Zac Brown Band now has something in common with Carrie Underwood and Lenny Kravitz.

The three-time Grammy Award-winning southern rock band will star in the opening for NBC’s Sunday night coverage of Major League Baseball.

The band’s opening segment will debut on Sunday (April 12) when the Atlanta Braves host the Cleveland Guardians in the first “Sunday Night Baseball” game on NBC.

“It’s humbling, honestly, to have our band’s name mentioned in the same breath as theirs in this context means a lot. We’ve spent many years just trying to make music that connects with people, and something like this tells you that it’s reaching further than you ever imagined,” Brown said in an email to The Associated Press.

Zac Brown Band sings a reimagined version of Emerson, Lake & Palmer’s “Karn Evil 9, 1st Impression Part 2.”

NBC Sports creative director Tripp Dixon said the song resonated because it features an organ and the first line is “Welcome back, my friends, to the show that never ends.”

The majors has often been referred to as “The Show.”

“Those were the two elements we felt like, holy cow, that sounds like something to build this idea around,” he said.

All three also carry the theme of “waiting all day for Sunday night.”

Underwood has done the “Sunday Night Football” opening since 2013, a reimagined take on Joan Jett’s 1988 song “I Hate Myself for Loving You”. Kravitz’s opening to “Sunday Night Basketball” uses Elvis Presley’s “A Little Less Conversation,” which came out in 1968.

The “Sunday Night Baseball” opening was shot in Milwaukee last month. A couple of seconds were featured on NBC’s opening night broadcast between the Arizona Diamondbacks and Los Angeles Dodgers.

“It was one of those experiences where you step back and think, how did we get here? We put everything we had into the performance and then watching it come together with the visuals, the production, it took on a whole new life,” Brown said. “The folks at NBC Sports really understood the energy we were going for. It felt like a genuine collaboration, and when I finally saw the finished product, I was really proud.”

While Dixon had more than a year to think about a “Sunday Night Basketball” open, brainstorming about baseball didn’t begin in earnest until last November, when Major League Baseball and NBC agreed to a three-year deal for Sunday night games and the wild-card round of the playoffs.

“Selfishly, it’s been just a really a fun challenge. But in terms of working with somebody, I think just not only just a familiar song, but we’d worked with Zac in a limited capacity about six years ago when he did a Thursday night tease for us on Thanksgiving,” Dixon said.

“I think just in terms of his music and trying to bring people together, it just felt like really the right fit in terms of letting them put their own spin on a classic.”

“It was a very ambitious, tight schedule. We didn’t have a lot of time to put it together, but you wouldn’t know it from what Zac came back with in terms of a song and a performance.”

After Sunday’s game, the next six weeks will be on Peacock and NBCSN before NBC takes over from May 31 through Sept. 6.

This week’s game also carries special significance for Brown, who grew up in Georgia and followed the Braves.

“Man, that is not lost on me at all. I’m a Georgia boy through and through, so having this debut on a night when the Braves are playing, that’s the kind of thing you just can’t script. Our fans know how much Atlanta means to us. To have this moment tied to our team, in our home state, it really does make it feel full circle,” he said.

As Bruno Mars took the stage at Allegiant Stadium in Las Vegas on April 10 to peel back the red velvet curtain on his 77-city, nine-country The Romantic Tour, he celebrated a day packed with more milestones than most artists achieve in an entire career. The spectacle of accolades included a parade courtesy of MGM Resorts, home to his record-breaking residency; a day and street named in his honor; the key to the city; a state flag from the governor; a pop-up merch shop with icon Hello Kitty; the launch of his first American football stadium tour, and a new title, “The King of Las Vegas,” among other honors.

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At the first of two Las Vegas nights, the lights dimmed just before 9 p.m. The sold-out crowd was beckoned into the church of Mars via a video intro, where the evening’s spiritual leader (Mars)  — a lone Romantic kneeling in prayer — casts a blessing over the audience, vowing to protect all who have entered this sacred space and promising to give the city a show “it would never forget.”

