Virgin Music Group has officially completed its acquisition of Downtown Music Holdings, and as part of the deal has appointed Downtown’s CEO Pieter van Rijn as chief operating officer of VMG. The move reshapes the independent music‑services landscape and advances VMG’s goal of building a global, end‑to‑end platform for artists, labels and rights holders.

Based in Amsterdam, van Rijn will report to co‑CEOs Nat Pastor and JT Myers and oversee worldwide operations, technology, product development and strategic integration across the combined companies.

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Van Rijn’s career has spanned leadership roles across distribution, publishing administration, neighboring rights and sync. As former CEO of FUGA, he oversaw major expansion, growing the company into a full‑service label‑services platform operating across more than 50 countries.

The deal closes one week after the European Commission approved VMG and Universal Music’s $775 million acquisition of Downtown following a two‑phase competition review. Regulators focused heavily on data‑access risks surrounding Curve Royalty Systems, Downtown’s rights‑management and accounting platform that holds sensitive information for rival labels. To receive approval, UMG agreed to divest Curve entirely, with Curve operating independently until the sale is complete. Beyond Curve, the commission determined that the merger would not significantly reduce competition given the number of alternative service providers and moderate combined market share.

Virgin/UMG first announced plans to acquire Downtown in late 2024, aiming to unify Downtown’s multi-disciplined services — including FUGA, CD Baby, Songtrust and Downtown Artist & Label Services — with VMG’s global distribution, neighboring rights, sync and marketing capabilities. Downtown, founded in 2007 by Justin Kalifowitz, serves more than 5,000 clients and over four million creators worldwide.

The acquisition also marks the exit of Kalifowitz, who confirmed his departure in a public letter reflecting on nearly two decades at the helm. Kalifowitz said Downtown was built during a time when the industry was in “freefall,” but grew by betting on “more music, more entrepreneurs, more global participation.” He emphasized that Downtown’s legacy is not its deals or catalog, but its people, writing: “Service beats control. Infrastructure beats trend‑chasing. Culture beats hierarchy.” Kalifowitz added that he steps away “proud of what we’ve built” and expressed confidence in van Rijn and the Virgin leadership: “Companies evolve. Markets shift. Strong cultures endure.”

In addition, Downtown’s former chairman Andrew Bergman will shift into a senior advisory role.

Executives from both companies framed the acquisition as a long‑term investment in the independent sector.  Pastor called van Rijn’s appointment proof of VMG’s commitment to “thoughtfully and strategically” merging the organizations. Van Rijn emphasized that the “combination enhances the choice, service and global reach available to the independent community,” also pledging that they’ll “strengthen what makes both companies special and deliver even greater value to the entrepreneurs we serve.” Myers credited Downtown’s leadership for building an “organization defined by its powerful belief in independent creators.”

Olivia Dean, Lola Young, RAYE, Chappell Roan, HAIM, HUNTR/X and more artists have a chance to make history at the 2026 BRIT Awards, which will be presented on Saturday Feb. 28 at the Co-op Live arena in Manchester, England.

The show itself will make a little history. This will mark the first time that the ceremony will be held outside London. Comedian Jack Whitehall will host the ceremony for the sixth time.

This is the 46th edition of the BRIT Awards ceremony presented by British Phonographic Industry (BPI) to recognize the best in British and international music in 2025. Dean and Young lead the nominations, with five nods each. Each is nominated for British artist of the year, song of the year and best pop act. Sam Fender follows with four nods. Next in line, with three nods each: Lily Allen, Wolf Alice, Dave, Fred Again and Jim Legxacy.

Dean, Harry Styles, Wolf Alice, Mark Ronson and Rosalía were the first five artists announced as performers on the show. HUNTR/X: EJAE, Audrey Nuna & REI AMI were added to the bill on Friday Feb. 13. Alex Warren and sombr were added in the past week. Dean, Warren and sombr also performed on the Grammy Awards telecast on Feb. 1 as part of the best new artist segment.

Ronson is slated to receive the outstanding contribution to music award. Noel Gallagher of Oasis will receive the songwriter of the year award.

Here are acts who could make history on this year’s BRIT Awards.

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Taylor Swift’s The Life of a Showgirl has been named as the biggest-selling global album of 2025 as part of the IFPI’s annual review.

