Ronnie Wood is just as excited as the rest of us for the release of The Rolling Stones’ 25th and latest studio album Foreign Tongues.

When the legendary British guitarist stopped by The Tonight Show on Thursday night, May 7, he had the bounce of a cat, and the energy of lightning bolt.

Wood, age 78, will turn back time when he sets out on a run of solo shows in the United Kingdom and Continental Europe this summer, his first in 16 years. And in November, an exhibition of his artwork in Germany.

The big drop, of course, is the release of Foreign Tongues on July 10, a 14-track LP led by core members Mick Jagger, Keith Richards and Wood, with starry contributions from Paul McCartney, Steve Winwood, The Cure frontman Robert Smith and others.

The album, Fallon explained, reading from a vinyl copy, includes a cover of Amy Winehouse’s “You Know I’m No Good,” the original of which was housed on the late diva’s Back to Black album from 2006. Winehouse and the Rolling Stones have history. The “Rehab” singer joined the Rock Hall-inducted band on stage in June 2007 at the U.K.’s Isle of Wight Festival, for a rendition of “Ain’t Too Proud to Beg.”

Late night viewers were also treated to a snippet of “Back In Your Life,” which features a “fantastic” Wood solo, according to Fallon, who has enjoyed an early listen to the album.  Wood, we learned, drew divine inspiration for the recording. The Englishman cut his solo on the day Brian Wilson died, last June, when he was still reeling from Sly Stone’s passing days earlier. “It came out my guitar, the feeling, you know,” he recounts. “Just one take. I didn’t do that, the guitar played itself.”

For his latest stint on NBC’s The Tonight Show, Wood took a trip down memory lane as he reminisced on how he learned music and art from his older siblings, was gifted his first guitar, being skint before fame, forming The Faces with Jeff Beck and Rod Stewart, and he rounded it out with a harmonica jam with Fallon and the house band.

“It’s inspirational to do” music and art, he says. “You know, I’m lucky enough to do a solo thing with the painting, and then be a part of a band, you know, part of a group, to express musically. It’s such a gift, you know, to be able to do both.”

Ahead of Foreign Tongues, the band has released two tracks from the project: album opener “Rough and Twisted” and lead single “In the Stars. Wood’s guest spot on NBC’s The Tonight Show came 24 hours after Rolling Stones frontman Mick Jagger stopped by to do his bit in a goofy gag.

Watch Wood’s interview below.

It’s Olivia Dean’s year on the ARIA Chart, as the British pop singer’s smash “Man I Need” enters a 21st non-consecutive week at No. 1.

Dean replaces herself at the summit, as “Man I Need” improves 2-1, leap-frogging “Rein Me In,” her duet with Sam Fender which dips 2-1.

Between them, “Man I Need” and “Rein Me” have ruled the ARIA Singles chart for 24 of the past 25 weeks, a streak that was briefly snapped when Olivia Rodrigo’s “Drop Dead” ruled for one week late last month (“Drop Dead” slips 4-7).

“Man I Need” stands alone as the second-longest reigning No. 1 in ARIA Chart history, behind only Tones And I’s “Dance Monkey,” which clocked up 24 non-consecutive weeks in 2019 and 2020. That record is beginning to look shaky.

The latest ARIA Top 50 Singles Chart, published late Friday, May 8, is notable for the absence of any new titles. The same can’t be said for the national albums tally, which features no less than seven new releases, led by Melanie C’s Sweat at No. 5.

Sweat is Mel C’s ninth studio album and first to crack the ARIA top 10, besting her debut solo album from 1999, Northern Star, which peaked at No. 32. As a member of the Spice Girls, she bagged four top 10 albums, including a chart-topper in 2007 with Greatest Hits.

With that debut, Mel C (aka Sporty) is the most successful of the Spice Girls as a solo artist, ARIA reports. The next best Geri Halliwell (aka Ginger), who reached No. 22 back in 1999 with Schizophonic.

Also entering the top 10 this week is Kneecap with Fenian. It’s new at No. 7, for the Irish band’s first appearance on the ARIA charts.

The latest top 50 features new arrives from American country star Kacey Musgraves (Middle Of Nowhere at No. 17), Australian country artist Rachael Fahim (Who You Are at No. 22), South Australian hip-hop artist trials (Hendle at No. 24), Australian Idol runner-up Harlan Goode (The Idol Collection at No. 42) and The Devil Wears Prada 2 soundtrack (No. 50).

