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Livestreaming production company MemeHouse is bringing The Scene, a large-scale IRL streaming activation, to the desert for both weekends of Coachella this year with a takeover that spans multiple houses for an intersection of music, creator culture and live entertainment.

MemeHouse Networks operates with its own independently configured encoder packs that are custom-built for IRL streaming, even in environments that may be low-network with high traffic like a festival environment. They livestream seven days a week, covering major cultural tentpoles like TwitchCon and global shows by artists including Ice Spice, Hit-Boy and Tyga.

“Coachella has always been the place where culture moves first, and The Scene is our answer to what that looks like in 2026,” shares Naz Nejad, MemeHouse’s Director of Hospitality. “We built eight houses, each with their own world, their own energy, and their own community of creators living and streaming in real time. It’s the largest IRL streaming studio ever built at a music festival, and every moment of it is live for anyone in the world to watch.”

The Scene will consist of nine houses and more than 80 cameras for over 2,500 hours of content streaming throughout Coachella weekend. MemeHouse has tapped major creators to join the activation across each house, which will have a specific theme and atmosphere.

Capasita: The Capasita is the core live-stream house powering long-form content with top streamers like DDG and Deshae Frost.
Heatwave: Heatwave will be a “glam core girls’ house” for statement festical outfits, hair tools, skincare, and makeup. It’s a beauty-driven space for getting ready and owning the moment during Coachella weekend.
Ghost: A high-stakes trading lounge where prediction markets, sportsbook action, and live crypto chart calls unfold in real time, with Jasontheween and StableRonaldo.
Duo: A creator house designed around real friendships, capturing organic chemistry and shared moments viewers can connect with.
For The Boys: This all-male creator house brings together high-energy talent across various verticals like fitness, fashion, travel, and lifestyle.
Pregame: A high-energy sports house that blends competition and sneaker culture.
Affiliated: Affiliated is a TikTok Shop Live house where creators can stream, sell, and spotlight the hottest trending brands in real time throughout the weekend.
DND: A wellness space to take a break to reset and recover with brand-led experiences
The Feed: An open-air food truck village to recharge and fuel up.

Viewers can tune in starting today, April 10th across MemeHouse’s social media accounts, including Twitch and Kick, and more information can be found on The Scene’s official website. Programming will continue through weekend 2 of Coachella as well as the following week during Stagecoach.

Still thinking about heading to the desert? There’s still time to buy last-minute Coachella and Stagecoach tickets online. Weekend one and two dates are quickly, or are very close to, selling out, so one of the best ways to find Coachella festival tickets and passes online is through third-party sites, including StubHub, Vivid Seats, SeatGeek and GameTime. others — all of which guarantee authentic tickets in time for the event.

The official merch supplier for Bruce Springsteen & the E Street Band is pursuing a nationwide legal injunction to stop counterfeit sales during the Land of Hopes and Dreams American Tour – starting with the Boss’ hometown show in New Jersey.

Live Nation subsidiary Merch Traffic filed trademark infringement claims on Thursday (April 9) against a slew of anonymous bootleggers who’ve been dogging the Land of Hopes and Dreams trek. Such legal actions are a common strategy for authorized merch suppliers to crack down on knockoffs outside tour venues, by arming off-duty police officers with judicial orders to halt sales and seize the infringing products.

The lawsuit, obtained by Billboard, alleges that counterfeiters have been selling low-quality, underpriced knockoffs of official Springsteen t-shirts and hats outside arenas since opening night of the tour in Minneapolis on March 31. Merch Traffic is now suing in New Jersey federal court to get an injunction in effect for the famous Garden State native’s April 20 show at Newark’s Prudential Center.

Merch Traffic says this injunction should start with the New Jersey show, but it shouldn’t end after that night. Rather, the company’s lawyers want to keep seizing infringing merch through the end of Springsteen’s nationwide tour in May.

“Without the proposed seizure order, plaintiff will be forced to file separate civil actions throughout the United States at an estimated expense of well over $375,000 in legal fees and costs, imposing a great burden upon both plaintiff and the judicial resources of the federal courts,” reads the lawsuit.

A rep for Springsteen did not immediately return a request for comment on the matter on Friday (April 10).

