Welcome to Billboard Pro’s Trending Up newsletter, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention. Some have come out of nowhere, others have taken months to catch on, and all of them could become ubiquitous in the blink of a TikTok clip. 
 
This week: Beyond Bad Bunny Super Bowl LX leads to big gains in streaming and sales for a number of its halftime and pregame performers, and fans pay tribute to one of the great rock hitmakers of the early ’00s upon his premature passing.

‘Benito Bowl’ Lifts Lady Gaga’s ‘Die With a Smile’ & Ricky Martin’s Entire Catalog 

Benito Bowl continues to deliver eye-popping numbers — and not just for its historic headliner. On Wednesday, Billboard reported that Bad Bunny’s catalog earned a whopping 98 million official on-demand U.S. streams the day after the Super Bowl (Feb. 9), narrowly missing the crown for his single biggest streaming day of all time. 

The Puerto Rican superstar, who won album of the year at the Grammys earlier this month, leaned heavily on his Billboard 200-topping Debí Tirar Más Fotos LP throughout his set, also incorporating earlier hits like “Monaco” and “Tití Me Preguntó.” Apple released his entire performance as a 13-minute track, which was included on an EP that also featured live recordings of pre-game performances from Coco Jones, Charlie Puth and Brandi Carlile. The audio of Bad Bunny’s halftime pulled in 285,000 official on-demand U.S. streams and sold 858 U.S. digital downloads the day after the Super Bowl (Feb. 9). 

Benito also featured two special guests during his halftime takeover, Lady Gaga and Ricky Martin, both of whom earned notable streaming gains. 

Mother Monster blessed one of her biggest fans with a salsa rendition of “Die with a Smile,” which earned 2.46 million official on-demand U.S. streams across Feb. 8-9, according to Luminate. That marks a 17% increase from the 2.1 million it pulled a week prior (Feb. 1-2). The song, originally a Billboard Hot 100-topping Bruno Mars duet, also jumped 165% in U.S. digital downloads, selling 1,240 copies during Feb. 8-9. 

Ricky Martin, who dominated the ‘90s as a Latin crossover sensation, appeared for an impassioned rendition of “Lo Que Le Pasó a Hawaii.” His appearance certainly delighted Gen Xers and Millennials, but it also proved a full-circle moment considering the pressure he faced earlier in his career to sing in English. Martin’s catalog earned 1.2 million official on-demand U.S. streams after the Super Bowl (Feb. 8-9), leaping 58% from the 790,000 official streams it collected the week prior (Feb. 1-2). His discography also sold 429 U.S. digital downloads, up 487%. 

If it wasn’t already clear, this is Bad Bunny’s world, and we’re all just dancing in it. — KYLE DENIS 


Green Day and Other Pre-Game Performers Get Super Bowl Catalog Bumps

The appearance of Bay Area local heroes at Green Day as the pre-game performers at Super Bowl LX in Santa Clara, Calif. garnered much advance speculation about whether the punk trio would make any particular statement, given the current political climate. But the band let its songs do the talking on Sunday, playing a trio of anthems from its blockbuster 2004 rock opera American Idiot, and expecting the 70,000 in attendance and hundreds of millions watching worldwide to get the message from their lyrics about the “redneck agenda” and “the ones who died without a name.”

All three of those songs were way up in sales and streams the day of and day after the Super Bowl. The album’s explosive title track was the biggest gainer, rising to nearly 1.3 million official on-demand U.S. streams over that two-day period (Feb. 8-9) from the equivalent period the week before — a gain of 78%, according to Luminate. Meanwhile, “Boulevard of Broken Dreams” was up 46% to 623,000 streams over that same period, while “Holiday” was up 53% to 556,000. (The three songs also combined for over 3,000 digital song sales over that two-day period, up 924% from the day before.) All in all, Green Day’s total catalog was up 42% in streams to over 9.3 million, and up 561% to nearly 6,100 song sales.

