Bad Bunny has something special for his Australian fans.
To celebrate his first-ever concerts in Sydney, the Reggaeton superstar drops an exclusive t-shirt, through a long-standing collaboration with Adidas.
The Adidas Originals x Bad Bunny DtMF tees are available in black and cream/white, priced at A$80, and are now available on the Adidas Australia website.
The back is emblazoned with “De Puerto Rico Para El Mundo,” and the word “Sidney, in Bad Bunny’s signature font, while the front hem carries a subtle embroidered Adidas Para Bad Bunny detail.
Benito’s DeBÍ TiRAR MáS FOToS World Tour touches down next week for two shows at Sydney’s ENGIE Stadium, on Feb. 28 and March 1, marking his first time performing in Australia.
When he arrives, he’ll be on a high.
Following his landmark Grammy Award win for album of the year and his epic halftime show at Super Bowl LX, Bunny charges into the top 10 on the latest ARIA Albums Chart with DeBÍ TiRAR MáS FOToS, up 20-4. That’s his first appearance in the top 10, easily besting the album’s previous best of No. 16 in 2025.
At the same time, the lead track from the album, “DtMF,” enters racks the Top 50 ARIA Singles Chart for the first time, at No. 4. The Puerto Rican artist also debuts on the chart at No. 25 with “NUEVAYoL” and at No. 34 with “BAILE INoLVIDABLE.”
As previously reported, the rapper lands a record-breaking 29 simultaneous titles on the Hot Latin Songs chart, including the entire top 25 — led by “DtMF” for a 47th week — and nails top spot on the all-genre Billboard Hot 100. Also, he monopolizes the top five spots on the Global 200 and the top three on Global Excl. U.S. charts.
Bunny’s world tour continues with concerts Feb. 20 and 21 at Allianz Parque in Sao Paulo, before heading Down Under.
The opener for TV anime Jujutsu Kaisen Season 3 (Culling Game arc, Part 1) was first released digitally on Jan. 9 and debuted at No. 6. The track climbs to the summit in its sixth chart week following its Feb. 11 CD release, selling 68,441 copies. This marks King Gnu’s third No. 1 on the chart, following “Ichizu” and “Chameleon.”
Holding at No. 2 is Kenshi Yonezu’s “IRIS OUT,” which leads streaming, video views and karaoke again this week. The track also continues steady physical sales centered on brick-and-mortar stores, adding 960 copies to push cumulative sales past 310,000.
At No. 3 is Hey! Say! JUMP’s “Hanikami.” The theme song for the drama series 50-pun kan no Koibito launches with 230,578 copies — surpassing the group’s previous single — to hit No. 1 for sales. Mrs. GREEN APPLE’s “lulu.” comes in at No. 4, followed by M!LK’s “Suki Sugite Metsu!” at No. 5, unchanged from last week.
Meanwhile, M!LK’s “Bakuretsu Aishiteru” debuts at No. 6. Released digitally on Feb. 9, the five-man group’s latest single comes in at No. 5 for streaming, No. 9 for downloads and No. 4 for video, marking the boy band’s first release to make its debut in the top 10 of the Japan Hot 100.
Also, following the opening of the Winter Olympics on Feb. 6, back number’s NHK winter sports theme “Doshitemo Doshitemo” jumps 32-7, with streaming up to 132%, downloads to 198%, radio to 390% and video to 243% week over week.
Sakanaction’s “Iranai” debuts at No. 10. The drama theme song comes in at No. 2 for downloads, No. 20 for streaming and No. 9 for radio.
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from Feb. 9 to 15, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-19 02:47:052026-02-19 02:47:05King Gnu’s ‘AIZO’ Hits No. 1 as Winter Olympics Boost back number’s ‘Doshitemo Doshitemo’ on Japan Hot 100
Regional Mexican music legend Ramón Ayala is facing a $25 million lawsuit from an unnamed tour photographer alleging Ayala’s son engaged in abusive behavior toward the staffer.
In a case filed Tuesday (Feb. 17) and obtained by Billboard, a man identified as John Doe says Ramón Ayala Jr. engaged in a “dangerous pattern of escalating sexualized misconduct and assaultive behavior,” including unwanted touching and exposing his genitals.
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In one instance, the lawsuit claims, Ayala Jr. threw a bag of cocaine at the accuser. In another, Doe claims the younger Ayala held him down and “sucked plaintiff’s toes.”
