Health has been releasing “sad music for horny people” — their description! — since its self-titled debut in 2007. But in the years since, the industrial band comprised of Jake Duzsik, John Famiglietti and B.J. Miller has not only cultivated its own standout, bleak-yet-lush sound that captures the emotional horrors of life set to infectious beats, but also a hilarious social media presence that proves the trio isn’t just all doom and gloom.

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Nineteen years and six full-length albums later — the latest, Conflict DLC, arrived in December 2025 — the band has been touring what seems like endlessly, selling out shows around the world and still finding time to drop releases while on the road. Case in point? On Thursday (April 9), Health released R-Type IV — the fourth in a series of remix albums that have been arriving mere weeks apart (R-Type I was released at the end of February) — with the set dropping just a day before back-to-back sold-out shows in Minneapolis followed by Chicago, with more sellouts ahead in Toronto, Brooklyn, D.C., Nashville and Austin. Not only that, the band has squeezed in collabs over the years with some of industrial and rock’s heavyweights — think Nine Inch Nails’ Trent Reznor (“Isn’t Everyone”), Deftones’ Chino Moreno (“Anti-Life”), Bad Omens (“The Drain”), Lamb of God (“Cold Blood”) and Chelsea Wolfe (“Mean”), for starters. (The NIN and Bad Omens collabs hit Nos. 11 and 7, respectively, on Billboard‘s Hot Hard Rock Songs chart.)

Though constantly hard at work, the band finds time to share the lighter side of their lives and personalities, whether they’re touring or not, with bassist Famiglietti (aka Johnny Health) showing off a particularly fun side — and his cat ears! — in social media videos promoting Health’s shows and music. Some of that playfulness comes through via their merch stand, which has offered some — shall we say “fun”? — items for consenting adults, including band-branded condoms and yep, butt plugs.

But the band isn’t the only musical act with adult toys. For example, one Harry Styles launched his Pleasing line of pleasure products in July 2025, after all. What does Health think about the competition? Lead singer Duzsik shares his thoughts on that, the inspiration for their latest album, the record to introduce to people to the industrial genre, dream collabs and more.

1. Where are you in the world right now, and whats the setting like?

Home. Sitting at my desk in Los Angeles.

2. What is the first album or piece of music you bought for yourself, and what was the medium?

Alice In Chains, Dirt. On CD.

3. What did your parents do for a living when you were a kid, and what do or did they think of what you do for a living now?

My mom managed the warehouse of a moving company and my dad worked in a print shop. My family has always been very supportive of music.

4. What’s the first non-gear thing you bought for yourself when you started making money as an artist?

Booze.

5. If you had to recommend one album for someone looking to get into industrial music, what would you give them and why?

People can find a reason to complain about anything, and even if it seems too obvious, I’m going to say Nine Inch Nails’ The Downward Spiral. It did more to introduce a worldwide audience to industrial music than any other album. If it ain’t broke, don’t fix it.

6. What’s the last song you listened to?

Bjork, “Hyperballad.”

8. You released Conflict DLC in December. For those who have never listened to Health before, how would you describe the album — and your sound — to encourage them to give the album a listen?

I’d call the sound Neo Industrial. I would say the album is an attempt at creating a collection of sad and dystopic songs that is still somehow fun. It’s not up to me to say if it was a success of not.

9. What topics have been the biggest influences for your most recent music, and why?

The general unraveling of civilization and our abrupt decent into a technocratic nightmare of ignorance and cognitive decline.

10. The band has some pretty fun slogans — “Sad music for horny people” and “cum metal,” for example. How did you come up with those?

John is the slogan man.

11. You’ve got some competition from Harry Styles, who last year started selling his “Pleasing Yourself” line of intimate products such as lube and vibrators, while you started selling butt plugs in 2023. What do you think of this new competition from him, and do you have any new toys planned to challenge his line of products?

If someone in Harry Styles’ camp was inspired by our “non traditional” merch, we would view it as a compliment.

12. It feels like Health is constantly on the road, yet you are also consistently and regularly releasing new music, whether it be new albums or remixes and collabs: two albums, three versions of Disco4 and five versions of R-Type, all between 2020 and end of April 2025. Where do you find the time?!