Beyond Green Day, the other two pre-game performers also saw catalog gains following their appearances. “God Bless America” performer Brandi Carlile saw her catalog rise 23% in streams to 1.1 million and 274% in song sales to just over 500, while Charlie Puth’s discography was up 25% in streams to over 2.9 million and 529% in song sales to over 1,000. — ANDREW UNTERBERGER


Here Without You: Fans Mourn Brad Arnold by Returning to 3 Doors Down Catalog

Brad Arnold’s voice was one of the most unavoidable sounds on both rock and pop radio in the early 2000s. His band 3 Doors Down scored five No. 1 hits on Mainstream Rock airplay that decade, while also notching five top 20 hits on the Hot 100, three of which made it all the way to the top five. Arnold was diagnosed with kidney cancer in 2025, before the band was scheduled to set out on a summer tour. He died on Saturday (Feb. 7) at 47 years old.

Arnold’s very sad and wildly premature passing led to fans swarming DSPs and digital retailers to reconnect with some of his signature band’s biggest hits. The biggest bump came, appropriately enough, for the mourning-ready “Here Without You,” which notched nearly 2.9 million official on-demand streams and 4,400 digital song sales over the three-day period following Arnold’s death (Feb. 7-9), respective gains of 207% and 3,887%, according to Luminate. Breakout hit “Kryptonite,” up 112% to 3.3 million streams and 3,833% to 3,600 song sales, also saw huge gains, as did power ballad “When I’m Gone,” up 167% to 2.3 million streams and 5,176% to 3,300 song sales.

In full, 3 Doors Down’s catalog amassed nearly 17.5 million streams over that three-day period, along with nearly 20,000 song sales — gains of 236% and 4,903%, respectively. — AU

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Sexyy Red flipped Michael Jackson’s “Beat It” into a raunchy “Just Eat It” version, which has drawn polarizing opinions from fans on social media.

Lil Yachty posted the clip of Sexyy rapping along to her explicit edition of MJ’s classic while in the studio on Tuesday (Feb. 10) on his backup Instagram page.

Yachty joked that the St. Louis rapper’s spicy rework was going to be part of the Michael biopic soundtrack arriving in April.

“Sneak peak scene of the new michael biopic,” he captioned the viral clip.

Sexyy danced around the studio as her “Just Eat It” remix blared through the speakers. “Just eat it, just eat it/ You better not nut fast because I hate a minute man/ And if that d—k is trash, I’m telling all my friends/ I’ll beat your a— and we bout to throw them hands,” she raps.

Sexyy Red doubled down on her MJ fandom when she posted another clip performing her “Just Eat It” version in the studio. “Leaked footage from da Michael Jackson movie HOOCHIE TRIBUTE TO DA BEST LLMJ,” she wrote.  

“Just Eat It” went viral on social media, and drew strong convictions from some, who were disgusted at her take on the MJ anthem, while others had a laugh and didn’t take it too seriously.

Singer and Joe Budden Podcast affiliate Emanny was angered by Sexyy’s explicit bars and he posted a photo to X of him on a supposed call with Michael Jackson’s estate lawyer to make sure it never receives an official release.

“Not playing with y’all. We got a movie to prep for dropping April 24th,” he wrote. “It’s Cease and desist SZN for anyone playing with MJ music!”

Rap pioneer Monie Love vehemently disagreed with Sexyy’s sample choice. “Whoever cleared the ‘Beat It’ sample for Sexyy Red, I hope they know they not seeing heaven,” she wrote on X. “Playing with MJ name and discography like that is beyond disrespectful!”

Another fan chimed in under Yachty’s comments section: “Pls never let this clear the sample!”

However, Big Sexyy has long been a fan of the King of Pop. During a hometown show in November, Sexyy brought out MJ impersonator Rico Hampton to perform “Billie Jean” for the audience.

As far as her other music goes, Sexyy Red teamed up with Key Glock for the Tay Keith-produced “Hang Wit a Bad B—h,” which arrived on Feb. 8.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

There are so many headphones to choose from that fit specific needs, and the market is only growing.