“Without warning and without consent, defendant Ayala Jr. physically grabbed plaintiff’s legs, restrained him, forcibly removed plaintiff’s footwear, and engaged in sexually offensive physical contact with plaintiff’s foot,” writes the accuser’s attorney. “Defendant did this act in a sexual manner, and did it by force, not only to gratify himself, but to degrade the plaintiff.”
Ayala, a pioneer of Norteño music over a decades-long career as the leader of Ramón Ayala y Sus Bravos del Norte, is also named as a defendant in the case. He is accused of legal negligence for failing to stop his son’s conduct: “Despite knowledge of defendant Ayala Jr.’s ongoing behavior … defendants failed to intervene, supervise, discipline, or remove him from authority.”
In a statement posted to Instagram on Wednesday (Feb. 18), the elder Ayala said the allegation “deeply hurts my band, my fans, and my family” and that his legal team was “working to clarify the facts.” He also alluded to “those who act maliciously for financial gain.”
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“We live in a world where freedom of expression is for everyone,” Ayala said. “But unfortunately, in their eagerness to gain attention, recognition or financial gain, some people, without any basis, try to take advantage and tarnish the legacy of an artist who rose from nothing through humility, effort, and sacrifice.”
The lawsuit was filed by Tony Buzbee, a well-known Houston plaintiffs attorney who made headlines last year for filing more than 20 cases against Sean “Diddy” Combs. Jay-Z later sued Buzbee over one of those cases, claiming the attorney had tried to blackmail him with false claims of sexual abuse. That case was later dismissed by a judge.
Ayala, affectionately known as the King of the Accordion, announced the final tour of his 60-year career in 2024. The four-time Grammy winner’s albums Arriba El Norte (1991) and Antología De Un Rey (2004) reached No. 1 on Billboard‘s Regional Mexican Albums chart, and 12 of his songs entered the Hot Latin Songs tally.
In Tuesday’s lawsuit, the John Doe’s attorneys wrote that Ayala’s son “routinely exposed his genitals aboard the tour bus” and often “performed sexually suggestive acts toward subordinates.” On one specific occasion, he allegedly “deliberately and roughly touched plaintiff’s buttocks without consent.” The lawsuit adds that when Doe confronted him about the alleged abuse, Ayala Jr. dismissed it as “horseplay” and told him to “get over it.”
“The conduct described herein was not accidental, playful, or misunderstood,” the Doe’s attorneys write in the lawsuit. “It was intentional, sexual, non-consensual physical contact carried out by a supervisory authority against a subordinate employee.”
In technical terms, the lawsuit alleges assault and sexual assault, negligence and gross negligence against Ayala, Ayala Jr. and their touring company Liram LLC. The case is seeking at least $25 million in damages.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-19 02:05:542026-02-19 02:05:54Mexican Music Legend Ramón Ayala Hit With $25M Lawsuit Over Son’s Alleged Abuse of Staffer
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Grammy winning best new artist Olivia Dean is setting off on her first-ever world tour. Titled The Art of Loving Live, the 54-date tour will kick off in North America on July 10 in San Francisco and then hit major cites like Los Angeles, New York and Atlanta before wrapping up Aug. 29 in Austin, Texas. The “Man I Need” singer will also have stops across Europe later this summer.
Since the release of her second album, The Art of Loving, Dean has skyrocketed across the airwaves with hit singles like “Lady Lady,” “So Easy” and “A Couple Minutes.” The 26-year-old UK artist boasts four songs on this week’s Billboard Hot 100, including “Man I Need” that peaked at No. 2 as well as sitting at No. 8 on the current Billboard 200, which peaked at No 3.
After opening up for Sabrina Carpenter on the final leg of the Short n’ Sweet Tour last year, Dean’s upcoming The Art of Loving Live is are already selling out many tour dates. Even after the issue with TicketMaster raising ticket prices, which Dean had some harsh words for and ultimately influenced the site to later cap all future resale ticket prices and refund fans for the tour on its platform, fans are eager to see the singer live.
If you are searching for tickets to see Olivia Dean, we’ve compiled a guide to buying affordable tickets to her tour through reliable resell ticketing sites like StubHub, SeatGeek and VivdSeats. Here’s how to buy your Olivia Dean 2026 concert tickets before they’re gone.
