Tatsuya Endo’s SPY×FAMILY Vol. 17 debuts at No. 1 on the Billboard Japan Book Hot 100, on the list released Apr. 9.

The latest volume of the hit comedy action series about a makeshift family consisting of a spy, an assassin, and a mind-reading child claims the top spot after dominating brick-and-mortar sales and e-books, while also scoring points on the social media and e-commerce (EC) metrics.

ONE PIECE Vol. 114 climbs 4-2 after the digital edition became available on April 3, keeping the title inside the top 10 for a fifth consecutive week. Similarly, Wanpanman (One-Punch Man) Vol. 36 soared 84-4 after the release of its digital version.

Yukinobu Tatsu’s Dandadan Vol. 23 debuts at No. 3, placing No. 3 in brick-and-mortar and No. 4 in e-books.

Outside the top 10, Leiya Seguchi’s Second Photo Book “Lei” tops the EC metric to bow at No. 15. The latest volume of Oni no Hanayome (The Ogre’s Bride) — whose live-action film adaptation opened Mar. 27 in Japanese cinemas — holds inside the top 20 for a second straight week. The series is also set to receive a TV anime adaptation from July.

The Billboard Japan Book Hot 100 is a comprehensive chart combining physical sales, e-books, library loans, subscription data and social media activity. Check out the top 10 titles on this week’s list below, tracking the period from Mar. 30 to Apr. 5.

(Numbers in parentheses indicate the title’s metric placements for brick-and-mortar, EC, e-books, subscriptions, and social media, top 20 only. English title given if translations or adaptations exist.)

1. SPY×FAMILY Vol. 17, Tatsuya Endo (1/–/1/–/–)

2. ONE PIECE Vol. 114, Eiichiro Oda (4/–/2/–/–)

3. Dandadan Vol. 23, Yukinobu Tatsu (3/–/4/–/–)

4. Wanpanman (One-Punch Man) Vol. 36, ONE, Yusuke Murata (–/–/3/–/–)

5. Futsutsuka na Akujo de wa Gozaimasu ga (Though I Am an Inept Villainess) Vol. 10, Ei Ohitsuji, Satsuki Nakamura, Yuki Kana (6/–/5/–/–)

6. Natsume Yujin-cho (Natsume’s Book of Friends) Vol. 33, Yuki Midorikawa (2/–/15/–/–)

7. Mushikaburi Hime (Bibliophile Princess) Vol. 11, Yui Kikuta, Yui, Satsuki Shiina (7/–/9/–/–)

8. Danzai sareta Akuyaku Reijo wa, Gyakko shite Kanpekina Akujo wo Mezasu (The Condemned Villainess Goes Back in Time and Aims to Become the Ultimate Villain) @COMIC Vol. 8, Rat Kitaguni (–/–/6/–/–)

9. Keiyaku-kon shita Aite ga Oni Saisho deshita ga, Konotabi Saisho-shitsu Sennin Hosa-kan ni Ninmei sareta Jimi Bukan (Hensou-chu) wa Watashi desu. Vol. 3, Nagi Okawa, Seven Tsukishiro (–/–/7/–/–)

10. Akane-banashi Vol. 21, Takamasa Moue, Yuki Suenaga (15/–/11/–/–)

The Weeknd is set to present the award for anime of the year at the 10th Crunchyroll Anime Awards on Saturday, May 23, in Tokyo. Anime, especially famed director Shinichiro Watanabe’s influence, has been a key inspiration throughout The Weeknd’s career, starting with his iconic first project, House of Balloons.

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“When I was first introduced to anime, I was a child,” The Weeknd said in a statement. “Sailor Moon was one of my first crushes, Goku my first imaginary sparring partner, and ‘One More Time’ by Daft Punk was a song and music video I couldn’t get out of my head.

“But it wasn’t until my teenage years that one specific anime changed me forever and became part of the fabric of my early career: Samurai Champloo by Shinichiro Watanabe. It was the first time I experienced two of my favorite mediums — anime and hip-hop — blending so seamlessly that it completely reshaped the way I watched film and listened to music.