We try to never get out of the habit of writing new music. It’s just like anything else, once you stop it can be hard to start again.

13. You’ve had some amazing collabs over the years — Trent Reznor, Chino Moreno, Bad Omens and more. Who’s at the top of your dream collab list for next? Who’s been your favorite so far, and why? Any you can tease for the upcoming R-Types?

There are so many dream collabs, it’s hard to narrow it down. Depeche Mode and 2hollis would be high on the list for me. My personal favorite are the ones we did with Xiu Xiu as well as NIN.

14. Your music is, as you’ve put it, “sad,” but your online personas are hilarious, especially on social media. Was it a conscious decision to have such a dichotomy?

It feels like this is a more honest representation of how feel at the current moment. Simply being melancholy and mysterious seems a bit forced in the age of social media. At least for us it would.

15. You’re big into anime. For fans who’ve yet to explore this art form, which anime would you recommend for them to get started? And what are your personal favorites?

Start with the classics: Akira, Ghost in the Shell and Ninja Scroll. If you aren’t into it by then, you can stop trying to understand.

16. Speaking of anime, Megan Thee Stallion is also a huge fan, and is launching her own anime series with Amazon Prime. If you could have your own anime series, what would it be about, and which network/streamer would be the best fit?

John says, “A dark fantasy epic on Crunchyroll.”

17. Are there causes or charities involved with that you’d like people to know about?

I have a child, as such I’m very aware of how fortunate he is. In that context, I think charities like Unicef are hugely important and can really help. As a band we work closely with END OVERDOSE, and give out free fentanyl testing kits at our merch tables.

18. What’s your favorite place to listen to and experience industrial music?

In a dark warehouse made of crumbling brick and rusted steel … obviously.

19. What’s the best business decision you’ve ever made?

To stop killing myself with alcohol and drugs, I guess.

20. One piece of advice you’d give to your younger self?

Invest in bitcoin and buy property in New Zealand.


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The blockbuster Live Nation antitrust trial is finally coming to an end, and a federal jury will soon decide whether the company has used its size to wield unlawful monopoly power in the live music industry.

The New York jury heard closing arguments on Thursday (April 9), more than a month after the trial first kicked off in the case brought by the U.S. Department of Justice (DOJ) and dozens of state attorneys general. The DOJ settled with Live Nation just a few days into the trial, leaving 33 states and the District of Columbia to pursue the company’s divestiture of Ticketmaster on their own.

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According to the Associated Press, the states’ lawyer, Jeffrey Kessler, told the jury in his final pitch on Thursday that Live Nation is a “monopolistic bully.” Kessler said the company controls 86% of major concert venues in addition to the artist promotion and ticketing business — a level of control he equated to “digging the moat around the monopoly castle.”

Live Nation attorney David Marriott countered in his own closing statement that while the company is indeed big, it is a “fierce competitor” that plays fair in the live entertainment industry. He said the states do not have any tangible evidence of monopolistic conduct, and that Kessler’s 86% figure is a misleading number calculated by excluding key venues, such as stadiums, from the pool of “major concert venues.”

“This is a gerrymandered market made up for purposes of this litigation,” Marriott told the jury, per the New York Times.

The lengthy trial featured testimony from venue bosses including former Barclays Center CEO John Abbamondi, who said Live Nation CEO Michael Rapino threatened to divert concerts if he switched to rival ticketer SeatGeek. Rapino denied making such threats when he later took the stand himself, saying the company has achieved its success through top-notch work, not anticompetitive conduct.

Other key witnesses included AEG Presents CEO Jay Marciano, Live Nation president of touring Omar Al-joulani and Drake’s manager, Adel Nur (aka Future the Prince). A slew of economics and other expert witnesses also testified.

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The jury will begin deliberating in private on Friday morning (April 10). On a technical level, the verdict form asks whether Live Nation violated federal and state antitrust laws via two key practices: requiring artists to use its promotion services in order to play its amphitheaters, and threatening to withhold Live Nation-promoted concerts from venues that don’t sign exclusive primary ticketing contracts with Ticketmaster.