Released in October 2025, Swift’s 12th studio album scored a whopping 6.05 million units across physical, digital and streaming. It’s the second year in a row that Swift has taken the prize following 2024’s The Tortured Poets Department, which topped that year’s count.

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The LP hit the No. 1 spot on the IFPI’s Global Album Chart, Global Album Sales Chart and Global Vinyl Album Chart with Swift breaking her own vinyl sales record for the fourth consecutive year.  

Upon release, The Life of a Showgirl spent 12 non-consecutive weeks at No. 1 on the Billboard 200, and scored the largest week for an album by equivalent album units earned (4.002 million) in its opening-week debut. Adele’s 25 (2015) previously held the record with 3.482 million units.

Earlier this week it was announced that Swift had topped the Global Artist Chart, while ROSÉ and Bruno Mars hit No. 1 on the Global Songs Chart with “APT.” The IFPI reports sales figures from over 8,000 labels across the globe.

Morgan Wallen’s I’m The Problem came in at No. 2, while the OST to KPop Demon Hunters – which features hit single “Golden” – landed at No. 3. Bad Bunny’s DeBÍ TiRAR MáS FOToS hit No. 4 and Sabrina Carpenter rounded out the top five with Short n’ Sweet. See the full rundown below.

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Besides Swift, the Global Album Sales Chart was made up entirely of non-western artists, showing the strength of the physical market in countries such as South Korea, Japan, China and more. K-pop acts Stray Kids (Karma, No. 2), SEVENTEEN (HAPPY BURSTDAY, No. 3) and ENHYPEN (DESIRE: UNLEASH, No. 5) all performed strongly.

Morgan Wallen emerged triumphant on the Global Streaming Album Chart in 2025 with I’m The Problem, followed by Bad Bunny, KPop Demon Hunters, SZA, Sabrina Carpenter, Billie Eilish and Lady Gaga.

Following Swift on the Global Vinyl Sales Chart was Carpenter’s Man’s Best Friend (No. 2) and Kendrick Lamar’s GNX (No. 3). Elsewhere catalogue releases from Fleetwood Mac, Michael Jackson, Pink Floyd, The Beatles all land inside the top 20. Radiohead’s 1997 LP OK Computer makes an appearance at No. 15 following the unlikely success of “Let Down” on the Billboard Hot 100 (No. 91).

Top 20 IFPI Global Album Chart 2025 

Position Artist Album
1 Taylor Swift The Life of a Showgirl
2 Morgan Wallen I’m The Problem
3 K Pop Demon Hunters K Pop Demon Hunters
4 Bad Bunny DeBÍ TiRAR MáS FOToS
5 Sabrina Carpenter Short n’ Sweet
6 Stray Kids KARMA
7 SZA SOS
8 Billie Eilish HIT ME HARD AND SOFT
9 Lady Gaga MAYHEM
10 Mrs. GREEN APPLE 10
11 Kendrick Lamar GNX
12 SEVENTEEN HAPPY BURSTDAY
13 Tate McRae So Close To What
14 The Weeknd Hurry Up Tomorrow
15 Sabrina Carpenter Man’s Best Friend
16 ENHYPEN DESIRE : UNLEASH
17 Chappell Roan The Rise and Fall of a Midwest Princess
18 Gracie Abrams The Secret of Us
19 ROSÉ rosie
20 Taylor Swift THE TORTURED POETS DEPARTMENT

(source: IFPI)

Top 20 IFPI Global Album Sales Chart 2025 

This chart considers sales of physical albums and full album downloads, and is calculated based on the number of units sold. To qualify as an album for charts purposes, a release must contain a minimum of five tracks (exclusive of remixes or alternative versions of the same track).

Position Artist Album Units
1 Taylor Swift The Life of a Showgirl 6.05m
2 Stray Kids KARMA 3.49m
3 SEVENTEEN HAPPY BURSTDAY 2.63m
4 ENHYPEN DESIRE : UNLEASH 2.13m
5 Snow Man THE BEST 2020 – 2025 1.67m
6 TOMORROW X TOGETHER The Star Chapter: TOGETHER 1.62m
7 ZEROBASEONE NEVER SAY NEVER 1.52m
8 Hua Chen Yu Liang Bian Lin Jie Dian 1.49m
9 IVE IVE EMPATHY 1.49m
10 G-Dragon Übermensch 1.37m
11 NCT WISH COLOR 1.36m
12 ZEROBASEONE BLUE PARADISE 1.33m
13 &TEAM Back to Life 1.30m
14 Snow Man Onkochishin 1.21m
15 RIIZE ODYSSEY 1.17m
16 aespa Rich Man 1.13m
17 NCT WISH poppop 1.13m
18 BOYNEXTDOOR No Genre 1.12m
19 Mrs. GREEN APPLE 10 1.11m
20 IVE IVE SECRET 1.07m