Merch Traffic and other companies in its position frequently bring these types of legal actions to combat counterfeiters who crowd the parking lots during major artist tours. Injunctions were put in place for two prior Springsteen tours in 2016 and 2023, and similar lawsuits have been filed in the past year by the authorized merch sellers for Tate McRae, Dua Lipa and Benson Boone.  

There was a time when Vicentico and Flavio Cianciarulo talked about their future. “We used to say, ‘Hey, what are we going to do when we’re 45?’” recalls Los Fabulosos Cadillacs’ bassist, also known as Sr. Flavio, in an interview with Billboard Español. “‘Let’s start saving a bit to open a kiosk or something.’ Back then, we were 29 years old.”

Thirty-two years later, the iconic Argentinian band remains as active as ever, filling stadiums and sharing their music with new generations through songs like “Matador” and “Mal Bicho.” After their successful and massive performances at the Vive Latino and Tecate Pa’l Norte festivals this year in Mexico, the band is continuing their tour across Latin America and the United States to celebrate their more than 40 years of career.

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“We’re 61 and still performing with an unusual vitality for us,” says Cianciarulo. “We have to be very grateful for that.”

The musician explains that the average age of the band members — including Vicentico (lead singer), Sergio Rotman (saxophone), Dany Lozano (trumpet), Nando Ricciardi (drums), and Mario Siperman (keyboards)— is 61, and they still “have the strength of a lion,” he notes. However, for several years now, Cianciarulo’s son Astor (bass and drums), and Vicentico’s son Florian (guitar), have officially been part of the band.

“The young ones who joined also have been around for a while, so they’re seasoned Cadillacs too, but less than us,” he jokes, before adding, “It’s clear to us that we have to be very thankful to the audience that has brought us this far.”

With a unique sound that fuses rock, ska, reggae, and punk, Los Fabulosos Cadillacs formed in Buenos Aires in 1984 and rose to international fame nearly a decade later with their album Vasos Vacíos (1993) and the song “Matador,” still their biggest hit to date. Led primarily by Vicentico and Sr. Flavio, the legendary group was included this year on Billboard’s list of the 50 Best Latin Rock Bands of All Time, ranking at No. 4. “Thank you very much to Billboard for the recognition,” Cianciarulo says with a smile.

Although they don’t have a constant or dominant presence on Billboard’s charts — their entries include a top 10 on Top Latin Pop Albums with La Luz del Ritmo in 2009 — they remain relevant with a massive impact. The band is currently promoting LFC Zócalo 3.6.2023, a double live album released in March by Sony Music that captures the historic free show they had at the Zócalo in Mexico City, which drew an audience of 300,000 people, setting a then-record. (This past March, Colombian superstar Shakira set a new record by attracting 400.000 people.)

“The first word that comes to mind about that night is ‘magical,’” says Cianciarulo, still moved by the experience. “To gather such a large crowd, under any circumstance, can get out of hand for anyone, and honestly, the first thing I want to highlight is the pride, respect and admiration I have for the Mexican people who, I insist, came to the concert, danced and sang, and left in the most peaceful way possible.”

The Zócalo is considered a symbolic and highly significant venue, a square filled with meaning where politics, social movements, culture, and religion converge. It is the second-largest public square in the world, only behind Tiananmen Square in Beijing.

“It’s a place full of energy,” the bassist and songwriter. “It’s incredible that this place, even before the world was the world, was already there, and because of that, it began to draw people. Before, it might have been the Olmecs, or the Chichimecas, or who knows who; then it was the Aztecs. I have no words to describe how important it is, and again, all humans gathered there for some kind of energetic, magnetic reason that surpasses all of us.”

As part of their 2026 tour, Los Fabulosos Cadillacs will spend April and May performing in Chile, Argentina, and Peru, before heading to the U.S. for a series of shows in San Diego, Los Angeles and San Jose, California. For dates and tickets, click here.

Major League Soccer (MLS) and San Diego FC have partnered with recording artist SHAVONE, who will write and executive produce the track “SDFSHE” as part of the league’s Playmakers Music Collective. The song is the first original song ever commissioned and released through an MLS Playmakers initiative.  