Financial damages could be on the table if the jury’s answer is “yes” to any of these questions. It would then be up to Judge Arun Subramanian to decide what kind of structural relief is required. The states want to break up Live Nation and Ticketmaster, but the judge could find that limits on the company’s business practices are sufficient.

Live Nation has already agreed to some such limits as part of its settlement with the DOJ, including opening up its back-end technology to rival ticketers, allowing rival promoters to book its amphitheaters and offering a non-exclusive primary ticketing option to venues. The deal also created a $280 million fund to be distributed to any states that chose to sign on, though just a handful of states took that route.


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All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

In spring and summer 2026, country singer Willie Nelson goes on tour throughout the United States, with dates going until Wednesday, April 22, at Avondale Brewing Company in Birmingham, Alabama. Meanwhile, throughout the tour, recording artist Drayton Farley is supporting as the opener.

Tickets to the tour first went on sale through Live Nation and Ticketmaster, as the retailer’s Face Value Exchange program is an option for fans to resell tickets.

However, many of the dates have either sold out, or are very close to selling out, so one of the best ways to find Willie Nelson tickets online is through third-party sites, including StubHub, Vivid Seats, SeatGeek, Event Tickets Center, Gametime and others. All online retailers guarantee authentic tickets in time for your concert.

In addition, Billboard likes that tickets are all delivered digitally, so you can get them sent instantly to your smartphone or email. Prices may also be above or below face value at times.

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Willie Nelson Tour 2026 Dates

  • Apr. 22: Avondale Brewing Company in Birmingham, AL (Buy tickets online here)
  • Apr. 23: Synovus Bank Amphitheater at Chastain Park in Atlanta, GA (Buy tickets online here)
  • Apr. 25: Asheville Yards Amphitheater in Asheville, NC (Buy tickets online here)
  • Apr. 27: Koka Booth Amphitheatre in Cary, NC (Buy tickets online here)
  • Apr. 28: Live Oak Bank Pavilion in Wilmington, NC (Buy tickets online here)
  • May 2: Whitewater Amphitheater in New Braunfels, TX (Buy tickets online here)
  • July 3: The Pavilion at Toyota Music Factory in Irving, TX (Buy tickets online here)
  • July 4: Germania Insurance Amphitheater in Austin, TX (Buy tickets online here)
  • July 5: Cynthia Woods Mitchell Pavilion in The Woodlands, TX (Buy tickets online here)
  • Aug. 18: Hollywood Casino Amphitheater in Maryland Heights, MO (Buy tickets online here)
  • Aug. 19: Mystic Lake Amphitheater in Shakopee, MN (Buy tickets online here)
  • Aug. 21: Alpine Valley Music Theatre in East Troy, WI (Buy tickets online here)
  • Aug. 22: Pine Knob Music Theatre in Clarkston, MI (Buy tickets online here)
  • Aug. 23: Ruoff Music Center in Noblesville, IN (Buy tickets online here)
  • Aug. 25: Credit Union 1 Amphitheatre in Tinley Park, IL (Buy tickets online here)
  • Aug. 28: Northwell Health at Jones Beach in Wantagh, NY (Buy tickets online here)
  • Aug. 29: Bethel Woods in Bethel, NY (Buy tickets online here)
  • Aug. 30: Albany Med Health System at SPAC in Saratoga Springs, NY (Buy tickets online here)

Want more? For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

Heated Rivalry, the envelope-pushing TV series about gay hockey players that had a broader cultural reach than anyone could have predicted, was nominated Thursday (April 9) for a Peabody Award. Other nominees included Jimmy Kimmel Live!, The Pitt, Dying for Sex, FOREVER and programs about influential musicians Sly Stone and Fela Kuti: the documentary Sly Lives! (a.k.a. The Burden of Black Genius) and the podcast Fela Kuti: Fear No Man.

Kuti, a Nigerian musician, producer, arranger, political radical and outlaw, is widely regarded as the father of Afrobeats. The musician, who died in 1997 at age 58, received a posthumous lifetime achievement award from the Recording Academy earlier this year. Stone, who led Sly & the Family Stone to three No. 1 hits on the Billboard Hot 100 with “Everyday People,” “Thank U Falettinme Be Mice Elf Agin” and “Family Affair,” received that same honor in 2017.

