From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.

Jenni Rivera’s La Gran Señora (Banda) Now Available on CD & Vinyl

Jenni Rivera’s legacy continues to grow with the release of La Gran Señora (Banda) in CD and vinyl formats. This revamped edition of her iconic 2009 album brings back the most representative tracks of the Diva de la Banda, featuring arrangements that highlight her signature banda style. The album radiates vibrant energy with trumpets, trombones, and tubas, complemented by percussion and clarinets that enhance its dynamic rhythm. These elements amplify the power and authenticity of Jenni’s unmistakable voice, keeping her musical essence alive.

“Every song by Jenni Rivera tells a story, and these editions allow her fans to relive her voice and power, as if she were singing to them once again,” says Jacqie Rivera, CEO of Jenni Rivera Enterprises. Meanwhile, Johnny López, Jenni Rivera’s son and the album’s creative director, adds: “We know that our mom’s fans value the details that make her music unique. Bringing La Gran Señora (Banda) to vinyl and CD offers them an experience that celebrates her life, career, and the emotion she always shared with them.”

Fans can purchase both formats through Amazon or at jenniriverafashion.com.

Peso Pluma & Tito Double P Kick Off Tour with Yahritza y Su Esencia & More Stars

Peso Pluma and Tito Double P kicked off their highly anticipated Dinastía by Peso Pluma & Friends tour with a sold-out concert at Seattle’s Climate Pledge Arena on Sunday (March 1). The night featured special appearances by Yahritza y Su Esencia, Armenta, and Rey Quinto, who electrified the audience with unforgettable performances. This opening marks the start of a tour that celebrates the global rise of Mexican music. The cousins Peso and Tito will take their tour to cities like Las Vegas (March 13), Dallas (April 10), and New York (April 30), before wrapping up at the United Center in Chicago on May 7. Limited tickets are still available at LiveNation.com.

Courtesy of Live Nation

Gaby Moreno Makes Her Broadway Debut

Gaby Moreno made her Broadway debut last Tuesday (March 3) in the Tony-Award winning musical Hadestown. In this show — which reimagines the Greek myth of Orpheus and Eurydice in a post-apocalyptic setting inspired by the Depression era and New Orleans jazz — the Guatemalan singer-songwriter plays Persephone, Hades’ wife. Moreno will be performing throughout the season, till October. If you’re in New York City or planning a visit, you can find more information and tickets here.

Mario Bautista to Make His Las Vegas Debut on Cinco de Mayo

Mario Bautista will make his debut as a headlining artist in the United States with two concerts on May 1 and 2 at Voltaire, located inside the Venetian Resort Las Vegas, just ahead of Cinco de Mayo weekend. The Mexican artist, known for hits like “Baby Girl,” “Brindó,” and “Cabrón Yo Puedo,” will also showcase music from his upcoming album Lover Boy. “I’m so pumped to be taking the stage at Voltaire,” said Bautista in a press release. “Getting to share my music in a venue like this, there’s nothing like it.” Tickets are now available at voltairelv.com.

Australian pop duo The Veronicas have delivered a new performance for triple j’s long-running Like A Version series, taking on sombr’s track “12 to 12.”

Jess and Lisa Origliasso recorded the cover during the station’s expanded Like A Version month, which is seeing additional performances released alongside the program’s traditional Friday morning sessions.

Introducing their choice of song in the studio, the sisters described sombr as a compelling songwriter and said the track immediately stood out to them as a standout piece of pop writing.

They explained that once they heard “12 to 12,” the song quickly became an obsession, praising its structure and melody as an example of sharp pop craftsmanship. As longtime songwriters themselves, the duo said they were drawn to the strength of the composition, noting their appreciation for artists who demonstrate a strong instinct for building memorable pop songs.

Alongside the cover, The Veronicas also performed their breakout hit “Untouched,” the 2007 single from their album Hook Me Up. The track remains one of the duo’s most recognizable releases and has enjoyed renewed attention in recent years across social media and streaming platforms.

The appearance marked the pair’s proper debut performing in the Like A Version studio, a milestone moment for the Brisbane-raised artists who have been part of Australia’s pop landscape for nearly two decades.

The performance arrives during triple j’s special run of Like A Version sessions this month, which has featured a wider slate of artists delivering covers and originals. Earlier in the week, Baltimore hardcore band Turnstile launched the expanded schedule with a rendition of the Stone Roses’ classic “I Wanna Be Adored,” paying tribute to the band’s late bassist Mani.

Additional acts scheduled to appear during the series include Oklou, Baker Boy, Lucy Dacus, MAY-A, Kevin Abstract and Inkabee.

