Two musicals, The Lost Boys: A New Musical and Schmigadoon!, led the 2026 Tony nominations, it was announced on Tuesday (May 5). The Lost Boys: A New Musical is a musical adaptation of the 1987 comedy horror cult classic film The Lost Boys. Schmigadoon! is an adaptation of the first season of the 2021 musical TV series of the same name.

Both shows are nominated for best musical, for which they will compete against Two Strangers (Carry a Cake Across New York), which received 11 overall nods, and Titaníque, which received four overall odds.

The nominees for best revival of a musical are Cats: The Jellicle Ball, Ragtime and The Rocky Horror Show. The original production of Cats won seven Tonys, including best musical, in 1983. The original production of Ragtime received 13 Tony nominations, including best musical, in 1998. A 2010 revival received six nods, including best revival of a musical. The original production of The Rocky Horror Show received one nod in 1975. A 2001 revival received four nods, including best revival of a musical.

Indie pop/rock band The Beaches is nominated for best original score for The Lost Boys: A New Musical. It’s unusual for a group or duo to be nominated in this category, but it happens occasionally. Two years ago, the folk duo The Jamestown Revival was nominated for cowriting the score to The Outsiders.

Rose Byrne, who was nominated for an Oscar for best actress this year for If I Had Legs I’d Kick You, received a Tony nod for best actress in a play for Fallen Angels. Lea Michele was passed over for what would have been her first Tony nomination for her lead role in Chess. Michele received Primetime Emmy and Grammy nods for her breakout role in Glee.

As previously announced, André Bishop, who served as the artistic director of Lincoln Center Theater from 1992 to 2025; lighting designer Jules Fisher; and playwright and director James Lapine will each receive the 2026 Special Tony Award for Lifetime Achievement in the Theatre.

In addition to his work in the theater, Fisher created lighting designs for such music stars as David Bowie, Kiss, Parliament-Funkadelic, Whitney Houston, The Rolling Stones, Neil Young and Simon and Garfunkel.

This year’s Tony Awards will return to Radio City Music Hall in New York City on Sunday, June 7. Hosted by P!nk, the biggest pop star to ever host the show, the Tony Awards will broadcast live coast-to-coast on CBS and stream on Paramount+ (8-11 p.m. ET/5-8 p.m. PT). 

The Tony Awards are produced in collaboration with Tony Award Productions, a joint venture of the American Theatre Wing and The Broadway League. Raj Kapoor, Sarah Levine Hall and Jack Sussman are executive producers of this year’s show. Kapoor and Levine Hall will also serve as co-showrunners. Patrick Menton and Rob Paine will co-executive produce, with Menton also serving as head of talent.


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Let’s be honest: Rihanna and A$AP Rocky both brought it at Monday night’s (May 4) 2026 Met Gala. The always fashionable couple who share three young children had a rare night out at the glitzy event, where they, of course, arrived fashionably late, with RihRih rocking a glittering custom sculpted bronze Maison Margiela by Glenn Martens gown with a draped column silhouette made of woven silk and recycled computer wirelike threads and an Art Deco-like headpiece.

Rocky was right beside her in a custom Chanel by Matthieu Blazy wool pink robe with black satin lapels and black piping over a white cotton shirt and black pants.

When Variety asked Rocky to describe Rihanna’s look, he nailed it, looking over lovingly at his longtime partner and saying, “she’s shining like a diamond … she’s shining,” cleverly interpolating the chorus from the singer’s 2012 hit “Diamonds” from her seventh studio album, Unapologetic. When a reporter asked Rocky, 37, how it feels to be “loved by a Black woman,” the dapper rapper had another quick quip, “it feels amazing, and don’t nothin’ else compare. You hear me?”

The couple made their usual splash at the event co-chaired by Beyoncé, Nicole Kidman, Venus Williams and Anna Wintour, a year after Rocky served as one of the 2025 Met Gala co-chairs and Rihanna surprised everyone by showing off her baby bump and revealing that the couple were expecting their third child, baby girl Rocki Irish Mayers, who was born in September.

They joined a galaxy of music stars who made the scene this year, including Madonna, BLACKPINK’s Lisa, Rosé, Jisoo and Jennie, SZA, Sam Smith, Sabrina Carpenter, Gracie Abrams, Laufey, Cher, Janelle Monáe, Doechii, Beyoncé and Jay-Z, Katy Perry, Doja Cat, Cardi B, Bad Bunny, Ciara, Jon Batiste, Maluma, Charlie xcx, Tate McRae, Anderson .Paak, sombr, Tyla, Jack Harlow and many more.


