Ariana Grande’s “Hate That I Made You Love Me” debuts at No. 1 on both the Billboard Global 200 and Billboard Global Excl. U.S. charts. The star singer-songwriter, producer and actress ups her totals to five leaders on the Global 200 and four on Global Excl. U.S.
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Plus, aespa notches its fourth Global Excl. U.S. top 10 with “Lemonade.”
“Hate That I Made You Love Me” drew 63.4 million streams and sold 81,000 downloads worldwide from its May 29 release through June 4, according to Luminate.
Before the lead single from her eighth studio album, Petal, due July 31, Grande topped the Global 200 with “We Can’t Be Friends (Wait for Your Love)” (one week, March 2024); “Yes, And?” (two weeks, January-February 2024); “Save Your Tears” (one, May 2021), with The Weeknd; and “Positions” (one, November 2020).
On Global Excl. U.S., Grande previously led with “We Can’t Be Friends (Wait for Your Love)” (one week), “Yes, And?” (two weeks) and “Positions” (one).
Drake’s “Janice STFU” is No. 2 after spending its first two weeks on the Global 200 at No. 1; Michael Jackson’s “Billie Jean” holds at No. 3, following a week on top in May; Olivia Rodrigo’s “The Cure” retreats 2-4 in its second week; and BTS’ “Swim” slips 4-5 following four weeks at No. 1 in April.
Below Grande’s new No. 1 on Global Excl. U.S., “Swim” descends to No. 2 after eight weeks at the summit since April; “Billie Jean” backtracks to No. 3 from its No. 2 high; Justin Bieber’s “Beauty and a Beat,” featuring Nicki Minaj, dips 3-4 after two weeks at No. 1 in May; and Tame Impala and JENNIE’s “Dracula” drops 4-5 after reaching No. 2.
Also, aespa’s “Lemonade” debuts at No. 8 on Global Excl. U.S. with 21.4 million and 16,000 sold outside the U.S. in its first week. The South Korean pop quartet previously reached the region with “Dirty Work” (No. 2, last July), “Whiplash” (No. 8, November 2024) and “Supernova” (No. 6, June 2024).
The Billboard Global 200 and Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
The latest charts, dated June 13, 2026, will update on Billboard.com Tuesday, June 9. For both tallies, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-06-08 18:17:232026-06-08 18:17:23Ariana Grande’s ‘Hate That I Made You Love Me’ Launches at No. 1 on Both Billboard Global Charts
As Omnivore Recordings celebrates its 15th anniversary, the reissue label has announced it recently acquired the catalog of Baltimore label Chariot Records, which produced regional hits including singles by Bob Brady and the Con Chords back in the mid-‘60s and ‘70s.
Terms of the acquisition were undisclosed, but it marks the third label catalog acquisition Omnivore has made since its inception. ADA-distributed Omnivore previously acquired Ru-Jac Records, a mid-1960s-originated R&B label, and Nighthawk Records, a 1980s-originated roots reggae label. Both labels had ceased operating as ongoing entities.
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Aside from these acquisitions, Omnivore, founded and staffed by four music industry veterans — Cheryl Pawelski, Brad Rosenberger, Dutch Cramblitt and Greg Allen, all holding the title of owner/partner — fields a catalog composed mainly of licensed masters of well-known legacy recording artists including America, The Bangles, The Beach Boys, Kool & The Gang, Peggy Lee, Little Richard, Nina Simone and Woody Guthrie, according to the company’s website.
“People like to pigeonhole us as a reissue company, and we do reissue things, no doubt about it…our primary lane is dealing with historic music,” concedes Rosenberger. “But I would say probably 50% of our releases never even existed before.” By that, he means that those releases are either music recorded but never released back in the day, or music issued in new configurations or as compilations.
For instance, the first release from the Chariot Records acquisition was a compilation of Bob Brady and the Con Chord singles entitled Love In: The Chariot Records Recordings, which was issued just in time for this year’s Record Store Day in April.
The Chariot Records deal was brought to Omnivore by music supervisor Alan Mason and a principal of Chariot, Brent Gordon, who himself subsequently had a long career in the music industry at various companies, including WEA, after Chariot ceased operations back in the day.
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In another compilation example, Omnivore packaged four Ru-Jac titles — Something Got A Hold on Me: 1963-1964, Get Right: 1964-1966, Finally Together: 1966-1967 and Changes: 1967-1980 — into a CD box set entitled The Should Of Baltimore: The Ru-Jac Records Story 1963-1980. It also issued compilations of two titles from the label’s bigger artists: Mr. Clean: Winfield Parker At Ru-Jac, and True Enough: Gene and Eddie with Sir Joe at Ru-Jac.