Over the years, Like A Version has become one of triple j’s most recognizable segments, with artists frequently reinterpreting unexpected songs and introducing new audiences to different corners of pop and alternative music.

BTS are responding directly to the internet as anticipation builds around their upcoming album Arirang.

In a new video released by GQ, the K-pop superstars go undercover online, responding to fan questions pulled from platforms including X, Reddit, TikTok, Quora and YouTube. The segment follows the publication’s recurring format in which artists read and react to discussions circulating about them online.

Throughout the episode, the members address a mix of fan theories, inside jokes and long-running debates within the BTS community. They also fact-check details on their Wikipedia pages and respond to comments about the group’s reunion and evolving sound.

At several points in the video, the conversation turns to how the band’s music and perspectives have shifted since their early years, with the members acknowledging that their current material reflects a more mature stage of their careers.

The clip also touches on BTS’ long relationship with their global fanbase, ARMY, with the members reacting to questions about favourite fan moments and the culture that has grown around the group’s music over the past decade.

In one segment, the group discusses what they have missed most about working together while away from the spotlight and what it has been like to reunite in the studio.

The GQ appearance arrives ahead of the March 20 release of BTS’ next album, Arirang, which marks one of the group’s most significant projects since completing their mandatory military service and returning to activities as a full group. The upcoming record will be the group’s first major release since reconvening following the hiatus period that began in 2022.

Alongside the album, BTS are rolling out several additional projects tied to the comeback.

A concert film titled The Comeback Live is scheduled to debut on March 21, offering fans a performance-focused companion to the new era. A documentary, The Return, will follow shortly after, with the film set to begin streaming on Netflix on March 27.

Watch BTS reply to fans online with GQ below.

Harry Styles dropped his new album ‘Kiss All the Time. Disco, Occasionally,’ and Billboard staffers sit down to react to Billboard’s rankings of the album and to share their personal rankings and opinions.

Kyle Denis:

Mr. Styles, the man that you are. This is my No. 1, man. 

Meghan Mahar:

I have it at No. 4. I found that wildly disrespectful.

Jason Lipshutz:

There is a choir shaking the listener awake. Harry’s talking about unintimate sex, which also kind of shakes the listener awake to some degree. 

Meghan Mahar:

Your mind is so powerful.

Tetris Kelly:

Billboard’s staff is reacting to our ranking for Harry Styles’ new album ‘Kiss All the Time. Disco, Occasionally.’

Meghan Mahar:

I love Harry’s writing when it feels more journalistic, like this, when there are specific references to places, and I think we can maybe guess who it’s about. But I just think there are so many better songs that shine brighter on this album.

Jason Lipshutz:

I actually really like “Taste Back.” There’s the synths are huge. The hook is huge. It’s very warm. It’s very dripping in nostalgia. I think that some of the lines are really effective placed in kind of the center of the album, right before that kind of mid album pivot. It’s pretty effective.

Kyle Denis:

I have this probably in the 10 to eight range. I don’t think it’s the dead worst song on the album, but I do think that I really enjoy the way that the restlessness of the beat kind of gives you this idea of reconciliation. But are you able to actually reconcile fully with this person or not, or do you just want them for the moment? I like how his voice is kind of subdued on this track. Gives you a little bit of that apprehension that the lyrics are hinting at. I don’t know. I don’t think this is definitely not a top half for the album. At No. 11, we have “Are You Listening Yet?” This is probably where I differentiate from the published ranking most. This is a top five song for me. I love it. It gives Harry meets the dare. I think it’s super, super dope.

Keep watching for more!

The two concerts that P!nk had scheduled for this spring at the GNP Seguros Stadium in Mexico City have been canceled, promoter Ocesa announced Friday (March 6).

A show by singer Carolina Ross and another by rapper Lucho SSJ were also canceled, but Ocesa tells Billboard Español the cancellations are unrelated.

In a statement shared on social media, the promoter said the cancellation of the pop star’s performances originally scheduled for April 26 and 27 is due to “complications arising from an unforeseen circumstance that affects the logistics of the event,” a situation that is “beyond the control of the artist, the promoter, and the venue.”

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The shows would have marked the return of the “So What” and “Get the Party Started” singer to Mexican stages after more than two decades. “We understand how much fans were looking forward to these concerts, and we deeply appreciate their understanding,” Ocesa added.

The company informed that those who purchased tickets online through Ticketmaster Mexico would receive a full refund automatically, including service fees, directly to the card used for purchase, in accordance with the timelines established by each banking institution. Those who bought tickets at box offices can request their refund at the original point of sale in the coming days.