SHAVONE — a Forbes 30 Under 30 technology executive, musician, Ford Model and Penguin author (Black Internet Effect) — has been named a founding artist in residence of the Playmakers Music Collective with her creative group Future of Creatives, who will help shape the Collective’s creative vision and music output for the long term. SHAVONE joins the Playmakers’ founding music collective that includes Tony Martinez, Dontae Ralston, Leon Goodrum, Ramel Wallace and Matthew “Beazie Beats” Arellano.

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The announcement builds on San Diego FC and MLS’ growing momentum in entertainment, on the heels of announcing writer, producer and actor Issa Rae and Grammy Award-winning artist Tems as part owners of the team.

“The Playmakers initiative has always been about creating real pathways for the creative community in San Diego,” said Tony Martinez, founder of the San Diego FC MLS Music Playmakers Collective, in a statement. “Launching the Music Collective and releasing ‘SDFSHE’ is a natural extension of that. It’s about giving artists a platform to be seen, heard, and supported at a level that reflects the culture they represent. This is what it looks like when a club invests in its city beyond the game.”

“SDFSHE,” the debut track from the San Diego FC MLS Music Playmakers Collective, is an anthem in celebration of women artists in San Diego. The official music video for was shot and directed by San Diego FC at Snapdragon Stadium, the home of San Diego FC and the National Women’s Soccer League’s San Diego Wave. The track is the first in a planned, year-long series of original music releases, building toward a summer 2026 project release that coincides with the 2026 FIFA World Cup in the U.S.

“‘SDFSHE’ is about building real opportunities for artists in San Diego, especially women. I wrote this record with a clear intention to bring together voices from across the city while maintaining a strong creative direction,” SHAVONE said in a statement. “This project is about creating access, amplifying local voices, and showing what’s possible when leagues invest in the creative communities that shape their cities. Through Future of Creatives and our collaboration with MLS and San Diego FC, we are soundtracking the season and evolving music’s role in one of the world’s fastest-growing sports.”

Check out the video for “SDFSHE” below.


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BTS kicked off their ‘Arirang’ tour at Goyang Stadium in South Korea, and we’re showing you what you missed on opening night!

Tetris Kelly:

BTS just took over Goyang Stadium in Seoul, and everything was fire, even in the rain. Fans flew from all over the world to catch a glimpse of the reunion. 

Fan 1:

I’m from Melbourne, Australia. 

Fan 2:

I’m from China. 

Fan 3:

You know, we connect with each other. 

Fan 1:

And I’m an old ARMY. So we’re called gray ARMY. I’m 60. 

Fan 4:

So excited. 

Tetris Kelly:

We take you there in Billboard All Access. OT7 kicked off their first tour in years with “Hooligan” and though it rained through the entire evening, it didn’t stop them from putting on an epic show. They went through new album tracks like “Animals,” “Swim” captivated the crowd, and they were electric for “2.0.” The arena was filled with emotion for “Body To Body.” And of course, they delivered hits like “Butter.” And fans were so excited to celebrate them. 

Fan 4:

BTS is my adult give me power when I feel down. 

Fan 2:

I love the boys. I love what they stand for, and I love the authenticity. 

Fan 3:

Having them all on the same stage again is we’re probably all going to be drowning in tears.

Tetris Kelly:

And knew exactly what they needed.

Fan 5:

So “Into the Sun.” 

Fan 3:

“Into the Sun” because of the message. 

Tetris Kelly:

“Into the Sun” delivered what ARMY wanted. We will definitely be back to this tour, and we’ll see you then.

Zac Brown‘s music reached new heights — literally — when the Artemis II space mission played his song “Free” for the astronauts on board, hundreds of thousands of feet above Earth.

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On Friday (April 10), it was revealed that the 2010 Zac Brown Band hit — which reached No. 34 on the Billboard Hot 100 — had sounded over the speakers to wake up the crew for another day of work. The feel-good track was then followed by a message personally recorded by Brown for the astronauts.

“Good morning Reed, Victor, Christina and Jeremy,” he told them. “Zac from Zac Brown Band here, checking in from the USA. We hope that piece of our song, ‘Free,’ helps start your day with the right kind of lift. We just want to say how proud we are of you. It takes courage, grit, and freedom to chase the unknown. It’s the purest kind of American spirit.

“Millions back home are looking up and feeling more inspired because of you,” Brown continued in his wake-up call. “Keep flying strong. Keep flying safe. We can’t wait to welcome you home.”

