihanna’s homes has been attacked. In 2018, a man broke into her Hollywood Hills home and spent 12 hours inside before an assistant spotted him the next day; Eduardo Leon later pleaded no contest to stalking the singer.

At press time authorities had not released any further information about the alleged shooter or a possible motive.


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ULTRA Worldwide has revealed the final lineup for ULTRA Beach Gold Coast 2026, with Swedish DJ-producer Alesso set to headline the electronic music festival on Australia’s Gold Coast.

The event will return to Broadwater Parklands in Queensland on April 12, marking the third edition of the beachside festival and its most ambitious installment yet. Organizers say the 2026 edition will expand beyond its previous single-stage format to feature two stages for the first time: the Main Stage and the UMF Radio Stage.

Alesso will top the bill with what organizers describe as an exclusive Australian performance during the upcoming touring cycle. The producer has remained a major presence in global dance music over the past decade with tracks including Billboard Hot 100-charting track “Heroes (We Could Be)” featuring Tove Lo, “Years,” and his remix of OneRepublic’s “If I Lose Myself,” which helped introduce him to a wider international audience.

The lineup also features a number of major electronic music names including The Chainsmokers, DJ Snake, Darren Styles, MaRLo, Nico Moreno and Oliver Heldens.

The Chainsmokers broke through with chart-topping hits like “Closer” featuring Halsey and “Something Just Like This” with Coldplay, while DJ Snake has scored global hits including “Lean On,” his collaboration with Major Lazer and MØ, and “Taki Taki.” Dutch DJ Oliver Heldens, meanwhile, has become a staple of the international house music circuit with releases like “Gecko (Overdrive)” and “Last All Night (Koala).”

Support on the lineup includes Dutch producer KAAZE, alongside a slate of emerging Australian artists scheduled to perform across the two stages. Local acts announced for the event include Ali James, Brooklyn, Fletcher Kirkman, Hektic and Jayrob, along with several back-to-back performances such as Brooklyn b2b Rory, Jayrob b2b Rymak and Justice b2b Sophie Bridges.

Gold Coast Mayor Tom Tate praised the festival’s return in a statement, describing the event as a highlight of the city’s annual major events calendar.

“From Miami to the Gold Coast, this ULTRA Beach festival epitomises everything that’s great about our city,” Tate said.

ULTRA Beach Gold Coast forms part of the wider ULTRA Worldwide festival brand, which began with the Ultra Music Festival in Miami in 1999 and has since expanded into a global network of events across Europe, Asia, South America and Australia.

Tickets for ULTRA Beach Gold Coast 2026 are currently on sale via the festival’s website.

Country Joe McDonald, the counterculture musician whose Vietnam War protest anthem “I-Feel-Like-I’m-Fixin’-to-Die Rag” became a defining song of the 1960s protest movement, has died at age 84.

McDonald died at his home in Berkeley, Calif., from complications related to Parkinson’s disease, according to his wife, Kathy. News of his death was first reported Monday (March 9).

Born Joseph Allen McDonald on Jan. 1, 1942, in Washington, D.C., McDonald rose to prominence as the frontman of Country Joe and the Fish, a San Francisco Bay Area psychedelic rock band that emerged from the counterculture scene in the mid-1960s.

The group blended politically charged lyrics with psychedelic rock and became closely associated with the anti-war movement of the era. McDonald’s most enduring composition, “I-Feel-Like-I’m-Fixin’-to-Die Rag,” became a rallying cry for Vietnam War protesters.

The song reached global notoriety during McDonald’s solo appearance at the 1969 Woodstock festival, where he led the crowd through the now-famous “Fish Cheer,” a call-and-response chant that encouraged hundreds of thousands of attendees to spell out an expletive before launching into the anti-war anthem.

Reflecting on the song decades later, McDonald said its message was intentionally aimed at political leadership rather than soldiers fighting in the conflict. “The important thing about the Fixin’ to Die Rag was that it had a new point of view that did not blame soldiers for war,” McDonald told Street Spirit in 2016, adding, “It just blamed the politicians, and it blamed the manufacturers of weapons. It didn’t blame the soldiers.”

“Someone who was in the military could sing the song, and the attitude is, ‘Whoopee, we’re all going to die’. Most peace songs of the era blamed the soldiers for the war.”

Country Joe and the Fish released their debut album, Electric Music for the Mind and Body, in 1967. The record helped establish the band within the San Francisco psychedelic rock movement alongside groups such as Jefferson Airplane and Grateful Dead.

Two of the band’s albums reached the top 40 of the Billboard 200 during the late 1960s, cementing their place in the era’s rock landscape even as peers like Jefferson Airplane and the Grateful Dead achieved broader commercial success.

After the group dissolved in the 1970s, McDonald continued recording and performing as a solo artist, releasing dozens of albums across folk, rock and politically themed songwriting. His 1986 album Vietnam Experience revisited the cultural impact of the war that had defined much of his early work.

Before launching his music career, McDonald served in the U.S. Navy from 1959 to 1962. He moved to the San Francisco Bay Area in 1965 and soon co-founded Country Joe and the Fish in Berkeley with guitarist Barry “The Fish” Melton. Although his commercial peak came during the late 1960s counterculture era, McDonald remained active in music for decades, performing at festivals and continuing to write songs reflecting on war, politics and social change.

His legacy remains closely tied to Woodstock and the protest music movement of the late 1960s — a period when rock musicians used their platforms to challenge political power and give voice to a generation shaped by war and cultural upheaval.

Pop star Rita Ora brought a high-energy pop spectacle to Australia’s Formula 1 Grand Prix weekend in Melbourne, performing for thousands of race fans during the 2026 event.