With so much to choose from, hailing from big brand names such as Bose, Beats, Sony, Skullcandy and Apple, it’s hard to make an informed decision. With a quick search on Google, prospective buyers are overwhelmed with models in vibrant candy-colored hues boasting a number of facets — some with wires, some without, Bluetooth compatibility, ANC or Active Noise Cancellation, comfort tech and so much more. It’s enough to make a shopper’s head hurt.

People are searching for quality sound that they can rely on. They want crisp and clear audio that immerses, letting you tune out the world for a while.

ShopBillboard’s rule of thumb? Go where the musicians are. Chances are, they’ve collaborated with a brand that they actively use, which bodes well for the product’s abilities. There are many celebrity collaborations out there that have come out within the last few years, with products toting a stamp of approval from big names such as BLACKPINK’s LISA and JENNIE, Olivia Rodrigo, Kim Kardashian, Maluma, ENHYPEN and more, but which ones are right for you? Our goal is to make shopping for these collaborations as easy as possible.

Below, we’ve compiled some of our favorites, offering our honest perspective on each. This will hopefully give you the tools to make the right decision before buying expensive tech that is made exponentially more expensive when a celebrity’s name is attached.

Before we begin, some words that you might see often throughout this article include “drivers,” which are essentially tech that converts digital audio data into analog signals for speakers and vice versa for microphones; “ANC,” which is active noise cancellation that filters out unwanted noise; and “Personalized Spatial Audio” that creates a unique audio profile based on how you listen to music. You’ll also be hearing about “EQ” a lot, which is equalization, a process of adjusting the volume of specific frequency ranges.

Headphones, music, earbuds, Sony, Bose, Beats, Aiaiai, K-Pop, over-the-ear, AI, battery life, collaboration

Beats Studio Pro x Kim Kardashian – Premium Wireless Over-Ear Headphones

Perks: Powerful ANC, Transparency Mode, up to 40 hours of battery life with Fast Fuel charging, lossless audio via USB-C, Personalized Spatial Audio, seamless Apple and Android compatibility, foldable design


Kardashian first partnered with Beats back in 2022 with the launch of Beats Fit Pro earbuds. Most recently, the reality TV star dropped over-the-ear Beats Studio Pro headphones in 2024, renewing her collaboration with the brand full-force. Much like her first collaboration, her 2024 iteration is centered in neutral hues of brown, tan and nude, mirroring the signature way she dresses. The neutral offerings are an all-around banger for $349.95 and can be purchased on Amazon.

We’d recommend this style to those who crave control over their audio-listening experience. You’ve got plenty of ways to adjust the audio to fit your specific needs, whether that’s through intense noise cancellation or through Beats’ Transparency Mode, which lets some noise filter through, keeping you aware of your surroundings. Our favorite aspect of these headphones is the compact design that folds in on itself, making it a breeze to pack away. These headphones have a 40 hour battery life for non-stop tunes and seamless Apple and Android compatibility.

Headphones, music, earbuds, Sony, Bose, Beats, Aiaiai, K-Pop, over-the-ear, AI, battery life, collaboration

Bose Ultra Open Earbuds

$229 $299 23% off

Buy Now at bose

Perks: Open-ear design, Immersive Audio with head tracking for spatial sound, private listening via OpenAudio technology with minimal leakage, extended battery life, IPX4 water resistance and customization via the Bose app.


Bose has lent its Ultra Open Earbuds model to a slew of ambassador musicians, including BLACKPINK’s LISA in her now sold-out collaboration in 2025, Griff in her 2024 music video for her track “Miss Me Too” and to Maluma, when he wore a custom pair worth $20,000 encrusted with diamonds at the 2024 Grammys. Unlike your normal earbuds, these Bose buds are an open concept, meaning they sit on the ear like a cuff for a more comfortable and intuitive fit.