(source: IFPI)

Top 20 IFPI Global Streaming Album Chart 2025  

This chart includes consumption of an album across both free and paid streaming formats, translated into chart units by IFPI according to a rigorous methodology based on the relative economics of each format in each region globally. To qualify as an album for charts purposes, a release must contain a minimum of five tracks (exclusive of remixes or alternative versions of the same track).

Position Artist Album
1 Morgan Wallen I’m The Problem
2 Bad Bunny DeBÍ TiRAR MáS FOToS
3 K Pop Demon Hunters K Pop Demon Hunters
4 SZA SOS
5 Sabrina Carpenter Short n’ Sweet
6 Billie Eilish HIT ME HARD AND SOFT
7 Lady Gaga MAYHEM
8 Taylor Swift The Life of a Showgirl
9 Tate McRae So Close To What
10 Kendrick Lamar GNX
11 Mrs. GREEN APPLE 10
12 The Weeknd Hurry Up Tomorrow
13 PARTYNEXTDOOR & Drake $ome $exy $ongs 4 U
14 Taylor Swift THE TORTURED POETS DEPARTMENT
15 ROSÉ rosie
16 Gracie Abrams The Secret of Us
17 Noah Kahan Stick Season
18 Chappell Roan The Rise and Fall of a Midwest Princess
19 Alex Warren You’ll Be Alright, Kid
20 Sabrina Carpenter Man’s Best Friend

(source: IFPI)

Top 20 IFPI Global Vinyl Album Chart 2025

This chart considers sales of vinyl albums only, and is calculated based on the number of units sold. To qualify as an album for charts purposes, a release must contain a minimum of five tracks (exclusive of remixes or alternative versions of the same track). 

Position Artist Album Units
1 Taylor Swift The Life of a Showgirl 2,336k
2 Sabrina Carpenter Man’s Best Friend 539k
3 Kendrick Lamar GNX 504k
4 Sabrina Carpenter Short n’ Sweet 441k
5 Billie Eilish HIT ME HARD AND SOFT 428k
6 Lady Gaga MAYHEM 367k
7 The Weeknd Hurry Up Tomorrow 319k
8 Tyler, The Creator IGOR 296k
9 Fleetwood Mac Rumours 296k
10 Michael Jackson Thriller 277k
11 Pink Floyd The Dark Side of The Moon 223k
12 Taylor Swift Lover – Live From Paris 220k
13 The Beatles Abbey Road 218k
14 Chappell Roan The Rise and Fall of a Midwest Princess 197k
15 Radiohead OK Computer 193k
16 Wicked Movie Cast Wicked: For Good – The Soundtrack 190k
17 Nirvana Nevermind 188k
18 Morgan Wallen I’m The Problem 187k
19 KPop Demon Hunters K Pop Demon Hunters 185k
20 Queen Greatest Hits 184k

(source: IFPI)

If you happened to wander through New York’s Times Square this week and glanced up at a billboard that cryptically read “WHAT IS YOUR LOVE SONG?” you might have wondered what the romantic message was all about.

The answer, as it turns out, is all about BTS.

On Valentine’s Day, the seven member K-pop supergroup posted a snippet of an untitled, emotional new ballad on Instagram along with images of people gathering around a giant wall of red roses. As they pulled the flowers out one-by-one and tucked them into commemorative white paper cones with a card reading “My Love Song Is ( ),” the result was a rose-y message: “What Is Your Love Song?” with the BTS logo underneath. The rose-filled walls went up in COEX in Seoul, Covent Garden in London and The Grove in Los Angeles.

Then, earlier this week, they doubled down in a post with a snippet of what sounded like another new tune, a midtempo track on which they sing, “Yeah, just one day, one night,” over more footage of people pulling roses out of displays and the caption, “Nothing but love in this space.”

