Sometimes, a know-it-all just needs to suck it up and listen. That’s at the heart of Teddy Swims’ latest release, “Mr. Know It All,” which drops ahead of his mainstage performance this weekend at Coachella.

“Mr. Know It All” is a balancing act of old soul with a production that’s thick enough to grab with both hands, and marks the start of a new era for the American artist.

The fresh cut “explores the idea that love can become a self-fulfilling contradiction,” Swims explains in a statement. “When you believe you already know how it ends, you protect yourself by holding back and that distance becomes the reason it fails. But when you try to fight that fate and control every outcome, you can end up suffocating the connection.”

Going deeper, “it’s about how both fear and control can quietly undo something real. It’s essentially a spin on Robert K. Merton’s concepts of self-destroying prophecy versus the self-fulfilling prophecy also known as ‘The Prophet’s Dilemma’.”

For “Mr. Know It All,” Swims reunites with co-writers and producers Julian Bunetta, Ammo, and John Ryan, with additional writing from Eskeerdo and first-time collaborator Ed Drewett.

On it, he sings: “Shoulda told you I could see this coming / Like I’m lookin’ right into a crystal ball / When I fall in love it’s with misfortune / Oh, I wish I wasn’t Mr. Know It All.”

Born Jaten Dimsdale, in Conyers Ga., in 1992, Swims made his Billboard chart debut in 2021, and forced the music world sit up and take notice with 2023’s “Lose Control.” In 2025, he was nominated for best new artist at the Grammy Award, and by midyear was a record holder.  “Lose Control” became the first song in the history of the Billboard Hot 100 to spend triple-digit weeks on the chart, as collected its 100th frame on the ranking, for the chart dated July 26, 2025.

Previously, the single surpassed the run of Glass Animals’ “Heat Waves,” which rang up 91 weeks in 2021-22, for the most time spent on the chart since its inception back in Aug. 4, 1958. “Lose Control” has now racked up 112 weeks on the tally.

After Coachella, Swims’ concerts itinerary includes Stagecoach, BottleRock and New Orleans Jazz Fest, and a headliner spot at Bonnaroo.

Stream “Mr. Know It All” below.

FISHER’s Out 2 Lunch festival is skipping this year.

The 2026 edition was mapped out to be the most ambitious yet, growing from a single show in the artist’s hometown, the Gold Coast, to a four-city coast-to-coast traveling fest, featuring a lineup with Gorgon City, Skream, Sarah Story, Azzecca, Little Fritter and headliner FISHER (real name: Paul Fisher).  

As it was planned, the one-day EDM spectacular was to kick off May 2 at Melbourne’s Fleming Racecourse, stopping in the Gold Coast’s Doug Jennings Park (May 3), Sydney International Regatta Centre (May 9) and wrapping up at Perth’s Wellington Square (May 10) – a nine-day rolling party crossing this expansive country, with an estimated 100,000 tickets sold.

Those plans, however, will have to wait.

“Due to the significant pressures currently impacting Australian live event audiences and the industry, TEG Live has made the difficult decision to postpone the OUT 2 LUNCH Festival from its planned May 2026 dates to 2027,” reads a statement Friday (April 10) from organizers.

“Across Australia, fans and communities are navigating significant pressures arising from the cost-of-living crisis, rising inflation and broader economic uncertainty. TEG Live believes it is important to ensure that Out 2 Lunch fans can fully enjoy the festival without added financial strain.”

Those pressures became acute with the war in the Middle East, which has caused the price of fuel to rocket in Australia, like elsewhere, and ruined punters’ budgets.  Every cost is mounting. Weighing everything up, it’s an “unprecedented situation for Australia,” reads the message from TEG.

In making the decision, TEG points out the “considerable challenges as the diesel fuel shortage will impact the trucking logistics, power generators, production infrastructure and a multitude of suppliers and services that underpin a major touring festival.”

