For his next trick, Dom Dolla updates a bonafide banger from his youth — Puretone’s “Addicted to Bass.”

The Australian EDM star drops “Addicted To Bass (Dom Dolla Relapse),” a remix of another classic Aussie track that marks his first release this year.

“This record was quite literally the soundtrack to my childhood,” Dom (real name: Dominic Matheson explains in a statement). Originally released in 1998, “it followed me everywhere as a kid. Despite how immersive it was for me, spending a lot of time overseas as an adult, I was surprised how few of my friends were familiar with it. Fast forward to preparing for my first ever stadium show in 2025. I was toying around with a bunch of remix and edit ideas, going through old playlist of records I loved and I just couldn’t move past it. Almost 30 years have gone by and I truly hope this new version finds an audience who connect with it in a fraction of the way that I did as a kid. The addiction is real.”

“Addicted to Bass” followed Brits, too.  Originally recorded by Josh Abrahams and Amiel Daemion (as Puretone), “Addicted to Bass” caught a second wind in 2002, when it went all the way to No. 2 on the Official U.K. Singles Chart, edged out by the late Aaliyah’s “More Than A Woman.” Were it not for a leak at retail, which saw “Addicted to Bass” open at No. 68 the previous week, the single wouldn’t been crowned champion.

Dom got the green light from Daemion and Abrahams, who reckons the new mix “finds the deeper, steamier layers in the song. While staying true to the original, particularly in the chorus, Dom has brought his own dirty funk groove to the party. I f****** love it!”

The fresh cut got its first airing last December, when Dom made history with his show at Sydney’s Allianz Stadium. That set, which is now streaming on YouTube, capped a massive year during which Dom was nominated for a Grammy Award; won a slew of ARIA Awards, including the inaugural ARIA Global Impact Award; sold out two nights at Madison Square Garden and ticked off a bucket list item when he released “No Room For A Saint,” the soundtrack for F1: The Movie.

It’s full steam ahead for Dom, whose itinerary this year includes major festival and headline shows across Asia, Latin and North America, the United Kingdom and Europe, a 13-week residency at Hï Ibiza, and an extension of his residency at LIV Las Vegas.

Stream Puretone’s “Addicted To Bass (Dom Dolla Relapse)” via TMRW Music.

It’s been a while. Eighteen years, give or take a few months. With the release today of Atlanta (via 10k/Atlantic Records), Gnarls Barkley makes a long-overdue, but brief, return.

The multi-Grammy Award-winning duo of CeeLo Green, the soulful vocalist, and Danger Mouse, the top-shelf producer, unleashes Atlanta, their third studio album and the followup to 2008’s The Odd Couple.

Produced by Danger Mouse and co-written with CeeLo, Atlanta marks a new beginning, and an end. It’s said to be Gnarls Barkley’s final album.

Atlanta features the previously-released single “Pictures,” one of 13 album tracks. It’s a collection that’s near-impossible to pigeonhole, a feast of gospel mashed with smart-as-a-whip R&B production, with hints of pop, hip-hop and timeless vibes.

Gnarls Barkley had a big time debut with 2006’s St. Elsewhere, which housed the era-defining smash “Crazy,” a tune that went to No. 2 on the Billboard Hot 100 and logged nine weeks atop the official U.K. Singles Chart. St. Elsewhere peaked at No. 4 on the Billboard 200 and No. 1 on the Official U.K. Albums Chart.

Next up, The Odd Couple which peaked at No. 12 on the all-genres U.S. albums tally, and gave the duo another appearance on the national singles chart with “Going On,” which went to No. 88.

According to a release announcing the return, the Atlanta natives had always intended to record a third album, but “life and other creative pursuits intervened,” before they reconnected last year and set aside some time to record this final chapter in their story.

The long break between albums wasn’t wasted. Green released four solo albums, including the 2010 title The Lady Killer which featured the hit single “Forget You” (also known by the uncensored version “F*** You), and two LPs with his hip-hop crew Goodie Mob and appeared as a judge on The Voice.

At the same time, Danger Mouse (born Brian Joseph Burton) worked on albums by Beck, Sparklehorse, U2, the Black Keys, Norah Jones, Portugal. The Man, A$AP Rocky and many others while releasing three albums as Broken Bells with the Shins’ James Mercer.

“Life is a movie. Thoughts are theater, emotions are entertainment, and songs are cinema,” remarks Green on the latest, and last, Gnarls Barkley album. “Gnarls is the narrator… a noun even a person, place, and thing with main character energy to match. Welcome to Atlanta. Smile for the pictures.”