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Heated Rivalry won outstanding new TV series at the GLAAD Media Awards on March 5 in Los Angeles.

Jimmy Kimmel Live! was suspended for a week last September following a controversial remark by Jimmy Kimmel about the killing of conservative activist Charlie Kirk, but it survived that near-death experience. Kimmel’s progam has received 14 consecutive Primetime Emmy nominations for outstanding talk series (or in a predecessor category, outstanding variety series), but it has yet to win.

The Peabody Awards board of jurors announced the nominees in the arts, children’s/youth, entertainment, and interactive & immersive categories. The nominees were chosen by a unanimous vote of 28 jurors from more than 1,000 entries from television, podcasts/radio and the web.

“These nominees showcase the power of storytelling at its most urgent and expansive, where art, entertainment, and innovation collide with the defining issues of our time,” Jeffrey Jones, executive director of Peabody, said in a statement. “From identity and mental health to political extremism, systemic inequality, and the search for belonging, this work reflects exactly what the Peabody Awards stand for: stories that challenge, illuminate, and push culture forward.”

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The winners of the 86th annual Peabody Awards will be announced April 23, and then celebrated on May 31 at the Beverly Wilshire Hotel in Beverly Hills, California. Actress and podcast host Amy Poehler will receive the Peabody Career Achievement Award; director, producer and screenwriter Sterlin Harjo will receive the Peabody Trailblazer Award; Multiple Oscar- and Emmy-winning creator James L. Brooks will be honored with the Peabody Industry Icon Award; and historic programmer PBS KIDS will receive the Peabody Institutional Award.

Here are the honorees of greatest interest to the music community, with capsule descriptions provided by the Peabodys. The first two are in the Arts category, the last five in Entertainment.

Hip-hop pioneer Afrika Bambaataa (born Lance Taylor) has died at age 68. According to TMZ, which first reported the news, the “Planet Rock” artist died Thursday (April 9) from complications due to cancer.

Born in The Bronx, Bambaataa began DJing block parties in the South Bronx in the early ’70s, which led to him being credited as an originator of breakbeat DJing and one of the influential architects of hip-hop culture alongside founding father DJ Kool Herc.

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As a teenager, Bambaataa traded his Black Spades gang ties to form the Universal Zulu Nation following a trip to Africa. He went on to found rap groups like Jazzy 5 and the Soulsonic Force, and brought rap to the masses with his first tour in 1982.

Afrika Bambaataa teamed up with Soulsonic Force for 1982’s “Planet Rock.” The electronic-fused track gave Bambaataa his lone Billboard Hot 100 entry, with the song peaking at No. 48 in September 1982, and later appeared in NBA 2K7 in 2006. The “Planet Rock” remixes also reached No. 4 on the Hot R&B/Hip-Hop Songs chart in July 1982.

Bam joined forces with George Clinton and James Brown throughout his career. His James Brown collab “Unity” hit No. 87 on the Hot R&B/Hip-Hop Songs chart in 1984.

He was part of the Artists United Against Apartheid and contributed to the 1985 album Sun City, which peaked at No. 31 on the Billboard 200.

Afrika Bambaataa also infiltrated the Dance Club Songs chart, notching a top five hit on the chart in 1991 with “Just Get Up and Dance” (peak No. 4).

The innovative DJ’s death was confirmed by The Hip Hop Alliance on Thursday with a statement.

“As the founder of the Universal Zulu Nation, Afrika Bambaataa helped shape the early identity of Hip Hop as a global movement rooted in peace, unity, love, and having fun. His vision transformed the
Bronx into the birthplace of a culture that now reaches every corner of the world,” said executive director Rev. Dr. Kurtis Blow Walker.

“Through his music, leadership, and influence, he contributed to the foundation of Hip Hop’s core principles, inspiring generations of MCs, DJs, breakers, and cultural leaders. His imprint on Hip Hop
history is undeniable and will forever remain part of the culture’s origin story.”

Walker continued: “At the same time, we recognize that his legacy is complex and has been the subject of serious conversations within our community. As an organization committed to truth, accountability, and the preservation of Hip Hop culture, we believe it is important to hold space for all voices while continuing to uplift what empowers and protects the people. Today, we extend our condolences to all who were impacted by his life, his work, and his presence.”