The postponement of OUT 2 LUNCH follows closely on the heels of Bluesfest, which canceled its 2026 show and immediately went into liquidation. The list of fests that have skipped a year, or disappeared entirely, is a growing one that includes Rolling Loud Australia, Esoteric Festival, Caloundra Music Festival, Splendour in the Grass, Groovin the Moo, Listen Out and others.

The decision comes as the festival’s national expansion – with four large-scale events spread across nine days and spanning the entire country – faces considerable challenges as the diesel fuel shortage will impact the trucking logistics, power generators, production infrastructure and a multitude of suppliers and services that underpin a major touring festival.

“Given the severe pressures on fuel supplies and consumer sentiment right now, we have to do the right thing and postpone the festival so that greater needs can be prioritised during this critical period, which we understand will be most acute during the next 6-8 weeks,” comments Tim McGregor, Global Head of Touring, TEG Live. “The scale of this touring festival is immense and delivering a world-class experience is our top priority — we believe rescheduling to 2027 is the best way to ensure we can deliver the incredible, high-quality festival that fans deserve.”

New dates for OUT 2 LUNCH 2027 will be announced in due course. Tickets will remain valid for the rescheduled dates. All existing ticket holders who wish to obtain a refund can do so, the TEG statement confirms.

“I’m really bummed at the moment, at what is happening,” comments FISHER. “And no one more than me would like to put on this show for you guys. We tried all angles but unfortunately we had to postpone due to the circumstances that were put before us. This is something that I don’t take lightly. I’ve seen this before, back in 2020 and 2021 when we had to postpone my shows 2 times before they ended up playing out, although it wasn’t what we wanted, it was the right thing for the fans in the end so we could put on the best show for you. Sometimes the pause is part of the plan. 2027 is worth the wait.”

Ella Langley is hitting a new high note in 2026 with her RIAA platinum-certified, five-week Billboard Hot 100 No. 1 hit “Choosin’ Texas,” which set a new record for the most weeks ever spent atop the Hot 100 for a song by a woman that also hit No. 1 on Billboard‘s Hot Country Songs chart.

The heartbreak song’s irresistible groove and all-too-relatable storyline have brought Langley’s career to new heights. She further elaborated on the song’s story arc with a star-studded music video, which featured Langley alongside Luke Grimes, Miranda Lambert, Kaitlin Butts and Ava Phillippe, as well as a host of other notables making cameos.

Related

But with her new album Dandelion, out Friday (April 10), the Alabama native proves she’s got plenty more songs to resonate with fans. Throughout the album, she offers songs that center on love, heartbreak, faith and staying close to her roots while evolving, both creatively and personally.

Langley executive produced the album along with Miranda Lambert and Ben West, and worked with co-writers including Lambert, Joybeth Taylor, Luke Dick, Austin Goodloe, Laura Veltz, ERNEST and Devin Dawson to craft a collection of songs that convey ever-increasing depths of unfiltered honesty and keen, observational perspectives.

The album is bookended with snippets of her version of the traditional folk nursery rhyme “Froggy Went A-Courtin’.” Back in 2024 during an appearance on the God’s Country Podcast, Langley told Reid and Dan Isbell that the song was one of the first two songs she learned how to sing (the other being the hymn “Amazing Grace”). She said on the podcast, “I think I might start this next record off with this. The next record is gonna be a lot about Alabama and just kind of about my roots.”

Below, Billboard ranks each of the album’s 16 songs (not including the intro and outro).

Hilary Duff just revisited one of her most beloved tracks ahead of the Laguna Beach reunion special, re-recording “Come Clean” and surprise releasing it Friday (April 10).

Related

Approaching the track with a mature sound that still evokes the charm of her teenage self, the Lizzie McGuire star sings, “Let the rain fall down/ And wake my dreams/ Let it wash away my sanity/ ‘Cause I want to feel the thunder/ I wanna scream/ Let the rain fall down/ I’m coming clean.”

The track will appear on Hilary Duff – (Mine), the star’s upcoming collection of re-recorded versions of her greatest hits. The project will arrive Friday (April 18) on a silver vinyl exclusively for this year’s Record Store Day. Only 10,000 copies will be available to purchase, meaning only a small number of fans will get their hands on Duff’s updated renditions of “What Dreams Are Made Of” and other nostalgic favorites.