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Shania Twain is set to host the Academy of Country Music Awards on May 17, 26 years after she won their top prize, entertainer of the year. Only Garth Brooks waited longer (32 years) between first winning entertainer of the year and finally hosting or co-hosting the show. He first won entertainer of the year in 1991 and co-hosted in 2023.

Twain was the fifth woman to win an ACM Award for entertainer of the year, following Loretta Lynn, Dolly Parton, Barbara Mandrell and Reba McEntire. She will become just the third woman to solo-host the show, following Parton and McEntire.

Twain will become the second Canadian to host the show. I could give you all day to guess who the first one was and probably you still wouldn’t get it (nope, it wasn’t Anne Murray). It was actor Lorne Greene, best known for playing Ben Cartwright on Bonanza, who hosted the first two ACM Awards shows in 1966 and 1967. Greene also had a hit spoken-word record in 1964, “Ringo,” which topped the Billboard Hot 100 and reached No. 21 on Hot Country Singles, as the chart was then called.

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Twain will be the 14th act to both host or cohost the show and win entertainer of the year (not necessarily in the same year). Three acts (George Strait, Brooks & Dunn and Luke Bryan) have won entertainer of the year in a year they hosted, an impressive show of dominance. Bryan was the only act to double up in this way twice.

The 61st annual ACM Awards will be held at the MGM Grand Garden Arena in Las Vegas. The show will stream live globally on Prime Video on Sunday, May 17 at 8 p.m. ET / 7 p.m. CT / 5 p.m. PT. Fans will also be able to watch the broadcast on the Amazon Music channel on Twitch, as well as in the Amazon Music app.

Established in 1966, the Academy of Country Music Awards is the longest-running country music awards show. It made history in 2022 as the first major awards ceremony to exclusively livestream, in collaboration with Prime Video. Tickets are available for purchase on AXS.com.

Raj Kapoor and Patrick Menton are executive producers of the 61st annual ACM Awards, with Kapoor also serving as showrunner. Damon Whiteside serves as executive producer for the Academy of Country Music. Jay Penske and Barry Adelman serve as executive producers for DCP. John Saade will also continue to serve as consulting producer for Amazon MGM Studios.

Here’s a complete list of the 14 acts to both host the ACM Awards and win entertainer of the year.

The ACM Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.


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Sabrina Carpenter is checking items off her pop icon bucket list at a rapid pace. After teaming up with Madonna on the bubbling dance track “Bring Your Love” from the Queen of Pop’s upcoming Confessions II album last week, Carpenter ticked off another Mt. Olympus of diva collabs at the Met Gala on Monday night (May 4) when she took the stage with Fleetwood Mac’s Stevie Nicks for a meditative cover of her band’s legendary 1975 ballad “Landslide.”

In a video posted by the Met Museum, Nicks took the stage first, dressed in a bewitching glittery black gown accented by translucent fingerless gloves, emerging like the classical work of art she is after a pair of assistants pulled down a sheet covering a giant picture frame, with the singer backlit like an Impressionist masterpiece. Over gently picked acoustic guitar, Nicks sang the opening lines, “I took my love, I took it down/ Climbed a mountain and I turned around/ And I saw my reflection in the snow covered hills/ ‘Til the landslide brought me down.”

Then, Carpenter, wearing a shimmering golden gown, emerged from the dark and gently took Nicks’ hand as she cooed the lines, “Oh, mirror in the sky, what is love?/ Can the child within my heart rise above?/ Can I sail through the changin’ ocean tides?/ Can I handle the seasons of my life?”

After the last line, Nicks, 77, sagely told Carpenter, 26, “I don’t know … we don’t know.”

The women then joined forces for the third verse, their voices perfectly melded as they sang, “Well, I’ve been afraid of changin’/ ‘Cause I’ve built my life around you/ But time makes you bolder/ Children get older/ And I’m gettin’ older, too/ Yes, I’m gettin’ older, too.” While the A++-list of guests could be heard chatting over the first half of the song, by the time the two women hit the final refrain it sounded as if the room as gone silent to properly take in the superstar summit.

Nicks kept Carpenter out to give her a hand on Mac’s “Don’t Stop Thinking About Tomorrow,” and then also performed “Gypsy” and her 1981 solo hit “Edge of Seventeen.”