“The fusion of a samurai story told with auteur precision, paired with the sounds of Nujabes, Fat Jon and Force of Nature was nothing short of transformative. That influence stayed with me all the way through the creation of House of Balloons, where I wrote ‘The Morning,’ ‘Glass Table Girls’ and ‘Loft Music’ over Nujabes’ instrumentals. Without Watanabe and Nujabes, House of Balloons simply wouldn’t exist.

Samurai Champloo opened my eyes to a more mature world of anime and helped shape my visual DNA. The works of Satoshi Kon, Mamoru Oshii and Katsuhiro Otomo became foundational to the look and feel of The Weeknd.

“So, it’s safe to say I wouldn’t be here without anime. It’s an honor to celebrate the artists behind it and a medium that continues to inspire the world.”

The Crunchyroll Anime Awards honors the creators, musicians and performances powering the global love of anime. RZA of Wu-Tang Clan is also set to present this year. Several major music stars have presented at the show in recent years, including Kacey Musgraves, Damiano David and Megan Thee Stallion.

Fans around the world can cast their votes daily for their favorite anime, helping decide winners across 32 categories, including anime of the year. Voting is now open via the Anime Awards website, Crunchyroll and MyAnimeList, and runs through April 15 at 11:59 p.m. PT.

Sony Music Solutions Inc., part of Sony Music Entertainment (Japan) Inc., and Dempsey Productions will support Crunchyroll in the execution of the event, which will be livestreamed for global audiences.

Crunchyroll, LLC is an independently operated joint venture between U.S.-based Sony Pictures Entertainment and Japan’s Aniplex, a subsidiary of Sony Music Entertainment (Japan) Inc., both subsidiaries of Tokyo-based Sony Group.


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Tyga is heading to Hollywood. Luckily for the “Rack City” rapper, it’s not a far ride from Calabasas, Calif., to the silver screen.

The 36-year-old (born Michael Ray Stevenson) is set to make his feature film debut starring in the coming-of-age drama Baby, You’re a Star. In addition to taking on a lead role, Tyga will serve as a producer and cowriter for the movie. Decorated music video director Arrad Rahgoshay is slated to direct the movie musical.

Tyga will star alongside Outer Banks‘ Madison Bailey, Ashton Sanders, Mike Epps, Apollonia, Clifton Powell, Patrick Cage and David Alan Grier.

The film’s storyline hits home with Tyga, which will follow an aspiring music artst determined to overcome life’s obstacles to reach stardom.

“Blending music, nostalgia and raw emotional stakes, the film aims to capture the spirit of a generation on the brink of cultural change,” a press release for Baby, You’re a Star states. Production for the movie is currently underway in Portland, Ore.

Tyga has been a rap staple for nearly 15 years since his breakout Billboard Hot 100 top 10 hit “Rack City,” which reached No. 7 on the chart in early 2012. Among his 34 Hot 100 entries, Tyga’s notched another pair of top 10 anthems in his career with “Taste” alongside Offset (No. 8 peak) in 2018 and hopping on Chris Brown’s “Loyal” in 2014 (No. 9 peak).

T-Raww’s laid low for the first quarter of 2026 on the music side. The California native’s most recent album, NSFW, arrived in February 2025 with assists from Cher, Big Sean, Flo Milli, Lil Wayne, Shenseea, Lil Tjay and Ty Dolla $ign.


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BTS gave ARMY permission to dance for the first of many times on the band’s world tour supporting ARIRANG, which kicked off Thursday (April 9) with a spectacular performance at Goyang Stadium in South Korea. And in a sweet post on Weverse, Jin summed up his happiness surrounding the night.

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“ARMY,” the performer began. “I had so much fun at Arirang Tour’s first concert. I feel comfortable performing as a team and being in the same space with ARMY, so I feel like I’m back home.”

“I hope to see you all together next time!” Jin added in his post. “Then let’s meet on Saturday and jump together! Get home safely and good night everyone.”

The Bangtan Boys will play two more shows at Goyang Stadium before moving on to Tokyo. The trek will last through March of next year and see BTS stopping through cities in North America, Latin America, Europe and Australia as well as Asia.