The singer and his wife, jewelry designer Kendra Scott, shared a video of the historic moment on Instagram, as well as a clip of the couple reacting to the news. “Baby, wake up! They’re playing your song in space!” the businesswoman tells her husband.

“Found out that we got to wake up the crew with our song ‘Free,’” Brown adds in the video, shouting out the “brave people on this mission.” “What an incredible honor.”

The “Chicken Fried” artist is now one of a select few musicians who can say their songs have been played in space. The Artemis II astronauts — who are now the first humans to have ever seen the far side of the moon in daylight and have traveled farther from Earth than anyone else in history — also woke up on different days of their journey to “Pink Pony Club” by Chappell Roan, “Under Pressure” by Queen and David Bowie, “Working Class Heroes” by CeeLo Green and more. NASA recently shared a playlist of all the tracks they’ve played.


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This week in dance music: Bonnie X Clyde, deadmau5 and Steve Appleton, Illenium, David Guetta, Dustin Lynch and Dead Turnley all made moves on the dance charts, as did Slayyyter, who clocked her first No. 1 on Top Dance Albums with her recently released Wor$t Girl In America. Meanwhile, ANOTR’s “Talk to You,” featuring 54 Ultra, rose to No. 1 on the WARM Global Dance Radio chart.

Ahead of his main stage set at Coachella today (April 10), Anyma released his pop melodic techno collaboration with LISA, “Bad Angel.” And before their global debut as Nine Inch Noize at Coachella this weekend, Nine Inch Nails and Boys Noize announced a collaborative album being released April 17. The Stagecoach-adjacent Rodeo Nights parties announced a lineup for next week that includes Diplo & Friends, Marshmello & Friends, Austin Millz, Brandi Cyrus, Wyatt Flores, Wuki, Bailey Zimmerman, Cameron Whitcomb and Charly Jordan. 

We caught up with mid-aughts heroes Teddybears about their 2006 hits “Cobrastyle” and the Iggy Pop collab “Punkrocker” as part of our 2006 retrospective week, and Pacha New York announced the opening weekend dates and lineup for its much-anticipated debut, with Michael Bibi and Black Coffee set to the play the club on June 20-21. After a year of turmoil during which the former Brooklyn Mirage transformed into Pacha, the club’s new operators have also offered more than $3.1 million in food, drink and merch vouchers to more than 30,000 unrefunded Brooklyn Mirage ticketholders.

And last but certainly not least, these are the best new dance tracks of the week.

For years, fans have fantasy-booked the Usher and Chris Brown Verzuz. And while it seems like it will never happen, it makes complete sense. 

The King of 2000s R&B taking on the King of 2010s R&B, both of whom are still going strong, would probably be the best battle Swizz Beatz and Timbaland could ever put on. Both artists have multiple classic albums, timeless hits, impeccable showmanship and embody the popular modern term “aura.”

Unfortunately, that particular scenario isn’t the case with their latest announcement; instead, Ursher and Chris Breezy will hit the road together for their R&B Tour (Raymond & Brown). Instead of a clash of generations, it will be a linkup of epic proportions. 

Between the Atlanta legend’s well-received Las Vegas residency of the last few years and the “country boy from Tappahannock” taking over 2025 with Breezy Bowl, one can only imagine what they have in store for attendees as a duo. 

Each night will be a blend of emotional outpouring, yearning, grown-and-sexy vibes, upbeat jigging and everything in between. And with both boasting voluminous catalogs, a lot of records that people would love to hear will likely be left on the cutting room floor.

So, here we are, putting together a dream setlist for what the “Raymond & Brown” Tour would offer. We’ll begin with Brown, who would presumably hit the stage first and likely join the former Super Bowl halftime performer midway through his set for their collaborations before “U” closes things off.

See the full dream setlist below.

If anyone needed another signal that BINI is about to break out big time, Coachella 2026 is your sign.

Just after releasing new EP Signals and music video for the single “Blush,” the Filipino girl group will see its docuseries hit Netflix just hours before the group performs on Friday (April 10) for the opening day of Coachella. The octet’s 4:15 p.m. PT set at the Mojave stage — in between fellow rising stars Slayyyter and Central Cee — marks a historic first with BINI’s debut marking the official arrival of a Philippines-based pop group’s performance at the influential tastemaker festival.