“Come Clean (Mine)” will also be featured on The Reunion: Laguna Beach, which premieres Friday on The Roku Channel. The original track by Duff — which reached No. 35 on the Billboard Hot 100 in 2004 — served as the theme song for the reality show back in the day. That’s not to say Duff herself was a fan of the show; she hilariously confessed on Watch What Happens Live in 2023 that she’d never seen it.

The How I Met Your Father alum is currently in the midst of a major musical comeback, dropping her first album in 10 years in February and reaching No. 3 on the Billboard 200 with Luck … or Something. Her seven-month Lucky Me Tour kicks off in June.

Listen to Duff’s new-old song “Come Clean” below.


Billboard VIP Pass

Ella Langley‘s “Choosin’ Texas” has planted its roots at the top of the Billboard Hot 100 for five nonconsecutive weeks, but on her new album, Dandelion, she proves that the array of songs on the project are just as grounded in her ever-evolving artistic outlook as they are in her Alabama upbringing.

Across 16 songs (with the album bookended by Langley’s take on the traditional folk poem “Froggy Goes A-Courtin’”), Langley explores heartbreak, love, loss faith, and her unwavering dedication to being exactly who she is. Some songs are entrenched in soft-focused, acoustic-driven melodies, such as “Speaking Terms” and “Most Good Things Do,” but she also showcases her prowess with a ’90s country-leaning barnburner with “I Gotta Quit.”

She offers her own steel guitar and piano-soaked rendition of the Kitty Wells classic “It Wasn’t God Who Made Honky Tonk Angels.” Elsewhere, she teams with Miranda Lambert on “Butterfly Season,” as they contemplate what it means to evolve and mature emotionally, transitioning from one era to another.

“Be Her” finds Langley etching a portrait of the type of woman she aspires to be — one who is confident in herself, who speaks honestly and truthfully, and is content with the community she has built around her. While some songs, such as “Bottom of Your Boots,” find her yearning for a consistent, steady kind of romance, other songs such as “Last Call for Us” look frankly at dissolving romances.

As she celebrates the release of her latest project, Langley also just earned seven ACM Awards nominations leading up to the 61st annual ACM Awards in May. Among her nominations are female artist of the year, single of the year (“Choosin’ Texas”) and song of the year (“Choosin’ Texas”).

Listen to Langley’s Dandelion below:

Spinnin’ Records Germany launches Friday (April 10) with an all-star, all-international single featuring Afrojack, David Guetta and Sia Furler.

An initiative of Warner Music Central Europe and Spinnin’ Records, the new Berlin-based label hopes to create opportunities for artists across Germany, Switzerland, and Austria (GSA), and welcome talent from around the world, reads a statement, who will enjoy access to the brand’s global ecosystem, reaching upwards of 40 million dance music fans.

Also, regional artists are plugged in and have access to Spinnin’s teams based across the United States, the United Kingdom, Benelux, Germany, and China.

“The launch of Spinnin’ Records Germany marks a pivotal moment in our strategy to bridge the gap between regional excellence and global stardom,” explains Niels Walboomers, president, Warner Music Central Europe and Spinnin’ Records. “By uniting the heritage of Spinnin’ alongside the creative energy and dance scene of the GSA region, we are creating something special.”

The first release is “Awake Tonight,” a dramatic, strings-powered track that debuted live at Ultra Miami, and marks the first collaboration by Guetta and Sia in 15 years, since “Titanium.”

With co-founders Roger de Graaf and Eelko van Kooten at the helm, Spinnin’ Records opened for business in the Netherlands in 1999. The record company was a cornerstone of the EDM era, with a roster including Afrojack and Martin Garrix, Tiësto, Martin Solveig, Nicky Romero, Sander van Doorn, and others. The company’s business structure also includes a slew of artist imprints including Tiësto’s Musical Freedom and David Guetta’s Future Rave. In 2019, the label focused on international expansion, making inroads in the Brazilian market by signing Brazilian producer Alok and launching Spinnin’ Records Asia.