The previews continued with a brief bit of another new song, an up-tempo pop track cued to footage of the group’s members taking selfies in the snow, dancing, working out and checking their phones, with ARMY encouraged to join in on the “Love” campaign by sharing “your daily moment with full of LOVE,” and a request to replace the music in the clip with “your favorite LOVE SONG.”

What is it all about? On Friday (Feb. 20), the group officially confirmed the launch of the global “WHAT IS YOUR LOVE SONG?” campaign, consisting of large-scale installations in their native Seoul, as well as New York and London to ramp up anticipation for BTS’ upcoming fifth studio album, Arirang (March 20).

According to the release, the intriguing question popped up across the three cities recently in the form of a building in Seoul near the Seongsu Station that was wrapped with the phrase, as well as on billboards in Times Square, large-scale posters across the East Village, Soho and Brooklyn and a projection mapping in Union Square. It showed up in London with the question lighting up LED screens at the Waterloo Station and London Bridge, as well as the Westfield building.

The campaign also showed up on digital platforms including Meta, Spotify, YouTube Music and Weverse with interactive templates and curated playlists hawking the love message. While BTS kept things cryptic at first, the mystery was revealed on Friday to be part of the global campaign to welcome Jung Kook, V, Jimin, Suga, j-hope, RM and Jin back from a nearly four-year hiatus in form of yet another Instagram post featuring footage of fans around the world grabbing their roses set to the tune of a midtempo track on which they sing, “I can make it better/ I can hold you tighter/ I can make it right.”

“A ‘love song’ goes beyond a simple track about love. It’s a song that brings back memories, offers comfort, and gives strength,” read a statement from label BIGHIT Music. “We hoped that ‘WHAT IS YOUR LOVE SONG?’ would inspire everyone to rediscover the song that lives in their hearts.” The release noted that the “LOVE” campaign reflects the central message of Arirang, “an album that encapsulates BTS’ identity and the universality of the emotions they encounter. By inviting audiences to reflect on their own ‘love song’ that evokes cherished memories, comfort, and strength, BTS extend the album’s message beyond music into a shared global experience.”

The campaign is slated to run through Sunday (Feb. 22), with QR codes attached to posters throughout Seoul, New York and London allowing ARMY to visit the promotional stunt’s website and share their own love song. Personalized street posters featuring common local first names — alongside ones incorporating the group members’ names — have also been put up in New York, London and L.A.

In addition to the “Love” blitz, BTS is gearing up to return to the road on their upcoming massive 2026-2027 world tour, slated to kick off on April 9 in Goyang, South Korea in support of their first new full-length studio album since 2022’s Map of the Soul: 7. The Bangtan Boys will also drop a pair of Netflix specials, beginning with their first live show in three years, which will stream on the day after the LP’s release. BTS the Comeback Live | Arirang will debut on the streamer at 7 a.m. ET on March 21, followed by a full-length documentary chronicling their comeback, BTS: The Return, which will premiere on March 27.

As if all of that wasn’t enough, BTS will be back on movie screens around the world on April 11 and 18 with a global live cinema event, BTS WORLD TOUR ‘ARIRANG’ LIVE VIEWING, which will present two of their full-length concerts in theaters.


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Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

This week, Megan Moroney has her fans on Cloud Nine, Baby Keem looks to avoid the sophomore slump, Hilary Duff is feeling Luck-y, and SZA is back to “Save the Day” with a new soundtrack single… Check out all of this week’s picks below.

Megan Moroney, Cloud Nine

Few country albums this year will be as highly anticipated as Megan Moroney‘s junior full-length, arriving two years after sophomore set Am I Okay? brought her to the top 10 of the Billboard 200 for the first time. Fans already know “6 Months Later,” “Beautiful Things” and “Wish I Didn’t” — all already Billboard Hot 100 hits — but new tracks like “Medicine” and “Stupid” further reinforce Moroney as the sharpest lyricist and keenest tunesmith about the delights and horrors (mostly the latter) of dating this side of Sabrina Carpenter. Meanwhile, “I Only Miss You” welcomes her first big cross-genre guest in duet partner Ed Sheeran, and “Liars & Tigers & Bears” immediately enters the canon of industry songs by bemoaning its impossible standards for female stars.

Baby Keem, Ca$ino

After nearly a half-decade’s wait for the follow-up to 2021 debut The Melodic Blue, Baby Keem announced earlier this February that he would be returning in just a week and a half with new album Ca$ino. The 11-track set arrives today with the rapper’s usual kinetic energy, with a tendency to switch up flows and beats mid-song, and also the ability to get heavier on songs like “I Am Not a Lyricist” and “Highway 95 Pt. 2.” Of course, cousin Kendrick is present, quoting Common’s “The Light” on “Good Flirts,” but the far more surprising West Coast rap legend on the guest list is Too $hort, who lends his inimitable swag to “$ex Appeal.”

Hilary Duff, Luck… or Something

Hilary Duff‘s incredibly successful 2020s comeback — which already includes one of the best singles of 2025 with “Mature,” and a recently announced tour visiting some of the biggest venues she’s ever played — continues with Luck… or Something, one of the most accomplished-sounding pop releases of the early year. Duff’s confidence and self-assurance as a now-seasoned performer is evident in everything on the album, from the vocals to the lyrics and even the sonics, with help in the latter two departments from writer/producer husband Matthew Koma and studio vet Brian Phillips. It’s a triumph, and one of the best pop stories of the past year.

SZA, “Save the Day”

SZA‘s first new solo music following the summation of her SOS/Lana era and her Grand National co-headlining tour with Kendrick Lamar is… a Pixar soundtrack single? Why not! To be fair, you probably wouldn’t guess from “Save the Day” that the song was recorded for the end credits of Hoppers, a robo-beaver odyssey due in theaters in March — the song is an impressively delicate and emotional ballad, with built around elegant piano from Ben Lovett of Mumford and Sons and a vulnerable lyric from Solána. It’ll tide fans over while they’re waiting for a new album and/or One of Them Days 2.

Ty Dolla $ign feat. Leon Thomas, “Miss U 2”

While Leon Thomas usually drifts to the more traditional R&B side of things, he’s cable of playing in a more hip-hop lane too — particularly when mentor and label head Ty Dolla $ign is involved. Coming off a recent Hot 100 hit in “Don’t Kill the Party” with Quavo and Juicy J, Ty Dolla is back with new single “Miss U 2,” as he trades verses with his Grammy-winning protégé, and sings a little Aaron Hall — who, between this song and Drake’s “Gimme a Hug,” is having a pretty incredible mid-2020s run with his signature solo hit “I Miss You” unexpectedly popping up in big releases.

Thundercat & Mac Miller, “She Knows Too Much”

Thundercat and Mac Miller seems like such an obvious musician-rapper combo to have brought out the best with one another that it’s sad to think that they only got to work together a few times during the latter’s lifetime. Driving that home is the new single from Thundercat’s upcoming Distracted album, which features the rapper delivering a frisky lyric about a girl who he’s trying to get with but likely to come up empty, sounding like he’s having too much fun to be down about his missed shot. And once it gets to the closing electric piano solo over the crisp groove and piercing horns, you’ll be too busy boogieing to be sad about what could have been too.

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Lamine Yamal is making waves off the pitch. The soccer star, who’s been dazzling fans of FC Barcelona and Spain’s national team, gave fans a sneak peek at Coca-Cola’s brand new FIFA World Cup anthem, “Jump.” The track, which is set to drop in the coming weeks via Real Thing Records and Capitol Records, features a stacked lineup of talent, including Colombian superstar J Balvin, soulful singer Amber Mark, iconic guitarist Steve Vai (Frank Zappa, Whitesnake), and legendary drummer and producer Travis Barker.

An electrifying reimagining of Van Halen’s 1984 hit “Jump,” the song channels the passion, anticipation and adrenaline of the World Cup tournament. It arrives in full on March 6.

“Before every match, it is not just players, but also fans that feel the anticipation,” Lamine tells Billboard. “I listen to music to get me into the right mindset before a match, and I think Coca-Cola’s new anthem ‘Jump’ will get everyone excited for the FIFA World Cup.”

The Spanish athlete shared a first-look video on Instagram, in which he sports a casual hoodie and headphones as he makes his way past a throng of reporters. “¿Qué estás escuchando?” one eager journalist shouts, “What are you listening to?” Yamal smiles as J Balvin’s instantly recognizable voice bursts in: “Celebramos un gol con euphoria” (“We celebrate a goal with euphoria”).