For Nighthawk Records, Pawelski says Omnivore put together the compilation Send I A Lion: A Nighthawk Reggae Joint, which pulled together songs by the Gladiators, Junior Biles, the Wailing Souls and the Mighty Diamonds, among others.
In 15 years, Rosenberger says, the label has put out more than 600 releases. According to a Billboard count of the artists listed on the label’s website, its release roster comprises some 250 artists. “Yes, we have been busy,” says partner Pawelski. Currently, the label fields some 300 to 400 active titles, as new titles are added and other titles’ licensing periods end.
Omnivore will occasionally put out new music from legacy acts, as it did with Jellyfish/Imperial Drag and Beck collaborator Roger Joseph Manning’s Radio Daze & Gaming and his forthcoming Hopium; Game Day and Merry-Go-Round from Peter Holsapple of the dB’s; and solo artist Emitt Rhodes’ Rainbow Ends. The latter release, put out in 2016, was the late Rhodes’ first full-length release of new material in 43 years.
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“We’ve done a lot of releases by key people that we have relationships with, whether it’s Big Star releases, we’ve done a number of Beach Boys-related releases and we’ve put out more Jellyfish records than they did when they were still a band,” Rosenberger says.
The label has also been issuing music resulting from relationships Rosenberger formed while at Warner Chappell during his time working on a CBGB documentary, whose original soundtrack was subsequently released on Omnivore in 2013.
Rosenberger took advantage of the knowledge gained from that endeavor to release music from CBGB/Max’s Kansas City bands who weren’t included on the compilation, such as the Mumps and The Miamis.
Omnivore is still trading on that knowledge. Earlier this year, the label released Completely Necessary (Anthology 1978-1982), a compilation of former Sire recordings from The Necessaries, an alternative rock mainstay from the New York City punk/new wave scene. The Necessaries members included Ed Tomney, an Emmy-nominated musician/composer of music for movies, TV and commercials; former Modern Lovers and sometimes Gods and Monsters member Ernie Brooks; the late Jesse Chamberlain, a former member of Red Crayola and the son of renowned American sculptor John Chamberlain; and the late Arthur Russell, an avant-garde musician/composer of experimental and dance music. In keeping with the premise of issuing music not previously available, the album consisted of 37 tracks, 29 of which had never been released before.
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Omnivore’s partners say they’re still on the prowl for catalog acquisitions — specifically for smaller targets in line with its available capital resources, but also under-exploited repertoire that would benefit from the partners’ expertise in mining and marketing such music to achieve upside economic potential.
As Pawelski puts it, “We’re certainly looking ahead to find more smaller labels to [acquire] and become the custodian of, in the way that we’ve done in the past.”
Rosenberger and Pawelski note that there are a lot of new financial entities buying up catalogs, which creates competition for acquisitions. But Pawelski says financial buyers may want to partner with Omnivore “because we have a certain expertise that might be valuable to them… in terms of audio and art restoration, and synch licensing because between [the four label principals]. Our careers cover the gamut, and I think we can be useful to them.”
Rosenberger notes that the label has also been nominated for three Grammys for its reissues, including two won by Pawelski for best historical album: It’s Such A Good Feeling: The Best of Mister Rogers and the Hank Williams compilation The Garden Spot Programs. Outside Omnivore, Pawelski has won two additional best historical album Grammys, for Wilco’s Yankee Hotel Foxtrot (Super Deluxe Edition), released on Nonesuch, and Written In Their Soul: The Stax Songwriter Demos, releasedbyStax/Craft Recordings.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-06-08 18:06:032026-06-08 18:06:03Omnivore Recordings to Acquire Catalog of Baltimore Label Chariot Records
Tyler, The Creator’s Camp Flog Gnaw Carnival is coming back for another year. In collaboration with Goldenvoice, the festival announced the 12th installment of Camp Flog Gnaw on Monday (June 8), which will take over the Dodger Stadium grounds on Nov. 14 and Nov. 15.
Advance pre-sale tickets will be available starting on Thursday (June 11) at 2 p.m. ET. In each of the last three years, the festival has been sold out through advance sale tickets.
Camp Flog Gnaw’s lineup will be announced at a later date. Tyler had fans solve a crossword puzzle to find out who was performing at last year’s festival.
General admission passes cover admission for both days and are going for $395. There are VIP packages available, with one priced at $705, which includes a VIP entry lane, exclusive food vendors as well as shaded and seated viewing areas.