How to Buy Tickets to Olivia Dean The Art of Loving Live Tour
Here’s where to find affordable tickets still available and on sale online below.
Stubhub has Olivia Dean tickets available as low as $182 for certain tour stops. Stubhub’s Fan Protect Guarantee ensures valid tickets or your money back. And if your event is canceled and not rescheduled, you’ll receive 120% in credit or be given the option of a full refund.
You can also find Olivia Dean tickets online at Vivid Seats for as low as $158, which lets you search by price, location and “Super Sellers,” which denotes reputable sellers with the best deals on tickets.
Vivid Seats is also great for group tickets: the site has a rewards program that gives you your eleventh ticket free (in the form of a credit) after you buy ten tickets online. And as a bonus, you can use our exclusive promo code BB30 to take $30 off your purchase at VividSeats.com.
TicketNetwork has tickets to Olivia Dean’s concerts with all-in pricing that lets you see exactly what you’ll pay up front (fees included). For a limited time, you can use our exclusive code BILLBOARD150 to save $150 off $500 or BILLBOARD300 to save $300 off orders of $1000 and up.
Full 2026 Schedule for Olivia Dean’s Art of Loving Live Tour
July 10, 2026 – San Francisco, Calif. @ Chase Center
July 14, 2026 – Los Angeles, Calif. @ Crypto.com Arena
July 18, 2026 – Las Vegas, Nev. @ MGM Grand Garden Arena
July 22, 2026 – Salt Lake City, Utah @ Maverick Center
July 25, 2026 – Denver, Co. @ Ball Arena
July 29, 2026 – Minneapolis, Minn. @ Target Center
Aug. 4, 2026 – Toronto, Ontario @ Scotiabank Arena
Aug. 7, 2026 – Montreal, QC @ Bell Centre
Aug. 10, 2026 – Boston, Mass. @ TD Garden
Aug. 12, 2026 – Baltimore, Md. @ CFG Bank Arena
Aug. 14, 2026 – New York, N.Y. @ Madison Square Garden
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-19 00:35:522026-02-19 00:35:52How to Buy Affordable Tickets to Olivia Dean’s The Art of Loving Live Tour Online
The political love affair between Nicki Minaj and Donald Trump continued on Wednesday (Feb. 18), as Donald Trump gushed about Minaj during his speech at the White House.
Trump gave the Young Money rapper her flowers, calling Minaj “beautiful” and highlighting her political prowess while speaking at the Black History Month event in Washington, D.C.
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“How about Nicki Minaj? Do we love Nicki Minaj? I love Nicki Minaj. She was here a couple weeks ago. She’s so beautiful,” Trump raved. “I said, ‘Nicki, you’re so beautiful.’ Her nails are like that long, I said, ‘Nicki are they real?’ She didn’t want to get into that. But she was so beautiful and so great and she gets it, more importantly.”
Minaj celebrated Presidents’ Day on Monday (Feb. 16) by posting an AI-generated photo to social media of her riding around in a convertible with President Trump while counting money.
The Queens icon also attended the Trump-backed World Liberty Forum event on Wednesday (Feb. 18), which saw Minaj tapped as a keynote speaker for the “Owning the Culture: The Business of Music in a Creator-Led Economy” panel.
Minaj met the president for the first time at the Trump Accounts Summit in Washington, D.C. in January, where she stood alongside Donald Trump and labeled herself the “president’s No. 1 fan.”
“I am probably the president’s No. 1 fan,” Minaj said. “And that’s not going to change. What people have to say, it does not affect me at all. It actually motivates me to support him more. And it’s going to motivate all of us to support him more.”
She continued: “We’re not going to let them get away with bullying him. And you know, the smear campaigns. It’s not going to work. He has a lot of force behind him and God is protecting him.”
Minaj hasn’t been shy about her support for the Trump administration in recent months. She joined podcaster Katie Miller for an interview earlier in February, where she explained the backlash that Trump faced inspired her to be more outspoken in his corner.
“Religious freedom is something that’s very important to me, but if I’m being honest, President Trump,” she said. “When I saw how he was being treated, over and over and over, I just couldn’t handle it.”