Regarding the cancellation of the show by regional Mexican singer Carolina Ross, which was scheduled for May 2 at Mexico City’s Teatro Metropólitan, the promoter explained that it was due to “unforeseen logistical circumstances completely beyond the control of Ocesa, the artist, and the venue.” Tickets purchased online will also be refunded directly to the bank card used for the purchase. If the tickets were purchased at the venue’s box office, refunds can be requested starting March 12.

The third canceled show was that of rapper Lucho SSJ, at Foro Puebla, also in the capital city. As with the cases of P!nk and Ross, the promoter said that this was due to “logistical reasons completely beyond the control of the artist, the venue, and Ocesa.” Refunds would also be processed automatically to the bank card used for purchase, and directly at the venue’s box office starting this Friday. 

The T.I.-50 Cent war has become a family affair. On the heels of 50 sniping at Tip and his wife Tiny, two of the Harris children, King and Domani, responded to the G-Unit mogul on Friday (March 6) with bristling diss tracks.

“Ni–a Dropped dat Weak A$$ Track It ain’t sh– you can do, DAT WE CANT MR 5 0 ‼️ So yall just sit back and watch da show WE FINNA COOK THIS [duck emoji] Ahhh Ni–a,” King captioned the post for his “Droptop” diss.

The fiery track finds King hitting 50 with jabs like, “You were made from 50 cents because your mama gave it cheap.”

King continued to pile onto 50 with a clip of T.I. on a video set with the G-Unit rapper’s ex, Daphne Joy, who was also romantically involved with Diddy.

“F—K IT Dis Why he mad yall cuz this beautiful woman ain’t want em it may be y he beat women,” King added. “@50cent YOU GON LEARN TO STOP FW US CANT BEAT US WIT LIES/ PAID RUMORS ‼️ BUT ISSA FACT YA MAMA WAS F—NG(junkies) FA A REUP AND YO NEW CLOTHES WHILE EATING DIRTY🐱ON DA SIDE I CANT RELATE.”

Hollywood Unlocked reposted King’s post about 50, and the Queens legend hopped into the comment section with a message. “LOL IF HE KEEP THIS UP Diddy not gonna want to walk around with her. LSW,” 50 chimed in.

Domani backed up with his brother with another 50 Cent diss track titled “PU$Y.” He refers to 50 as a “cornball” and an “informant” while landing haymakers for punchlines.

“Bring back the vest, when you was at your best,” he raps. “Not that it would matter, f— your chest / ‘Cause why I’m at your neck for talkin’ out it / Yeah let’s talk about it, don’t get quiet now / The quiet kid done f—in’ dialed in / Don’t throw the towel now, y’all chime in / He need an audience so give it to him.”

Domani then brings up 50’s ex, Daphne Joy, to close the scintillating diss, who previously accused the “Many Men” rapper of sexual abuse and rape, which 50 denied and responded with a defamation lawsuit.

“I guess that deal just wasn’t sweet enough surprisingly you sell your a– for anything then try and talk about Daphne/ Cough for your mama get up Curtis don’t look for your grandma,” he raps.

50 got up off the mat and shrewdly responded to T.I. and Tiny with a couple of bars in his new Power Origins theme song “No One Told Us,” which features Leon Thomas.

“I’m back on my dope boy grammar/ Your daddy made your mama eat every box in Atlanta/ Freak s—t, peep s—t/ Keep s—t, on the low/ But everybody know,” he raps while referencing the sexual assault allegations Tip and Tiny have faced.

The 50 Cent and T.I. battle added a few more chapters on Friday (March 6) and doesn’t appear to be coming to a close very soon.

Like father, like daughter. North West is looking to follow in her dad, Ye’s (formerly Kanye West), footsteps as a dual-threat artist and producer.

North previewed some unreleased music on her TikTok Live earlier this week, and one track finds her sampling her father’s 808s & Heartbreak track “Coldest Winter.”

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The electropop tribute — which interpolates Tears for Fears’ “Memories Fade” — pays homage to Ye’s late mother, Donda West, who died in November 2007 from coronary artery disease and post-operative complications related to cosmetic surgery.

North’s hard-hitting beat features punchier drums than Yeezy’s original, but uses the same melody, aided by Ye’s haunting vocals faintly in the background.

Back in January, North previewed a collaboration with her father on social media. “All my friends are hits, you know I’m not lazy/ You’re so angry that I’m so mainstream,” she raps. “I’m not sure I’m crazy/ I want more piercings and tats/ I love blue hair, put it in some plaits/ Put the music to the max/ I want like a hundred thousand racks.”