There’s even a super VIP deal with an all-in price of $1,750, which includes unlimited carnival games and rides and dedicated VIP merchandise lines. The package also comes with gifts such as a customized Sony turntable, Sony speaker, duffle bag, pillow, keychain and festival banner.
Payment plans are an option for the first time, as fans can put down either 25 percent of 50 percent of the total cost for their passes at once, and then utilize a bi-weekly or bi-monthly payment system.
Tyler, The Creator’s last album arrived with Don’t Tap the Glass last July, which topped the Billboard 200 with 197,000 total album-equivalent units earned, according to Luminate.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-06-08 18:01:392026-06-08 18:01:39Tyler, The Creator’s Camp Flog Gnaw Is Returning for 2026: Here’s When Tickets Go on Sale
Bad Bunny officially kicked off his Madrid residency on May 30 at the Riyadh Air Metropolitano, where he is performing 10 concerts spread out until June 15 as part of his Debí Tirar Más Fotos World Tour. With nearly 63,000 attendees per night, according to sources from Atlético de Madrid, the residency has become one of the biggest musical events of the summer in Spain.
This series of shows comes after his historic No Me Quiero Ir de Aquí residency, which included 30 concerts at the Coliseo de Puerto Rico José Miguel Agrelot in San Juan between July and September 2025, and is part of a tour that began on Nov. 21 in Santo Domingo, Dominican Republic. The Madrid residency has proven to be one of the most ambitious undertakings in the European leg of the tour, which has already exceeded $200 million in revenue, according to figures reported to Billboard Boxscore, and ranks among the most successful of the year.
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In addition to performing songs from Debí Tirar Más Fotos such as “La Mudanza,” “Turista,” “Baile Inolvidable,” “NuevaYol” and “DtMF,” Bad Bunny has kept fans intrigued night after night with surprise guests. Both on the main stage and on “La Casita,” the show’s secondary stage, artists, actors, athletes and influencers have made appearances, including Penélope Cruz, Los Javis, Chiara Ferragni and Trueno.
After completing his 10 dates in Madrid, the trek will continue across cities in Germany, the Netherlands, the U.K., France, Sweden, Poland, Italy and Belgium.
Here’s a chronological recap of all the surprise guests who have joined Bad Bunny during his stay in Madrid, so far.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-06-08 17:11:022026-06-08 17:11:02All of Bad Bunny’s Surprise Guests at His Madrid Residency, So Far
Ariana Grande’s “Hate That I Made You Love Me” bounds in at No. 1 on the Billboard Hot 100, becoming the pop superstar’s milestone 10th career leader on the chart. She ties for the 10th-most No. 1s over the survey’s history.
The song previews Grande’s eighth studio album, Petal, due July 31.
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Plus, as Grande wrote and produced “Hate That I Made You Love Me” with Max Martin and ILYA, Martin extends his record for the most Hot 100 No. 1s among producers — 28 — in the chart’s archives. He continues to boast the second-most leaders among writers — 30 — after only Paul McCartney’s 32.
Read on for details of the entire top 10 on this week’s Hot 100.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts dated June 13, 2026, will update on Billboard.com Tuesday, June 9. For all chart news, you can follow @billboard and @billboardcharts on both X and Instagram. Plus, for all chart rules and explanations, click here.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-06-08 17:06:332026-06-08 17:06:33Ariana Grande’s ‘Hate That I Made You Love Me’ Debuts at No. 1 on Billboard Hot 100
Three of HYBE biggest K-pop girl groups are teaming up for a joint single. “Iconic By Mistake,” a superstar collaboration between KATSEYE, LE SSERAFIM and ILLIT will be released as a digital single at 12 a.m. on Friday (June 12), with the song’s official video slated to drop at 11 a.m. ET on Thursday (June 11).
KATSEYE teased the collab on their Instagram on Sunday (June 7) via a 20-second video featuring a baroque piano snippet playing under an image of a screen covered in white bird feathers. Five seconds in, the reverie is interrupted by a brief, grinding industrial sound that shakes most of the feathers loose, followed by another rumble that uncovers the song’s title in playful cursive script made up of cartoon teeth, skulls, bones, tombstones and bird silhouettes. “I am iconic by mistake,” a lone voice sings as the final feather drops.
A short time later, KATSEYE posted a second teaser video, this one zooming in on the icons from the previous one, revealing a googly-eyed bird with its wings spread and all three groups’ names arrayed across its wings.
A 30-second teaser for the official video previewed what looks to be a super-intense, action-packed visual, opening with a shot of the women on what looks like a spaceship, followed by a brief image of a golden tooth slamming into an electrical outlet. In quick succession, we see a vicious windstorm, a creepy visit to the dentist and one of the singer’s top row of teeth covered with a glittering “ICONIC” grill, with a trickle of blood seeping out of her right nostril.