Afrika Bambaataa’s legacy was muddied in recent years by a series of sexual abuse allegations against minors. He resigned from his position as head of the Universal Zulu Nation in 2016 following abuse allegations from activist Ronald Savage, who accused Bambaataa of molesting him when he was 15.

The Assassin Collective’s Solo accused Bambaataa of sexual abuse when the French rapper was 15. Bambaataa was also accused of sexually abusing and trafficking a minor, who remained anonymous as John Doe, in a civil lawsuit, which Bambaataa lost in 2025 due to a default judgment.

Billboard has reached out to Afrika Bambaataa’s reps for comment.

The operators of Pacha New York have revealed the date and lineup for the club’s long-awaited opening weekend.

Pacha New York will open over the weekend of June 20-21, with this two-night debut featuring English star Michael Bibi on June 20 and South African legend Black Coffee on June 21.

The Pacha set is Bibi’s only current U.S. date on the calendar outside of Chicago’s ARC Music Festival in September. For Black Coffee, Pacha is the only U.S. date on his current summer schedule.

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The announcement marks a new beginning for the venue, which until recently was the beleaguered Brooklyn Mirage. In February, it was announced that the Dubai-based FIVE Holdings entered into a long-term agreement assuming full operational management of the Brooklyn Mirage and The Great Hall complex, two of the three spaces in the Avant Gardner complex in which Brooklyn Mirage resided.

This February announcement also revealed that Brooklyn Mirage would be transformed into the only U.S. location of Pacha, the clubbing institution with a historic flagship in Ibiza. The news followed months of drama surrounding the Brooklyn Mirage, which was set to open last May after an extensive remodel, but announced it would not be opening its doors the night before it was set to start, with every performance thereafter subsequently canceled as the club faced ongoing permitting issues and eventual bankruptcy.

Pacha operators acknowledged these issues in an April 7 email blast that went out to approximately 30,000 people who had unrefunded tickets and seasons passes from canceled Brooklyn Mirage shows, with the email offering the value of the original tickets as coupons for Pacha. A source close to the club tells Billboard that the total value of these coupons is equal to $3,107,654, with these vouchers good for food, drinks and merchandise at any Pacha New York event.

“Before we look ahead, we want to speak directly to you, the community that has always been at the heartbeat of New York’s dance culture” the email reads. “We know the last chapter left many of you frustrated. Especially those who held tickets for shows at the Brooklyn Mirage that never happened and were never refunded. While Pacha New York was not involved in these circumstances, we’ve made a conscious decision on making this right for you… We’re offering 100% of your original ticket value as a coupon at Pacha New York.”

Chyno & Nacho are not just a duo; they represent a true musical legacy that transcended borders, paved the way for new generations, and elevated Venezuela’s name. That’s why the release of their first album in four years at midnight on Wednesday (April 8) is especially exciting.

And Radio Venezuela — the title of the production — doesn’t just arrive with songs by Chyno & Nacho. This album, released by ADA/Warner Music, features a wave of Venezuelan musicians, including Danny Ocean, Rawayana, Elena Rose, Mau y Ricky, Joaquina, Lasso, Akapellah and more. In all, the set boasts 14 collaborations, including interludes featuring the voices of Luis Chataing and the late Renny Ottolina, iconic figures in Venezuelan media.

The album also marks the highly anticipated return of the duo since Chyno & Nacho Is Back in 2021, the album that sealed their reunion after years apart marked by health challenges faced by Chyno Miranda. After conquering stages with their Eternos Tour in 2024, the creators of No. 1 hits like “Niña Bonita” and “Bebe Bonita” now return filled with gratitude and in better company than ever.

“I did many things that were very meaningful to me as a solo artist: ‘Báilame’ with Bad Bunny and Yandel, ‘Casualidad’ with Ozuna, ‘Déjalo’ with Manuel Turizo, and ‘Destino’ with Greeicy. I would join any rhythm because, honestly, I felt that my original essence was as part of the duo Chyno & Nacho,” Nacho confesses to Billboard. “Despite the fact that things kept happening for me, I got used to being with my partner, and I was never able to get used to being without him.”