At the top of the leaderboard is Noah Kahan’s The Great Divide, which holds onto top spot for the second consecutive cycle.

Billboard’s Friday Music Guide serves as a handy guide to New Music Friday’s most essential releases each week — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

Last week, we featured Madonna with Sabrina Carpenter, Kacey Musgraves and Zara Larsson.

This week, Charli xcx kicks off her next chapter with “Rock Music,” MUNA releases its punchy fourth album and Lykki Li drops her sixth and final career project… plus much more. Check out all of this week’s picks below:

Charli xcx, “Rock Music”

Soon after Charli’s management teased to Billboard in April that she was working on her forthcoming eighth album, she started dropping hints about what that would sound like, including telling British Vogue there may would be some rock inspiration. Sure enough, her new single is aptly titled “Rock Music,” and includes the hotly contested lyric: “I think the dance floor is dead, so now we’re making rock music.” But, true to form, Charli’s take isn’t what listeners might expect; “Rock Music” is a dizzying one-minute and 55-second track that is more or less a grungy dance track with a guitar riff — and sure enough, it would sound right at home on a dance floor.

MUNA, Dancing On the Wall

MUNA’s fourth album, Dancing On the Wall, arrives today with focus track “Eastside Girls,” complete with its music video starring actor Hannah Einbinder, comedian Kate Berlant and more. With vocalist Katie Gavin’s distinct voice creating a throughline through all of MUNA’s work — from introspective slow songs to uptempo bangers — Dancing On the Wall is a full-bodied continuation of the trio’s rising arch.

Kelela, “linknb”

As Kelela readies her upcoming album, New Avatar, out 10 July, she continues to raise the bar with her genre-blurring blend of soul, R&B, and alternative experimental music. And “Linknb” manages to fit it all in — in just under two minutes — keeping expectations for her third full-length at an all-time high.

Lykke Li, The Afterparty

The sixth and, according to the Swedish singer, final Lykke Li album is out today — and serves as a bittersweet celebration of a near 20-year career and a farewell on her own terms. While The Afterparty offers a complete narrative as a whole, “Happy Now” is perhaps the best snapshot of this moment for Lykki Li, as she sings on the chorus: “Did your tears all go away? Did the darkness ever fade? Is it over? Are you happy now?”

The Last Dinner Party, “Big Dog”

Rock band The Last Dinner Party go all in with latest single “Big Dog,” delivering big, electrifying riffs alongside vocals that slide from eery whispers to full-throttled declarations. Fittingly, the act released an “(On The Road)” music video, given that the track is already a staple of its live show — which even more fans will be able to catch, since The Last Dinner Party will support Olivia Rodrigo on select dates early into 2027.

Little Simz, Sugar Girl

Two weeks after teasing its existence, Little Simz has shared Sugar Girl, her third new project in as many years. From the bouyon-inflected “Open Arms” to the Auto-Tuned fantasia of “That’s A No No,” Sugar Girl is a triumphant reunion of Simz and producer Jakwob, the craftsman behind 2024’s endlessly danceable Drop 7 EP. Nonetheless, the clear standout is the JT-assisted “Game On”; “I’m so T, I support the trans/ Game on bitch, let’s take a stand/ Do black lives still matter to these brands?” she spits in her guest verse, delivering a disarming combination of politics and humor like only she can. – KYLE DENIS 
 
PJ Morton, “Sell My Soul”

Housed on the Saturday Night side of the tracklist, “Sell My Soul” is the latest taste of PJ Morton’s forthcoming Saturday Night, Sunday Morning double album. “You try to come at my weakest/ You try to come when I’m down/ But as long as I am breathing/ The sun can come back around,” he croons in the first verse, desperately holding onto optimism and faith in the face of grueling temptation. Featuring Keyon Harrold on trumpet and flugelhorn, “Sell My Soul” is a grounding mantra we can all take a few pointers from. — K.D. 
 
 
 

On AHHCade, PNAU’s forthcoming seventh studio album, the Australian electronic duo are going for the heart.

“There is a sense of belonging about music, about the journey we have taken. Both Peter and I and our collaborators, creating a home on the dancefloor, between the ears of the listener,” PNAU’s Nick Littlemore explains, as he introduces the new collection, due out July 31 via Sydney-based indie label etcetc, part of TMRW Music.