As the stage blazed into view, Mars emerged from a fragmented glow of prismatic stained glass — embedded with a single allegorical red rose — a man on a mission, ready to “Risk It All” for romance.

Choosing to open with “Risk It All,” the second single from Mars’ 2026 album The Romantic, is a surprising move — a ballad in a slot typically reserved for a big bang. But it immediately established the night’s emotional thesis: all-or-nothing love, played out in sweeping highs and funky (not-so) lows. That sense of frenzy and fever became the throughline of a cinematic concert experience that unfolded across the full 26-song set list.

Mars is a flawless performer, from his vocal range to his musical artistry and showmanship. In the live setting, he locked into his character, audience and band in a way that transcended his four albums, taking fans on an interstellar ride through his musical canon.

Here are the best moments from opening night.

Bruno Mars kicked off The Romantic Tour on Friday night (April 10) with a sold-out show in front of more than 60,000 fans packing Allegiant Stadium in Las Vegas.

The pop supernova lived up to his billing as the King of Las Vegas entertainment as he ran through his plethora of smash hits within a 25-track setlist, which included five songs with his Silk Sonic running mate, Anderson .Paak, who joined him midway through the show.

If there’s one thing Sin City knows how to do, it’s throw a party. Friday was an all-day celebration for Bruno Mars ahead of his Romantic Tour launch.

“Bruno Mars isn’t just a global superstar; he’s one of the most electrifying performers of our time, and over the past decade, he’s become an integral part of Las Vegas,” said Bill Hornbuckle, CEO and president of MGM Resorts International, in a statement. “From his early performances at Bellagio and MGM Grand to his record‑setting residency at Dolby Live, Bruno has drawn hundreds of thousands of visitors and has created the kind of unforgettable, ‘only in Vegas’ moments that define this city. It’s only fitting that we help launch his world tour here today as we honor his extraordinary impact on Las Vegas and the energy he brings to our community.”

Bruno started the day in style with a ride down the Strip in a vintage convertible for a parade honoring his contributions to the Las Vegas entertainment scene, as April 10 was renamed to Bruno Mars Day in Sin City.

The Grammy-winning artist was given the key to the Las Vegas Strip, while Park Avenue outside Park MGM was renamed to Bruno Mars Drive. He joins a decorated group to receive the honor, which includes Elvis Presley, Frank Sinatra, Sammy Davis Jr. and Dean Martin.

As Las Vegas has been a lucrative endeavor for Bruno, he made sure to give back to the community. The singer-songwriter pledged a $1 million donation to the future Intermountain Health Nevada Children’s Hospital.

The Romantic Tour continues on Saturday night (April 11) when Bruno Mars returns to the Allegiant Stadium stage for another cinematic performance. It’s the 40-year-old’s first trek in nearly a decade and his first time taking over North American stadiums.

Bruno’s The Romantic album arrived in February and debuted atop the Billboard 200 — his second No. 1 — with 186,000 equivalent album units earned in the United States in the week ending March 5, according to Luminate.


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Three years after lighting up the stage at Barclays Center for his first tour, Jackson Wang partied it up once more at the iconic Brooklyn, New York, venue on Friday (April 10). Not only was it a night full of explosive fun, but it also brought Wang’s own interesting psyche into focus.

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The concert comes nearly a year after the release of his third solo album, MAGIC MAN 2. Wang previously talked to Billboard about how he took a year off to gather his thoughts on where he stood as an artist, but more importantly, as a human. Using his alter ego of MAGIC MAN, he explored who he really was inside — from the dark and gritty experiences of the music industry that he went through as a member of GOT7 and a solo artist, to perpetual vulnerability and ultimately, recognizing and accepting of all those complicated feelings.

“I wish I could find peace,” Wang’s raw vocals reverberated throughout the arena as he sang “Everything.” “In my mind where the doubt and the pain intertwine/ I don’t know if the life that I’m living is mine.”

The 32-year-old singer constantly proves to be an outstanding performer and creative visionary throughout all of his solo projects. While his previous two albums are deeply personal, what he cares about the most is making his fans happy.

