Parmalee claims a fourth week at No. 1 on Billboard’s Country Airplay chart as “Cowgirl” saddles up atop the ranking dated Jan. 10. The single surged 21% to 32.2 million audience impressions in the Dec. 26-Jan. 1 tracking week, according to Luminate (with all songs on the chart up at least 10% as holiday music departed stations’ playlists).

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Extended No. 1 runs at radio by country groups are uncommon and “Cowgirl” now stands among the upper echelon of them. The song is the longest-running No. 1 by a group of three or more members in nearly 14 years, since Zac Brown Band’s “Keep Me in Mind” (four weeks, 2011-12). Prior to that, Lady A led for five weeks with “Need You Now” in 2009.

Since Country Airplay launched in 1990, “Cowgirl” ties for the fifth-longest No. 1 run among groups. Here’s a closer look at the longest-leading hits by groups in lead roles:

  • “Amazed,” Lonestar, 1999, eight weeks
  • “I’m Already There,” Lonestar, 2001, six weeks
  • “Need You Now,” Lady A, 2009, five weeks
  • “Bless the Broken Road,” Rascal Flatts, 2005, five weeks
  • “Cowgirl,” Parmalee, 2025-26, four weeks
  • “Keep Me in Mind,” Zac Brown Band, 2011-12, four weeks
  • “What Hurts the Most,” Rascal Flatts, 2006, four weeks
  • “What About Now,” Lonestar, 2000, four weeks
  • “Wide Open Spaces,” 1998, four weeks
  • “Jukebox in My Mind,” Alabama, 1990, four weeks

(Including featured billings, Sons of the Desert join the list, via Lee Ann Womack’s five-week No. 1 “I Hope You Dance” in 2000.)

Meanwhile, Brooks & Dunn continue to set the bar among duos. Of the 11 multiweek Country Airplay leaders by pairs, the act accounts for eight. Florida Georgia Line adds two titles, while Big & Rich contribute the remaining entry:

  • “Ain’t Nothing ’Bout You,” Brooks & Dunn, 2001, six weeks
  • “Stay,” Florida Georgia Line, 2014, four weeks
  • “Boot Scootin’ Boogie,” Brooks & Dunn, 1992, four weeks
  • “Cruise,” Florida Georgia Line, 2012, three weeks
  • “How Long Gone,” Brooks & Dunn, 1998, three weeks
  • “My Maria,” Brooks & Dunn, 1996, three weeks
  • “Lost in This Moment,” Big & Rich, 2007, two weeks
  • “If You See Him/If You See Her,” Brooks & Dunn, with Reba McEntire, 1998, two weeks
  • “Neon Moon,” Brooks & Dunn, 1992, two weeks
  • “My Next Broken Heart,” Brooks & Dunn, 1991, two weeks
  • “Brand New Man,” Brooks & Dunn, 1991, two weeks

Among all the Country Airplay chart’s 979 No. 1s historically, Nate Smith’s “World on Fire” (2023-24) and Morgan Wallen’s “You Proof” (2022-23) lead with 10 weeks each in charge.

Taken together, the rankings underscore how rare sustained radio dominance remains for country groups and duos alike, and how Parmalee’s latest now stands firmly among the format’s most durable modern hits.


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Pat Smear’s megawatt smile and enthusiastic strumming have been a fan-favorite staple of Foo Fighters shows since the Dave Grohl-led band’s debut in 1994. Unfortunately for longtime fans, though, that light will go dim for the group’s upcoming run of three January shows due to a gnarly foot injury Smear, 66, sustained over the New Year’s holiday.

In a tabloid-style Instagram post that plays on an iconic dead drummer gag from the first Spinal Tap movie, the band announced on Wednesday morning (Jan. 7) that Smear will have to sit out a run of January shows due to the accident.