The singer took the stage Saturday (March 7) during the entertainment programming surrounding the Australian Grand Prix, delivering a hit-packed set that blended dance-pop theatrics with race-day adrenaline at the Albert Park Circuit.

Ora’s appearance added a pop-culture moment to the global sporting event, which traditionally draws major music acts as part of its fan-focused weekend programming. The performance was met with enthusiastic reactions from the crowd gathered at the circuit, many of whom shared clips of the show across social media shortly after she stepped on stage.

Ora has remained a regular presence across music, television and film in recent years. In addition to releasing new music and collaborating with artists across the pop and electronic worlds, she has also appeared as a judge and host on several international TV franchises.

The singer has also spoken publicly about her marriage to filmmaker Taika Waititi, whom she wed in a private ceremony in Los Angeles in 2022. Ora has described the relationship as being built on a strong friendship, and has said that becoming a stepmother to Waititi’s two daughters has shifted her perspective on life.

“It’s changed how I see things,” she has said in interviews, noting that family and everyday moments now carry greater meaning.

The singer, who has been releasing music for more than a decade, recently teased a new project and described her upcoming material as a creative reset following years in the pop spotlight.

Speaking with Billboard earlier this year amid the release of her latest track “All Natural”, Ora said she wanted the new era to feel more “raw” and vocally exposed, noting that she deliberately pushed herself outside of her usual sound while working with producer Joel Little, whose credits include artists such as Lorde and Taylor Swift.

The forthcoming music follows a string of global collaborations and hits across her career, including “Black Widow” with Iggy Azalea and “For You,” her duet with the late Liam Payne from the Fifty Shades Freed soundtrack.

Australian pop singer Vanessa Amorosi made a surprise appearance during G Flip’s Melbourne show over the weekend, joining the drummer-turned-pop star onstage for a performance of Amorosi’s early-2000s hit “Absolutely Everybody.”

The moment unfolded Saturday night (March 7) at Margaret Court Arena, where G Flip was performing a hometown show as part of their current Australian tour. Midway through the set, Amorosi emerged to thunderous cheers from the crowd, launching into the chorus of the 2000 single as fans sang along.

Videos shared on social media show Amorosi delivering the song’s soaring vocal lines while G Flip bounced around the stage, the two performers feeding off the energy of the packed arena. The unexpected collaboration quickly turned the venue into a full-scale singalong.

@aria

So much joy shared in this moment with @G FLIP and @vanessaamorosimusic 🤩🤩 [Video description: G Flip and Vanessa Amorosi singing Absolutely Everybody together in Melbourne was the serotonin boost I didn’t know how much I needed] #GFlip #DreamRideTour #VanessaAmorosi #AbsolutelyEverybody #Melbourne @Frontier Touring

♬ original sound – ARIA_Official

Released in 2000, “Absolutely Everybody” became Amorosi’s breakout hit and one of the defining Australian pop singles of the early 2000s. The track reached No. 1 on the ARIA singles chart and remained on the chart for more than six months, eventually becoming one of the longest-charting singles by an Australian female artist at the time. The song later gained international attention and remains closely associated with Amorosi’s powerhouse vocal style.

The cameo added another memorable moment to G Flip’s current tour, which celebrates the success of their latest album Dream Ride. The record arrived last year and followed the breakout success of Drummer, which earned the artist an ARIA Award for Best Pop Release in 2023.

G Flip has spent the past year building momentum globally, including a 35-plus-date run across the United States and Canada and a headline show at London’s Brixton Academy. The artist also received an ARIA nomination for Best Pop Release for the single “Disco Cowgirl,” while their growing cultural influence was recognized with a place on Out magazine’s annual Out 100 list highlighting impactful LGBTQ+ figures.

More recently, G Flip released the single “Lez Go!” with Canadian rock band The Beaches, who are also serving as support on the Australian tour.

The current run of shows marks G Flip’s first major tour on home soil since the success of Drummer, with the tour set to continue through Adelaide and Perth in the coming days.

Justin Bieber had yet another tense encounter with paparazzi during a recent date night in Los Angeles with wife Hailey.

On Friday (March 6), the 32-year-old pop superstar lost his cool as photographers swarmed him in a parking garage following a late-night dinner at Sushi Park in West Hollywood.

Footage captured by TMZ shows Justin visibly frustrated, covering his face as he and Hailey made their way toward a black SUV. Once inside, the singer hurled a half-empty Fiji water bottle at the paparazzi. The bottle didn’t hit anyone and fell to the ground, and the couple quickly drove off.

The incident marks yet another clash between Bieber and photographers. Last summer, ahead of the release of his seventh studio album, Swag, the “Yukon” singer went viral for seemingly confronting intrusive paparazzi, irritably asking, “It’s not clocking to you that I’m standing on business, is it?” The phrase quickly became a widespread meme.

In April 2025, Bieber criticized the “darkness” in L.A., particularly the treatment he faces from paparazzi. At the time, he shared an Instagram video showing his perspective as he stepped outside amid blinding camera flashes, with photographers following his every move and often blocking his path to the car.

“Look at these guys, man,” Bieber’s voice says disapprovingly from behind his camera, while his security guard repeatedly told the paps to back up.

Bieber has long battled with the paparazzi. Since his debut in 2009 at just 15 years old, the “Baby” artist has endured relentless hounding and spoken out against the invasive practice multiple times. The April 2025 incident echoed a similar moment in 2014, when his Ferrari was rear-ended by a persistent photographer.

“There should be laws against what I just experienced,” he posted on X at the time. “We should have learned from the death of Princess Diana…”


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