“In the beginning, we wanted to become the No. 1 dance company in the Netherlands,” de Graaf told Billboard in 2019. “Then we wanted to become the No. 1 dance company in Europe, and then the No. 1 dance company in the world.”

Its success caught the attention of Warner Music, which acquired the label in 2017 in a deal reportedly worth more than $100 million. This transition saw van Kooten depart the label, with the exec going on to launch Ledo, a global digital distribution platform that partners artists with social media influencers. De Graaf retired in 2024.

By launching Spinnin’ Records Germany, comments Marco Pantuso, marketing director, Spinnin’ Records, “we’re evolving our ecosystem to ensure that the talent in the genre across Germany, Switzerland, and Austria has a direct pipeline to our global fanbases and artists. This is a world-class platform designed to amplify club culture on an international scale.”

Adds Kevin Segler, dance marketing director, Warner Music Central Europe: “We believe in the power of local expertise and the impact of a global network. With the teams in Hamburg, Berlin, and Amsterdam working in lockstep, we’re providing a unique proposition for artists.”

Lil Baby’s hemp company is suing its joint venture partner for allegedly tarnishing the rapper’s reputation by shipping illegal, contaminated cannabis products across the country.

The claims come in a Monday (April 6) complaint filed by The Holding Co., an entity that owns several Lil Baby (Dominique Jones) trademarks, including WHAM, the rapper’s nickname and the title of his chart-topping 2025 album. The lawsuit targets cannabis company Bay Smokes, which signed a joint marketing venture with The Holding Co. in 2024 for a WHAM hemp brand.

Related

The crux of the lawsuit is that under this joint venture, Bay Smokes was only supposed to sell low-THC, federally legal hemp available for shipping nationwide. But The Holding Co. says it recently tested the product and found that it contained over 22% total THC, far above the federal limit of 0.3%.

According to The Holding Co., its WHAM product tests also revealed the presence of microbes, including E. coli, yeast and mold. As a result, the company says, Lil Baby’s name has now been unwittingly tied to both unsafe contamination and the interstate transportation of illegal drugs.

“[Defendants] associated plaintiff’s marks with unauthorized illegal cannabis sales, concealed sales, contaminated products and unlawful conduct, thereby creating a harmful and negative association with plaintiff’s brands,” reads the lawsuit, obtained by Billboard.

The lawsuit further alleges that Bay Smokes has falsely claimed in advertising that it owns Lil Baby’s trademarks, and that founders Will Goodall and Katiana Kay are inappropriately marketing the cannabis brand with “erotic videos.”

The Holding Co. says these issues have only worsened since it sent a cease-and-desist letter to Bay Smokes in February. Now, Lil Baby’s company is seeking unspecified financial damages for a slew of civil claims, including trademark infringement, trademark dilution and false advertising.  

Bay Smokes did not immediately return a request for comment on Thursday (April 9).


Billboard VIP Pass

Monday through Sunday, Lady Gaga and Doechii can turn a dance floor into a runway.

The powerhouse pop/hip-hop duo have joined forces for the just-released duet “Runway,” the first new music from The Devil Wears Prada 2. The song — which is named after the fictional fashion magazine at the center of the movie series — was announced earlier this week when it soundtracked the final trailer for the sequel, which arrives in theaters on May 1.

Related

“Runway” was co-written by Lady Gaga along with her “Die With a Smile” collaborators Bruno Mars, Dernst “D’Mile” Emile II and Andrew Watt, as well as Mayhem producer Cikut, Jaylah Hickmon and Jayda Love. Mars, Watt, Cirkut and D’Mile produced the song.

The song is perfect for the catwalk, even starting with the spoken intro: “No matter what, you better strut.” In the outro, Gaga sings, “You were born for the runway,” perhaps tipping her hat to her 2011 Billboard Hot 100 No. 1 smash “Born This Way.”