“In the classic tradition of rockstars having bizarre gardening accidents, Pat Smear has apparently rung in the new year by smashing the s–t out of his left foot,” the band wrote alongside a fake Weekly World News-like newspaper cover featuring a smiling Smear flipping the middle finger as he’s transported on a gurney under the headline “Pat Smear Bizarre Gardening Accident!” along with a banner announcing “Aliens spotted warming up for spring training!”

“This means he’ll unfortunately be missing a few shows while the multiple broken bones in his foot heal,” the announcement continued. “We’ll miss our beloved Pat as much as you will, but we want him fully healed and back on his feet as soon as possible.” In the meantime, veteran Beck/St. Vincent guitarist Jason Falkner will be filling in for Smear at the Foos’ upcoming shows at the Feria Estatal De Leon in Guanajuato, Mexico on Saturday (Jan. 10), as well as a Kia Forum show in Los Angeles on Jan. 14 and a Jan. 24 gig at Utas Stadium in on the Australian island state of Launceston, Tasmania.


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Pink Floyd’s The Dark Side of the Moon — which continues to be the record-holder as the album with the most weeks on the Billboard 200 chart — is nearing a milestone 1,000th week on the tally. On the chart dated Jan. 10, the set nabs its 996th nonconsecutive week on the list, as it falls from No. 114 to No. 167.

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Those 996 nonconsecutive weeks would be the equivalent of more than 229 months, or more than 19 years, in total.

The Billboard 200 began publishing on a regular weekly basis in March of 1956. The Dark Side of the Moon became the longest-charted album in the history of the list in 1983 and has held the title ever since.

The Dark Side of the Moon was released in 1973, hit No. 1 for one week that April, and contains the band’s first entry on the Billboard Hot 100 songs chart, “Money,” which reached No. 13. Dark Side became the longest-charted album on the Billboard 200 on the chart dated Oct. 29, 1983. That week, it captured its 491st week on the list, surpassing Johnny Mathis’ long-standing record of 490 weeks with Johnny’s Greatest Hits.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA).

The Dark Side of the Moon had a near-constant presence on the Billboard 200 from its debut on the chart on March 17, 1973, through the Oct. 8, 1988, chart. During that 813-week span, the album spent 741 weeks on the list. After the Oct. 8, 1988, chart, the album would depart the ranking until it returned on the Dec. 12, 2009-dated chart, when rules were updated to allow older albums (termed “catalog”) to chart again. From 1991 through the end of 2009, catalog albums were largely disallowed from charting, and the survey included only then-current and recently-released albums.

The albums with the second-and-third-most weeks on the Billboard 200 are Bob Marley and The WailersLegend: The Best of Bob Marley and The Wailers (920 weeks) and Journey’s Greatest Hits (890 weeks). Legend was released in 1984 and spent 113 weeks on the chart in 1984-91, before returning in 2009 after rules changed to allow catalog albums to chart again. Journey’s Greatest Hits was released in 1988 and spent 92 weeks on the chart in 1988-90, returning in 2009. Both have been on the chart almost constantly since their return at the end of 2009.

Because of how the Billboard 200 chart is now compiled, with streaming activity blended with album sales and track sales, albums tend to spend a longer time on the list than before thanks to continued streaming activity — especially those albums loaded with popular songs (like best-of collections such as Legend and Journey’s Greatest Hits). The Billboard 200 began utilizing streaming information in its methodology in December 2014. Before, the chart was based solely on traditional album sales.

Additional reporting by Paul Grein.


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With the first round of the NFL playoffs kicking off on Saturday (Jan. 10), it’s definitely not too early to get your party plans in order for this year’s Super Bowl weekend. One of the events coming up is the return of Sports Illustrated‘s SI The Party, and Billboard can exclusively announce the headliners.

This year’s edition will feature returning 2024 headliners The Chainsmokers, who will be joined by Ludacris, Miami Heat house turntablist DJ Irie and rising DJ/producer Xandra. All will take the stage on the Saturday (Feb. 7) before the game at San Francisco’s Cow Palace.