Watch the full clip of Donald Trump speaking about Nicki below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-19 00:35:512026-02-19 00:35:51Donald Trump Declares ‘I Love Nicki Minaj’ at White House Black History Month Reception: ‘She Gets It’
Jelly Roll might be significantly smaller following his weight loss, but according to Bunnie Xo, his — ahem — manhood has only done the opposite amid the singer’s health journey.
In a candid interview with Howard Stern on Tuesday (Feb. 17), the podcaster didn’t hold back when asked about how her sex life with her husband has changed since he’s dropped a few hundred pounds. “He’s getting his confidence back, and he’s peacocking around,” Bunnie told the radio host, according to People. “He’s got a little strut in his step, and I think it’s just the cutest thing.”
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Bunnie went on to share, “I will tell you that it is very true that when a man loses weight, it grows a lot.”
Noting that the country star’s appendage has gotten “severely bigger” in the past few years, the Dumb Blonde host added of her partner, “Oh God, he’s gonna kill me.”
Jelly has been on a weight-loss mission for a few years now, revealing in a January Men’s Health cover story that he’d shed 275 pounds at that point. Though frequent exercise and dieting were both crucial to his success, the Grammy winner told the publication that the most important thing was shifting his mindset.
“Once I started treating food like an addiction, it started changing everything for me,” he explained at the time. “When I started really looking at the source of why I was eating. What was I eating for?”
He’s also been open about how slimming down has improved his sex life with Bunnie. “I couldn’t even get aroused, I was so big,” he told Joe Rogan in December. “I was having to play Twister to have sex. ‘Left foot here, right foot on the X. Are we in there yet? Tell me if you feel something.’”
Elsewhere in her conversation with Stern, Bunnie — whose memoir Stripped Down: Unfiltered and Unapologetic arrived Tuesday — spoke on the more serious topic of her husband having an affair years ago. “When we went through that entire situation, I had to look inside myself also and be like, ‘Why am I attracting these men? Because this seems to be a huge pattern in my life,’” she told the on-air personality.
“Not that I’m making excuses for him, but most of the time when men cheat, women wanna point the finger,” she continued during the interview. “I didn’t wanna do that. I was like, ‘I really love this man’ … I just knew that something was so special in my husband and I knew that he would become the man that he is today. He just needed somebody to love him.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-18 23:25:422026-02-18 23:25:42Bunnie Xo Reveals How Jelly Roll’s Manhood Is ‘Severely’ Different After Weight Loss: ‘He’s Gonna Kill Me’
Rapper Lil Poppa has died, the Fulton County Medical Examiner’s Office confirmed on Wednesday (Feb. 18). The Jacksonville rapper (born Janarious Mykel Wheeler) was 25 years old.
Poppa’s cause of death remains under investigation at this time, as details remain scarce. There’s been an outpouring of support from the rapper’s fans and peers since news of his death broke. Dej Loaf, Mozzy and Nardo Wick were among the rappers to pay tribute to Poppa.
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Great Day Records CEO Caroline “Baroline” Diaz, who worked with Poppa in the early stages of his career, also paid homage on X. “My little brother is gone,” Diaz wrote. “Poppa I love you so much. I am so broken. One of the first artists I had at Interscope. A&R’ed 4 of his projects. I’m so sad right now.”
My little brother is gone, Poppa I love you so much. I am so broken. One of the first artists I had at Interscope. A&R’ed 4 of his projects. I’m so sad right now……..
Lil Poppa signed to Yo Gotti’s CMG label in 2022. He’s notched collaborations over the years with Gotti, Polo G, Rylo Rodriguez, Toosii, Mozzy, Yungeen Ace and Seddy Hendrix.
Last week, Poppa returned to unleash his “Out of Town Bae” single on Feb. 13. He had been on tour in late 2025 and had a Birthday Bash show set for March in New Orleans.
Lil Poppa earned a pair of entries on the Billboard 200 in his career. Poppa’s Blessed, I Guess project reached No. 160 in May 2021 and his Under Investigation 3 album peaked at No. 194 in May 2022. He landed several placements on the Heatseekers Albums chart, including a peak of No. 4 thanks to Heavy is the Head in November 2022.
Billboard has reached out to reps for Lil Poppa for comment.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-18 23:25:412026-02-18 23:25:41Florida Rapper Lil Poppa Dead at 25
R&B singer Kenny Lattimore has received only a single royalty check since the release of his latest album — and now he’s taking distributor SRG/ILS Group to court.