Carpenter wasn’t done, either. The singer, who earlier in the evening walked the red carpet in a stunning Dior dress by Jonathan Anderson that paid homage to Audrey Hepburn’s 1954 movie Sabrina by wrapping the singer in film strips from the movie, also performed her own hits, including “Espresso,” “Please Please Please” and “House Tour” in a colorful pop art-inspired dress after being carried to the stage by four tuxedo attendants.


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Gabe Simon was already having a pretty good day on Sunday (May 3) when he found out that Noah Kahan’s The Great Divide, which he co-wrote and co-produced, had debuted at No. 1 on the Billboard 200 all-genre chart dated May 9.

“I had a turkey leg in my left hand. I was at the [Tennessee] Renaissance [Festival]. My kids are running around dressed up as fairies, and I get a text from manager Drew [Simmons] saying that we’re No. 1,” he tells Billboard.

Kahan’s fourth full-length studio project is his first chart topper in the U.S., earning 389,000 equivalent album units, according to Luminate. That makes the Mercury/Republic Records release the largest rock album since the Billboard 200 began measuring by units in late 2014. The title also landed the largest streaming week of any album so far in 2026 and had the biggest vinyl sales week for a rock album since Luminate began tracking sales in 1991. The album also had the largest streaming week of any album in 2026.

And the news got better. Monday (May 4), all 21 songs from the standard and deluxe version of The Great Divide appeared on the Hot 100, making Kahan only the sixth non-rap artist to chart 21 or more songs on the chart simultaneously.

Simon met Kahan through Simmons, who also manages Kahan, and began working with the folk rocker on 2022’s Stick Season, which peaked at No. 2 on the Billboard 200 and turned him into a star. Simon produced The Great Divide with Kahan and Aaron Dessner, The National guitarist and composer best known for his work with Taylor Swift, and co-wrote 10 of the 21 tracks.

Given The Great Divide’s often dark and occasionally vitriolic subject matter about relationships and the chasm that exists in communication, sometimes the mood during the album’s creation would be appropriately downcast.

“I couldn’t give you one particular vibe because it kept oscillating depending on where we were in the process,” Simon says. “Early on, it was angry and dark. I remember heading up to [Dessner’s] Long Pond [Studio in upstate New York] with Noah, and he goes, ‘I just want to write dark, angry sh-t.’  And I was just like, ‘Let’s do it.’  That’s when we did ‘Downfall’ and ‘Lighthouse’ and ‘A Few of Your Own,’ which is not sad or angry at all.”

But while recording and living at a farmhouse outside of Nashville, regardless of the sad content, the mood was upbeat. “We’re riding dirt bikes and shooting shotguns and we’re cooking our dinners for each other,” Simon continued. “We’re hanging out with cows and feeding chickens, fishing and just having fun.” Despite writing and recording such songs as the gaslight-fueled “Deny, Deny, Deny,” “we were just in a spot of contentment,” Simon says.

Over the last few years, Simon and Kahan have built up a circle of trust. “We have an unspoken language that really does something beautiful, and I love it,” Simon says. “I’m grateful for the trust, the companionship, that [Noah] lets me be critical of him and lets me push him,” Simon says. “I mean, that’s not the case with everybody, especially as they get bigger. In this moment right now, we’re seeing the fruits of that labor.”

Below, Simon takes Billboard behind the scenes of creating several songs on the album. The interview has been edited for clarity and length.


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Jack Johnson will return to Australia and New Zealand later this year, announcing a run of November dates for his SURFILMUSIC tour, joined by Ben Harper and John Butler.

The tour marks Johnson’s first shows in the region since 2022 and brings together three artists whose catalogs span folk, blues, roots and surf-inspired rock, with Harper and Butler both set to perform solo acoustic sets across the run.

The announcement ties into Johnson’s upcoming SURFILMUSIC project, a soundtrack release arriving May 15 that pairs his music with a new documentary tracing his early career — from his beginnings as a competitive surfer on Oahu’s North Shore to his transition into filmmaking and music.

Johnson first gained global attention through surf films including Thicker Than Water and The September Sessions, projects that introduced his songwriting to a wider audience before the release of his debut album Brushfire Fairytales in 2001. Over the past two decades, he has sold more than 25 million albums worldwide and built a catalog that includes songs such as “Better Together,” “Sitting, Waiting, Wishing” and “Flake.”

Harper joins the tour with a career that has spanned nearly three decades, blending blues, soul, rock and reggae across 18 studio albums and earning three Grammy Awards. Butler, meanwhile, remains one of Australia’s most successful independent artists, known for a live catalog that ranges from radio staples like “Zebra” and “Better Than” to extended instrumental performances such as “Ocean.”