“As someone who grew up loving Sports Illustrated, I’m looking forward to being a part of this weekend where sports and entertainment meet at the highest level,” Ludacris tells Billboard. “Sports Illustrated is known for longevity and excellence, so I plan on matching that energy, delivering a show that people will be talking about long after it’s over. This is going to be one for the record books!”

“We’re pumped to return to the Sports Illustrated Super Bowl party after an incredible event last year,” Chainsmokers members Alex Pall and Drew Taggart tell Billboard. “This year we’re going all out and can’t wait to bring something even bigger for Super Bowl weekend.”

In addition to the headliners, the release promises the addition of “special guests” and some “surprise moments” throughout the night, as well as branded activations from partners and a Lexus LX VIP Lounge for VIP ticketholders.

SI The Party, presented by DraftKings and produced by Authentic Live and Medium Rare, is a wind-up to the big game, often drawing a mix of fans, league owners, franchise execs, athletes and stars. Past A-list attendees have included Alex Rodriguez, Shaquille O’Neal, Justin and Hailey Bieber, Kim Kardashian, Miles Teller, Machine Gun Kelly, Kevin Hart, Leonardo DiCaprio and others.

Premium all-inclusive tickets, VIP access and VIP tables will go on sale Thursday (Jan. 8) at 10 a.m. PT via the event’s website.

“Across Big Game Weekend and other tentpole moments on the world’s biggest sporting stages, our vision with SI The Party has always been to deliver hospitality that feels intimate and insider, even at the largest events in the world, creating the most unforgettable night of Big Game Weekend where the energy and star power of sports truly comes to life off the field,” said Matt Goldstein, EVP of Entertainment and Special Projects at Authentic and head of Authentic Live, the live events division of Authentic and coproducer of the event, in a statement.

Last year’s event at Mardi Gras World in New Orleans was headlined by Diplo and Dom Dolla, with The Chainsmokers, Bebe Rexha and Kygo headlining the 2024 edition at the Wynn Las Vegas’ XS Nightclub. The Chainsmokers also co-headlined the 2023 show alongside Machine Gun Kelly.

Super Bowl LX will take place on Feb. 8 at Levi’s Stadium in Santa Clara, Calif.

See the poster for SI The Party below:

Sports Illustrated The Party 2026 flyer

Sports Illustrated The Party 2026

Courtesy of SI The Party


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6ix9ine (real name Daniel Hernandez, and formerly known as Tekashi 6ix9ine) turned himself in on Tuesday afternoon (Jan. 6) to begin a three-month sentence for violating the terms of his supervised release tied to his racketeering case.

Adin Ross livestreamed the final hours of Tekashi’s freedom as they traveled to Brooklyn’s Metropolitan Detention Center, where the “Gummo” rapper will serve his time alongside other famous inmates including Luigi Mangione and Venezuelan President Nicolás Maduro.

6ix9ine, Ross and other members of their crew arrived in a sprinter van with Akon’s “Locked Up” hilariously playing in the background as Tekashi was escorted by federal corrections officers inside the jail.

“That’s actually so f—ked sad. I don’t give a f—k, bro. That’s horrible,” Ross stated as his rap friend entered the MDC.

6ix9ine was sentenced to three months behind bars on Dec. 5 for violating his probation. The Brooklyn native was found with cocaine and MDMA and also admitted to assaulting a man who taunted him about snitching during a recent trip to a Florida mall.

Back in 2018, 6ix9ine was arrested on weapons, drugs and racketeering charges for his involvement in the Nine Trey Gangsta Bloods. After pleading guilty to nine charges, he agreed to cooperate with authorities and testify against his former associates as part of the Nine Trey RICO case in 2019.

Tekashi received a lighter sentence of two years behind bars following his cooperation, and was released in 2020 due to his risk of COVID-19 during the pandemic. He was sentenced to five years of supervised release.