On top of the tour and release of ARIRANG in March — soon after which the album debuted at No. 1 on the Billboard 200 — BTS has been hitting the ground running with promotion for this era. The band has already released three music videos for the album’s “SWIM,” “2.0” and “Hooligan,” and the members have appeared on The Tonight Show Starring Jimmy Fallon, Wired‘s auto-complete series and Hot Ones in recent weeks.

On Hot Ones, which dropped Thursday, the guys explained to host Sean Evans how they narrowed down the ARIRANG tracklist. “We all gathered in one place and listened to all the songs, from track No. 1 to track 100,” Jung Kook said. “We’d discuss while we listened. ‘How is this?’ or ’Thoughts on this.’ Almost in a pure fashion.”

V added, “And if I remember correctly, we had a point-scoring system.”


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Attorneys for Sean “Diddy” Combs and prosecutors battled before a federal appeals court Thursday (April 9) as he sought to overturn his 50-month sentence, with judges grilling both sides over “exceptionally difficult” legal questions about how much time the star deserved.

Combs was acquitted in a June verdict on racketeering (RICO) and sex trafficking charges over claims that he forced girlfriends to have sex with male prostitutes at sex parties called “freak offs.” But he was still convicted of two lesser counts of interstate prostitution, resulting in his lengthy prison sentence.

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During a heated hearing at the Second Circuit Court of Appeals, Diddy’s attorney Alexandra Shapiro told a panel of three appellate judges that her client had been unfairly sentenced by a trial judge who had disregarded the jury’s decision to largely clear him.

“Their unanimous verdict was not guilty on the most serious charges … but [they’re] what drove the sentence,” Shapiro said. “This was the highest sentence ever for this type of charge.”

Thursday’s hearing centered on the legal concept of acquitted conduct — meaning the elements of the case against Diddy that jurors had rejected in their verdict. Federal sentencing officials recently passed new guidelines instructing courts to be more careful not to impose harsh sentences based on such conduct, saying at the time that “not guilty means not guilty.”

Diddy’s attorneys say Judge Arun Subramanian violated those new rules, handing down a draconian term that ignored the jury’s verdict rejecting the RICO and sex trafficking counts. Prosecutors say the judge did enough to comply with them and was allowed to consider much of the disputed case.

As the court grappled with those “exceptionally difficult” novel legal questions, both sides faced withering questions from the judges. Judge William J. Nardini interrupted Shapiro almost immediately, suggesting the court was not even able to consider the issue for procedural reasons. Judge Sarah A. L. Merriam later noted that Subramanian had acknowledged the acquittals, and asked why that wasn’t enough.

“Obviously the judge acknowledged that he’d been acquitted, but that’s not enough,” Shapiro said. “That’s just make-weight.” Nardini quickly interjected: “You mean he didn’t mean it? Or he wasn’t thinking it? What does ‘make-weight’ mean? That’s a rather disparaging characterization.” Shapiro quickly clarified that she had not intended to insult the trial judge.

Arguing for prosecutors was Christy Slavik, who said Subramanian had taken the correct approach to acquitted conduct. But she, too, faced sharp questions from the panel — including from Judge M. Miller Baker, who said the prostitution claims had been nothing more than a “sideshow” to the RICO case during the actual trial.

“Why shouldn’t we hold you to the way you prosecuted the case?” Baker asked. “You went to the jury and said this man did all these terrible things for purposes of the RICO conspiracy, for the purposes of sex trafficking, and they acquitted him! And now you want us to rely on all this acquitted conduct that was presumably rejected?”

Slavik fired back that Subramanian had instead relied on “admitted conduct” — citing the Diddy team’s much-discussed defense strategy of openly admitting physical abuse: “The defendant admitted from the outset of the trial that the defendant engaged in horrific domestic violence. All of that conduct was admitted.”

Slavik urged the panel to take a narrow approach to the new rules on acquitted conduct, saying judges could still consider such actions if it’s “relevant” to the actual convicted charges. But that suggestion also drew blowback from the judges.

“What your argument would lead to is that there’s no such thing as acquitted conduct,” Nardini said. “Tell me why I’m wrong about that.”