“We’re very aware that we are the first homegrown Filipino girl group to perform on the Coachella stage,” Maloi, one of BINI’s powerhouse vocalists, tells Billboard over a phone call in the midst of rehearsals. “The pressure will always be there, but we’ll take it on in a positive light for us to push further and to boost ourselves. And we know that there are a lot of people behind us who have our backs.”

Leader Jhoanna adds, “There’s definitely a responsibility — a big responsibility — but we don’t let it get into our heads. We don’t let it turn into pressure, we just see it as our purpose.”

BINI emphasizes that the group sees the opportunity as a way to further spotlight and open doors for more Filipino talent, with Jhoanna adding, “We take every moment and every stage as an opportunity for us to show what we have, what we prepared and what Filipinos got.”

The group also let out a loud cheer when noting how P-pop boy band SB19 will perform at Lollapalooza in Chicago this summer.

“ Everything that we’ve been doing from preparations to the final outcome will start to open doors for more Filipino talent,” singer-rapper Colet says, “because we have a lot!”

Just like the group’s music moves from the effervescent bubblegum pop of “Blink Twice” to heavy rhythmic dance on “Shagidi” and harmony-heavy ballads such as “Huwag Muna Tayong Umuwi,” Signals ranges from festival-ready, feel-good tropical-pop tracks while also dipping into vintage beats such as Janet Jackson-inspired New Jack Swing on “Sugar Rush,” while “Step Back” winks to the ’00s pop and hip-hop production sound helmed by the Neptunes. BINI’s watchlist for Coachella is equally diverse, including the likes of Justin Bieber, Sabrina Carpenter, Karol G, BIGBANG, Major Lazer, Labrinth, Fujii Kaze, Disclosure, Tinashe, PinkPantheress and KATSEYE, with the girls hoping that reports that surprise appearances from The Marias as well as Anyma bringing LISA of BLACKPINK prove true.

With a new record, docuseries premiere, festival debut and fresh music video all within days of each other, the group is hoping both new and longtime fans — affectionately known as BLOOM — can keep up with all the excitement.

“We have been asked if we are overwhelmed,” youngest member Sheena shares. “But it’s more like if other people will be overwhelmed because it’s such a jam-packed day on the 9th and 10th. Right now, we’re doing great. We’ve been here in L.A. for a week, so we’re pumped up. It’s not that cold, it’s not that hot, so I think it’s perfect — perfect for Coachella.”


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Following BINI’s announcement as Billboard PhilippinesGlobal Force honoree at Billboard‘s Women in Music 2026, read on for members Jhoanna, Maloi, Colet, Sheena, Aiah, Gwen, Stacey and Mikha exclusively break down Signals below.

Edgehill has its first No. 1 on a Billboard chart, and it comes via the rockers’ maiden appearance on any ranking.

“Doubletake,” which arrived in 2025 and is included on Edgehill’s debut album Ode to the Greyhouse, released in February through Severance and Big Loud Rock, leaps three spots to No. 1 on the Alternative Airplay chart dated April 18.

The tune reigns in its 27th week on Alternative Airplay, after it bowed at No. 39 on the Oct. 18, 2025, tally, marking Edgehill’s first time on a Billboard ranking.

Edgehill becomes the third act to nab a first No. 1 on Alternative Airplay in 2026, following The Paradox with “Get the Message” in January and YUNGBLUD with “Zombie” in February. Like Edgehill, The Paradox led with its first song to reach Alternative Airplay, though the band had previous Billboard chart history via the song “Do Me Like That,” which appeared on the Rock Digital Song Sales and Alternative Digital Song Sales tallies.

As such, Edgehill becomes the first act to lead Alternative Airplay with a first song on any Billboard chart since sombr, whose “Back to Friends” topped the list last June.

Concurrently, “Doubletake” zooms 19-13 on the all-rock format, audience-based Rock & Alternative Airplay thanks to 2.3 million audience impressions in the week ending April 9, a gain of 25%, according to Luminate.

Edgehill is set for a four-date run in Philadelphia, New York and Cambridge, Mass., May 5-9, including two nights at New York’s Bowery Ballroom, opening for Winyah.

All Billboard charts dated April 18 will update on Billboard.com on Tuesday, April 14.