This isn’t his first time being imprisoned on probation violations. The 29-year-old violated his supervised release in 2024 after being caught with methamphetamine, failing to appear for drug tests and taking an unapproved trip to Las Vegas.

For those, Judge Engelmayer sentenced him to 45 days behind bars and another year of supervised release, which saw him released once again in December 2024.


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Live Nation and Ticketmaster want a judge to dismiss the Federal Trade Commission’s lawsuit claiming the companies have enabled scalpers to jack up concert prices, calling it an “unprecedented” use of federal ticketing laws.

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The FTC sued the live giants last year, claiming they had engaged in years of “unfair and deceptive practices” that hurt consumers, including allowing brokers to buy up tickets and resell them at sky-high prices. The case came as spiking prices have rankled fans during a post-pandemic concert boom.

But in a motion filed Tuesday in federal court, Live Nation and Ticketmaster called the FTC’s case an “egregious instance of agency overreach” that should be tossed out of court immediately. In doing so, they accused the feds of misusing the BOTS Act, a 2016 law aimed at quashing scalping, in ways unintended by the lawmakers who wrote it.

“This statute is designed to help ticket issuers like Ticketmaster combat ticket harvesting and scalping, ensuring that tickets are accessible to genuine fans,” the company’s lawyers write. “Plaintiffs now ask this court to take the unprecedented step of applying this law against a ticket issuer for its operation of a resale platform.”

A spokeswoman for the FTC declined to comment on Live Nation’s motion.

With Live Nation and Ticketmaster already facing a blockbuster monopoly lawsuit from the Justice Department, the FTC filed its own separate case in September — accusing the companies of costing consumers billions in inflated ticket prices. The agency claimed they were “tacitly coordinating” with ticket brokers by allowing them to “harvest” millions worth of tickets despite public rules against it.

“American live entertainment is the best in the world and should be accessible to all of us,” FTC chairman Andrew N. Ferguson wrote at the time. “It should not cost an arm and a leg to take the family to a baseball game or attend your favorite musician’s show.”

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The case was aimed at a common gripe from music fans, who have seen ticket prices skyrocket as live music has boomed in the years since the COVID-19 pandemic shuttered venues. Though Taylor Swift’s Eras Tour was the poster child for infamously expensive resale tickets — fans routinely paid five-figure sums for some tickets — prices have risen across the board. According to Billboard Boxscore, the average ticket price for a stadium show in North America has risen from $101.77 in 2016 to $150.94 in 2024, for example.

But in their motion on Tuesday, attorneys for Live Nation and Ticketmaster say the BOTS Act was simply not intended to target ticket-selling platforms. The statute — formally the Better Online Ticket Sales Act — was aimed at cracking down on scalpers themselves, the companies’ lawyers write, and the FTC “cannot rewrite that statute through this litigation.”

“Plaintiffs’ theory boils down to the idea that Ticketmaster is liable under the BOTS Act merely for knowing that some brokers used multiple accounts or that some accounts possessed more tickets than the ticket limit permitted,” Live Nation’s lawyers write. “But that theory does not amount to a violation of the statute Congress enacted.”

The companies also argue that the FTC’s other allegations — including that Live Nation and Ticketmaster employed “bait-and-switch pricing” by tacking deceptive fees onto low advertised prices — were “equally deficient” because they now employ all-in pricing that discloses fees.

Despite its strong denial of any legal wrongdoing, Live Nation has announced major policy changes in the wake of the FTC’s lawsuit. In an October letter to Congress, the company told lawmakers that it plans to bar brokers from operating multiple accounts on its platform, shutter a long-criticized uploading application, and start requiring brokers to hand over Social Security numbers to sell tickets.

Zendaya is the latest star to receive a wax figure of their likeness courtesy of Madame Tussauds, which unveiled its latest addition to the New York City location on Wednesday (Jan. 7).