Together, the three-act lineup leans heavily into acoustic-driven performance, positioning the shows closer to curated live sessions than traditional arena tours.

Tickets for the run go on sale May 12, following a series of presales beginning May 7.

Jack Johnson SURFILMUSIC AU/NZ Tour Dates

Nov. 7 — Brisbane, Australia @ Riverstage
Nov. 10 — Perth, Australia @ Kings Park & Botanic Gardens
Nov. 14 — Sydney, Australia @ The Domain
Nov. 17 — Melbourne, Australia @ Sidney Myer Music Bowl
Nov. 20 — Auckland, New Zealand @ Spark Arena
Nov. 22 — North Canterbury, New Zealand @ Waipara Winehouse

Maren Morris is weighing in on the current wave of women dominating country music, and she has nothing but praise for her peers.

Speaking with hosts Mack and Jen on SiriusXM Hits 1, Morris singled out Ella Langley, Lainey Wilson and Megan Moroney as artists exciting her right now.

“I’m so excited that they’re all crushing it,” Morris said, “because for a very long time it was pretty sparse having women dominate the charts and awards and just be paid what they’re worth. It’s amazing to see that tide turning and them all just having this huge moment right now simultaneously without competition.”

Morris was equally effusive about the songwriters behind the records, noting her personal connections to many of them.

“I’m friends with a lot of them and I’m super proud that they’re on these big projects,” she said. “The songwriting is just getting so good and that always makes me excited to continue writing.” She added: “It’s just nice to know right now that there’s so much quality music happening. I love that country is having a moment — it’s always to me been a global genre.”

The comments come at a significant moment for women in country. Wilson took home four CMA Awards in 2023 and has since become one of the genre’s biggest live draws. Moroney’s debut Tennessee Orange reached the top five of the Billboard 200, while Langley scored her first No. 1 on the Billboard Country Airplay chart with “You Look Like You Love Me” featuring Riley Green.

The three artists represent a broader shift in a genre that has historically struggled to give women equal footing on radio and at awards shows.

The comments come at a significant moment for women in country. Wilson took home four CMA Awards in 2023 and has since become one of the genre’s biggest live draws. Moroney’s debut Tennessee Orange reached the top five of the Billboard 200, while Langley scored her first No. 1 on the Billboard Country Airplay chart with “You Look Like You Love Me” featuring Riley Green.

The three artists represent a broader shift in a genre that has historically struggled to give women equal footing on radio and at awards shows.

Morris herself has long been among country’s most outspoken advocates for that change, having publicly addressed industry pay disparities and the underrepresentation of women on country radio throughout her career. Her 2019 single “The Bones” spent 13 weeks at No. 1 on the Billboard Country Airplay chart — a record at the time for a female solo artist — and her album Girl won Best Country Album at the 2020 Grammy Awards. Her 2016 debut Hero produced the top five country hit “My Church” and earned her a Grammy nomination for Best New Artist.

Morris released her most recent studio album, Intermission, in 2023. The full interview with Mack and Jen airs on SiriusXM Hits 1, channel 2, Monday through Friday at noon ET.

Post Malone will headline Australia’s Strummingbird festival this October, the touring country event’s organizers announced Tuesday.

The Grammy-nominated artist tops a lineup that also includes Bailey Zimmerman, Cooper Alan, Cam, Sons of the East and a substantial supporting cast of international and Australian country acts across three dates in Ballarat, Newcastle and the Sunshine Coast.

Presented by Kicks Entertainment, Strummingbird 2026 will play Victoria Park in Ballarat on Oct. 10, Newcastle Foreshore on Oct. 17 and Kawana Sports Precinct on the Sunshine Coast on Oct. 18. Presale tickets go on sale Wednesday, May 13, with general admission on sale Thursday, May 14 via strummingbird.com.au.

Malone’s headlining slot follows the release of his country crossover album F-1 Trillion, which earned a Grammy nomination for Best Country Album and featured collaborations with Dolly Parton, Tim McGraw, Blake Shelton, Luke Combs, Chris Stapleton, Lainey Wilson and Jelly Roll. The appearance follows recent performances at Coachella and Stagecoach Festival, marking his return to Australia three years after a sold-out run at Splendour in the Grass.

Zimmerman, one of country’s fastest-rising acts, joins as second-billed headliner behind a breakout run that includes his debut album Religiously. The Album. and its 2025 follow-up Different Night Same Rodeo, which featured a collaboration with Luke Combs. His cover of Miley Cyrus’ “The Climb” at Stagecoach earlier this year became a viral moment. Cooper Alan, the North Carolina singer known for “Plead the Fifth” and “Take Forever (Hally’s Song),” rounds out the top-tier international bookings.