On Friday night, Wang declared that the tour would be a form of escapism for all the attendees. He imparted some words of wisdom in a chaotic time, “The world is crazy right now. Everyone is stressed. I want you guys to treat yourselves better. [Being] selfish is not a bad thing,” before getting real with the crowd, “Sorry that this concert isn’t as commercial as you thought.”

Check out the seven best moments from Jackson Wang’s Brooklyn concert below.

Labrinth is clarifying why his music will not appear in season 3 of Euphoria.

On Saturday (April 11), the 37-year-old British singer and producer shared a statement on his Instagram Stories addressing his absence from the hit HBO series, which premieres its new season on Sunday (April 12).

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“PEOPLE WILL COMFORTABLE LIE IN THIS INDUSTRY AND STILL CALL THEMSELVES HONEST PEOPLE,” Labrinth wrote in all caps. “SO NO CAP. I DECIDED TO REMOVE WHAT EVER MUSIC I HAD IN IT.”

The comments come after news that Oscar winner Hans Zimmer will serve as the sole composer for Euphoria’s upcoming eight episodes, which jump forward five years from the previous season. Zimmer had previously been confirmed as a collaborator with Labrinth on the show’s music.

“I SPOKE TO HBO AS FAR I KNOW WE ARE COOL,” Labrinth continued. “I LEFT BECAUSE. LAST TRUTH. WHEN I WORK FOR SOMEONE, THEIR VISION IS PARAMOUNT TO ME. BUT I DON’T LET PEOPLE TREAT ME LIKE S—T.”

This is not the first time Labrinth has taken to Instagram to express frustration with the industry. In mid-March, the artist criticized his record label and the HBO series in a now-deleted post that read, “I’M DONE WITH THIS INDUSTRY / F—K COLUMBIA / DOUBLE F–K EUPHORIA / I’M OUT.”

Earlier this week, Euphoria creator and executive producer Sam Levinson spoke to Rolling Stone about the situation. “I don’t know,” Levinson said, adding, “He’s an incredible collaborator and someone who really built the foundation of the sound of Euphoria.”

Levinson also explained why Zimmer is the right choice for season 3 of the series. “On Euphoria, each character’s storyline is like its own film in a way,” he said.

Labrinth has served as the lead score producer for Euphoria since the show’s debut in 2019. Prior to Euphoria and Columbia Records, he was signed to Simon Cowell’s label Syco, with whom he released two albums. Since his 2010 debut, Labrinth has had seven songs reach the Billboard Hot 100, including one featuring Euphoria star Zendaya.

Labrinth is set to play the outdoor stage at the 2026 Coachella festival in Saturday (April 11).


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Your favorite Jonas Brother‘s favorite drink is an Aperol Spritz.

Aperol returned to Coachella for its fourth year, and this time, they threw a darty. The Aperol Day Club was a free festival activation with live DJ sets, beauty salons, immersive installations and, of course, Aperol-forward drinks. To celebrate the launch of the club, Aperol enlisted Joe Jonas to help them throw an exclusive surprise party on Friday.

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“I’ve been giving [Aperol] free promo for years,” Jonas said in an exclusive interview with Billboard ahead of the surprise. “I always have one in my hand, so it’d be fun to be able to do stuff with them. And the party is gonna be great.”

Courtesy of Aperol

Jonas spent the days leading up to his Aperol Day Club debut preparing, sharing that he put together “a pretty extensive playlist” for the occasion that he knew people would enjoy. One track he was particularly excited to play was Kid Cudi’s “Pursuit of Happiness” remix from Project X.

“That remix always,” Jonas said when asked about his ultimate party track. “I think I’ve seen him perform that version at Coachella.”

Alongside the Cudi banger, there are a few things Jonas believes make for a successful party: a good host, good drinks (“preferably Aperol Spritz”), good music, good lighting (“that’s always key”) and good vibes.

As he got ready to host the epic event at the Aperol Day Club, Jonas set high expectations for himself and the vibe of the party.

“I hope that it [kicked] things off in the right way,” the artist-turned-party-host said. “And they can leave Monday morning saying, ‘My highlight of my weekend was sharing a drink with that friend, Joe.’”