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Described in the release as “stunningly realistic,” the statue depicts the singer-actress in a black two-piece gown, modeled after the one she wore at a Dune: Part Two fan event in Mexico City in February 2024. And though Zendaya was not yet engaged to Tom Holland at the time of that event, Madame Tussauds went ahead and added a recreation of her horizontal oval diamond ring to the figure.

“Zendaya has earned her place among today’s most recognizable and respected stars,” said Tiago Mogadouro, general manager of Madame Tussauds New York. “This figure is a tribute to her lasting impact on both entertainment and fashion.”

The tribute comes more than a decade after Zendaya first helped the museum unveil two wax clones of herself in 2015. One of the initial figures — for which the Golden Globe winner personally sat for hundreds of measurements — went on display in San Francisco, while the other went to Madame Tussauds Orlando.

“This is a major, major honor and it’s so cool to have it in the Bay, where I’m from,” she said in a statement at the time. “This is the best trip ever. I get to be home and be with my people … and also my twins!”

In 2026, Zendaya has a lot of exciting projects coming up, including the highly anticipated, long-awaited third season of Euphoria. In addition to starring in the show, the Disney Channel alum collaborated with Labrinth to contribute original music to the drama’s second season in 2022.

Zendaya also stars alongside Robert Pattinson in Kristoffer Borgli’s The Drama, which is set to arrive in April, and she will play Athena in Christopher Nolan’s The Odyssey, coming in July.

The latest figure is now available for fans to visit in NYC. See photos of the new Zendaya wax statue below.


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The countdown is on until Cardi B’s Little Miss Drama Tour begins on Feb. 11. After starting tour rehearsals in Los Angeles on Tuesday (Jan. 6), Cardi hopped on IG Live early Wednesday (Jan. 7) to give fans an update on a few things, including the tour’s budget.

Cardi revealed that even after redoing the budget, she’s still over by a couple of million dollars, and the Bronx rapper needs to find the money elsewhere. The Grammy-winning artist said she could fund it herself to make sure she’s putting on the proper show she wants fans to enjoy.

“I’m over a couple of million on my budget tour,” she said. “We redid the budget, so now it’s just like I gotta go find the f—king money, or I would have to put some of my own money for things that I want because I went over my budget. I feel like we do the budget every other week and s—t.”

Cardi continued: “It’s just, like, a lot. On top of that, it’s a lot of dance moves that I gotta do and I’m just ready to go home. I don’t know what it is about L.A., but I don’t like being in L.A. anymore.”

Even with the budget issues, Cardi calmed the BardiGang’s worries, letting them know she’s working hard and going to put on a show she’s proud of, but don’t expect any Beyoncé-level production.

“I ain’t no damn Beyoncé, so don’t be expecting any of that. I don’t got that production money, but b—h, I’m gonna give it all I got. I’m working hard, I’m popping it,” she added. “This tour is catered to BardiGang, and to people who are not even BardiGang but are some type of fan of mine or just wanna have a good time.”

Palm Desert, Calif., will get the opening show of Cardi’s first headlining North American trek on Feb. 11. She’s scheduled for 36 dates, including stops in Las Vegas, Miami, Boston, Chicago, Denver, Baltimore, Philly, Charlotte, Toronto and Atlanta. She will also perform a pair of shows at NYC’s Madison Square Garden.

The Little Miss Drama Tour comes on the heels of Cardi’s sophomore album, Am I the Drama?, which topped the Billboard 200 in September with 200,000 equivalent album units earned.


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The Rolling Loud hip-hop festival will only hit one U.S. city this year, but in a return to the event’s Florida roots, that city will be Orlando. On Wednesday morning (Jan. 7), organizers announced that Rolling Loud 2026 will touch down at the 60,000-capacity Camping World Stadium on May 8-10, with a lineup to be announced soon.