Though Thursday’s arguments focused entirely on sentencing, Combs is also appealing his underlying convictions, including by arguing that the “freakoffs” at the core of the case were merely amateur pornographic movie shoots that are protected by the First Amendment.

But such arguments are typically far harder to win at appeals courts, which are less likely to overturn a jury’s verdict than a judge’s ruling. And Diddy’s appeal has clearly been focused on sentencing since it was first filed in December.

Following Thursday’s hearing, the Second Circuit will take the case into consideration and issue a ruling at some point in the months ahead. Appeals in federal court can often take well over a year to reach a ruling, but Diddy’s case has been granted expedited status that should result in a faster decision.


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Coming off his civil lawsuit victory, Afroman (born Joseph Foreman) is slamming the Ohio cops who sued him for defamation after he trolled the officers with music videos following a failed 2022 raid of his home.

The “Palmdale” rapper sat down with Channel 5 With Andrew Callaghan for a two-hour interview that posted on Wednesday (April 8) to discuss the ramifications of dodging the defamation suit, which has led to a bit of a mainstream resurgence for Afroman.

“Freedom of speech has been challenged,” he said. “There’s the original Americans who want their freedom of speech and there’s this new legal breed that’s evolving, who wants to challenge freedom of speech. With my case, we feel like overall, freedom of speech won.”

Afroman continued to explain his circumstances: “I did my research and I wasn’t telling any lies. I was trying to figure out who the cops were and as I zoomed in on them, I’d take a picture of them and I’d go do my homework and do my research … I started to find out who these strangers were walking around in my house.”

The Adams County Sheriff’s Department raided Afroman’s home in August 2022, tied to a warrant for kidnapping and drug trafficking. The officers smashed down the “Because I Got High” rapper’s door, drew their guns and seized more than $5,000 in cash.

“They was trying to intimidate and bully me,” he said during the interview. “So I was ready to play the bully game with them. And then they lost the bully game with all their AR-15s and Beetle Bailey helmets and battle shields.”

Afroman added: “Who is the biggest p—sies in court crying about their feelings hurt? Is it the rapper that don’t got nothing but some dirty rap songs, or is the big bad boys with the AR-15s? Who’s crying? I realized they was bullying me, so I bullied them back.”

Billboard has reached out to the Adams County Sheriff’s Department for comment.

No charges were ever filed against Afroman in the case, and most of the money was returned. He put the seven officers on blast on diss tracks such as “Lemon Pound Cake,” revealing details from their personal lives to how some of the his cash was missing or how one officer was eyeing up the lemon pound cake in his home.

In 2023, seven Adams County Sheriff’s Department officers (Shawn D. Cooley, Justin Cooley, Lisa Phillips, Michael D. Estep, Shawn S. Grooms, Brian Newland and Randolph L. Walters, Jr.) filed a lawsuit seeking $3.9 million in damages over claims of “emotional distress” and receiving “death threats” as a result of Afroman’s songs, videos and social posts. They claimed Afroman used their likeness without permission and believed it was an invasion of their privacy.

The jury sided with Afroman on March 18 and cleared him of any liability, bringing the three-day trial to an end, as Afroman — rocking an American flag suit — walked out a winner.

Watch the full interview with Afroman below.


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If you know two things about guitarist/singer Tom DeLonge you are aware that he has been in and out of Blink-182 several times over the years and that he is super obsessed with aliens and UFOs. So much so that according to his former bandmate in side project Angels & Airwaves, current Foo Fighters drummer Ilan Rubin, he is prone to casually busting out alien autopsy pics at the weirdest times.

Including, it turns out, at Rubin’s 2020 wedding.

In a recent interview on the Go With Elmo podcast, Rubin told a mind-blowing story about DeLonge sharing a picture of what he said was a deceased E.T. to the drummer and another one of his former bosses, Nine Inch Nails frontman Trent Reznor.

“When my wife and I got married, we finish the ceremony. Everyone kind of goes to the reception or whatever, and she and I go up to the suite for her to kind of get out of the wedding dress and having some champagne,” Rubin told host Elmo Lovano earlier this week. “And we finally get down to the reception, where the first two people I see are Tom and Trent.”