As if that weren’t enough, the LP reunites them with their former manager, Pablo Villalobos. “For me, it’s very special to walk alongside Chyno & Nacho again. We grew together from day one, lived dreams that seemed impossible, and achieved wonderful things around the world,” Villalobos said in a statement to Billboard. “I feel this reunion is like a new beginning, filled with hope, gratitude and a strong desire to keep making history together.”

Filled with nostalgia, love, and fulfilled dreams, Radio Venezuela is a beautiful miracle and a testament to the value of friendship — not just within the project, but also in how it tells the story of two partners who have experienced countless years of professional success while overcoming life’s challenges. Now, they celebrate it in their best language: music. Nacho Mendoza and his nephew, Ignacio “Happy” Mendoza, built it as meaningful things are built: slowly, intentionally and from the heart.

“People have seen our journey—they’ve seen us fall and get back up, they’ve seen us succeed, they’ve seen us create projects that have been very successful, they’ve seen us smiling and celebrating, and also going through moments of frustration, times when health hasn’t been on our side,” says Nacho. “And look, for me, the journey with my partner has been incredible, because from seeing him lying in a bed, unable to speak or walk, to seeing him on a stage, fighting, to being part of this moment in a project where he is walking on his own, dancing on his own, and performing on his own — I think it’s an enormous lesson not just for us, but for anyone going through challenges and processes in their life.”

He adds: “My partner’s recovery is something miraculous and has a lot to do with love, the support he’s been given and the spiritual strength he’s shown. And well, it’s been a beautiful process. Today, we look back, and I think we wouldn’t change even the hardest moments.”

Radio Venezuela is not just an album, it’s a frequency. What began as an idea took shape organically. Nacho started connecting with colleagues — Danny Ocean, Rawayana, Lasso, Neutro Shorty, Mau y Ricky, Elena Rose — and, at some point, he realized something: they were all Venezuelan.

Below, discover more about all the collaborations on the album, in order of appearance.

Operación Triunfo—the celebrated TV talent competition show that first aired in Spain in 2001—is making its U.S. debut on Telemundo this summer.

Traditionally, the show’s format, which has launched the international careers of acts such as David Bisbal, Aitana and Lola Indigo, to name a few, follows a group of aspiring singers who coexist in an “academy,” where they receive professional training and compete in weekly competitions. 

“The essence of Operación Triunfo will remain intact, as it is central to its global success […] The magic of [the reality show] lies in the fact that it transcends a traditional singing competition, emerging instead as a true platform for transformation,” Javier Pons, chief content officer & head of Telemundo Studios, tells Billboard exclusively. 

Casting calls for the show, which has “exceeded our expectations,” according to Pons, have already taken place in Miami, Los Angeles and Puerto Rico, with the final one happening April 11 in New York. 

Below, read more information about Operación Triunfo’s debut in the United States via Telemundo. 

Operación Triunfo premiered in Spain in 2001. What made 2026 the correct time to finally bring it to the U.S.?

Operación Triunfo is a format with an incredibly strong legacy and a proven emotional connection with audiences of all ages, particularly younger generations, many of whom were not consuming traditional broadcast television. Over time, it became a true cultural phenomenon in Spain.

In 2026, we see a unique combination of factors driving the decision: the continued growth of the Latino market in the United States, the evolution of music consumption toward digital and social platforms, and a younger audience seeking authentic stories and real talent. We believe this is the ideal moment to introduce a version of Operación Triunfo that culturally resonates with Hispanic audiences while preserving the essence of the format.

When did conversations begin to bring the show to Telemundo?

Before initiating conversations last year, we conducted a strategic evaluation of global formats with strong potential for adaptation to the U.S. market. As Telemundo has established itself as a leader in live primetime reality programming, we saw Operación Triunfo as a unique opportunity to refresh the slate with a format that blends competition, artistic training and a deeply human narrative that resonates with audiences.

In addition, as a complement to Telemundo’s music strategy, we are proud to introduce a globally renowned format to the U.S. Hispanic audience that elevates our content offering. The early stages of the process focused on translating the format to the local context, shaping a version that feels authentic to Telemundo’s audience while preserving the DNA that has made Operación Triunfo a global phenomenon.