–Reporting by Emily Fuentes

On a rain-soaked opening night in Goyang, BTS launched the Arirang World Tour with a 23-song set that moved between new material and catalog touchstones. As one of this year’s most anticipated tours, as well as the first of three sold-out nights, the Thursday (April 9) show arrived with obvious weight, and the crowd met it in kind, staying fully engaged through the weather and giving the evening much of its emotional charge from the outset.

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Night one drew its shape less from reinvention than from execution. The set leaned on qualities BTS has long understood well in a stadium setting: rap-line drive, melodic lift, and crowd interplay calibrated for scale. Some passages registered more fully than others, but when the performance settled into that core dynamic, the night’s proportions came into clear view.

That was especially true in South Korea, where songs tied to Korean cultural memory carried a different resonance. During “Body to Body,” which incorporates the traditional folk song “Arirang,” the sound of a stadium in Korea singing it together produced one of the evening’s most distinctive images.

Elsewhere, rain, light, and crowd noise became part of the show’s texture rather than an interruption. By the end, Arirang opened as a performance defined by control, atmosphere, and the particular feeling that can settle over a stadium when artists and audience are fully present in the same space.

Here are the seven best moments from night one of the Arirang World Tour.

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It’s been nearly 20 years since we said goodbye to ABC‘s Emmy-Award winning sitcom, Malcom in the Middle. Now, two decades later, Frankie Muniz and his whimsical TV family starring Bryan Cranston and Jane Kaczmarek are back with a four-part miniseries Malcolm in the Middle: Life’s Still Unfair.

Produced by Hulu and streaming on Disney+, the series revival picks up with Malcolm (Muniz), who has been avoiding his family for more than a decade, is pulled back into their manic lives when his parents, Hal (Cranston) and Lois (Kaczmarek), insist that he and his daughter, Leah (Keeley Karsten), be present at their 40th anniversary celebration.

Where to Watch Malcom in the Middle: Life’s Still Unfair, At a Glance:

  • Release date: Friday, April 10
  • Stream: Disney+, DirecTV (five-day free trial)

The original Malcolm in the Middle series had a successful seven-season run on ABC with 151 episodes from 2000 to 2006. During its span, the sitcom racked up 33 Emmy Award nominations, including seven Outstanding Lead Actress nods for Kaczmarek, three Outstanding Supporting Actor nods for Cranston and one Outstanding Lead Actor nod for Muniz.

The four-part miniseries, Malcolm in the Middle: Life’s Still Unfair, returns this Friday, April 10, on Hulu and Disney+. Learn how to stream the series online below.

How to Watch Malcolm in the Middle: Life’s Still Unfair Online

Malcolm in the Middle: Life’s Still Unfair is exclusively streaming on Hulu on Disney+. DirecTV also gives subscribers access to Disney+ through its various streaming packagaes as well as offering a free trial to new users. Not a subscriber? Signing up for Disney+, users can immediately start watching each 30-minute episode starting today, April 10.

'Malcolm in the Middle: Life’s Still Unfair': Where to Stream Online

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Disney+ plans, which also include access to Hulu’s streaming library, start at $12.99 per month for the ad-supported plan, while you can go ad-free for $19.99 per month. For even more content, Disney+ offers a trio bundle with Disney+, Hulu and ESPN Unlimited, which goes for $35.99 per month, while the ad-free version goes for $44.99 per month.

'Malcolm in the Middle: Life’s Still Unfair': Where to Stream Online

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Get access to Disney+ through DirecTV streaming packages.


Disney+ is also included in each of DirecTV’s streaming packages starting at $35 per month. New subscribers can also take advantage of a five-day free trial to stream Malcolm in the Middle: Life’s Still Unfair for free online.

Watch the trailer for Malcolm in the Middle: Life’s Still Unfair below.

It’s only been slightly more than a decade since Morgan Wallen released his debut single, “The Way I Talk,” in 2015. Since then, he’s become one of the biggest superstars in music, routinely jockeying back and forth with Taylor Swift for artist of the year on Billboard’s year end charts. 