The anthem has already made an appearance in Coca-Cola’s first short film in its FIFA World Cup campaign, Bubbling Up, which narrates the wide range of emotions tied to the tournament, blending styles and eras. A snippet of the song was also initially previewed on Jan. 30 as “Bubbling Up,” the first of three new Coca-Cola films produced for the company’s FIFA World Cup global campaign.

Lamine Yamal, who plays as a right winger for FC Barcelona and Spain, is no stranger to the world stage. At just 18, he’s already setting records as one of soccer’s brightest rising stars.

See the teaser below:


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Adele’s 21, which was released in North America 15 years ago on Saturday (Feb. 22), is an example of what’s possible in the music business when everything goes right – when a talented artist makes the right record at the right time and the record company knows just how to maximize its potential.

21, which had been released a month earlier in Europe by XL Recordings, was an instant hit when Columbia Records released it in the U.S. It entered the Billboard 200 at No. 1 – a huge improvement over Adele’s debut album, 19, which had debuted at No. 62 in June 2008.

19 in many ways had been a dry run for 21. It won two Grammys in February 2009 – best new artist and best female pop vocal performance for “Chasing Pavements.” It also led to Adele’s first performance on the Grammy telecast, where she sang that emotive ballad in tandem with Jennifer Nettles of the country duo Sugarland. “Chasing Pavements” reached No. 21 on the Billboard Hot 100 in February 2009, in the week following the Grammy telecast. 19 made the top 10 on the Billboard 200 for the first time that same week, zooming from No. 27 to No. 10. (It ultimately peaked at No. 4 following her much larger 2012 Grammy sweep.)

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21 displaced Justin Bieber’s Never Say Never: The Remixes to first claim the No. 1 spot in the week of March 5, 2011. The album had 10 separate runs in the top spot, the last coming in the week of June 23, 2012.

But the album’s success transcended charts and awards. 21 unified the fragmented pop audience like few other albums have in this century. Old and young, Black and white, hip and square – everybody, it seemed, liked Adele.

Billboard editors named 21 the best album of 2011, with Jason Lipshutz and Jillian Mapes writing:“21 became one of those very rare moments in the music world where an album is as commercially successful as it is critically praised, not to mention beloved by fans across all demographics.”

Here are 12 records that 21 set.

Longtime Journey fans got predictably excited when the band co-founder keyboardist Jonathan Cain hinted that he and bandmate guitarist Neal Schon had asked original singer Steve Perry to rejoin the group for their 60-show Final Frontier goodbye North American tour. “Neal already asked,” Cain told Ultimate Classic Rock earlier this week, “and he says [Perry’s] thinking about it. I hope he comes out. It’s never too late. We’ve got 100 shows, so he’s welcome at any one of them.”

Perry was the frontman of the band during their most successful years from 1978-1987, during which they scored such iconic hits as the 1982 Billboard Hot 100 No. 2 smash “Open Arms,” as well as 1981’s No. 4 hit “Who’s Crying Now” and 1983’s No. 8 song “Separate Ways (Worlds Apart).”

But after leaving the group in 1987 and then coming back from 1995-1998 and being replaced first by Steve Augeri (1998-2006) and then Jeff Scott Soto (2006-2007) and current vocalist and former Journey cover singer Arnel Pineda (2007-present), it appeared that Perry’s time fronting the group was over.

And now, despite Cain’s claims, it seems like there is not going to be one last run with Perry after all.

In an X post on Thursday (Feb. 19), Perry definitively shut the door on a final tour with his old mates. “I’ve been hearing these recent rumors, and I wanted to speak to you all directly,” Perry wrote. “While I’m always grateful for the love people still have for Journey, the rumors about me rejoining the band are simply not true, and I want to gently put them to rest. I completely understand why people would hope for that. The music we created together means a great deal to me too.”

That said, Perry wrote that he plans to continue working on “new creative work” and focusing on music that reflects where he is today. “Thank you for your continued support throughout the years,” he added. “Your loyalty has never gone unnoticed, and I am forever humbly grateful.”

Since leaving the band, Perry has released the 2018 solo album Traces and the 2021 Christmas album The Season, as well as dueting with Dolly Parton on a cover of Journey’s “Open Arms” on her 2023 Rockstar album and singing backing vocals on songs by Robert Cray, Mindi Abair and a number of others.