At press time no additional information was available about the song, its producers or writers. The five-member LE SSERAFIM released their second studio album, Pureflow Pt. 1, in May, featuring the singles “Boompala” and “Celebration.” Currently five-member group KATSEYE — co-founder Manon Bannerman is on an indefinite hiatus — are prepping the release of their WILD EP on Aug. 14; to date they have released the high-energy single “Pinky Up,” but the full tracklist for the five-song mini album has not yet been revealed. Five member ILLIT released the single “It’s Me” earlier this year from their five-track Mamihlapinatapai EP.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-06-08 16:41:022026-06-08 16:41:02KATSEYE, LE SSERFIM and ILLIT Come Together For Digital Single ‘Iconic By Mistake’
Ariana Grande is feeling supernatural after the first night of her long-awaited Eternal Sunshine Tour.
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The pop star shared several photos from her cinematic set in a sweet post on Instagram on Sunday (June 7), one day after her trek’s kickoff show in Oakland, Calif. “it feels impossible to find the words at this time … so for now, just thank you,” she wrote.
“from the bottom of my heart,” Grande continued. “i love you all more than words can ever possibly say. and i missed you. thank you.”
The Wicked actress rocks a number of different looks in the photos she shared as she performs tracks from across her discography, namely 2024’s Eternal Sunshine. Also included in her Saturday (June 6) set were “Hate That I Made You Love Me” — the lead single from her upcoming album Petal — and classic Billboard Hot 100 hits such as “Into You,” “Dangerous Woman,” “Break Free” and “One Last Time.”
It was an emotional show for both Grande and her fans, as the star hasn’t toured since 2019. “Thank you so much, I love you guys so much — and I missed you,” she said through tears on stage during a raucous standing ovation at Oakland Arena. “This is very overwhelming, and I just have to thank you so much for being here.”
The Grammy winner will play two more shows in Oakland before bringing the trek to Crypto.com Arena followed by the Kia Forum in the Los Angeles area. Over the course of the summer, she’ll also play stops in Austin, Texas; Brooklyn, N.Y.; Chicago and more American cities before closing out with 10 shows at the O2 Arena in London.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-06-08 16:36:152026-06-08 16:36:15Ariana Grande Recaps First Concert in Years After Emotional Tour Kickoff: ‘Impossible to Find the Words’
Sombr, Brandi Carlile and Billy Corgan are among those set to present and/or perform at the 2026 Songwriters Hall of Fame Induction & Awards Gala slated for Thursday (June 11) at the Marriott Marquis Hotel in New York City. The SHOF reports that the event is sold out.
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The roster of presenters and performers includes three people who have already been inducted into the SHOF — Nile Rodgers (2016), Dallas Austin (2019) and Steve Miller (2022) — as well as such likely future inductees as Corgan of the Smashing Pumpkins and Carlile. Rodgers is also the SHOF chairman.
The list of presenters and performers includes a past winner of the Hal David Starlight Award — Johnny Rzeznik of Goo Goo Dolls (2008). According to the SHOF site, the award is presented to “gifted songwriters who are at an apex in their careers and are making a significant impact in the music industry via their original songs.”
Taylor Swift, who received the Hal David Starlight Award in 2010, is being inducted into the SHOF this year, making her the first Starlight Award recipient to graduate to full membership status in the SHOF. Sombr, a potential future Starlight Award recipient, is also set to appear.
The roster of presenters and performers also includes two-time Oscar nominee Jeremy Renner.
Inductees at this year’s event are Walter Afanasieff; Terry Britten and Graham Lyle; Gene Simmons and Paul Stanley of KISS; Kenny Loggins; Alanis Morissette; Christopher “Tricky” Stewart; and Swift.
RAYE will receive the Hal David Starlight Award. John Fogerty will receive the Johnny Mercer Award, the organization’s top honor.
Here’s a complete list of presenters and performers at the 2026 Songwriters Hall of Fame Induction & Awards Gala.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-06-08 15:51:232026-06-08 15:51:23Here Are Performers & Presenters for 2026 Songwriters Hall of Fame Induction & Awards Gala: Full List
Taylor Swift may have written her latest song for Toy Story 5, but the numbers it’s showing on streaming are anything but child’s play.
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Three of the world’s biggest DSPs all separately announced on Friday (June 5) that “I Knew It, I Knew You” had etched a place in platform history following its release that same day. On Spotify, the pop star’s movie theme is now the most streamed country song in a single day by a female artist, while on Apple Music, it broke the record among soundtrack singles for first-day listens as well as became the biggest country track of 2026.