Will the same format from Spain’s Operación Triunfo remain intact for its U.S. version?

The essence of Operación Triunfo will remain intact, as it is central to its global success. At the same time, we are making certain adjustments to reflect the diversity of the Spanish-speaking community and a multiplatform experience aligned with audience consumption habits in the United States.

What do you think is the magic behind this reality TV show?

The magic of Operación Triunfo lies in the fact that it transcends a traditional singing competition, emerging instead as a true platform for transformation. Audiences will be able to follow contestants on an authentic journey of artistic and personal growth six days a week, witnessing their evolution from aspiration to realization under the guidance of the director of La Academia. This combination of talent, vulnerability, discipline, and storytelling fosters a deep connection with viewers from the outset. 

In Spain, the format has established itself as a launchpad for major stars. For its U.S. version, we are proud to present a show that celebrates Latino talent, passion, and culture, following young artists on their path to becoming the next generation of music stars.

Besides the current casting stage, is there any information you can exclusively share with Billboard?

We are pleased with the response during the casting phase, which has exceeded our expectations. We still have our final stop in New York this weekend, after which we will complete the final selection of contestants who will take part in the competition. In the meantime, we can confirm that Operación Triunfo will premiere this summer, and we will soon share more details about the host, judges, music coaches, participants and much more.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Spring is here and Nike is slashing prices across fan-favorite sneakers, sports apparel and accessories. If you’re looking to upgrade your wardrobe and and sneaker rotation without breaking the bank, Team Check is currently running a rare up to 50% off sale bursting with impressive markdowns for shoppers to save big entering into the spring season.

Shop classic Nike Dunk shoes, WNBA merch, Nike Tech apparel, transparent stadium bags and the popular Air Jordan 1 mid sneaker. Shoppers can save up to 50 percent on a wide range of Nike, Jordan and LeBron products on the brand’s site. To give you hand, we’ve rounded up the best Nike deals to snag before the sale is over.

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What was once designed for long-distance runners in 1977, has now become a fan-favorite everyday shoe. Shop one of Nike’s most famous designs for almost 40% off.


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Air Jordan 1 Mid Sneakers

$106.97 $140 24% off

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Inspired by the iconic Air Jordan 1, this mid-top edition maintains the classic look (and colorway) with a crisp leather upper, stitched-down Swoosh and a Jumpman logo on the tongue.


Best Nike Clothing Deals

If you have been eyeing Nike’s popular tech fleece apparel, its currently 31% off. There’s also great shorts, sweatshirts and even basketball apparel on sale. Shop our favorite pieces like the all-over print Michael Jordan bottoms and the “everyone watches women’s sports” t-shirt to add to your wardrobe this spring.

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Nike Tech Woven Reflective Jacket

$120.97 $175 31% off

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Nike’s popular tech jacket receives an ultra-reflective makeover to help your outfit stand out.


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Nike “Everyone Watches Women’s Sports” T-Shirt

$35.97 $50 28% off

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The message on the shirt says it all. Support the WNBA with this fiery orange graphic tee, which is currently 28% off.


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Nike Sportswear Woven Flow Shorts

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Show off your legs this spring/summer with these breezy, mesh lining and lightweight shorts.


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Nike Club Fleece Loose Crew

$31.97 $60 47% off

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For the love of the game, add this cozy crew sweatshirt to your wardrobe for almost 50% off.


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Jordan Flight Woven Pants

$88.97 $125 29% off

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Make yourself like Mike by literally wearing the “GOAT” with these bold, all-over print pants.


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Nike Swoosh Dri-FIT French Terry Pullover Fitness Hoodie

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A simple yet effective hoodie for the transitional spring weather.


Best Nike Accessory Deals

Complete your outfit with these discounted, stylish accessories. Upgrade your sunglasses, tote bag, hats and even a transparent stadium bag that’s currently 40% off. There’s no better time to add some fun accessories to your spring and summer look.

Nike's Spring Sale: Save Up to 50% Off Jordan Sneakers & NBA Gear

Jordan Stadium Bag (1.7L)

$23.97 $40 40% off

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An affordable stadium bag with a thick, durable and transparent design equipped with an “university blue” adjustable strap. There’s also a 2-way zipper closure making it easy to retrieve items on the go.