The band’s lineup for their last run will include Cain, Schon and Pineda, as well as drummer/singer Dean Castronovo, keyboardist/singer Jason Derlatka and bassist Todd Jensen.

See Perry’s post below.


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The love doctor is in. As Billboard can exclusively announce Friday (Feb. 20), Bruno Mars will build up to the release of his upcoming album, The Romantic, by partnering with iHeartMedia and TikTok to launch a one-time radio program featuring the funk-pop superstar as advisor and disc jockey.

Airing at 9 a.m. ET on Feb. 26, “Romantic Radio With Bruno Mars: An iHeartRadio Album Preview” will find Mars premiering tracks from his new LP and weighing in on love stories — and mishaps — sent in by listeners via iHeart’s Talkback feature on Love Songs Radio or live chat. The Grammy winner may respond with a personalized dedication before playing a song or give advice.

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Fans can tune in on Mars’ official TikTok page as well as iHeartRadio’s and TikTok’s profiles on the app. It will also be available on iHeartRadio stations nationwide.

In a statement on the broadcast, Mars said simply, “Next week marks the start of a new year … The Year of The Romantic.”

The Romantic will drop one day after the radio program, marking Mars’ first solo LP since 2016’s 24K Magic, which peaked at No. 2 on the Billboard 200. The new project’s lead single, “I Just Might” — which the Silk Sonic star performed at the 2026 Grammys earlier in February — dropped Jan. 9 and spent two weeks at No. 1 on the Billboard Hot 100, marking the singer’s 10th single to top the chart.

Also at the Grammys, Mars performed his Billboard Global 200-topping collaboration with ROSÉ “APT.” In April, he’ll embark on a sprawling stadium tour with support from Anderson .Paak, RAYE, Victoria Monét and Leon Thomas.


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Mikaela Shiffrin’s story of redemption is one of the greatest tales of Olympic glory at this year’s Winter Games in Italy. The celebrated athlete with the most World Cup wins of any alpine skier in history, man or woman, locked down an elusive third gold medal this week when she won in the slalom, an emotional milestone she dedicated to her beloved dad, who passed away six years ago.

In addition to some well-deserved champagne and her first ever espresso martini, the GOAT skier commemorated the moment by posting a pic from her winning run on Wednesday (Feb. 18) on Instagram along with a quote from Taylor Swift‘s The Life of a Showgirl track “Ruin the Friendship.” The song about regrets and risks not taken features the line “My advice is always ruin the friendship,” which Shiffrin included in the caption, catching the eye of fellow champion Swift.

In the comments, Swift responded “HISTORIC,” along with three golden medal emoji. The quote was apt considering that after her win — her first medal since scoring a silver in the combined at the 2018 games in Pyeongchang following an 0-8 string of loses at the Winter Games — Shiffrin talked about pushing away the criticism and keeping her eyes on the prize.

“It’s been so long that I’ve felt tired of questions that don’t feel like they line up with the reality of our sport,” she said after scoring gold. “And in order to do this today, I kind of needed to accept the possibility that those questions would keep coming. It was like, just don’t resist it. Just live in my own moment.”

Later, Shiffrin reposted the image on her Story, along with a snippet of the song and, a few slides later, another repost of the original image with her shocked response to the Swift shoutout, which read, “Ummmm,” followed by a series of starstruck and welling eyes emoji.

It’s not the first time Shiffrin has fangirled about Swift. She and her U.S. Ski teammates attended a Denver Eras Tour show in July 2023. Swift has also been busy from afar supporting the American athletes, narrating a promo video introducing the U.S. figure skaters — glorious gold medal winner Alysa Liu, Amber Glenn and Isabeau Levito — and sending a message of support to all the athletes before last week’s opening ceremony.

She also got into the conversation after gold medal winning skier Breezy Johnson got engaged on the slopes at the games, where fiancé Connor Watkins was waiting at the finish line of the Super-G race with an engagement ring in a wooden box engraved with one of Johnson’s favorite Swift lyrics.

The engraving from Swift’s The Tortured Poets Department song “The Alchemy” read: “Honestly, who are we to fight the alchemy?” Swift, as she does, responded with a quote from another lyric from the song in the replies, writing, “Where’s the trophy? He just comes running over to me,” along with “CONGRATULATIONS!” And now, it seems, according to Johnson, the singer is absolutely invited to the wedding, if she can make it. Gold all around.


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