P!nk, Queen Latifah, Whitney Leavitt and more are about to bring all that jazz — and then some — to the Tony Awards stage in honor of Chicago‘s 30th anniversary.

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As announced by the award show on Monday (June 1), this year’s ceremony will include a tribute to three decades of Fred Ebb, Bob Fosse and John Kander’s iconic Broadway musical. Jesse Tyler Ferguson, Alex Newell, Adrienne Warren, Julianne Hough and Dylan Mulvaney will also perform in the Chicago segment.

The beloved Jazz Age musical first opened on Broadway in 1975 and ran for about two years. Reopening in 1996, the revival is Broadway’s longest-running show of all time.

The aforementioned Secret Lives of Mormon Wives star just completed her run as Roxie Hart in the Chicago revival in early May, while Queen Latifah earned an Oscar nod for her portrayal of the character Matron Mama Morton in the 2002 film adaptation. In addition to joining in on the Chicago spectacular, P!nk is in place to host this year’s Tony’s, which will broadcast live from Radio City Music Hall in New York City on June 7.

Available to watch on CBS or stream on Paramount+, the three-hour program will kick off at 8 p.m. ET.

As previously announced, the original Broadway cast of The Book of Mormon — including Andrew Rannells and Josh Gad — will also perform during the 2026 ceremony to mark its 15th anniversary. Viewers can expect to see more announcements for additional performances this week, according to a press release.

The original Broadway cast of Chicago included Jerry Orbach, Chita Rivera and Gwen Verdon. In early 2003, the soundtrack from the Rob Marshall-directed film adaptation debuted at No. 4 on the Billboard 200.


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When Jay-Z announced a run of shows at Yankee Stadium in New York to celebrate the anniversaries of 1996’s Reasonable Doubt and 2001’s The Blueprint, tickets — to paraphrase “Can’t Knock the Hustle” — moved faster than a rabbit gets… well, let’s just say the July 10 and 11 shows sold out in hours. (A July 12 concert was later added to meet demand.) That announcement arrived 30 years after his first Billboard chart appearance, back when Brooklyn’s Finest was just starting to conquer the globe and be chronicled by Billboard.

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The Charting ‘Dead’

“Jay-Z, who has a fluid, flippy flow, is moving forward in the rap game with the dope, double-sided single ‘Dead Presidents’ backed with ‘Ain’t No N—a,’ ” reported The Rap Column in the April 6, 1996, issue of Billboard. Hailing his “loose lasso lines,” columnist Havelock Nelson said the former track “gained street appreciation and received radio airplay,” while the latter “features feminine phenomenon Foxy Brown” and “shows signs of becoming an even bigger smash.” His first top 10 Hot Rap Songs single, the double side peaked at No. 4 on that chart and hit No. 50 on the Billboard Hot 100.

In Through the ‘Doubt’ Door

Hova’s debut album, Reasonable Doubt, was “phat an’ all dat,” according to the July 13, 1996, issue. According to a review in the July 20, 1996, Billboard, “This album from the bullet-ridden streets of Brooklyn” is “built atop slinky buttah-bounce, with talk about regulating and maintaining like a kingpin,” featuring “coarse, hard-edged tracks [that] discuss selling white crack for greenbacks.” Moving a reasonable 43,000 copies in its first week (according to Luminate), the album peaked at No. 23 on the Billboard 200.

Can’t Knock The In-Person Hustle

The soundtrack to Eddie Murphy’s smash remake of The Nutty Professor boasted “several of this summer’s biggest records,” reported the July 13, 1996, issue, one of those being Jay-Z and Foxy Brown’s hit collaboration. Def Jam/Mercury staged a “wildly successful in-store to promote the soundtrack” at New York’s Virgin Megastore on June 24, tapping Jay and Foxy, as well as fellow Professor emeriti Case, Trigger Tha Gambler and Smoothe Da Hustler. “The crowd was so thick that I was unable to enter the store,” reported our columnist.

‘Blueprint’ for the Future

“We know rap is a flavor-of-the-month genre, and if any rapper steps away from finicky fans for too long, he or she may as well as hang up the microphone,” ran a column in the Nov. 22, 1997, issue. But Jay had staying power: His second album, In My Lifetime, Vol. 1, moved 138,000 units in its first week and soared to No. 3 on the Billboard 200. It signified the shape of music to come, too. “Rap accounts for three of the top five albums on the Billboard 200 and seven of the top 10 on Top R&B Albums,” noted the same issue. When The Blueprint arrived four years later (eventually spending three weeks atop the Billboard 200), the Sept. 22, 2001, Billboard declared, “Jay-Z deftly proves that while his celebrity status continues to rise, he remains firmly grounded to the street.”