Last year, Doechii presented Gaga with the Innovator Award at the 2025 iHeartRadio Music Awards, saying that she identified as a “Little Monster” growing up. “Lady Gaga wasn’t just a pop star; she was a lifeline,” Doechii said of Gaga’s impact on young queer kids. “Gaga taught us it was OK to be our real selves.” In a British Vogue interview last year, Gaga praised Doechii, saying, “You don’t often see someone come out of the gate with a pen that feels immediately legendary. That’s Doechii to me.”

Listen to “Runway” below:

For her 10th studio album, Kany García decided to revisit her past and return to her mother’s home in the countryside of Morovis, Puerto Rico, delving into memory and establishing a beautiful, sincere dialogue with her inner child.

“When I finished García, it felt a big challenge because after naming an album after your last name, it’s like, ‘Where do we go next?’” the singer/songwriter tells Billboard Español about her ultra-personal 2024 set, which earned a Latin Grammy for best traditional pop vocal album. “I felt the need to explore things connected to my roots in terms of instrumentation. I didn’t necessarily want to make a folkloric album, but I did want to lean into something that had those kinds of connotations. So, we started thinking about conceptualizing the album before writing the songs.”

“I did everything backward,” she continues, “because throughout my career, I’ve always written the songs first and then figured out how they all fit together. This process has been so beautiful for me, full of learning, and I think it gave me more clarity and direction about where I wanted the songs to go. When I conceptualized it with the team, it was like, ‘What if you had a conversation with your inner child?’”

Thus was born Puerta Abierta, released Thursday night (April 9) under 502 Records with 11 tracks, including the previously released singles “Tierra Mía” and “La Mala Era Yo,” a norteño-inspired tune featuring Yuridia. Full of reflections on identity, resilience, tenderness and self-discovery — and infused with rhythms and native instruments from Puerto Rico, the Caribbean and beyond — the album also features collaborations with the legendary Juan Luis Guerra on “Amor Bonito,” Venezuelan band Rawayana on “La Culpa,” and Argentine singer Nathy Peluso on “Gatita.”

Just like in the album cover and the previews she shared on social media, her “inner child” will appear in some way in the music videos.

“It’s not just an ode to my childhood,” García notes. “I think the inner child was the starting point for having conversations with her, telling her what I love today, what I’ve healed from what she experienced, and also embracing the things about her that I adored and had forgotten I adored… It quite autobiographical.”

Next week, the artist will embark on an extensive world tour that will keep her on the road for most of the year. Kicking off on April 17 at the Palacio de los Deportes in Mexico City, it currently includes stops in nearly 40 cities across Latin America and Europe, with more dates to be announced.

Below, Kany García breaks down five essential songs from Puerta Abierta. To listen to the full album, click here.

After months of buildup, BTS finally kicked off its global tour in support of new album ARIRANG, performing in front of thousands of ARMY at Goyang Stadium in South Korea on Thursday (April 9).

RM, j-hope, Jin, SUGA, V, Jung Kook and Jimin were a force onstage as they presented a united front in a live setting for the first time in years (aside from their official comeback performance in Seoul in March). They sang and danced to a number of tracks from ARIRANG, as well as older Billboard Hot 100-topping smashes such as “Dynamite” and “Butter,” as fans waved their signature lightsticks in the crowd.

And as good of a time as the audience had at the first show on the yearlong trek, the band might have enjoyed it even more. “I had so much fun at Arirang Tour’s first concert,” Jin wrote on Weverse shortly after the concert wrapped. “I feel comfortable performing as a team and being in the same space with ARMY, so I feel like I’m back home.”

Related

BTS will perform a total of three shows in Goyang before heading over to Tokyo, at which point the sprawling stadium tour will be really underway. The global run — which begins after ARIRANG spent its first two weeks atop the Billboard 200 and spawned a No. 1 hit on the Hot 100 with lead single “SWIM” — will take the Bangtan Boys through cities in North America, Latin America, Europe, Australia and more parts of Asia through March of next year.

So whether you’re planning to catch a show or just want to know what songs the guys are playing on a nightly basis these days, Billboard has the full setlist from night 1. Check out every track BTS played at the kickoff show of tour below.