Lattimore filed a lawsuit on Wednesday (Feb. 18) against SRG, which handles digital distribution for indie labels in partnership with Universal Music Group’s Virgin Music. The lawsuit, first obtained and reported by Billboard, claims SRG owes him at least $100,000 in royalties for his 2021 album Here to Stay.
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“Artists pour their heart, soul and life experience into the music we create,” Lattimore says of the lawsuit. “In today’s streaming world, earning a sustainable living from that work is already a challenge. So to then be denied royalties from the limited pool that exists in the first place isn’t just disappointing — it’s unjust. When creators aren’t paid for the very art that fuels the industry, that’s not a glitch in the system. It’s a travesty.”
According to the complaint, Lattimore’s distribution deal created a 50-50 split of recorded royalties between SRG and the singer’s Sincere Soul Records. Lattimore alleges Here to Stay did well and reached full recoupment status by 2022, with the single Take a Dose” hitting No. 1 on Billboard‘s Adult R&B Airplay chart. Yet despite this success, SRG has allegedly sent Lattimore just a single royalty check in the years since — a 2023 payment of just $4,400.
The lawsuit claims SRG has likely withheld more than $100,000 in royalties from Lattimore. But the singer says he hasn’t been able to ascertain the full tally because SRG hasn’t sent him proper royalty statements, even after he initiated an audit in 2024.
“SRG deliberately and systematically obstructed the audit process by refusing to produce essential source documentation, rejecting reasonable and industry-standard confidentiality accommodations and preventing any meaningful independent verification of its accounting,” write Lattimore’s lawyers.
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Lattimore alleges that SRG and its CEO, Claude Villani, then tried to “intimidate and pressure” him into abandoning the audit. According to the complaint, SRG executive vp Dominique Zgarka told Lattimore in 2025, “I can guarantee you that Claude’s patience is running out, and you can expect some form of counterclaim/lawsuit to come from SRG-ILS unless this matter is settled in short order.”
The lawsuit also alleges that SRG’s conduct here was “not an isolated incident.” Lattimore says SRG “has engaged in a broader pattern and practice of similar misconduct toward other recording artists,” including withholding royalties from singer J. Brown and the R&B group After 7.
Lattimore’s lawsuit brings claims for breach of contract and deceptive business practices. He’s requested a court-ordered accounting to determine the proper amount of past-due royalties that SRG must pay, plus financial damages for the alleged wrongdoing.
The singer’s attorney, Felton Newell, said in a statement, “Artists deserve transparency and to be paid what they earn. After repeated demands and an obstructed audit process, Mr. Lattimore was left with no choice but to file suit. This case is about enforcing clear contractual rights and addressing unfair business practices.”
Lattimore, who’s been a pillar of R&B music since the 1990s, tells Billboard that he hopes the lawsuit will serve as “a blueprint for younger artists that don’t have resources or the know-how to pursue the things that are owed to them.”
“Sometimes you don’t volunteer to be the advocate and to be the person who stands up for everybody, but sometimes God chooses you to be that,” adds Lattimore. “We’re not just doing this for me. We’re doing this for artists and for our rights, for things to be done properly in this business.”
A rep for SRG did not immediately return a request for comment on Wednesday (Feb. 18).
It’s been a truly insane February for Bad Bunny, who began his month by winning album of the year at the Grammys, followed it up by headlining halftime at Super Bowl LX the next week, and now makes it three weeks of headlines in a row by taking over the Billboard Hot 100 in historic fashion.
The Puerto Rican superstar notches 18 songs on the Hot 100 this week’s chart (dated Feb. 21) — most from his 2025 album Debí Tirár Mas Fotos, but also including a handful of catalog hits dating back to 2019 — with four of those songs reaching the top 10, three of which hit new peaks on the chart. One of them is “DtMF,” which tops the chart for the first time (after previously hitting No. 2 in early 2025), making it both his first No. 1 as an unaccompanied artist, and the first predominantly Spanish-language song to reach the top since Luis Fonsi and Daddy Yankee’s Justin Bieber-featuring “Despacito” in 2017.
How long will the takeover last? And is Bad Bunny now the biggest pop star on the planet? Billboard staffers answer these questions and more below.
1. Bad Bunny owns 18 entries on the Hot 100 this week, including four of the top 10 and both of the top two — with “DtMF” marking his first-ever unaccompanied No. 1 hit. Is this kind of post-Super Bowl bump for him bigger, smaller, or about what you expected from him?
Kyle Denis: This is exactly what I expected. Bad Bunny is a monster on streaming, and the project that anchored his halftime set is just over a year old. In fact, he’s still touring it! Between that overall momentum and the boost of his historic album of the year Grammy win earlier this month, the stage was perfectly set for a massive streaming boost post-Super Bowl.
Lyndsey Havens: A bit bigger. I expected to see a bump, of course, but to see him dominating in this way is only further proof of what a smashing success his halftime show was. He delivered such a spectacular set — and message — that it’s nice to imagine this bump being from fans old and new. For the longtime crowd, Bad Bunny delivered exactly what we hoped for (and then some). And for the less-familiar crowd, I would bet they’re still doing a deep dive into all he has to offer.
Sigal Ratner-Arias: I am not surprised at all by these numbers. Bad Bunny has consistently reached the top of charts including the coveted Billboard 200, where four of his albums have been No. 1. The interest generated by his Super Bowl performance – plus the controversy surrounding his selection as the halftime show headliner from the very moment it was announced – led to old and new fans, as well as detractors and curious people, to listen to his music. And it really paid off.
Jessica Roiz: Honestly, I expected him to dominate the Hot Latin Songs chart following the Super Bowl, but never thought he would have such a massive presence on the Hot 100. This, to me, is only a reflection of his real star power, whether you’re a fan of his music or not. What impresses me most is that the No. 1 and No. 2 spots are taken by a modern plena song and a traditional salsa tune — far from the very popular reggaetón and música Mexicana genres.
Andrew Unterberger: If it is surprising, it’s not very. We already saw how Bad Bunny’s numbers just following the Grammys — where he didn’t even perform — so for him to play so many of these songs during the most-watched TV event of the year, to millions of folks who might not have been even able to name a Bad Bunny song previously, was always going to have a majorly galvanizing impact. But it’s still hard to predict anyone will chart 18 songs in a week when he hasn’t even released an album in the past year.
2. Last year, Kendrick Lamar also swarmed the top of the Hot 100 following his Super Bowl show, and eventually used the momentum to land the longest-lasting No. 1 hit of his career in “Luther” with SZA. Do you see Bad Bunny doing something like that with “DtMF” (or one of his other revived hits), or do you think the bump will be shorter-lasting for him?
Kyle Denis: Because “Luther” was barely a few months old, I think it had a bit of an advantage over “DtMF” given that the latter is a year old and has already had a stint in the top 10. It’s entirely plausible that it sticks around with an even greater shelf-life post-Super Bowl, but I think the boost will slowly subside in the coming weeks as the charts recalibrate.
Lyndsey Havens: I mean, nothing says new era like a completely wiped Instagram account. It’s possible that Benito will also use his Super Bowl momentum to lead into new music. And if he does, I can definitely see it being (if you can believe it, following a historic Grammy win and halftime show set) his biggest cycle yet.
Sigal Ratner-Arias: Before the Super Bowl, “DtMF” spent 46 weeks at No. 1 on the Hot Latin Songs chart since January 2025, but only reached No. 2 on the Billboard Hot 100. This is not his first No. 1 on this chart – he previously reached the top with “I Like It,” his collab with Cardi B & J Balvin – but it is his first as a solo artist. So, regardless of how many weeks he spends at the summit, it’s already a historic achievement for Bad Bunny — and this is no small feat, given his many records and accomplishments.
Jessica Roiz: Personally, and only because it’s my favorite song right now — and it was named the No. 1 Latin song of 2025 by Billboard editors — I wouldn’t mind seeing “Baile Inolvidable” eventually take the lead. Either way, I’m not sure how long Bad Bunny will dominate the Hot 100 chart for, but if he goes on two weeks or beyond, he will break his own longest-leading record. Prior to “DtMF” reaching No. 1, Bad Bunny topped the chart for one week in 2018 with his appearance alongside Cardi B and J Balvin on “I Like It.”
Andrew Unterberger: I don’t know if “DtMF” will end up a 13-week No. 1 like “Luther” — it already had a pretty good and long chart run last year — but I don’t think it’s gonna disappear next week either, or any time soon. A lot of people are catching onto it for the first time, and just based on the number of times I’ve heard the song in videos on social media or out in the wild in the weeks since the Grammys, folks are more excited about it than ever right now.
