Kenshi Yonezu’s “IRIS OUT” returns to No. 1 on the Billboard Japan Hot 100, on the chart released Dec. 24.
The Chainsaw Man – The Movie: Reze Arc theme rebounds to the summit for the first time in two weeks, marking its 11th total week at No. 1. Week over week, downloads rise to 114%, streaming to 102%, and video views to 101%. The track also holds No. 1 for a 13th consecutive week on the Global Japan Songs Excl. Japan chart dated Dec. 18. While its combined video and audio streams outside Japan total 9.86 million, falling short of 10 million, it nonetheless maintains the top spot.
Debuting at No. 2 is “Are wa Fairy,” the title track of Bokuga Mitakatta Aozora’s seventh single. The CD launched with 120,035 copies to take No. 2 for sales and comes in at No. 3 for radio. Panda Dragon’s “Winter Song Boeitai” bows at No. 3. The title track of the five-member boy band’s 13th single leads sales with 131,384 copies, but places third on the Japan Hot 100 this week due to a lack of support from other metrics. Also making its first appearance on the chart at No. 4 is OCTPATH’s “Starlight Rendezvous.” The title track of the group’s eighth single sold 85,717 copies to take No. 3 for the metric. This week, sales-driven titles fill the slots from No. 2 through No. 4.
At No. 5 is HANA’s “NON STOP,” down a notch from last week. Downloads fall to 54% of the prior frame, streaming to 81%, and radio to 75%.
Elsewhere on the Japan Hot 100, songs by back number see a broad resurgence, with 12 tracks landing on the tally. “Christmas Song” is up to 123% in total points, while “Heroine” rises to 109% and “Suiheisen” to 108% week-over-week. Released in 2011, “Shiawase” makes its first-ever appearance on the chart this week.
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from Dec. 15 to 21, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-26 21:20:532025-12-26 21:20:53Kenshi Yonezu’s ‘IRIS OUT’ Returns to No. 1 for 11th Week on Japan Hot 100
Los Tigres del Norte is coming to Springfield for a surprising collaboration with The Simpsons. The storied regional Mexican music band will appear Sunday (Dec. 28) in an episode of the iconic animated series, performing a new song titled “El Corrido de Pedro y Homero,” the show and the band announced jointly on Friday (Dec. 26).
“A legendary band. An original song. A very Simpsons twist,” reads a shared post on Instagram, which includes two images of the animated version of the members of Los Tigres on stage wearing their signature outfits. In one of them, they are accompanied by Homer Simpson wearing a charro hat, and Bumblebee Man, who in an episode titled “Team Homer,” is referred to as Pedro.
The alliance between Los Tigres del Norte and The Simpsons isn’t far fetched. Now in its 37th season, Fox’s animated series has addressed timeless themes such as social classes and societal issues, and hasn’t shied away from political and current topics. Los Tigres del Norte, meanwhile, has been known for over half a century for raising their voices in support of immigrants and speaking out on various social causes. Songs such as “La Reina del Sur,” “La Lotería,” “Pedro y Pablo” and of course “Jefe de Jefes” are part of the band’s extensive repertoire.
Sunday’s episode of The Simpsons, whose title has not yet been revealed, will air on Fox and stream on Disney+.
Check out the announcement of the collaboration below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-26 21:15:462025-12-26 21:15:46Los Tigres del Norte to Bring Mexican Flair to ‘The Simpsons’ With ‘El Corrido de Pedro y Homero’
Even if it’s time to spread some holiday cheer, 50 Cent stays ready to beef at all times.
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After the rapper took shots at the Let’s Rap About It podcast for its Sean Combs: The Reckoning criticism, cohosts Maino, Dave East, Jim Jones and Fabolous stepped into the booth to return fire with their “Christmas Special” freestyle titled “Squatter’s Rights” on Thursday (Dec. 25).
Loso batted clean-up and they saved the best for last, as Fab went directly at 50 while taking a shot at the G-Unit mogul’s ex Daphne Joy, who dated Diddy and was named in a civil suit against the embattled Bad Boy boss. (50 also filed a lawsuit against Joy, with whom he shares a child, in May while he denied her allegations of physical abuse.)
“You know I got power/ Your shorty got hot showered/ Catch her trying to leave like Tasha shot LaLa,” Fab raps over G-Unit’s “Rider, Pt. 2.” “The b—h hot Myla and no you not Allah/ You can both meet the creator, his first name not Tyler.”
The rest of the rapper podcasting foursome opted for lighter subliminal jabs, which saw Maino rhyming over 50’s “Back Down,” Capo choosing “I’ll Whip Ya Head” and Dave East smoking “A Baltimore Love Thing.”
50 Cent has yet to directly respond to Fabolous or his podcast running mates on social media. Billboard has reached out to the Queens rapper for comment.
Tensions between the Let’s Rap About It podcast hosts and 50 were raised when the G-Unit rapper posted an alleged voicemail claiming Jim Jones owed money to the owner of the studio where Jim, Dave, Maino and Fab record their podcast. 50 referred to the foursome as squatters and taunted the crew, saying he was looking into buying the building where they record so he could be collecting their checks in the future.
Listen to the “Let’s Wrap About It: Christmas Special” dissing 50 below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-26 20:40:352025-12-26 20:40:35Fabolous Lights Up 50 Cent With Blazing ‘Squatter’s Rights Freestyle’ on Christmas: Listen
Perry Bamonte, The Cure‘s guitarist and keyboardist, died over the Christmas break, the band announced in a message posted to its website on Friday (Dec. 26). The musician was 65 years old.
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“It is with enormous sadness that we confirm the death of our great friend and bandmate Perry Bamonte, who passed away after a short illness at home over Christmas,” the Grammy-nominated band began its statement. “Quiet, intense, intuitive, constant and hugely creative, ‘Teddy’ was a warm-hearted and vital part of The Cure story.”
The musician joined the band — which is comprised of frontman Robert Smith, Simon Gallup, Reeves Gabrels and Jason Cooper — full time in 1990 after initially joining as a roadie in 1984. He played the guitar, six-string bass and keyboard on 1992’s Grammy-nominated Wish, which peaked at No. 2 on the Billboard 200 and included Billboard Hot 100 hit “Friday I’m in Love”; 1996’s Wild Mood Swings, which reached No. 12; 2000’s Bloodflowers; 2001’s Acoustic Hits and 2004’s self-titled album.
Bamonte — who was born Sept. 3, 1960, in London — left the band in 2005 after 14 years and more than 400 shows together. He was inducted into the Rock Hall of Fame alongside The Cure in 2019, with Nine Inch Nails frontman Trent Reznor delivering the induction speech. Since the English rock band launched its debut album, Three Imaginary Boys, in 1979, it has been cited by numerous musicians as a major musical influence, including NIN, Deftones, My Chemical Romance, The Smashing Pumpkins, Phoebe Bridgers and Oasis.
“He rejoined The Cure in 2022, playing another 90 shows, some of the best in the band’s history, culminating with The Show of a Lost World concert in London 1st November 2024,” the band’s statement and tribute to Bamonte noted before its conclusion. “Our thoughts and condolences are with all his family. He will be very greatly missed.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-26 20:21:382025-12-26 20:21:38Perry Bamonte, The Cure’s Guitarist & Keyboardist, Dead at 65 After ‘a Short Illness’
As Recording Academy voters pore over the 2026 nominations list before final-round voting closes on Jan. 5, they are sure to notice that the nominees for record and song of the year are nearly identical. Seven of the eight record of the year nominees are also up for song of the year.
The only difference between the two lists is that Chappell Roan’s “The Subway” is nominated for record of the year but not song of the year, and HUNTR/X’s “Golden” is nominated for song of the year but not record of the year.
Other than that, the lineups overlap exactly: Bad Bunny’s “DtMF,” Sabrina Carpenter’s “Manchild,” Doechii’s “Anxiety,” Billie Eilish’s “Wildflower,” Lady Gaga’s “Abracadabra,” Kendrick Lamar with SZA’s “luther” and Rosé & Bruno Mars’ “APT.”
It’s the first time in 11 years that there is just one difference in the lineups for record and song of the year.
You probably know, but to refresh you: Record of the year honors a specific recording of a song; song of the year honors the song itself. Record of the year is awarded to the artist and producer(s), recording engineer(s) and/or mixer(s) and mastering engineer(s), if other than the artist. Song of the year is awarded solely to the songwriters.
Since the first Grammy ceremony in 1959, there was just one year when the record and song of the year nominees overlapped 100%. That was at the 1973 ceremony.
Here’s a complete list of all the times there was no more than one difference between the rosters of record and song of the year nominees. The years shown are the years of the Grammy ceremonies.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-26 19:41:222025-12-26 19:41:222026 Grammy Nominees for Record & Song of the Year are Nearly Identical. How Unusual Is That?
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In celebration of Latin music and its impact, a two-hour special titled A Grammy Celebration of Latin Music is set to air Sunday, Dec. 28, from 8 to 10 p.m. ET/PT on CBS. If you aren’t able to catch it live, you can stream the event on Paramount+.
NCIS actor and producer Wilmer Valderrama and singer-songwriter, actress and producer Roselyn Sánchez will cohost the show. The night will feature special performances from numerous Latin acts, including Ángela Aguilar, Gloria Estefan, Luis Fonsi, Aymée Nuviola, Prince Royce and Jon Secada. Michael Bublé, Maren Morris, Robin Thicke and Billy Idol are also among the performers set to take the stage.
The show will also feature three collaborations — Carín León and Nuno Bettencourt, who recently released “We Made It Look Easy/Hicimos Que Pareciera Facil”; Thicke and Orianthi; and The Warning with Idol and Steve Stevens. The show will also include a performance by the cast of Broadway’s Buena Vista Social Club, which received 10 Tony nominations this year and won four. The show is currently nominated for a Grammy for best musical show album.
If you’re intrerested in tuning in to this special in celebration of all things Latin music, we’ll be showing you how down below. The best part? It won’t cost you a cent. Keep reading to find out how to watch A Grammy Celebration of Latin Music for free.
If you’re looking to watch the special through CBS, consider DIRECTV. All of DIRECTV‘s packages include access to CBS. However, we’d suggest the ENTERTAINMENT package. The package is currently on sale for $49.99 a month, down from $89.99 a month. This package is for those looking to tap into a slew of entertainment-based channels. If you’re unsure about committing to a new subscription, you can simply try the service out for free for five days, which will give you plenty of time to watch the two-hour special before canceling your subscription.
With a subscription, users will gain access to live TV, local networks such as NBC, ABC and PBS, and you can also watch various entertainment networks, including AMC, Bravo, E!, FX, FXX, Freeform, HGTV, Hallmark Channel, Lifetime and Paramount Network. That’s more than 90-plus channels that you can tap into with the touch of a button.
Another way to watch the special via CBS is on Fubo, which has a weeklong free trial available here. Fubo’s package includes a free DVR so you record the broadcast to watch all the performances back on-demand. Continue with one of Fubo’s streaming deals or cancel before your free trial is up to avoid being charged. See details here.
You can also stream the event via Paramount+’s Premium plan. A no-ads plan will run you $12.99 a month. The streaming service offers a seven-day free trial, which should give you plenty of time to watch the special without interruption. If you do happen to keep your subscription, which we highly recommend, you’ll have access to a vast library of more than 40,000+ ad-free episodes and movies, including music-themed hits such as Love & Hip Hop: Miami, School of Rock, Lolla: The Story of Lollapalooza and much more. Paramount+ Premium plan holders will also be able to stream the service on three devices at once, gain access to SHOWTIME® Originals, download movies and shows and Stream CBS live, with more sports and events.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-26 19:35:312025-12-26 19:35:31How to Watch Gloria Estefan, Andrea Bocelli & More Perform at ‘A Grammy Celebration of Latin Music’ Special for Free
New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard and Billboard Español editors. Check out this week’s picks below.
Cris MJ, Las Filtradas (Sonar LLC)
Cris MJ chose Christmas as the perfect moment to drop Las Filtradas, an 18-track LP that relies upon minimalist beats while blending reggaetón with trap textures. Opening with “Pensando Brígido,” produced by Reelian, the album leans on Autotuned vocals and straightforward street narratives to establish its sound. Focus track “Botellita de Champagne” is an explicit ode to seduction, fitting into reggaetón’s risqué traditions, while “Hoy Te Toca,” featuring FloyyMenor, brings a flirtatious vibe to the mix. Cris MJ nods to his global ambitions on “Subieron las Ventanas,” teaming up with Puerto Rican heavyweight Bryant Myers to deliver boastful, defiant verses over bass-heavy production.
True to its title, Las Filtradas — his second album this year, and fourth overall — built online buzz ahead of its release due to unauthorized leaks. While the project offers a cohesive collection for longtime fans, it largely sticks to Cris MJ’s established formula. Still, the album underscores Chilean reggaetón’s rising presence in the global urban music scene. —ISABELA RAYGOZA
Guaynaa, “Para el Año Nuevo” (Guaynaa Records LLC)
With a fresh sound rich in strings, percussion, vocals and brass, Guaynaa manifests all the positive things one could wish for in the coming year in this infectious and joyful aguinaldo — a traditional Christmas music genre from Puerto Rico and Venezuela — that invites us to dance and celebrate. “Let the good times come (Let them come!)/ The bad times are gone (They’re gone!)/ Where do we throw them? (Where?)/ Back, back, back,” sings the Puerto Rican artist, accompanied by a large orchestra, while repeating the chorus like a mantra: “For the new year you will have/ Joy, health, and prosperity.”
Written by Guaynaa alongside renowned salsa composer José Juan Hernández, and produced by Guss Music Baby with arrangements by Gustavo Alberto, “Para el Año Nuevo” is an instant classic for the holiday season. — SIGAL RATNER-ARIAS
Throughout 2025, Dale Pututi and Nesty unlocked a successful strategy: lacing traditional Cuban rhythms with contemporary music. Their new single “Personaje (La Rumba),” in collaboration with Wow Popy and Maykel Falcón, follows that formula. Produced by Alejandro Arce (Pututi) and RoMn Beatz, “Personaje” is a modern-day rumba, honoring the rich Afro-Cuban rhythm that’s often linked to the Yoruba religion. Sonically, it’s backed by different components of son and rumba melodies such as yambú, guaguancó, and columbia.
Lyrically, it’s cleverly charged with local Cuban slang and phrases, and describes a person who’s not impressed and can’t be fooled by fake people. “Personaje (La Rumba)” comes on the heels of Pututi and Nesty’s “Tata (La Conga),” which has gone viral on social media. — JESSICA ROIZ
Yng Lvcas, “LEROLE” (Yng Lvcas)
Mexican reggaetón and trap artist Yng Lvcas responds with “Lerole” to the controversy sparked by his previous song “Naqueto,” a diss track aimed at Mexican rapper Bogueto, in which he also mentions other figures in the Mexican urban music scene such as Bellakath and Yeri Mua. On “Lerole,” which is based on the famous song “Calabria” by Danish DJ and producer Rune Reilly Kölsch, Yng Lvcas reiterates his criticism, although this time without mentioning his colleague’s name.
“I made a whole genre cry/ What am I saying, a whole genre?/ The whole circus/ Something bothered them/ And that’s not my problem/ Well, I guess it is/ But look how I’m laughing,” he sings with rhythm and style, clarifying that this one is not a diss track. — NATALIA CANO
Pipe Bueno, “Si Tu Boquita Fuera” (WEA Latina)
Pipe Bueno closes out 2025 in style with a new take on the Banda R-15 classic “Si Tu Boquita Fuera.” Inspired by the beloved Banda Machos version, Bueno stays true to his signature approach, celebrating the festive sounds of Mexican posadas, the warmth of the holiday season, and the joy of traditions and love. “Si Tu Boquita Fuera” is a song steeped in history, having accompanied countless celebrations. In Bueno’s hands, it is reborn: he honors its roots with reverence but infuses it with his own energy and style.
The impeccable production delivers a powerful blend rooted in the strength of banda music, yet enriched with a more acoustic, norteño touch, complete with accordion and drums. It’s a charming tribute to the past that feels fresh and vibrant, ensuring its legacy continues to be enjoyed by new generations. — INGRID FAJARDO
Check out more recommendations this week in our New Music Latin playlist below:
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-26 19:30:452025-12-26 19:30:45Guaynaa’s Joyful Aguinaldo ‘Para el Año Nuevo’ & More Best New Music Latin
Mariah Carey’s “All I Want for Christmas Is You” smashed Billboard chart records this holiday season – and now, the pop star is getting a refund for her copyright battle over the hit song.
Back in March, a federal judge dismissed a lawsuit that alleged “All I Want for Christmas” infringed songwriter Vince Vance’s 1989 song of the same name. The court held that the two tracks shared only holiday clichés and ordered Vance’s attorney, Gerard Fox, to repay Carey’s legal fees as a sanction for filing “frivolous” arguments.
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After months of back and forth on what this sum should be, Judge Mónica Ramírez Almadani ruled on Tuesday (Dec. 23) that Fox must pay Carey $92,000 for 154 hours of work by her lawyers from the entertainment powerhouse Davis Wright Tremaine.
The judge also ordered Fox to cover $15,000 in fees paid to Sony Music’s attorneys at Pryor Cashman; $2,000 for Kobalt’s legal team at Kendall Brill & Kelly; and $1,000 to Kenneth Freundlich, who represents Carey’s “All I Want for Christmas” co-writer Walter Afanasieff.
“[This] amount is proportional to the clear need for deterrence and punishment in this case,” wrote Judge Almadani. “Fox has been given many opportunities to engage fairly in this litigation, but he has failed to do so and must now face the consequences.”
The total fee award of $110,000 is less than the $186,000 in combined fees sought by Carey, Afanasieff, Sony and Kobalt. Judge Almadani deducted billing entries that she said were “excessive,” “unnecessary” or rooted in “clerical or secretarial tasks.”
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Fox did not immediately return a request for comment on Friday (Dec. 26), nor did the lawyers for Carey, Afanasieff, Sony and Kobalt.