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Nike Tech Bottle Carrier

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During festival season, keep your water bottle secured with this versatile crossbody bag made of durable, water-repellent ripstop material and an insulated pocket.


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Nike SB Club Skate Cap

$24.97 $32 22% off

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A great, everyday 6-panel cap you can rock to the skate park and beyond.


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Nike Veil Prism Sunglasses

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Fashion meets sports in these unique Nike shades blending innovative design with style. The Veil Prism shades feature “Nike Max +,” which helps reduce light reflection and provides precise vision from all angles.


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Jordan Icon Tote Bag (32L)

$92.97 $135 31% off

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Featuring the brand’s signature allover woven elephant skin pattern, this tote feels like wearing your Jordans around your shoulder. The zippered main compartment houses a laptop sleeve and an inner zippered pocket, which helps secure smaller items you don’t want lost in the shuffle of the main compartment.


Tatsuya Endo’s SPY×FAMILY Vol. 17 debuts at No. 1 on the Billboard Japan Book Hot 100, on the list released Apr. 9.

The latest volume of the hit comedy action series about a makeshift family consisting of a spy, an assassin, and a mind-reading child claims the top spot after dominating brick-and-mortar sales and e-books, while also scoring points on the social media and e-commerce (EC) metrics.

ONE PIECE Vol. 114 climbs 4-2 after the digital edition became available on April 3, keeping the title inside the top 10 for a fifth consecutive week. Similarly, Wanpanman (One-Punch Man) Vol. 36 soared 84-4 after the release of its digital version.

Yukinobu Tatsu’s Dandadan Vol. 23 debuts at No. 3, placing No. 3 in brick-and-mortar and No. 4 in e-books.

Outside the top 10, Leiya Seguchi’s Second Photo Book “Lei” tops the EC metric to bow at No. 15. The latest volume of Oni no Hanayome (The Ogre’s Bride) — whose live-action film adaptation opened Mar. 27 in Japanese cinemas — holds inside the top 20 for a second straight week. The series is also set to receive a TV anime adaptation from July.

The Billboard Japan Book Hot 100 is a comprehensive chart combining physical sales, e-books, library loans, subscription data and social media activity. Check out the top 10 titles on this week’s list below, tracking the period from Mar. 30 to Apr. 5.

(Numbers in parentheses indicate the title’s metric placements for brick-and-mortar, EC, e-books, subscriptions, and social media, top 20 only. English title given if translations or adaptations exist.)

1. SPY×FAMILY Vol. 17, Tatsuya Endo (1/–/1/–/–)

2. ONE PIECE Vol. 114, Eiichiro Oda (4/–/2/–/–)

3. Dandadan Vol. 23, Yukinobu Tatsu (3/–/4/–/–)

4. Wanpanman (One-Punch Man) Vol. 36, ONE, Yusuke Murata (–/–/3/–/–)

5. Futsutsuka na Akujo de wa Gozaimasu ga (Though I Am an Inept Villainess) Vol. 10, Ei Ohitsuji, Satsuki Nakamura, Yuki Kana (6/–/5/–/–)

6. Natsume Yujin-cho (Natsume’s Book of Friends) Vol. 33, Yuki Midorikawa (2/–/15/–/–)

7. Mushikaburi Hime (Bibliophile Princess) Vol. 11, Yui Kikuta, Yui, Satsuki Shiina (7/–/9/–/–)

8. Danzai sareta Akuyaku Reijo wa, Gyakko shite Kanpekina Akujo wo Mezasu (The Condemned Villainess Goes Back in Time and Aims to Become the Ultimate Villain) @COMIC Vol. 8, Rat Kitaguni (–/–/6/–/–)

9. Keiyaku-kon shita Aite ga Oni Saisho deshita ga, Konotabi Saisho-shitsu Sennin Hosa-kan ni Ninmei sareta Jimi Bukan (Hensou-chu) wa Watashi desu. Vol. 3, Nagi Okawa, Seven Tsukishiro (–/–/7/–/–)

10. Akane-banashi Vol. 21, Takamasa Moue, Yuki Suenaga (15/–/11/–/–)