“We are making heart songs,” he continues. “While, yes, they have electronics and they have technology, they are essentially expressions of the heart.”

The fresh set houses the recently-released “Tu Corazon (Your Heart)” featuring Mexican rock act The Warning, alongside the slappy new single “Nirvana” with EARTHGANG and sadMONTH, which arrives, full formed, today (May 8).

“Nirvana” is a collaboration up with Atlanta hip-hop duo EARTHGANG, and a first of its kind collab with sadMONTH, a new project from the creative mind of Littlemore and Toronto’s Dom Dias.  

The tune “represents the birth of a new era,” notes Littlemore. “It’s fierce, feverish and harks back to the shape of punk electronic yet to come. Get ready to be uptight, upgrooved and unhinged for a new disorder.”

Adds EARTHGANG: “For ‘Nirvana’ we tapped the euphoric and enlightened energy with PNAU, and surfed the electro crush. We appreciate everybody who poured their energy into making it a banger.”

More “surprising” collaborations will be announced in due course, reps say.

PNAU is the project of high school besties Littlemore and Peter Mayes, and is the followup to 2024’s Sambanova. The way forward has been dotted with awards and hits. An international breakthrough came when PNAU joined forces with Elton John on the Rocket Man’s 2012 remix album Good Morning to the Night, which went to No. 1 on the Official U.K. Albums Chart. PNAU and Elton teamed up again for the 2021 remix “Cold Heart” with Dua Lipa, and landed a bonafide global smash.

To support the new album, PNAU announces the Australian leg of their Nirvana Tour 2026. The East Coast regional run gets underway Friday, June 19 at Gilligan’s in Cairns, and wraps July 4 at Woodport Hotel, Erina.

Charli xcx is living the year of going all-out. With the release today of “Rock Music,” the British singer, songwriter and producer switches gears, cranks up the amps and rocks it with electric guitars.

One of those amps goes out the window at the top of the official music video. Shot in black and white, and directed by Aidan Zamiri, the clip follows Charli as she gets up to rock ‘n’ roll stuff, strutting around central Manhattan wearing fewer clothes than anyone else, smoking up a storm, and unleashing a moshpit.

At its musical core, “Rock Music” has a throwback edge, its guitar riff slotting into what is essentially a mid-paced electronic track in which Charli splices and dices her vocals in the chorus. No, it’s not heavy. “Rock Music” has more in common to Daft Punk than it does to Deep Purple.

Charli first teased her new era, new sound in an April interview with British Vogue, which premiered one of the new song’s lyrics: “I think the dance floor is dead, so now we’re making rock music.”

She told the publication, “if I’d made another album that felt more dance-leaning, it would have felt really hard, really sad. That’s interesting for me is to bend the possibilities of what my perspective on that could be.”

Charli has since clarified that she isn’t necessarily performing an about-face. On Instagram, she recently shared a clip of herself in the studio and wrote, “a video of me making a song called ‘rock music’ that is not actually rock music which is funny because i never said i was making a rock album.”

“Rock Music” is Charli’s first release since the Wuthering Heights companion album arrived in February, and dropped in at No. 8 on the Billboard 200 chart. Before that, her 2024 Brat album peaked at No. 3 on the all-genres chart, peaked at No. 1 on the Official U.K. Albums Chart and ARIA Chart, and caught the zeitgeist.

Charli’s busy year includes a starring role in A24’s The Moment, based on her original idea and the first co-production from her new studio365 venture. Also, she appears in Daniel Goldhaber’s remake of the 1978 cult horror Faces of Death, Greg Araki’s erotic thriller I Want Your Sex, Cathy Yan’s independent film The Gallerist, Julia Jackman’s period fantasy 100 Nights Of Hero, Romain Gavras’ satirical action Sacrifice and Pete Ohs’ intimate drama Erupcja.

Stream “Rock Music” below and watch the official music video.

C. Breezy season is upon us. Chris Brown returned on Friday (May 8) to deliver his 12th studio album, Brown.

A backronym for Break Rules Only When Necessary, Brown is loaded with 27 tracks in total and boasts appearances from YoungBoy Never Broke Again, GloRillaVybz Kartel, Leon ThomasBryson TillerTankFridayy, Sexyy Red and Lucky Daye.

“Dis is so tight thank u for having me apart of it I love you Bhrisssssss,” Sexyy Red wrote in CB’s comments on Instagram May 5 in appreciation of being invited into his world for the album.