Noting that DeLonge is a “really tall guy” and that at 6’4″ he’s hovering over the 5’7″ Reznor, Rubin said he noticed that DeLonge has his phone out. “I know how this goes: ‘Hey, check this out.’ And I’m thinking, ‘What is he possibly showing him right now?,’” Rubin said, aware that DeLonge loves to share his unique outer space knowledge with friends. “Then I go straight up to them like, ‘Hey guys, how’s it going?’ Tom’s like, ‘Dude, congratulations. I’ll see you in a bit, I’m going to get a drink.’”

Rubin then asked Reznor what DeLonge had shared with him. “He’s like, ‘that dude just showed me a dead alien,’” Reznor confided. “Nobody else could conduct themselves in that way and it be normal, but he’s [Tom’s] just so unapologetically him. It’s infectious. It’s great. I’ll always remember that.”

As Rubin said, the story would be out of this world if it were about anyone else, but DeLonge has a long fascination with all things space and extraterrestrial, including his founding of the To the Stars Academy of Arts and Science, dedicated to studying UFOs. DeLonge described what he said was his first contact with aliens in a Papermag interview in 2015, where he said that during a camping trip at a secret base on the flight path to the legendary Area 51 in Nevada, he felt a “strange phenomenon” and thought, “OK, they’re at our campsite, they’re not here to hurt us, they’re talking about shit, but I can’t make out what they’re saying. But they’re working on something.”

In 2020, the Pentagon declassified three videos allegedly showing unexplained aerial phenomenon that DeLonge had released through TTSA in 2017. Also in 2017, DeLonge received the UFO Researcher of the Year award from OpenMinds.tv.

Watch Rubin tell his wedding reception alien encounter story below.


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Are Cardi B and Stefon Diggs on the up again? Two months after rumors of their split, the football player stepped out with his family at the rapper’s concert.

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Videos circulating on social media show Diggs dancing to Cardi’s concert at the Capital One Arena in Washington, D.C., on Wednesday (April 8), accompanied by his mom. Others seem to catch the former New England Patriot leaving the hip-hop hitmaker’s afterparty at Throw Social in the nation’s capital.

Neither Cardi nor Diggs have commented on whether they’re back together, but the athlete’s attendance at the rap star’s Little Miss Drama Tour stop will be sure to spark rumors of a reconciliation. The pair first started dating in late 2024 and welcomed a baby boy together in November, but in February, the Grammy winner appeared to confirm they’d split by saying on stage at a different concert, “Just because I ain’t f–king with my baby daddy doesn’t mean you get to talk about my baby daddy.”

Just two weeks prior to that, however, Diggs had hinted that he was considering proposing to the musician. “It’s on the agenda, maybe,” he teased at a pre-Super Bowl press conference. “Right, I gotta get mine first, though!”

No matter what may or may not be happening with Diggs, though, Cardi’s focus is on finishing her tour strong. The trek kicked off in February and will wrap in just a little more than a week with a finale performance on April 18 in Atlanta.

“I’m just so overwhelmed,” she told Jimmy Fallon in March ahead of her Madison Square Garden shows in New York City. She also pulled back the curtain on the rehearsal process in recent Allure cover story, which documented how hard Cardi was working to keep up with the physical demand.

“I hate choreography — it’s like math to me,” she told the publication, noting that the dynamic performances of someone like Beyoncé are “way removed” from what she can do on stage. “I don’t have much of a rhythm like that. I could rap all day. But dancing is like, ugh.”

Cardi’s latest album, Am I the Drama?, dropped in September and peaked at No. 1 on the Billboard 200.


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The Prince estate has reached a settlement with singer Apollonia, ending their dispute over who owns legal rights to the name made famous by the movie Purple Rain.

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After years of fighting, Prince’s estate and Apollonia (born Patty Kotero) both withdrew their dueling trademark cases against each other on Wednesday (April 8). Apollonia’s lawyer, Daniel Cislo, told Billboard that the matter has been confidentially settled.

“Apollonia is very happy with the results, and that the parties can continue to honor the legacy of Prince and his musical genius,” said Cislo. “In a time of so much conflict, it is very good to see people coming together to resolve their dispute.”