Days later, a blue-haired North joined Kanye in Mexico City on the La México stage at his first Mexico show in 20 years. She accompanied her father for his performance of the emotional “Only One.” North remained on stage and also performed her “Piercing on my Hand” track.

North stayed busy in 2025, where she notched a collaboration with FKA Twigs, which saw her rap in Japanese on Eusexua standout “Childlike Things.” The 12-year-old also contributed to the Ye-produced “Lonely Roads,” which landed on King Combs’ Never Stop EP.

According to Rolling Stone, North signed a record deal with Larry Jackson’s Gamma in February and has more new music on the way. It’s a family affair as Ye also signed to the independent music company earlier in 2026.

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Boston Celtics star Jayson Tatum is making his NBA return tonight against the Dallas Mavericks. After suffering a season-ending achilles tear last May during the Eastern Conference semifinals against the New York Knicks, the all-star forward has been dedicated to recovering and getting back on the hardwood as soon as possible.

While ACL injuries normally keep athletes sidelined for over a year, Tatum impressively is already game-ready. Many fans are speculating whether his “rushed” return is risky, especially with the Celtics still playing top-level basketball this season. Currently, Boston is ranked No. 2 in the Eastern Conference and have one of the best records in the league, so do they need Tatum coming back and risking even more injury? Plus, Jaylen Brown is performing at an MVP level this season.

Tonight, the Celtics will play host to the Dallas Mavericks at TD Garden with tip-off at 7 p.m. With the game on ESPN, we’ve compiled all the best ways to stream Jayson Tatum’s return live online and for free. Keep reading on to learn how.

Where to Watch Boston Celtics vs. Dallas Mavericks Online for Free

If you don’t have cable, there are still plenty of ways to watch ESPN and the Boston Celtics vs. Dallas Mavericks NBA game online. Fans can take advantage of multiple streaming services that offer free trials, so you can watch the college championship game today without paying a dime. Signing up to streamers like DirecTV, Hulu + Live TV, Sling TV and Fubo you can get right into the football action.

Celtics vs. Mavericks: How to Watch Jayson Tatum's NBA Return Online

FREE TRIAL

DirecTV


DirecTV is offering a five-day free trial, which will let you watch ESPN and more for free. The Entertainment and Sports Programming Network is included in all of the streaming packages. In addition to unlimited DVR storage, you’ll get access to local channels and the ability to stream on as many devices as you want.

With prices starting at just $4.99 for a day pass, Sling TV includes ESPN, ESPN2 and ESPN 3 (for ABC simucast) with it Sling Orange and Sling Orange + Blue packages — which features dozens of channels that can be streamed on up to three devices at the same time. Sling Orange + Blue features FS1 and the NFL Network too

Please note: Sling TV’s pricing and channel availability depends on your local TV market.

Celtics vs. Mavericks: How to Watch Jayson Tatum's NBA Return Online

FREE TRIAL

FuboTV


Fubo is another great option you can take advantage of to watch ESPN online. The streamer offers a seven-day free trial that’ll give you access to ESPN free and more than 240 live TV channels. The service offers a promo that’ll get you up to $30 off the first month, which can get you access to ESPN and more for as low as $54.99 (reg. $84.99 per month).

Celtics vs. Mavericks: How to Watch Jayson Tatum's NBA Return Online

FREE TRIAL

Hulu + Live TV


For the most content options, Hulu + Live TV gives you access to the entire Hulu library in addition to more than 95 live TV channels — including ESPN for just $82.99 per month.

And, unlike the rest of the options, you can also expand your content library by bundling Hulu + Live TV with Disney+ and ESPN Unlimited. You’ll not only have all of the Hulu library to watch, but also exclusive and original programming available exclusively on ESPN Unlimited.

ESPN Unlimited is the official streaming platform for ESPN, and a subscription includes instant access to games and more exclusive content for $29.99 per month. You can save almost 17% off by purchasing an annual subscription for $299.99 per year. There is no free ESPN Unlimited trial, but it does include exclusive on-demand videos and access to content from what was formerly known as ESPN Insider.

In addition to live sports, ESPN Unlimited has original shows to stream on-demand, plus game recaps and analysis, a shorter version of NFL Primetime and full replays of historic NFL matchups.

To expand your savings and content offerings, currently, you can bundle ESPN Unlimited with Hulu and Disney+ for a single monthly price of just $29.99 per month for all three services for 12 months of streaming.

It’s official: Olivia Dean is standing on Australia’s all-time chart podium.