This story appears in the May 30, 2026, issue of Billboard.

Rise Up, Sing Out: A Concert for the First Amendment, with performances and appearances by artists including Bette Midler, Patti Smith and Rufus Wainwright, added more star power to its lineup on Monday (June 1). Billboard can reveal actresses Julia Roberts and Lily Gladstone are among those who will take part in the special event in New York City celebrating U.S. freedoms protected by the First Amendment.

Wilson Cruz, Peppermint, Jenn Colella, Alex Joseph Grayson, Singing Resistance, Rude Mechanical Orchestra, Kayla Davion and Rev. Adriene Thorne were also added to the list of Rise Up, Sing Out participants on Monday.

Previously announced appearances include Jane Fonda — who serves as founder of the Committee for the First Amendment — plus Joy Reid, Sasha Allen and Broadway Inspirational Voices.

Rise Up, Sing Out takes place at NYC’s Town Hall on June 14 at 7:30 p.m. ET. Tickets can be purchased now at riseupsingout.com or on Ticketmaster. Viewers will also be able to livestream the concert event for free.

All ticket proceeds will support the work of the Committee for the First Amendment, who describe the event as “an uplifting evening of song, solidarity, and action.” Its intent is to be “a moment for people around the country to stand in unity against the authoritarian shifts threatening our democracy today.”

“We can’t sit idly by while our rights are at stake,” says Jane Fonda in a statement about the event. “History shows us that when democracy is threatened, song becomes one of our most powerful weapons. Right now, we are at a critical crossroads. It’s time for us to rise up, raise our voices, and stand up against a government that refuses to put its people first. We are fighting back the best way we know how to: with our community and in solidarity.”

Rise Up, Sing Out will be directed by Schele Williams, music directed by Mary Mitchell Campbell and produced by Bruce Cohen and rigor + ruckus (Robb Nanus, Heather Shields & Rachel Sussman). The event is written by Bess Kalb, and features lighting design by Jamie Roderick, sound design by Cody Spencer and projection design by Daniel Brodie & Olivia Sebesky. Linda Marvel is production stage manager.

To coincide with the event, No Kings Coalition is launching a nationwide organizing day on June 14 to bring people together at public and private watch parties in support of our First Amendment rights.


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Taylor Swift‘s boy only breaks his favorite toys, but it looks like the pop star is joining hers in the next Toy Story film.

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The 14-time Grammy winner posted a countdown on her website that is currently ticking down to 2 p.m. ET on Monday (June 1). It’s uncertain what exactly her role in the franchise’s fifth film coming this summer will be — whether it’s contributing music or voicing a character — but a graphic of Toy Story cowgirl Jessie and a “TS” billboard using the movie title’s font both appear on the countdown, confirming Swift’s involvement.

The countdown comes after fans spent days wondering if the Eras Tour headliner was coming aboard in some capacity after Pixar posted a video of a “TS” billboard out in the wild. Animated and spliced onto the clip, Jessie does a dance next to the sign, with the caption including a reference to Swift’s hit “Shake It Off”: “She’s making those moves up as she goes!”

Several other “TS” billboards have gone up in different locations around the world, according to pictures Pixar also shared on Instagram.

Swift has some experience in the world of animated children’s films, having voiced Audrey in the 2012 adaptation of Dr. Seuss’ The Lorax. She’s also lent songs to a handful of movie soundtracks, most recently penning “Carolina” for Where the Crawdads Sing in 2022.

Featuring Tom Hanks and Tim Allen returning to voice their iconic characters — Woody and Buzz Lightyear, respectively — Toy Story 5 is set to hit theaters on June 19.

Swift last dropped music in October, spending 12 weeks at No. 1 on the Billboard 200 with album The Life of a Showgirl.


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M.I.A. is suing Kid Cudi for more than $2.8 million over accusations that he illegally kicked her off his Rebel Rangers Tour for making political statements onstage, including telling fans that she had been “canceled for being a brown Republican voter.”