Lawyers for the Prince estate did not return a request for comment on the resolution.

The dispute dates back to 2018, two years after Prince’s sudden death by fentanyl overdose. The star’s estate filed paperwork to trademark “Apollonia 6,” the name of a Prince-founded girl group led by Apollonia, but were rejected because Apollonia herself already owned the intellectual property.

The Prince estate petitioned the U.S. trademark office to cancel Apollonia’s ownership, leading to years of legal proceedings between the two sides. Apollonia then moved the fighting to federal court last summer with a lawsuit accusing the estate of trying to “steal” her name.

Prince’s estate called the lawsuit “frivolous” and said its goal was to peacefully co-exist with Apollonia. A hearing on the estate’s motion to dismiss was coming up this Friday (April 10) in Los Angeles before the settlement was reached.

The estate has now dropped its trademark cancellation petition, which was one of the terms sought by Apollonia in her lawsuit. It’s not clear whether the settlement also includes any financial payments or further ground rules for the ownership of the Apollonia name going forward.

Apollonia rose to fame playing a character of the same name in Purple Rain. Her song from the 1984 movie, “Sex Shooter,” spent six weeks on the Billboard Hot 100. In the years since, Apollonia has used the moniker for music releases, acting credits and a podcast hosting gig.

Prince’s lucrative estate, meanwhile, is managed by the business entity Paisley Park Enterprises. The star died without a will, leading to years of probate court infighting before Paisley Park’s assets were split in 2022 between Prince’s heirs and another entity controlled by Primary Wave.


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P!nk, a lifelong theater fan, is set to host the 79th Annual Tony Awards, which will air live from Radio City Music Hall on Sunday, June 7. The show will broadcast live to both coasts on the CBS, and streaming on Paramount+ from 8 to 11 p.m. ET/5 to 8 p.m. PT.

“It is the honor of an entire lifetime to host a night celebrating the literal hardest working people in showbiz,” P!nk said in a statement. “Broadway has shaped my life and how I put my own shows together — it is a community that is supportive and inclusive and full of talent and love. These people give magic every single day, and I cannot wait to celebrate them with the entire world.

“When I was asked to host the Tonys, I immediately thought, ‘I have to get permission from my daughter,’” she continued. “I’ve never been on Broadway, and shouldn’t you have to have been on Broadway in order to host? That seems fair and right. But when I asked my daughter, she was really excited about being able to have a ticket to go to the Tonys, so I’m hosting the Tonys, and I’m really, really, excited and very nervous because that girl is a tough crowd!”

Raj Kapoor, Sarah Levine Hall and Jack Sussman, executive producers of the 2026 Tony Awards, said in a statement: “We are thrilled to welcome the incomparable P!nk as the host of this year’s Tony Awards — a fearless artist whose powerhouse voice, electrifying stage presence and undeniable authenticity embody the very spirit of live performance and theatre. A passionate fan of Broadway, she brings a genuine love for the art form alongside her bold creativity and deep connection to audiences around the world, and we know she will deliver a fresh, dynamic energy to Broadway’s biggest night!”

Kapoor is also the executive producer of the Grammys, Oscars and the upcoming Academy of Country Music Awards.

“P!nk is an extraordinary artist, and her fearless creativity makes her an inspired choice to host this year’s Tony Awards on CBS,” Mackenzie Mitchell, svp of specials at CBS, said in a statement. “Her dynamic presence and deep respect for live performance will undoubtedly shape a powerful and memorable broadcast that celebrates the remarkable achievements of this Broadway season.”

P!nk’s music is featured in two current Broadway productions: “Raise Your Glass” in Moulin Rouge! The Musical and “F–kin’ Perfect” in & Juliet.

Cynthia Erivo hosted the 2025 Tony Awards.

The Tony Awards are produced in collaboration with Tony Award Productions, a joint venture of the American Theatre Wing and The Broadway League. In addition to executive producing the show with Sussman, Kapoor and Levine Hall will also serve as co-showrunners. Patrick Menton and Rob Paine will co-executive produce, with Menton also serving as head of talent.


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