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Like Swift, he is also one of contemporary music’s largest live draws, routinely playing multiple nights at stadiums on tour before an adoring audience.

As he kicked off the Still The Problem tour Friday night (April 10) at Minneapolis’s U.S. Bank Stadium (with a second show Saturday night), he showed why his popularity is only growing. Wallen has developed into an energetic, engaging performer, who is eager to make a stadium show seem as intimate as possible. With 20 No. 1 on Billboard’s Country Airplay chart, his show is chockful of hits, but he still made room for thoughtful song choices.

The show opened with a taped piece featuring popular podcaster Theo Von as Rick the stage manager, who is unsuccessfully trying to keep Wallen from touching the equipment. Wallen touches a light knob and the lights in the stadium go up. He messes with a propane tank and flash pots go off. It’s clever, but even more impressive is the video has the name of the venue, city and an accurate time clock, which we imagine will change in every city. That attention to detail is impressive and it was later clear how much thought had gone into every element of the show.  

After the taped piece, Wallen continued the now tradition of walking out to “Broadway Girls” with a native son (there haven’t been too many native daughters) in the city he’s playing in. Opening night, it was former Minnesota Viking and Hall of Famer Jared Allen, and the crowd went crazy when they spotted him. Again, it’s an add-on that ignites the audience, pay homage to their hometown, and heightens the show.

With three acts on the bill besides Wallen, the country star is working hard to give the audience top value for its dollar. For the first night in Minneapolis (and on a handful of other dates), the singer was joined by Thomas Rhett, an arena headliner of his own. Also along are developing acts Vincent Mason and Gavin Adcock (who later joined Wallen for a messy, but fun “Up Down,” made more amusing because Mason and Adcock were dressed in white caddy jumpsuits in homage to The Masters, which is going on).

Though he’s only been off the road for a few months, there was clearly pent-up demand for Wallen: the women in front of me at Will Call screamed for five minutes when they realized their tickets were in the pit, allowing them to get up close to Wallen. The group sitting behind me declared Friday night’s show was in the top five concerts they’ve ever seen and then upgraded it to top three as the night wore on.

The show is finding its pacing, which is understandable since it was opening night. Wallen came out 20 minutes late (and 70 minutes after Thomas Rhett finished his set). Also, while the setlist is strong, it feels like a collection of randomly placed songs (with one exception noted below) rather than an attempt to take the audience on an emotional adventure with a story arc. Wallen came out hot, rushing around the gigantic stage and then after a few songs, slowed down and said he was trying to “calm my heart rate,” perhaps a reference to being awed by the audience and the reception, but also by the sheer athleticism it takes to sing and run on that mammoth stage (We’d be interested to know how many miles Wallen logs in one performance. The dude is in serious shape.)

Below are the best moments from the tour’s opening night at U.S. Bank Stadium.

Coachella started strong this year, with a Friday featuring numerous much-anticipated performances — including festival debut sets by breakout artists, festival return sets by longtime favorites, and a headlining debut set by an artist who predicted her eventual top-of-the-bill status during her most recent Coachella performance two years prior.

It was a very hot and sunny day in the desert, with both the Coachella powers that be and numerous artists on stage repeatedly reminding attendees to stay hydrated. However, by night, things had cooled and gotten particularly windy, which led to perhaps the day’s lone major disappointment — the last-minute canceling of Anyma Presents: ÆDEN, the much-hyped midnight dance set supposed to see day one out, which reportedly had the plug pulled on it due to the windy conditions.

Still, the day was a packed one — even Anyma fans still had the choice of going to see either Gordo, alt-R&B fixture Blood Orange or rap hitmaker Sexyy Red at midnight instead of the dance duo, which would be very strong backup options for just about any kind of music fan. And there were still great dance moments earlier in the day, as well as plenty of memorable on-stage happenings from the worlds of rock and pop, which appear to be the two genres most firmly at the festival’s core as of 2026.

Here are 10 of our staffers’ picks for the most memorable moments from the first day of Coachella 2026, officially the festival’s 25th edition, with plenty more such moments no doubt to follow on Saturday and Sunday.

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