The lawsuit, filed Friday (May 29) in Los Angeles federal court, says Cudi (Scott Mescudi) “directed” Live Nation to remove the “Paper Planes” rapper (Mathangi Arulpragasam) from the tour, even though she was legally allowed to speak her mind on stage under her $2.8 million contract.

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M.I.A.’s attorneys say Cudi has “portrayed himself as an aggrieved headliner” who had been forced to terminate an “out-of-control support act” to protect his fans, when the “truth” tells a different story.

“M.I.A. was terminated to generate publicity for the tour, which has struggled with ticket sales,” writes the rapper’s attorney, Howard King. “She was contractually allowed to say whatever she wanted on stage. M.I.A. now holds Kid Cudi accountable for his bad faith destruction of her contractual rights, business opportunities, and reputation.”

A rep for Kid Cudi could not immediately be reached for comment. Live Nation is not named in the lawsuit nor accused of any wrongdoing.

Cudi announced on May 4 that M.I.A. had been removed from the tour after she was booed onstage in Dallas for lines like the “brown Republican” quip — likely a reference to criticism she received after her public endorsement of President Donald Trump in 2024. She also referenced her song “Illegal” and said that “some of you could be in the audience.”

“M.I.A. is no longer on this tour,” Cudi said at the time, adding her team had been explicitly warned that he “didn’t want anything offensive” during the Rebel Rangers tour. “After the last couple shows, I’ve been flooded with messages from fans that were upset by her rants. This, to me, is very disappointing, and I won’t have someone on my tour making offensive remarks that upsets my fanbase.”

But in Friday’s lawsuit, M.I.A.’s attorneys say her contract with Live Nation gave her “sole and exclusive creative control” over the content of her performances, with no restrictions on political messaging: “Live Nation agreed to pay M.I.A. over $2.8 million regardless of what she said on stage. That was the deal.”

By telling the company to remove her from the tour anyway, M.I.A. claims that Cudi essentially pushed Live Nation to break the deal — causing her “substantial damages and reputational harm,” allegedly including death threats. In addition to still being owed that $2.8 million fee, she says she also lost merchandise and sync licensing opportunities.

In technical legal terms, M.I.A.’s case accuses Cudi of intentionally interfering with her tour deal and inducing Live Nation to breach it. It does not, however, directly accuse Live Nation of breaching that deal or aim to hold the company itself responsible.

M.I.A. also says Cudi’s statement on her removal was “riddled with falsehoods” and that she had never agreed to stay mum: “He knew her politics. He knew her music. He knew she would not stay silent on stage. He invited her anyways.”

She also seemed to suggest that her statements had been misinterpreted, both by the crowds and by Cudi: “She called for a free Palestine. She condemned U.S. Immigration and Customs Enforcement (“ICE”). She referred to herself, her touring team, and members of the audience as ‘illegal’ immigrants.”


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ABC is home to hit reality shows, live news and sports, and old and new favorites, such as Abbott Elementary, Dancing With the Stars and other programing. If you’ve recently cut the cord, there are affordable streaming options to livestream ABC originals online without cable.

Live TV streamers are an affordable option to replace your cable, with most options offering packages. Most of the streaming platforms that include ABC have free trials and promos going on, which means you could watch live NBA and NHL games (like the NBA Finals and NHL Stanley Cup Final) for free. You’ll also be able to watch dozens of TV channels, giving you instant access to live sports, drama, comedies and reality series from home.

Below ShopBillboard breaks down the current deals and offers available to watch ABC online without cable.

How to Watch ABC Online Without Cable for Free

There are a couple more live TV streamers that will let you watch ABC online for free or for a discounted price. All the below streamers let you watch ABC online without cable and stream content from your phone, tablet, computer or smart TV.

How to Watch ABC Online Free Without Cable in 2026: Livestream TV

FREE TRIAL

DirecTV

DirecTV is offering a five-day free trial for new subscribers.


You can watch ABC online for free on DirecTV, which is offering a 5-day free trial for new users who sign up for one of the four packages. DirecTV lets you watch live television online and its channel packages include a live feed of ABC. Besides access to hundreds of live TV channels, you’ll also receive unlimited DVR storage, local channels and the ability to stream on as many devices as you want.

How to Watch ABC Online Free Without Cable in 2026: Livestream TV

Sling TV

For ABC, go with Sling Blue.


Sling TV has three plans, including Orange, Blue or Orange + Blue. However, ABC is only offered on the Blue package. Rather than choose one, you can combine the two with the Orange + Blue package, which will give you access to more than 50 channels, DVR storage and the ability to stream on up to three devices. Please note: Pricing and channel availability are dependent on your local TV market. Learn more about Sling TV here.

How to Watch ABC Online Free Without Cable in 2026: Livestream TV

Hulu + Live TV

Hulu + Live TV including ABC.


Starting at $89.99 per month, a subscription to Hulu + Live TV gets you more than 95 live TV channels, such as ABC, to watch live sports, TV series and specials whenever you want. You also get access to the entire Hulu on-demand library (including select ABC content available to watch the day after it airs). And for even more, Hulu + Live TV includes a subscription to both Disney+ and ESPN Unlimited.

How to Watch ABC Online Free Without Cable in 2026: Livestream TV

FuboTV

Fubo is an affordable option offering a five-day free trial for new users who sign up.


FuboTV is another affordable live TV streamer as it comes with a five-day free trial for new users who sign up. The streaming service has three different plans, including a new skinny bundle called “Sports + News” that starts at only $45.99 for the first month ($55.99 per month afterwards).

In addition, Fubo has $30 off their Pro and Elite plans for the first month right now, which includes more than 200 channels, as well as 1,000 hours of free DVR and the option to stream on 10 devices at once.

Want more? For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

When beloved Grammy-winning songwriter Brett James died in a plane crash last Sept. 18, the Nashville music community mourned the loss of a great songwriter — James penned such tunes as “Jesus, Take the Wheel,” “When the Sun Goes Down”  and “Blessed” — but for singer-songwriter Kip Moore, the loss was especially acute.  

“I don’t know if there’s been anyone in my adult life that made a more profound impact on me,” Moore says of James. “Brett and I were thick as thieves for probably the first four years that I was with [James’ publishing company] Cornman. There was a period of two years where I don’t think we went a day without hanging out, just writing songs and riding motorcycles. What I carry with me the most when I think about Brett is Brett got me to believe in myself when I didn’t.”

James died as Moore was recording Reason To Believe, his new album released Friday (May 29) through his global partnership with Virgin Music Group. Following his death, the album took on a new purpose and urgency for Moore as the 13 songs, all of them co-penned by Moore, look at faith, love, grief and the passage of time.

Moore came out of the gate 15 years ago with his debut country album, Up All Night, which included the Billboard Country Airplay No. 1, “Somethin’ Bout a Truck,” and Top 3 hits “Beer Money” and “Hey Pretty Girl.”

A few more radio hits followed with MCA Nashville, but Moore’s gritty rock style and raspy vocals didn’t necessarily fit in with country’s pop-leaning sound. In 2025, he released his first project, Solitary Tracks, on his own imprint, Slowheart, through Virgin. With Reason to Believe, the songs remain rock based but bring in intriguing sonics and tempos.

As he’s struck out on his own, Moore has felt freed of any of the mainly self-imposed constraints he previously felt in the major label system. “There’s a complete unbridled nature to what I’m doing now,” he says. “I’m writing whatever I feel.”

While Moore’s popularity has never waned in the States, it’s exploded internationally, especially in South Africa, where he’ll headline an Oct. 17 concert at Pretoria’s SuperSport Park Stadium before two shows at Cape Town’s GrandWest Arena Oct. 23-24.

South Africa has become a second home for Moore, where he’s invested in giving back. He says that recently, that means building safe houses in South Africa. “We just finished a huge house over there that’ll hold 100 kids.”

Moore largely eschews social media and has little appetite for participating in the current political discourse, instead letting such actions speak for him.  “I know how much I care about humanity and I get involved,” he says. “I refuse to join the shouting match, so I’ll let people do the shouting and I’m just navigating behind the curtain, and that’s just how I choose to go about my life.”

Below, Moore breaks down five essential tracks from Reason to Believe.

A convalescing Billy Strings made a surprise return to the stage — crutches and all — on Sunday night (May 31) in his home state of Michigan.

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Back on April 18, the Grammy-winning Americana stalwart broke his left fibula and tibia while skateboarding backstage after a concert in Charlottesville, Va. He underwent immediate surgery and subsequently rescheduled his next four shows until August — although Dave Grohl did offer Strings the use of the throne that he used after breaking his leg in 2015, later lent to Guns N’ Roses’ Axl Rose.

Strings has been recuperating since, but on Sunday, he showed up as a special guest during Primus’ portion of the Claypool Gold tour stop at the Meadow Brook Amphitheatre in suburban Detroit. Announcing the appearance of a “buddy,” Les Claypool told the crowd that “normally he would come bounding out here, but he took a little tumble a few weeks ago, so we have a chair for him tonight.”

Strings came out on a pair of crutches and seated himself on a stool, then showed that his hands were still in fine shape as he shredded on electric guitar, trading licks with Claypool and guitarist Larry “Ler” LaLonde during performances of “Wynona’s Big Brown Beaver” (which Claypool rechristened “Billy’s Big Brown Beaver”) and the even more furious “Too Many Puppies.”

Strings’ next performance will be a taping for Austin City Limits on July 2, followed two days later by an appearance at Willie Nelson’s 4th of July Picnic at the Germania Insurance Amphitheater, also in Austin, Texas.

The Claypool Gold tour — which also includes the Claypool Lennon Delirium and Les Claypool’s Fearless Frog Brigade — runs through July 4, finishing in Napa, Calif.


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Intocable is entering a new era: Billboard can reveal that the Tejano legends have partnered with Primary Wave Music in a deal covering the band’s catalog as well as its name, image and likeness rights. The agreement, announced Monday (June 1), also gives the group access to Primary Wave’s marketing and publishing infrastructure, including digital strategy, licensing, sync, and film and TV production.

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“We’re excited to partner with Primary Wave and begin this new chapter together,” said lead vocalist and accordionist Ricardo “Ricky” Muñoz in a statement. “Their vision, passion for music, and commitment to preserving artistic legacy make them the perfect team to help us continue expanding the reach of Intocable’s music for generations to come.”

Formed in the border town of Zapata, Texas, in the early 1990s, Intocable has long ranked among regional Mexican music’s most durable hitmakers, with 15 No. 1s on Billboard’s Top Regional Mexican Albums chart and 21 No. 1s on Regional Mexican Airplay. Most recently, the group returned to the summit in 2025 with “Me Gusta Mi Vida,” underscoring the staying power of a catalog now entering a new phase with Primary Wave.

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The deal includes songs such as “Fuerte No Soy” (1999), “Me Gusta Mi Vida,” “Un Poquito Tuyo” (2022), “Si Me Duele, Que Duela” (2024) and “Sueña” (2010).

With the Cultura Tour underway and a spot in the Hollywood Walk of Fame’s Class of 2026, the Grammy-winning Mexican-American group continues to build on a legacy that has made it one of the most influential bands in Mexican music.


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Charli xcx has announced the release date of her new album Music, Fashion, Film — and recruited some bona fide legends for its album artwork.

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The studio LP will be released on July 24 via Atlantic Records and feature both her recent singles “SS26” and “Rock Music.”

The album’s artwork features a black and white photo of three pioneers in the LP title’s disciplines: The Velvet Underground’s John Cale; fashion designer Marc Jacobs; and movie director Martin Scorsese. See the artwork, shot by frequent collaborator Aidan Zamiri, below.

Charli recently collaborated with Cale on the song “House” from her Wuthering Heights soundtrack LP, released in February 2026. She has also modeled for Marc Jacobs in recent years, appearing in a campaign for the designer’s line.

Confirming the news on Instagram, Charli wrote that the album would feature “11 songs” and run for “30 minutes and 5 seconds.” A wider tracklist has not yet been confirmed.

The album’s title comes from “SS26” where the British artist sings: “We’re walkin’ on a runway that goes straight to hell / Nothing’s gonna save us, not music, fashion or film.”

Music, Fashion, Film marks Charli’s first solo studio album since 2024’s brat, which elevated the popstar to a mainstream icon. The album peaked at No. 1 on the U.K.’s Official Albums Chart and at No. 3 on the Billboard 200.

Speaking to British Vogue, Charli said that the album’s new direction — as heard on “Rock Music” — could divide listeners. “For me, it’s fun to flip the form,” she said. “We know there’s gonna be people who are bothered by it, but that’s fine.”

Following the upcoming LP’s release, Charli will headline Chicago’s Lollapalooza Festival (July 31) as well as the U.K.’s Reading & Leeds Festival (Aug. 28-29).