“We wanted to bring Rolling Loud back to the summer and build it without compromise,” co-founder/co-CEO Matt Zingler said in a statement. “With Orlando, we’re able to be more accessible for fans, expand our footprint, and think long-term. Rolling Loud has always been about meeting the culture where it’s going, not where it’s been. Bringing the festival back to the summer — in a market built for it — lets us do that at the highest level.”

A pre-sale will kick off on Friday (Jan. 9) at 10 a.m. ET here, with all early purchasers receiving an exclusive Rolling Loud 2026 T-shirt.

Organizers also hyped what they’ve dubbed “RL Week,” a full lineup of exclusive events, pre-parties, afterparties, pop-ups, theme park takeovers, exclusive drops and experiences that will take over Orlando during the festival week, with more details to be announced soon. A preview of the festival setup depicted three stages — Punx, Loud and Tent — as well as a carnival space and the “Rolling Arena.”

While the Orlando stop is the only one in the U.S. this year, the Rolling Loud World Tour will touch down in Sydney and Melbourne, Australia on March 7-8, with a lineup featuring headliners Gunna and Ken Carson along with Sexyy Red, Swae Lee, Tyga and Ski Mask the Slump God. Producers also noted that after November 2025’s successful roll-out of the first Rolling Loud India with headliners Central Cee, Wiz Khalifa, Don Toliver and Karan Aujla, the event will return to the country this November.

Last March’s Rolling Loud California featured a stacked roster including headliners A$AP Rocky, Playboi Carti and Peso Pluma, as well as YG, Bossman Dlow, Cash Cobain, Blxst, Quavo, 03 Greedo, Dom Kennedy, Tee Grizzley and Luh Tyler, among many others.


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Conan Gray, Durand Bernarr, Elton John and Brandi Carlile, Ethel Cain, G Flip, Lady Gaga, Maren Morris, Reneé Rapp, Ty Herndon and Young Miko are nominated for outstanding music artist at the 37th GLAAD Media Awards. The nominations were announced on Wednesday (Jan. 7). The awards will be presented in Los Angeles on Thursday, March 5.

Gaga’s MAYHEM is also nominated for Grammys for album of the year and best pop vocal album. John and Carlile’s Who Believes in Angels? is Grammy-nominated for best traditional pop vocal album. Herndon and Morris gained fame in the comparatively conservative world of country music before coming out as LGBTQ.

KATSEYE, Grammy-nominated for best new artist, also received a GLAAD Media Awards nomination for outstanding breakthrough music artist, where the group faces Wet Leg, who were Grammy-nominated in that category three years ago; Frankie Grande, the older half-brother of Ariana Grande; and Amaarae, Chris Housman, Destin Conrad, Eli, Guitarricadelafuente, Shygirl and Snow Wife.

Heated Rivalry, the much buzzed-about HBO Max miniseries, is nominated for outstanding new TV series.

Since 1990, the GLAAD Media Awards have grown to be the most visible annual LGBTQ awards show in the world. Nominees for the 37th Annual GLAAD Media Awards reflect work published, released or broadcast between Jan. 1 and Dec. 31, 2025. This year’s nominations spotlight 291 nominees across 32 categories.

Each year, GLAAD presents non-competitive honors to projects across entertainment and media that do not fit into existing GLAAD Media Awards categories. GLAAD has chosen four projects to receive this honor this year. For their impact and contributions to LGBTQ acceptance and visibility, GLAAD has awarded the Special Recognition honor to Andry José Hernández Romero; Before We Forget (Twenty Nine Palms Ent.); The Drowsy Chaperone in Concert (Breaking the Binary Theatre); and Gaydar With Anania.

GLAAD president and CEO Sarah Kate Ellis serves as executive producer of the 37th GLAAD Media Awards, alongside GLAAD’s Rich Ferraro and Anthony Allen Ramos. GLAAD’s Jose Useche will serve as producer. The ceremony is produced in partnership with STAMP Event Co.


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Here’s a complete list of nominees for the 37th annual GLAAD Media Awards: