The sheer number of artist signings announced on a weekly basis makes it difficult to keep up, no matter how closely you pay attention to the industry news cycle. That’s why every other Tuesday, Billboard compiles the latest signings to labels, distributors, agencies, management companies and more, in an effort to provide a snapshot of the latest moves in the artist space, from household names to indie stars to emerging acts.

Related

Ian Munsick and his West to the Rest Records have partnered with Triple Tigers Records. In the process, Munsick joins the Triple Tigers roster, which also includes Russell Dickerson, Scotty McCreery and Shane Profitt.

Munsick’s new song “Geronimo” was released on Jan. 30. He will launch his Eagle Flies Free tour in February.

“Every artist dreams of partnering with a record label that not only understands their vision, but creates a clear, passionate plan on how to reach that destination. After I played some of my new music for the team at Triple Tigers, they told me exactly what songs they thought could achieve that vision,” Munsick said in a statement. “In a day [and] age where labels often rely on third parties for opinions that may or may not eventually lead to action, it was so refreshing to hear the words ‘that song is a hit’ when playing a guitar/vocal work tape for the label heads. Results are never guaranteed in the music industry but I am confident that the combination of this new era of Ian Munsick music and the strategic workhorse of Triple Tigers will result in a true 50/50 partnership made in country & western heaven.”

“Ian Munsick is the ultimate artist: unique identifiable voice, compelling songs and perspective, established brand and a massive fanbase that is growing by leaps and bounds,” added Triple Tigers Records’ Kevin Herring and Annie Ortmeier in a statement. “We are ecstatic to partner with Ian and are ready to take country music by storm.” — Jessica Nicholson

Read up on more of the latest artist signings below.

Bad Bunny’s Super Bowl halftime show was one of the most watched shows of all time. We’re taking you inside the big day, and the days leading up to it, with an exclusive interview from the NFL’s Global Head of Live Event Production sharing what it was like to work with Bad Bunny on his iconic show, talking with the hottest stars including J Balvin, Spike Lee and more about his performance, and more.

J Balvin:

It’s really special, because this is not just about Bad Bunny. It’s about us as a culture, you know? 

Jon Barker:

It is beautiful. It is cinematic. It is storytelling. It is all the things that you want in those 13 minutes.

Spike Lee:

The people will be watching Bad Bunny. 

Bad Bunny:

The biggest feeling is being grateful.

Diplo:

There’ll be a lot of dancing, a lot of good dancing. And I think just you know, the moment that he has right now is so important, to win the first Spanish-language [album of the year] Grammy and then headline the biggest sports event in the world is so amazing. So viva Puerto Rico! Bye.

Tetris Kelly:

We went to Benito Bowl in Santa Clara, California, and we talked to the celebs in town about Bad Bunny’s halftime set, and got to speak with the NFL themselves. We take you there in Billboard All Access, presented by Lexus.

Jon Barker:

Bad Bunny has been in the process with us from from the jump. It’s his team really leading that creative process with our production partners at Roc Nation. That’s where it comes from. We help facilitate it, but he has been a fantastic partner ever since we announced it. When you think about the production of a halftime show, it is a massive amount to do in 13 minutes. You have a time window. You have a moment you have to start, and you have a moment you have to stop. And when you take all the moving pieces of something this big with a global superstar like Benito and do that in the right way that’s authentic to him, authentic to his fans, authentic to our fans, authentic to everybody, you’ve got to be precise, and that’s what it takes. There’s thousands of people that work on this show to get it right. And in six minutes, a stage will be built. In 13 minutes, a show will be done. And in six minutes, a stage will be taken off the field, and that’s how it goes.

Keep watching for more!

Days after going off on Bad Bunny‘s Super Bowl halftime show in a since-deleted social media video, Jill Zarin has been dropped from the upcoming Real Housewives of New York spin-off The Golden Life on E!, the show’s studio announced Tuesday (Feb. 10).

“In light of recent public comments made by Jill Zarin, Blink49 Studios has decided not to move forward with her involvement in The Golden Life,” the studio behind the RHONY reboot posted on Instagram. “We remain committed to delivering the series in line with our company standards and values.”

Related

Zarin was set to star alongside fellow Real Housewives of New York alumnae Luann de Lesseps, Ramona Singer, Kelly Bensmon and Sonja Morgan in the Palm Beach-set reality series, which was just announced on Feb. 3 and hadn’t yet started production.

In a minute-long video posted to Zarin’s Instagram account on Sunday, the reality star called Bad Bunny’s performance “the worst halftime show ever.”

“It’s 250 years that we’re celebrating right now in the United States, and I just don’t think it was appropriate to have it in Spanish,” Zarin said in the now-deleted video. “And quite frankly, I didn’t need to see him grabbing his G-area. I think it was totally inappropriate. You’ve got all these young kids watching the Super Bowl, and he doesn’t have to be grabbing himself every five seconds. Is he so insecure? Seriously. I don’t speak Spanish. I would have liked to understand the words he was saying.”

She also complained that the Puerto Rican superstar was making a “political statement” with the performance. “To me, it looked like a political statement, because there were literally no white people in the entire thing. I think it was a political statement, and I’m not taking a side one way or the other, I just do. I think it was an ICE thing.”

She added that “the NFL sold out” by booking Bad Bunny and also accused guest performer Lady Gaga of getting a facelift that left her unrecognizable. “I didn’t recognize her! I literally had to Google her face to see who it was.”

Zarin was an original castmember on Bravo’s New York-set Real Housewives from 2008 to 2011.

Find Blink49 Studios’ statement below:

Zayn Malik is gearing up to release his fifth solo album, Konnakol — but in his upcoming interview on Call Her Daddy, he revealed that he’s still mind-blown he even got to make his prior four LPs in the first place.

In a preview of the podcast episode — which Billboard is exclusively premiering Tuesday (Feb. 10) before the episode’s Wednesday morning premiere — the One Direction alum shares what he’s proudest of going into his next solo era. In his words: “Honestly, the fact that people still give a sh–.”

Related

“Five solo albums now — I was just buzzing that I got to do the first one after [leaving] the band, [and] people seemed to care,” he continues in conversation with host Alex Cooper. “I’m really proud of the progression and just the development and understanding of myself through my music.”

As announced Feb. 4, Konnakol will arrive April 17, complete with 15 tracks. Its lead single, “Die for Me,” dropped two days after the album news.

The new era comes a decade after Malik first burst onto the pop scene as a soloist after departing 1D in 2015. His debut effort as a one-man show, Mind of Mine, peaked at No. 1 on the Billboard 200, after which the singer released Icarus Falls, Nobody Is Listening and Room Under the Stairs.

With Konnakol, Malik hopes fans “get more insight on maybe my culture and heritage,” he tells Cooper on Call Her Daddy in the exclusive clip.

The U.K.-born musician is of Pakistani descent and was raised Muslim by his parents. The word “Konnakol,” which Malik used for his fifth album’s title, is a “vocal percussion technique used in South Indian Carnatic music, where complex rhythmic patterns are spoken aloud using specific syllables,” according to Forbes.

Beyond the new album, Malik’s podcast appearance also comes ahead of his 31-date Konnakol arena tour through the U.K. and North and South America. To gear up for the trek, he recently closed out a seven-night residency at Dolby Live at Park MGM in Las Vegas.

He’s also not the only former One Direction member who’s been dropping music as of late. In January, Harry Styles returned from a four-year break in releases to unleash “Aperture,” his third Billboard Hot 100 No. 1 hit. That same month, Louis Tomlinson unveiled How Did I Get Here?, securing a No. 1 slot on the U.K. albums chart.

Watch the exclusive preview of Malik’s interview on Call Her Daddy above.

Adam Sandler has received numerous awards for comedy, most notably the Mark Twain Prize for American Humor in 2023. On Thursday, he’ll be honored for his songwriting.

Sandler, 59, is set to receive the ASCAP Founders Award, which is presented to songwriters and composers who have made pioneering contributions to music by inspiring and influencing their fellow music creators, according to ASCAP.

Related

The award has previously gone to the likes of Sir Paul McCartney, Stevie Wonder, Tom Petty, Patti Smith, Stephen Schwartz, Dr. Dre, Carly Simon, Billy Joel, Tom Waits, Elmer Bernstein, Jeff Lynne, Diane Warren, Quincy Jones, Neil Young and Elvis Costello.

The award will recognize Sandler’s contributions to music and songwriting across comedy, film and popular culture. Sandler will accept the award at the 2026 ASCAP Experience, a full day of panels, workshops and performances, which will be held Thursday (Feb. 12) at the Skirball Cultural Center in Los Angeles.

“Adam is a giant of comedy, and so many of his most hilarious onscreen moments are based in music and song,” ASCAP chairman of the board and president Paul Williams said in a statement. “From Opera Man to ‘The Chanukah Song’ to ‘Grow Old With You,’ Adam’s genius ability to seamlessly blend comedy and music helps us all appreciate the wonders and absurdities of life and love. ASCAP is honored to recognize Adam Sandler for his singular contributions to the comedy music canon.”

An ASCAP member for 33 years, Sandler has made his mark on comedy and music with nearly 450 ASCAP-registered works ranging from amusing ballads to playful sing-alongs. His 1995 classic “The Chanukah Song,” recorded live at UC Santa Barbara, reached No. 10 on Billboard‘s Hot 100 Airplay chart. His 1996 follow-up, “The Thanksgiving Song,” also cracked that chart.

From his famous SNL classics like “Lunchlady Land” and “Red Hooded Sweatshirt” to newer songs like his heartfelt tribute to Chris Farley in his 2019 Netflix special 100% Fresh, no Sandler sketch is complete without a song.

Sandler has released six albums, three of which received Grammy nominations for best spoken comedy album: They’re All Gonna Laugh at You!, What the Hell Happened to Me? and Stan and Judy’s Kid.

Sandler’s songs are also featured in several of his hit films including The Wedding Singer (“Grow Old With You”), 50 First Dates (“Forgetful Lucy”), The Meyerowitz Stories (“Genius Girl”) and Eight Crazy Nights (“The Chanukah Song, Part 3”).

Now entering its 20th year, ASCAP Experience is designed to unite aspiring songwriters, composers and producers with hitmakers and industry leaders, offering practical guidance, creative inspiration, and essential tools for navigating the future of music.

Confirmed to participate in the 2026 Experience are Grammy-winning songwriter/producer duo Nova Wav (Beyoncé, Rihanna), writer and activist Justin Tranter (Chappell Roan, Justin Bieber), Oscar-nominated songwriter Mark Sonnenblick (KPop Demon Hunters), four-time Grammy-winning creator James Fauntleroy (Justin Timberlake, Bruno Mars), hitmaker Andreas Carlsson (Backstreet Boys, NSYNC), and writer-producers Darrell Brown (Keith Urban, LeAnn Rimes) and Theron “Neff-U” Feemster (Justin Bieber, Sia), among others. In addition, legendary producers Jimmy Jam and Terry Lewis will join ASCAP Experience for an afternoon fireside chat.

The day kicks off with ASCAP’s membership meeting, opening with a performance from Cautious Clay, followed by remarks from Williams and ASCAP CEO Elizabeth Matthews. After that, a mix of panels, performances and workshops will take place.

TIA RAY’s latest self-penned English album NEW DAY stands as a testament that Chinese artists are now poised to shine brightly on the world’s musical platform.

For anyone attuned to the Chinese pop music scene, TIA RAY is undoubtedly a name that commands attention. A singer devoted to fusing Chinese musical sensibilities with Western genres like jazz, R&B and soul, she collaborated with Kehlani as early as seven years ago. She has frequently traveled overseas to work directly with Grammy-winning producers on her projects. Throughout her decadelong career, she has consistently pushed the boundaries of her artistic expression.

Related

While soul and R&B are not China’s mainstream genres, TIA’s prolific creativity and exceptional vocal talent have garnered an ever-growing fanbase. She has already headlined major arena tours across China, captivating tens of thousands at each show. In 2018, she made history as the first Chinese singer to enter the IFPI Global Top 10 Singles chart, securing the seventh position. She also set an attendance record as the closing act at the Australian SXSW music festival. Rooted in China yet resonating globally, she serves as a vital bridge connecting Chinese music with the international scene.

NEW DAY represents another bold stride in expanding her musical lexicon. As a fully self-composed album, TIA was intimately involved in crafting every track. The involvement of top-tier producers — Antonio Dixon, Khris Riddick-Tynes, Tommy Brown and Warren “Oak” Felder — ensures production quality that rivals leading Western artists. Notably, Khris Riddick-Tynes, a core producer on TIA’s album, just won best R&B song at the 68th Grammy Awards for his work on Kehlani’s “Folded.” Furthermore, TIA’s extraordinary vocal prowess has drawn acclaim from Panos A. Panay, chairman of the Recording Academy, and four-time Grammy winner Luca Bignardi.

Yet, TIA’s multifaceted artistry imbues these tracks with a distinctive character that sets them apart from mainstream Western offerings.

While soul and R&B form the core of her sound, TIA continually experiments by blending these genres with contemporary elements. The opening track “Phone” pairs ’80s-tinged emotive guitar and strings with a modern tale of emotional betrayal. “COLOR BLIND” begins with a Motown-inspired intro before seamlessly evolving into a fresh fusion of soul and electronic elements. “HEART SHAPED HOLE” polishes future bass and intimate spoken-word to a delicate, ethereal finish. In “PRESSURE,” Afrobeats rhythms intertwine with breathy vocals, revealing a unique Eastern sensibility. “BALANCE” fluidly merges Jersey Club and trap, bridging R&B with dance-floor energy.

“BEAUTIFUL DAY” evokes the dreamy sunlight after a night of revelry. “FLOWING LOTUS,” with its natural sounds and distinct Eastern flair, unveils a deeper emotional layer of the album, proving her voice profoundly moving even without complex production. “OLD DAYS” showcases the exquisite nuance of her vocals—her ability to capture subtle emotions is a standout strength, distinguishing her from many R&B peers. Over sparse guitar in “COLD,” her flexible melisma mimics a sudden chill, demonstrating her skill in conveying thoughtful details through voice alone. The mid-tempo “CALL ME” leads to another album highlight, “BORED.” As the lead single, it remains one of the strongest tracks, where retro soul and hip-hop beats create a modern, wild, and effortlessly sensual vibe that TIA owns completely. Finally, “OCEAN OF THE SUN” closes the album with fluid soundscapes and New Age elements, painting a mystical picture reminiscent of Eastern ink wash painting — a richly evocative conclusion.

Perhaps TIA RAY’s music truly transcends East-West dichotomies. In her voice and creations, diverse influences have long been fused into a unique whole, reflecting varied hues from different angles. Her R&B possesses a rare diversity and inclusivity, where tenderness and wildness co-exist in harmony. She is a pride of Asian music and deserves the attention of music lovers worldwide.

St. Louis CITY SC, the fourth-year Major League Soccer team, has unveiled a unique “Tina Turner Kit,” a first-of-its-kind collaboration with sporting giant adidas that pays tribute to the two-time Rock and Roll Hall of Fame inductee  — and to the city that helped shape her. The club’s tribute marks adidas’ first‑ever kit collab with a female music artist in global sport, according to the announcement.

Born Anna Mae Bullock in Nutbush, Tenn., Turner arrived in St. Louis at 16, settling in The Ville neighborhood and graduating from Sumner High before diving into the city’s vibrant R&B scene. It was in local clubs like Club Manhattan where she first met Ike Turner and, in a pivotal 1957 moment, grabbed a microphone during an intermission — a choice that ultimately led to the Ike & Tina Turner Revue and her rise to stardom. Though her early career was marked by personal hardship, St. Louis remained the birthplace of her artistic identity.

The team said on Tuesday that the new kit was designed to capture the energy of Turner’s iconic stage presence. The gold jersey echoes the shimmer of her signature fringed minidresses, with her silhouette stamped in metallic gold on the tag and her signature in “CITY Red” as a nod to her distinctive lipstick and nails.

The kit, created with adidas, Turner’s estate, BMG and Warner Music Group, will serve as CITY’s secondary jersey for the 2026 and 2027 seasons.

“St. Louis is a homecoming for Tina,” said Erwin Bach, Turner’s husband. “It’s where she first felt the thrill of the stage and the joy of performing.”

St. Louis CITY SC's "Tina Turner Kit"

The Tina Turner Kit

St. Louis CITY SC

“Not only did Tina Turner change music, she impacted culture over decades and continues to permeate it today,” added Carolyn Kindle, the team’s CEO. “It is a profound honor to celebrate her influence and legacy. St. Louis has long been home to artists who shaped music history, and Tina stands at the top of that list.”

To further honor Turner, who died in 2023 at age 83, the club has organized a slate of cultural events, headlined by Eternal: A Tribute to Tina Turner — a one‑night‑only concert on Feb. 15 featuring Grammy winner Brittany Howard of Alabama Shakes performing with the St. Louis Symphony Orchestra at the newly renovated Powell Hall.

“Tina Turner has inspired me since I was a child. Her spirit and her strength are reflected in her songs, which have shaped my own sound and my journey as an artist,” said Howard. “Joining St. Louis CITY SC and the St. Louis Symphony Orchestra in honoring her is personal for me. I am thrilled to celebrate Tina and her lasting legacy that continues resound today.”

Joining the tribute is STL native and The Voice finalist Kennedy Holmes, along with a lineup of acclaimed vocalists, including Tamika Lawrence and Shaleah Adkisson, performing orchestral arrangements of Turner’s greatest hits under the direction of Stéphane Denève and guest conductor Anthony Parnther.

Mykhi Joyner of St. Louis CITY SC

Homegrown player Mykhi Joyner of St. Louis CITY SC, in a Tina Turner Kit

St. Louis CITY SC

“It is such an honor to join Brittany in paying tribute to one of the most iconic female musicians of all time and a woman who I deeply admire,” said Holmes. “As a young artist who is also from St. Louis, I am in awe of Tina’s extraordinary career and her rise to becoming one of the most celebrated artists in the world.”

Added Erwin Bach: “I’m especially excited for the orchestral interpretation of ‘Proud Mary’ and the initiatives around town. Local kids will discover the power of music and how performance makes it even more meaningful. Special thanks are also extended to the Taylor family for their enthusiasm and continued support of music and sport in the St. Louis community.”

The celebration extends beyond the pitch with a Tina Turner Pop‑up Shop at City Foundry, where fans can buy the new jersey and view items from Turner’s personal collection — including wardrobe pieces and Grammy Awards (she won eight of them). Running Feb. 11–20, the pop‑up is part of a broader tribute that also includes a new Tina‑focused music education program created with COCA, a local arts organization, that will introduce kids and young adults to her repertoire through music instruction and choreography inspired by her performances, funded in part by proceeds from Tina Turner Kit sales.

Festivities culminate on Tina Turner Night at CITY SC’s home match on Aug. 22.

CITY has made music a core part of its identity since its inaugural season in 2023, partnering with hometown rapper Smino on the Homegrown initiative to elevate local artists through mentorship and match‑day performances. The club has hosted major acts at its block parties, collaborated with Smino on a tornado‑relief streetwear collection, and featured the St. Louis Symphony Orchestra for special game‑day moments.

On Thursday (Feb. 5), Best Coast frontwoman Bethany Cosentino was the first artist signed to the powerful Wasserman agency to speak out over revelations that its founder and CEO, Casey Wasserman, had carried on a flirtatious relationship with convicted sex trafficker Ghislaine Maxwell — the main accomplice of convicted child sex predator Jeffrey Epstein — after the latest tranche of 3 million files in the Epstein case was released. Among other things, Cosentino called for Wasserman to step down from his post and for the agency to change its name.

Related

Since Cosentino’s Instagram post went live, several more artists — mainly indie acts — have responded to the controversy. Though these responses have varied somewhat, most have either announced their exit from the agency over the revelations or seemingly threatened to leave if Wasserman isn’t held accountable for his actions. Nearly all have expressed support for their agents. On Monday evening (Feb. 9), Chappell Roan became the first major star to speak out on the issue, writing that she had left the agency amid the growing outrage (without explicity mentioning Epstein or Maxwell).

The growing number of artist defections is now continuing to snowball into a major issue for Wasserman and his namesake agency, which represents such superstars as Ed Sheeran, Coldplay, SZA, Noah Kahan, Lorde and Kenny Chesney. Will any of those other big acts follow Roan’s lead?

Below, we’ve rounded up every Wasserman artist who has spoken out on the issue. We’ll continue updating the list as more of them make their feelings known.

Jack Harlow has a birthday gift for his fans this year. The Louisville native announced Tuesday (Feb. 10) that his fourth studio album, Monica, is set to arrive March 13, which is Harlow’s 28th birthday.

“Monica. My new album. Available everywhere on my birthday, March 13th,” Harlow wrote on Instagram.

Related

The post was accompanied by the LP’s cover art, which features a motion-blurred image of the “Lovin on Me” rapper with his eyes shut while rocking a pair of shades and a brown cap tilted to the side.

Fans excitedly hopped into the comments, welcoming the return of Missionary Jack, while others wondered who exactly Monica might be. Former NFL star Victor Cruz and New York Knicks big man Karl-Anthony Towns hyped the announcement with emoji comments as well.

The sonic direction of Harlow’s next endeavor remains unclear, but a press release reveals that the 27-year-old recorded the album at the famed Electric Lady Studios in New York City following his move to the Big Apple. Plenty of music legends have made Electric Lady home during their careers, including Lady Gaga, Taylor Swift and Stevie Wonder.

It’s possible Harlow’s time recording at Electric Lady overlapped with Lorde when she was working on Virgin. During an Apple Music interview with Zane Lowe last year, Lorde recalled Harlow being wowed by her songwriting after playing the album for him.

“Jack Harlow was working at Electric Lady when we were there towards the end of the record and somehow ended up getting most of the album played to him,” she explained. “It was a very funny, cool link. He’s such a sweetheart. But he was like, ‘Your bars are… These are bars!’ I was like, ‘Your words, not mine.’”

While Monica will arrive March 13, vinyl pre-orders are now available to order the LP on Harlow’s website.

Harlow has remained quiet on the music side for the better part of a year, as his most recent single, “Just Us,” was released last March, featuring an assist from Doja Cat.

It’s been nearly three years since Jack Harlow’s last album. Harlow released Jackman in April 2023, which reached the top 10 of the Billboard 200 (No. 8).

Find the Monica cover art below.

Gracie Abrams has made her opinion clear when it comes to the recent removal of the Pride flag from Stonewall Monument in New York City.

On Tuesday (Feb. 10), the singer/songwriter reshared comedian Benito Skinner’s post about the matter on her Instagram Story. Skinner had amplified a New York Times article on the removal of the flag under a Donald Trump administration directive and wrote one word to sum up what he thought about it, with which Abrams agreed: “Demonic.”

Related

The musician’s post comes one day after employees of the Stonewall Inn — the Greenwich Village bar known as the origin point of the LGBTQ rights movement — first noticed that the Pride flag was missing from the federally owned Stonewall Monument out front, according to NYT. Weeks prior, the Department of the Interior had issued a federal guidance about not displaying “non-agency” flags in the National Park System.

In a statement on X, recently elected NYC mayor Zohran Mamdani said that he was “outraged” by the seizure of the flag. “New York is the birthplace of the modern LGBTQ+ rights movement, and no act of erasure will ever change, or silence, that history,” he wrote. “Our city has a duty not just to honor this legacy, but to live up to it.”

Abrams has long been outspoken in her political beliefs. In December, she released a song called “Sold Out” with frequent collaborator Aaron Dessner and Bon Iver to benefit Everytown, a non-profit that works to end gun violence, after a string of shootings across the globe that month.

Shortly before that, Abrams spoke out about the inhumane conditions Palestinian people are facing in Gaza and slammed President Trump for mocking Rob Reiner in a Truth Social post right after the filmmaker and his wife, Michele, were killed in their home. “Within 24 hours of the most unimaginable tragedy a family can endure, we see the President yet again reveal the most poisonous and vile narcissism maybe in the history of humanity,” she wrote on her Story at the time, calling Trump “indefensible.”

“It is getting harder to find the words to describe the pain in the world,” she added. “I am lighting a candle for everybody who is hurting.”