Out of the 27 songs, Brown included four singles — “Obvious,” “Fallin’,” “Holy Blindfold” and “It Depends” — which were previously released.

Chris Brown is slated to hit the road later this year for the blockbuster R&B Tour with Usher. Across 33 dates, the pair of R&B dignitaries will bring their influx of anthems to North American stadiums. The trek will kick off in Denver on June 26, and wrap up on Dec. 11 in Tampa Bay, Fla.

In between, the duo will be making stops in New Jersey, Detroit, D.C., Cleveland, Toronto, Boston, Chicago, San Francisco, Los Angeles, Las Vegas, Dallas, Houston, Atlanta, New Orleans and Miami.

The 37-year-old recently welcomed a baby boy with influencer Jada Wallace in April, making Breezy a father of four. CB’s also dad to 11-year-old Royalty Brown, 6-year-old son Aeko Catori Brown and 4-year-old daughter Lovely Symphani Brown.

Stream Brown below.


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Today, Barry Manilow releases “Another Life – 2026,” a new version of a 1992 album track. It’s the final preview from his forthcoming album What a Time, his first collection of nearly all-original material in almost 15 years. The album is due June 5.

Co-written by Andrew Hill and Preston Sturges, “Another Life – 2026” explores the distance between former lovers, as one struggles to come to terms with the relationship’s end. Arranged by Manilow and longtime collaborator Michael Lloyd, the new 2026 recording retains the song’s wistful core while deepening its sense of nostalgia. Manilow was in his late 40s when he first recorded the song. He’s now in his 80s and has had to confront a serious health challenge. That gives the song added meaning.

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Manilow first recorded the song for his 1992 box set The Complete Collection and Then Some… The song wasn’t officially released as a single, but as an album track, it reached No. 33 on Billboard’s Adult Contemporary chart.

The new single follows Manilow’s first public appearance since undergoing surgery for lung cancer. On April 23, Manilow appeared at the American Advertising Federation’s Hall of Fame gala in New York City to accept the President’s Award, recognizing his iconic work in advertising before he launched his recording career.

What a Time is Manilow’s 33rd studio album and his first almost all-original LP since 2011’s 15 Minutes, which debuted and peaked at No. 7 on the Billboard 200. “Once Before I Go,” the lead single from What a Time, reached No. 25 on Billboard’s Adult Contemporary chart in February. This is the sixth consecutive decade that Manilow has had multiple top 30 hits on that chart, a streak that began in November 1974 with “Mandy.” That classic ballad hit No. 1 on both Easy Listening (as the AC chart was then called) and the Billboard Hot 100 and went on to land a Grammy nod for record of the year.

Fun fact: In early 1976, Arista Records president Clive Davis, seeking to spotlight Manilow’s Grammy nomination, came up with the idea of hosting a Grammy party. The annual gala is still going strong and has long since become legendary.

Manilow’s new album brings together an eclectic and cross-generational group of collaborators, including 12-time Grammy winner Kenneth “Babyface” Edmonds and nine-time Grammy winner Dave Cobb, as well as Manilow’s longtime go-to co-writers Bruce Sussman and Adrienne Anderson.

After his recovery is complete, Manilow plans to tour throughout 2026. For all upcoming dates, visit Manilow’s website.

KUN is the first global brand spokesperson for Bio-E, the Australia-based specialist in wellness and nutrition products.

With the Chinese pop star and producer on board, Bio-E presses the button on a digital campaign underpinned by the brand philosophy, “Nature Speaks for Itself.”

“Life is not only about choices, but about balance,” says KUN (real name: Cai Xukun) in a statement. “I believe in staying true to my own rhythm, letting passion grow into consistency, and maintaining a steady state through continuous self-adjustment.”

Based in Victoria, Bio-E is known for its fermented botanical goods, for its holistic approach that nutrition is best integrated into daily routines, and its products are available locally at Priceline, Harris Farm and IGA stores and via China’s online retail platforms.

“Pay less attention to external noise and stay true to your own rhythm,” KUN continues in the statement. “I like to start my mornings with a sachet of Bio-E TUMMANANA, for its dense nutrition followed by a Bio-E LEMONVIVA with Mediterranean olive oil – which is a simple routine to help me set the tone for the day.”