Stream Atlanta below.

Guns N’ Roses’ one-off concert in Australia has expanded into a full-blown stadium tour.

The rock heavyweights will bring their World Tour 2026 to Australia and New Zealand later this year for a run of open-air shows, kicking off with the previously-announced headline date Nov. 29 at the bp Adelaide Grand Final.

Then, Axl Rose and Co. head north to Townsville’s Queensland Country Bank Stadium (Dec. 2), Brisbane’s Suncorp Stadium (Dec. 5), Newcastle’s McDonald Jones Stadium (Dec. 8), Melbourne’s Marvel Stadium (Dec. 11) and Sydney’s Engie Stadium (Dec. 14), before travelling east to New Zealand for the final date on Dec. 17 at Auckland’s Eden Park Stadium, for what should be Kiwi fans’ ultimate early Christmas present.

Aussie rockers Airbourne are special guests on the forthcoming Australasian tour, produced by Live Nation.

The Rock Hall-inducted band will head down precisely four years after their last tour of these parts, back in November and December 2022 for the Australasian leg of their We’re F’N’ Back! stadium trek.

With the new leg, announced Friday, March 6, the rockers expand on a world tour that got underway in 2025 and visited Europe, the Middle East, Asia and Latin America, and follows the release in December of two new songs, “Nothin’” and “Atlas,” their first new music since 2023’s one-off singles “The General” and “Perhaps.”

In a recent interview with Sylvia Alvarado of Las Vegas radio station KOMP 92.3, guitarist Slash said it was “good to have a couple of songs that we’re promoting and then a tour that’s really a long tour.”

Slash also promised that the outfit would play new and old songs on their upcoming 2026 world tour, which is slated to start March 28 at Monterrey, Mexico’s Tecate Pa’l Norte festival, and includes dates in Europe and North America (summer) and Latin America (spring).

Tickets for the GN’R shows in Townsville, Brisbane, Newcastle and Sydney go on sale next Friday, March 13 at 1pm local, with Melbourne and Auckland on sale at 12pm local.

Visit gunsnroses.com, livenation.com.au, livenation.co.nz and adelaidegrandfinal.com.au for more on the ANZ shows.

Guns N’ Roses The World Tour 2026 Australia And New Zealand
Sunday, Nov. 29 — bp Adelaide Grand Final, Adelaide
Wednesday, Dec. 2 — Queensland Country Bank Stadium, Townsville
Saturday, Dec. 5 — Suncorp Stadium, Brisbane
Tuesday, Dec. 8 –McDonald Jones Stadium, Newcastle
Friday, Dec. 11– Marvel Stadium, Melbourne
Monday, Dec. 14 — Engie Stadium, Sydney
Thursday, Dec. 17 — Eden Park Stadium, Auckland

More than three dozen individuals from across the music industry are scheduled to speak at the third annual Music Sustainability Summit happening in Los Angeles on April 14.

Announced Thursday (March 5), the speaker roster includes Lindsay Arell of Legends Global, Maggie Baird of Support+Feed, Zoe Berman of Sound Future, Kelly Brennan-Kleyn of KBK Management, Jamal Chalabi of Backlash Productions, Mary Conde of Another Planet, Erik Distler of AEG, Kristen Fulmer of Oak View Group, Adam Gardner of Reverb and Guster, Lara Seaver of Reverb, Cheryl Liguori of Z2 Entertainment, Lesley Olenik of Live Nation, Scott Paul of Taylor Guitars, Stuart Ross of The Conference Live At Lititz, Carol Scott of TAIT and Neel Vasavada of Overdrive Energy Solutions.

These speakers will participate in a flurry of conversations centered around merch, fan travel, fan engagement, sustainability in small and midsize venues, foodservice, and more, as the 2026 Summit focuses on addressing the industry’s most crucial environmental impacts.

Presented by the Music Sustainability Alliance, the day-long Music Sustainability Summit will be held at Solotech Studios in Hollywood. Passes are $382 through March 31 and available here.

“This year’s summit program focuses on turning ideas into impactful, practical, and scalable
solutions,” the Alliance’s CEO and co-founder, Amy Morrison, says in a statement. “We designed a series of workshops, panels, and mainstage presentations to bring together artists, venues, crews, vendors, labels, promoters, managers, platforms and others to move the industry forward.”

2026 Summit partners include AEG, AEG Presents, AXS, Back of House, Green Disco, PRG, Solotech and Warner Music Group.