Tuesday’s ruling officially wraps up the litigation over “All I Want for Christmas,” which debuted in 1994 and ballooned in popularity over the last decade. The song has retaken the top spot on the Billboard Hot 100 every holiday season since 2019, hitting No. 1 for a record-breaking 20th week on last week’s chart.
Carey continued to make history with “All I Want for Christmas” this week, achieving a record-extending 21st week atop the Hot 100 on Monday (Dec. 22). The song also surpassed Dua Lipa’s “Levitating” as the longest-charted title ever by a female artist, and Carey herself claimed a milestone 100th career week at No. 1.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-26 19:26:012025-12-26 19:26:01Mariah Carey Gets $92,000 Refund After Beating ‘All I Want for Christmas Is You’ Lawsuit
Travis Kelce gave now-fiancée Taylor Swift a brilliant cut diamond ring when he proposed in August, but when it came time to reveal which of the gifts he’d given the superstar since they began their romance is her favorite, it wasn’t the bling that he mentioned.
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While discussing Christmas gifts for significant others with Jason Kelce and sister-in-law Kylie Kelce on the brothers’ New Heights podcast episode that arrived Christmas Eve, the Kansas City Chiefs’ tight end shared the present that Swift appreciates more than many of the others she’s received from him.
“What about, like, kitchen appliances?” Travis wondered about the likelihood of such a gift being appreciated. “I will say one of Tay’s favorite gifts that I got her was the bread slicer.”
Both Kylie and Jason nodded and shared their approval as Travis continued of Swift’s penchant for baking, “‘Cause she’s been throwing together so much f–kin’ sourdough. Gosh. I got the best gut health there is. I love you, Tay!”
Jason then chimed in with why a bread slicer would be a great gift for someone who loves to bake. “One of the unfortunate things with making fresh bread is trying to cut that s–t, and it is hard!” he exclaimed. “The slicer makes a big deal!”
Kylie — who also hosts her own podcast titled Not Gonna Lie — then confused the brothers with her next comment: “More importantly, the responsibility to eat it!”
“Whaaaaat?!” exclaimed Travis as his big brother declared, “That’s the easy part!”
Swift’s love for whipping up baked goods in her kitchen has made numerous headlines. She’s famously whipped up homemade pop-tarts for friends such as Channing Tatum as well as the Kansas City Chiefs, cinnamon rolls for her love before a game, and a loaf of fresh sourdough for longtime pal Selena Gomez and Benny Blanco.
During her first appearance on New Heights in August, the pop superstar — who made multiple $1 million donations to charity just before Christmas — revealed her love for making sourdough bread, and that she was in search of the perfect recipe. She noted: “Right now we’re very deep in a sourdough obsession that has taken over my life.”
Watch the clip of Travis revealing one of Taylor’s favorite gifts from him so far:
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-26 19:17:072025-12-26 19:17:07Travis Kelce Reveals One of Taylor Swift’s Favorite Gifts From Him So Far
One of BTS‘ members is putting the “V” in Vogue Japan. As revealed a couple of days before Christmas, V is the publication’s latest cover star, representing “The New Standard of Cool” as the world heads into 2026.
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The issue finds V discussing his friendship with bandmates RM, Jin, SUGA, j-hope, Jimin and Jung Kook, as well as sharing his thoughts on his own character. Demonstrating his love for his “beloved members,” V said that he thinks “anywhere would be fun” as long as he’s with his crew.
“I’d probably say, ‘I want to come back here again,’ no matter where we go,” he told the Japanese publication, according to Google’s English translation. “Except for going to the company for work, of course [laughs].”
As for his sense of self, V acknowledged, “I can’t say yet that I’m a strong person.”
“However, I want to be a strong person who will never falter, in order to live up to the expectations of the people I love,” the South Korean performer added. “But I do feel that I am a healthy person, both mentally and physically.”
The introspective interview comes at an exciting time for V, who was discharged from the South Korean military in June. In spring 2026, he’s set to make a comeback with the rest of his bandmates, who have a new album and world tour in store for ARMY after last releasing a full-length — Billboard 200-topper Be — in 2020.
During BTS’ time apart, V released a number of solo projects. Last year, he dropped a modernized version of “White Christmas,” adding his voice to the late Bing Crosby’s. Shortly afterward, he shared a collaboration with Park Hyo Shin called “Winter Ahead.”
V’s EP Layover dropped in 2023 and reached No. 2 on the Billboard 200.
See V on the cover of Vogue Japan and snaps from the photoshoot below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-12-26 18:46:282025-12-26 18:46:28BTS’ V Addresses Whether He’s a ‘Strong Person’ & Discusses Friendship With His ‘Beloved Members’