The newly-minted breakthrough artist winner at the Grammy Awards holds top spot on the ARIA Albums Chart with The Art Of Loving, for its 10th non-consecutive weeks at No. 1. At the same time, “Man I Need” retains top spot on the ARIA Singles Chart for the 16th consecutive week.

With that feat, “Man I Need” is the third longest-reigning single since the ARIA Charts were first published in 1983.

The English singer and songwriter is nipping at the heels of Alex Warren’s “Ordinary” (from 2025) and The Kid LAROI and Justin Bieber’s Stay (2021-22), which are tied in second place on the all-time list, each with 17 weeks at No. 1. “Man I Need” is still some distance behind the greatest of all time, Tones And I’s “Dance Monkey,” which logged 24 non-consecutive weeks at No. 1 in 2019-2020. Whatever happens, Dean’s reign on the ARIA Chart is the longest by a Brit.

“Man I Need” leads three Olivia Dean top 10 hits on the latest chart, published Friday, March 6, ahead of “Rein Me In” with Sam Fender, which holds at No. 2, and “So Easy (To Fall In Love),” down 3-4.

Alysa Liu played a hand in ensuring Dean didn’t dominate the top 3.  The gold medal skater’s now-viral moment at the Winter Olympic Exhibition Gala gives PinkPantheress and Zara Larsson’ 2025 song “Stateside” a bump, up 11-3 for a new peak position. PinkPantheress’ Fancy That, meanwhile, glides 39-6 on the albums chart, for a new peak position.

Texas artist Bella Kay enters the top 10 for the first time with the single “Iloveitiloveitiloveit,” which vaults 20-7; Alex Warren scores his fifth top 50 single as “Fever Dream” debuts at No. 20; and BLACKPINK bows at No. 30 with their DEADLINE EP. It’s the K-pop quartet’s 10th top 50 appearance on the national singles frame, including three top 10s and a groundbreaking No. 1 with 2022’s “Pink Venom.”

The only Australian-made title on the ARIA Top 50 Singles Chart belongs to Tame Impala, as “Dracula” lifts 21-17 for a new peak position.

Over on the ARIA Albums Chart, Bruno Mars has the top debut with his fourth studio album, The Romantic. It’s new at No. 2. Mars also peaked at No. 2 in 2010 with Doo-Wops & Hooligans; went all the way to No. 1 for three weeks with 2013’s Unorthodox Jukebox; and hit No. 3 with 2016’s 24K Magic. Also, his Silk Sonic collaboration with Anderson Paak bagged a top 10 appearance with 2021’s An Evening With Silk Sonic, peaking at No. 4. The Romantic generates the top new debut on the ARIA Singles Chart, “Risk It All,” new at No. 13.

Mitski enjoys a career high with her eighth studio album, Nothing’s About to Happen to Me, which opens its ARIA Chart account at No. 3. That eclipses the No. 7 for her 2022 collection Laurel Hell.

Close behind is Damon Albarn and Jamie Hewlett’s “virtual band” Gorillaz, with The Mountain. It’s new at No. 4, for Gorillaz’s sixth top 10 appearance on the ARIA Chart, a tally that includes their 2010 leader Plastic Beach.

Finally, new album releases from Australia acts Pacific Avenue (Lovesick Sentimental at No. 17) and Telenova (The Warning at No. 28) impact the top 40 at first attempt.

SYDNEY, Australia — New Levels steps on up with an extension to its global partnership with Virgin Music Group.

Announced today, March 6, the expanded new arrangement covers releases, marketing, and artist development, and signals a new chapter of international growth for New Levels’ coordinated worldwide campaigns and long-term market development, explains Jelal Edmonds, founder and CEO of the independent Australian label and management company.

“Extending the partnership with Virgin Music Group is a major step for New Levels,” Edmonds tells Billboard via email. “Over the past four years, Virgin has consistently brought real global value to our operation: world-class infrastructure and a team that moves with speed and care. This extension is about scaling what works and taking New Levels to new levels.”

Alongside the new partnership, New Levels re-signs Larissa Lambert and welcomes new signings Hooligan Hefs and CV, while continuing to develop emerging acts Open Till L8 and Rops1. 

Hailing from Doonside in Western Sydney, Hooligan Hefs celebrates the new signing with the release of a fresh single, “Whistle,” featuring New Zealand hitmaker Savage (“Swing,” “Freaks”). “Whistle” blows its tune ahead of Hooligan Hefs’ first tour of the United States, a run that includes a spot on the 2026 Rolling Loud hip-hop festival bill this May 8-10, presented at Camping World Stadium in Orlando, FL. 

Adjacent to its label activities, the New Levels management division represents DJ Joel Fletcher and rising artist Alyzée.