The wider lineup includes LA-based country act Stella Lefty, Texan outfit Dexter & The Moonrocks, Cowboy Carter songwriter Cam, Cigarettes @ Sunset, CMT’s Next Women of Country Class of 2025 alumna Kaitlin Butts, rising Californian Noah Rinker and Brad Cox.

Australian contingent includes Sydney’s Sons of the East, back-to-back CMAA Female Artist of the Year Max Jackson, Central Queensland cattle station turned global streaming sensation Mack Geiger, Brisbane native and 2026 Countrytown Breakthrough Artist of the Year nominee Briana Dinsdale, and Sara Berki. Country DJ Willie Pake will headline late-night sets across all three stops, with line dancing sessions led by Maddison Glover.

Local artists Lewis Love (Ballarat), Gamilaraay artist Loren Ryan (Newcastle) and Sammy White (Sunshine Coast) will each perform at their respective hometown dates.

Malone first crossed into country territory with F-1 Trillion, which debuted at No. 1 on the Billboard 200 in 2024 and produced the Billboard Hot 100 top 10 hit “I Had Some Help” featuring Morgan Wallen. The album marked a significant commercial and artistic pivot for the artist, who had previously dominated the Hot 100 across pop and hip-hop with hits including “Sunflower,” “Rockstar” and “Circles.”

The Eagles have added more 2026 dates to their Sphere residency, extending their run as the artist with the most dates at the Las Vegas immersive venue to 64.

The new dates extend their run into the fall: Sept. 18-19, Nov. 13-14 and Nov. 27-28.

The most recent shows had ended April 10 and 11. The Rock & Roll Hall of Fame inductees had previously announced 12 shows for this year: Jan. 23-24, Jan. 30-31, Feb. 20-21, Feb. 27-28, March 20-21 and March 27-28.

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Artist presale registration is available now. The  presale begins May 15 at 10 a.m. PT. Tickets start at $175 and include all taxes and fees.

The group includes Don Henley, the only original remaining who co-founded the band with the late Glenn Frey in 1971, as well as guitarists Joe Walsh and Vince Gill, bassist Timothy B. Schmit and Frey’s son Deacon.

The Eagles’ Sphere stint started in September 2024, and the band added dates a handful at a time, setting the record for the most shows with the announcement of the February dates in October at 52. The previous record belonged to Dead & Co. at 48 shows.

Billboard praised the Eagles show, writing after the Sept. 20, 2024, opening: “For more than 50 years, the Eagles have been painting vivid pictures with their music, from the dark desert highway of ‘Hotel California’ to the billion stars all around of ‘Peaceful Easy Feeling’ to the cold, cold city of ‘Life in the Fast Lane.’ On Friday night, those images came to intense life at Las Vegas’ Sphere, where the technology of 2024 finally caught up to the band’s enduring artistry and created a technicolor display worthy of their classic, illustrative songs from the 1970s and beyond.”

The 2026 Met Gala has come to an end, and the stars really showed out on the red carpet (which was not actually red). Before we put fashion’s biggest behind us and start speculating on next year’s theme, let’s take a look at some of the best outfits worn on Monday (May 4).

Helmed by co-chairs Nicole Kidman, Venus Williams, Anna Wintour and Beyoncé—who made her first appearance at the annual event in 10 years—the 2026 Met Gala was all about the intersection of fashion and art, embodying the Met’s Costume Institute’s spring exhibition “Costume Art” and its celebration of diverse bodies.

“Pairings between fashions and artworks will present a spectrum of connections and experiences: from the formal to the conceptual, the aesthetic to the political, the individual to the universal, the illustrative to the symbolic, and the playful to the profound,” reads a description of the exhibit on the Met’s website.

To complement the exhibit, this year’s Met Gala dress code was “Fashion Is Art,” a theme that left much room for interpretation. And interpret the stars did. With such an open-ended concept to play with, attendees experimented with color, texture, references, inspiration and more. No two looks were the same, unlike in previous years. Although not every look was memorable, there were certainly some red carpet showstoppers worth writing home about. In particular, 10 looks sported by musicians caught Billboard’s attention more than others. (Though many other artists wore incredible looks, too, which you can check out here.)

From SZA’s upcycled couture to Bad Bunny’s senior citizen cosplay to Beyoncé’s show-stopping grand return to the Met Gala, here are Billboard’s top 2026 Met Gala looks.