3. “DtMF” marks the first predominantly Spanish-language No. 1 since “Despacito” in 2017. Are you surprised it’s been that long? Do you think we’re more likely to see more of them now that Bad Bunny’s broken through like this?
Kyle Denis: I’m not entirely surprised, but it does feel like it should have happened sooner. As far as I’m concerned, “Tití Me Preguntó” was a multi-week No. 1 smash! While it’s incredible to see “DtMF” at the top, it took a well-timed 1-2 punch of Grammys and Super Bowl weekend to get there. That kind of timing is very rare, so I’m not too sure we’re more likely to see more predominantly Spanish-language Hot 100 No. 1s in the years to come. I’d be more hopeful if U.S. top 40 radio routinely got on board with predominantly Spanish-language songs without remixes from non-Latin artists. Some perspective: Benito has yet to reach the top 10 of Radio Songs with a solo song, and “DtMF” has yet to see any of the chart’s 50 positions.
But if anyone can rewrite the rules of language and dialect at top 40 radio in the 2020s, it’s probably Bad Bunny.
Lyndsey Havens: I’m not surprised, no. When you think of a song like “Despacito,” that took over the conversation, the culture and clearly the charts. It’s become a sonic time capsule. But, at the same time, it was also the peak (so far) for Luis Fonsi. An artist like Bad Bunny is quite the opposite, rather than just one song dominating the conversation and culture it is Bad Bunny himself in that position. So, while I do think it’s a possibility we will see more Spanish-language No. 1s, I think if anything Bad Bunny has proven how difficult it really is to get here — and how even at the top, he’s still battling detractors. All is to say, it’s a longer, harder road for Spanish speaking artists to achieve such mainstream acclaim, but it seems Benito is reshaping that path.
Sigal Ratner-Arias: We all knew “Despacito” would open more doors and ears for Spanish-language music – even though the version that hit No. 1 on the Hot 100 was the one featuring Justin Bieber, with his lyrics in English. A lot has happened in nine years in the music industry, so I hope to see more opportunities now that Bad Bunny has broken through like this.
Jessica Roiz: Yes, it’s surprising that it took almost a decade for a Latin song to hit No. 1 on the Hot 100, but it’s even more shocking that none of the biggest songs on the Hot Latin Songs history reflected in feat: “Bailando” by Enrique Iglesias, December Bueno and Gente de Zona, which spent 41 weeks at the top or Shakira and Alejandro Sanz’s “La Tortura,” which spent 25, would have been deserving of a Hot 100 No. 1 spot. Now, the Super Bowl halftime show definitely sparked an interest in Bad Bunny’s music, and hopefully that will translate to wider Latin music consumption, resulting in more No. 1 Latin songs sooner rather than later!
Andrew Unterberger: It’s been such a globally explosive period for Spanish-language music over the past decade that even though there’s no one song I would say definitely feels like a No. 1 hit that didn’t end up actually being one, it is still a little surprising that no song has gotten there since 2017. But if nothing else, I imagine it will be a shorter distance for Bad Bunny himself to get back to No. 1 than ever before.
4. Do you think Bad Bunny will take advantage of this moment by quickly returning to the studio to record new music, or do you think he’ll take more of a break following the summation of his tour this summer? What would you advise him to do if you were on his team?
Kyle Denis: Human to human – take a break! My guy has been grinding non-stop for almost two years; I hope he’s able to take a few months for himself — especially considering his heightened fame. Nonetheless, Bad Bunny lives in the studio. In fact, he’s never taken more than a year and a half between studio albums (and that’s not counting the mixtapes and collaborative projects he’s dropped along the way). I fully expect him to have some new music ready by the summertime, if not to celebrate the tour’s conclusion. And that makes total sense! Why not take advantage of the recent expansion of your already massive fanbase?
Lyndsey Havens: I think he may have already been in the studio. And I think he may already know exactly what’s next. If I were on his team, I’d say let this moment breath, drop a project that goes on to become the second Spanish-language Album of the Year winner and then, just when he’s feeling rested, return to the stage to headline … well, with Coachella and the Super Bowl under his belt, he can really tackle whatever stage he wants.