The C-Pop star has evolved as an artist over the past decade, both as a member of the boy band Nine Percent and as a full-fledged solo superstar with several albums, overseas tours, and high-profile brand endorsements to his name. KUN got tongues wagging when he won Idol Producer‘s 2018 finale, a music reality show that attracted more than 3 billion online views in his native China. From that experience, he launched U.S. tours, landed hits on Billboard‘s China TME UNI Chart including 2022’s “Hug Me” and “TITLE,” and in 2024 was named as a global brand ambassador for Versace.

Earlier this year, KUN released his self-titled sophomore album via 88rising, his first full-length English project, and he was spotted at the Met Gala, dressed as the “Deadman” character.

Noah Kahan has always wanted to work with “Matt & Ben,” and now his dream has come true — sort of.

In new promos for this weekend’s Saturday Night Live episode, musical guest Kahan and host Matt Damon are joined by a different Ben than the one typically associated with Damon: SNL castmember Ben Marshall.

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“This is so exciting. I’ve always wanted to do something with Matt and Ben,” Kahan says in the promo, to which Marshall replies, “Aw, thanks so much, man. That’s so cool.”

“I’m sorry, I meant Ben Affleck,” Kahan clarifies.

“Why would you bring that up now, right?” Marshall wonders, while Kahan counters, “It’s the first time I’m seeing Matt!”

For his part, Damon tells Kahan: “We’d actually love to do something with you.”

“Hell yeah, amazing,” Kahan says. “Thank you. Huge fan!”

Later in the promos, Marshall tries his hand at some Kahan-inspired jokes. “More like Skit Season,” the comedian says out of nowhere, making a play on the title of Kahan’s breakthrough hit “Stick Season,” the title track from his 2022 album.

“This is your first-ever promo and you blow it on ‘Skit Season’?” Damon asks in disgust, with Kahan adding, “Come on, you’re better than that, Ben.”

Marshall’s next attempt isn’t much better — “more like Noah Ka-haha-han” — but Damon and Kahan love it.

Watch the promos below:

Kahan — who’s promoting his just-released fourth studio album The Great Divide, which debuts atop the Billboard 200 this week — is returning for his first time as musical guest since his December 2023 debut. Damon, meanwhile, will host for his third time in 25 years, after stints in October 2022 and December 2018. Kahan does the math in the promos that at this rate, Damon should join SNL‘s Five-Timers Club around 2052.

Saturday Night Live airs at 11:30 p.m. ET/8:30 p.m. PT on NBC and streams on Peacock. (See all the options to watch SNL here.)

Number_i’s “3XL” returns to No. 1 on the Billboard Japan Hot Hot 100, on the list released May 6.

The title track off the group’s third single, produced by member Sho Hirano, debuted at No. 1 on the Japan Hot 100 dated Feb. 4 (tracking the week from Jan. 26 to Feb. 1) following its digital pre-release on Jan. 26. With the physical CD release on Apr. 27, “3XL” reclaims the top spot moving 383,373 copies to hit No. 2 for sales, while also landing at No. 1 for downloads, No. 10 for streaming, No. 2 for radio, and No. 24 for video.

Snow Man’s “BANG!!” follows at No. 2. The theme song of the film SAKAMOTO DAYS starring member Ren Meguro launched with 932,321 CDs to rule sales, while also hitting No. 8 for video views. At No. 3 is the title track from ONE N’ ONLY’s second major-label single “WARAiNA,” which sold 229,859 copies to come in at No. 3 for sales and hit No. 50 for streaming. Mrs. GREEN APPLE’s “Kaze to Machi” slips two spots to No. 4, placing No. 4 for downloads, No. 8 for streaming, and No. 6 for video, while topping the radio chart for a second consecutive week.

SHOW-WA & MATSURI’s “June Bride” enters the chart at No. 5. The collaborative second single from SHOW-WA and MATSURI — groups dedicated to reviving Japan’s Showa-era kayokyoku for contemporary audiences — sold 168,472 copies to launch at No. 4 for sales, while placing No. 89 for downloads and No. 46 for radio.

Meanwhile, M!LK places three songs in the top 10 simultaneously. The group also dominates the streaming chart, with “Bakuretsu Aishiteru” at No. 1, “Sukisugite Metsu!” at No. 3, and “Idol Power” at No. 4 — marking the first time a domestic dance-and-vocal act has placed three or more titles in the streaming chart’s top 10 at once.

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from Apr. 27 to May 3, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.