Plus, on Amazon Music, “I Knew It, I Knew You” had the biggest streaming day for any song so far in 2026.
Swift dropped the song on Friday after spending the week teasing her involvement in the upcoming Toy Story movie, which hits theaters on June 19. When she finally announced that she’d penned an original tune for the franchise, she wrote on Instagram, “I’ve always dreamed of getting to write for these characters who I’ve adored since I was a 5 year old kid … I fell instantly in love with Toy Story 5 when I was lucky enough to see it in its early stages, and I wrote this song as soon as I got home from the screening.”
She penned the track’s breezy, nostalgia-packed lyrics specifically for the cowgirl character of Jessie, who is voiced by Joan Cusack. “Writing this song felt like a musical departure and coming home at the same time,” the 14-time Grammy winner said in a post after the song came out. “Creating something for Jessie was a new challenge and also felt like second nature all at once.”
“I Knew It, I Knew You” marks Swift’s first release since The Life of a Showgirl last fall. The project spent 12 weeks atop the Billboard 200and spawned two No. 1 singles on the Billboard Hot 100 with “The Fate of Ophelia” and “Opalite.”
The new song will appear on the official Toy Story 5 soundtrack, which is set to drop on the same day the movie premieres worldwide.
With the kick-off of the 2026 FIFA World Cup just a few days away, SiriusXM is rolling out a unique way for football fans to get hyped for the matches. In addition to airing live broadcasts of the matches, SiriusXM has tapped a number of players from this year’s U.S. men’s team to cook up curated DJ sets featuring their favorite artists.
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In addition to playing some of their musical picks, the men also talk about why the songs and artists are meaningful to them and share some stories from their careers. The selections come from two of the team’s goalkeepers, New England Revolution teammates Matt Turner and Matt Freese, with Turner’s choices slated to show up on The Heat (channel 46), where he’ll play songs from Drake, Kendrick Lamar, SZA, Tems, Justin Bieber and John Summit.
Defender Mark McKenzie’s picks will hit Hip-Hop Nation (ch. 44), where he’ll play tracks from Jaz Donell, 2Jayz and Koffee, while FC Cincinnati star defender Miles Robinson’s roster for that channel will include songs by Kendrick Lamar, Jay-Z, Frank Ocean, J Cole, Burna Boy, Ye and Chance the Rapper; Columbus Crew winger Max Arfsten will also be participating.
In addition, some international players will get in on the action as well, including New Zealand native and Portland Timbers defender Finn Surman, who selects songs from Tame Impala, Drake, Nelly Furtado and Rihanna for the 10s Spot (ch. 11). Soccer coach and commentator Eric Wynalda — who suited up for the U.S. squad in the 1990 and 1994 World Cups — injects some metal into the proceedings with his choices for Ozzy’s Boneyard (ch. 38), where he’ll be spinning tunes from namesake Ozzy Osbourne, Iron Maiden, AC/DC, Black Sabbath and Judas Priest. Another former player and current Fox Sports analyst, Alexi Lalas, is also participating in the playlist stunt.
In addition, Ecuadorian forward Leonardo Campana — who plays for the New England Revolution and the Ecuadorian national team — and Paraguayan midfielder Miguel Almiron (Atlanta United, Paraguay national team) will serve up DJ sets on the Caliente channel (152). Also look for sets from Emil Forsberg (Sweden), Kamal Miller (Canada), Derrick Etienne Jr. (Haiti) and several more. The Guest DJ sets will air multiple times on each channel throughout the tournament.
SiriusXM will also air English-language broadcasts of all 104 matches from the tournament provided by FOX Sports, with the broadcasts originating from the U.S., Canada and Mexico airing primarily on Fox Sports on SiriusXM (ch. 83); when two matches are happening simultaneously, one will air on SiriusXM FC (ch. 157).
The first match of the 2026 FIFA World Cup will take place on Thursday (June 11), with the U.S. Men’s National Team opening their campaign with a Group D match against Paraguay on Friday (June 12) at 9 p.m. ET. In addition to the live match broadcasts, SiriusXM will also give listeners daily in-depth coverage throughout the tournament on their 24/7 soccer channel, SiriusXM FC. The FIFA World Cup Final will take place on July 19.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-06-08 15:01:262026-06-08 15:01:26U.S. Men’s Players Share ‘Global Soccer Guest DJs’ Playlists As Part of SiriusXM’s 2026 FIFA World Cup Coverage