Sigal Ratner-Arias: As a prolific hitmaker, Bad Bunny has never been an artist who can spend much time away from the studio. Even when he’s said he’s taking a break, he’s surprised his fans shortly after not with a single but with a full album. I believe that will be the case now that the Super Bowl is over, although it may take a little longer because of his current world tour. I have no advice to offer; I expect him to continue evolving musically while staying true to his Puerto Rican roots and keep spreading a much-needed message of Latin pride and unity.
Jessica Roiz: Bad Bunny is very unpredictable, and if his 2020 album title YHLQMDLG (yo hago lo que me de la gana) is any indication, he truly does whatever he wants, and there’s no advising him. But I do think he’s at the recording studio creating new music. Following the Super Bowl, he immediately removed all the content from his Instagram account, which has been a strategy in the past when he’s about to drop a surprise album.
Andrew Unterberger: If I had to bet, it would be on a bit of a break from music for the rest of 2026 — but if he released an album in the next three months, I also wouldn’t be shocked at all. Regardless, I don’t think he can really lose, whether he takes his time with the next project or jumps back in immediately. The only advice I’d give him is to make sure the next project is something he’s really passionate about, and that isn’t chasing what anyone else is currently doing: Bad Bunny’s long proven to be his most successful when he’s setting the trends, rather than following them.
5. Is Bad Bunny now the biggest pop superstar on the planet?
Kyle Denis: I mean, c’mon… without question!
Lyndsey Havens: He’s up there, for sure. And deservedly so.
Sigal Ratner-Arias: Yes. For how long? I don’t know. But as the numbers show, today, he is.
Jessica Roiz: Yes. No ifs, ands, or buts.
Andrew Unterberger: Taylor Swift is maybe still a little bigger. But if she is, she’s the only one.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-02-18 23:21:052026-02-18 23:21:05How Impressive Is Bad Bunny’s Post-Super Bowl Chart Takeover — And How Long Will It Last?
A federal judge on Wednesday (Feb. 18) refused to dismiss the Justice Department’s sweeping monopoly lawsuit against Live Nation, sending the case to trial next month.
Live Nation had asked Judge Arun Subramanian to end the antitrust lawsuit, which aims to break up the company from its Ticketmaster subsidiary, arguing the feds had uncovered little hard evidence after more than a year of discovery.
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But in his ruling, the judge said the government could proceed to trial on several key accusations, including that Live Nation abused its vast portfolio of amphitheaters to force artists to use its promotion services.
“A reasonable jury could certainly find that artists were coerced into going with Live Nation as their promoter to get into its amphitheaters,” Judge Subramanian wrote in allowing those claims, known as “tying,” to move ahead.
The judge also refused to dismiss the DOJ’s accusation that Live Nation has forced venues into exclusively using Ticketmaster as their primary ticketing service, preventing rival services from growing into challengers.
“Taking all this together, a jury must decide whether the exclusive contracts are the product of coercion (as there’s some evidence for) or venue preference (as there’s some evidence for),” the judge wrote.
Though he allowed the case to move ahead, the judge threw out some other key monopoly claims focused on concert booking and the fan experience. He held that the DOJ failed to properly define a nationwide market for fans, dooming those claims, and that there’s no evidence of Live Nation harming both arenas and amphitheaters with a booking-services monopoly.
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The DOJ declined to comment on the ruling. Live Nation did not immediately return a request for comment. A jury trial is currently scheduled to begin on March 2.
The DOJ and dozens of states filed the case in 2024, with an aim to break up Live Nation and Ticketmaster over accusations that they form an illegal monopoly over the live music industry. The feds alleged Live Nation runs an illegal “flywheel” — reaping revenue from ticket buyers, using that money to sign artists, then leveraging that repertoire to lock venues into exclusive ticketing contracts that yield ever more revenue.
In October, after more than 15 months of discovery, Live Nation moved for a so-called summary judgment ruling, arguing there was “barely a molehill” of evidence that it had done anything monopolistic. The DOJ disagreed, arguing it had uncovered numerous examples of the company abusing its market power.
In his ruling allowing the tying accusations to move ahead on Wednesday, Subramanian pointed to “evidence of coercion” — including “specific instances in which Ticketmaster appears to have threatened venues by conditioning access to artists on the venues picking Ticketmaster as the ticketer.”
“Although Live Nation argues that these threats aren’t specific to exclusivity, a jury could find that it was understood that going with Live Nation meant going with an exclusive deal,” the judge wrote.