While you can’t get your hands on any of the collaborative models as of 2026, the base model is practically the same. For $229 on Bose’s website, these earbuds feature what the company calls immersive audio, which uses digital signal processing and head tracking to create a spatial soundstage that makes the audio feel larger and more powerful by anchoring sounds in place even as you move. Another unique feature is the OpenAudio technology that plays on the same perks of the open design. This facet essentially gives you awareness while you’re listening to your music, opening up your ear to outside noise instead of closing it off. If you still don’t like the way music is sounding after all that, you can further customize via Bose’s app.

These earbuds are also water-resistant and boast up to 7.5 hours of battery life in stereo mode, or 4.5 hours with Immersive Audio. The case they are nestled in acts as a charging port, adding around 20 hours of extra battery life when fully charged.

Headphones, music, earbuds, Sony, Bose, Beats, Aiaiai, K-Pop, over-the-ear, AI, battery life, collaboration

LinkBuds Fit Truly Wireless Noise Canceling Earbuds

Perks: Lightweight, comfortable design for all-day wear, impressive Active Noise Cancellation, ultra-clear calls, IPX4 water resistance, smart controls like Wide Area Tap and head gestures


Olivia Rodrigo dropped her very own LinkBuds with Sony back in 2023 in a Guts purple hue. The limited-edition model was a major success, especially among Rodrigo’s fans. The buds featured two custom equalizers tuned by Rodrigo and her producer, Daniel Nigro, for a Rodrigo-approved sound, letting fans experience the star’s music the way she sees fit.

While you can’t buy her purple LinkBuds anymore, beyond places such as eBay, the OG model is pretty much the same, save for the funky colorway. You can buy the original LinkBuds model for $229.99 on Sony’s website. The buds come in a slew of colorways and are super lightweight and comfortable to wear even for hours on end. Some of our favorite features are its impressive active noise cancellation that creates immersive sound, along with its water resistance for durability.

The most high-tech facet of these buds is the smart controls, namely, Wide Area Tap. This innovative control uses built-in sensors to detect vibrations from tapping the skin around your ears, not just on the earbuds themselves, allowing users to play, pause and skip music or calls by tapping your actual skin. This gives you more control of your sound with less effort.

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Samsung Galaxy Buds 3 Pro

Perks: Ergonomic blade design for comfort, excellent Active Noise Cancellation, AI-powered features (translation, sound optimization), IP57 water/dust resistance for fitness, improved voice controls, and seamless Galaxy device connectivity


ENHYPEN teamed up with Samsung back in 2024 to promote Samsung Galaxy Buds 3 Pro, a sleek and sophisticated design that the members endorsed while making music or via usage in their daily lives. The Samsung campaign the K-pop group was featured in was aptly branded with the tagline “Recommended by the Pros.” You can still purchase the earbuds via Amazon for $179.99.

These buds are nestled in a compact charging case, making sure your tech is charged and ready to go even on the go. The silhouette is a traditional earbud style with an acoustic outlet covered by ear tips for comfort and a long base that is essentially an antenna. You’ve got your standard earbud fair with noise-cancelling and water/dust resistance that make the model comparable to must, but the most impressive feature is the use of AI for “smart” controls.

With this feature, you can translate conversations in real time, optimizing sound based on your ear fit and surroundings for personalized audio and noise control for better ambient awareness. It’s a futuristic aspect that Samsung has really focused on to give their users the most streamlined experience possible. We’d recommend these Samsung buds if you want more out of your earbuds than just listening to music.

Headphones, music, earbuds, Sony, Bose, Beats, Aiaiai, K-Pop, over-the-ear, AI, battery life, collaboration

Bowers & Wilkins Px8 S2

Perks: High-res audio, premium Nappa leather design, excellent Active Noise Cancellation with an 8-mic array, long battery life (30 hrs), fast charging, smart features like multipoint/fast pairing, physical controls, detailed music app for EQ customization


Bowers & Wilkins’ Px8 S2 is endorsed by the likes of English songwriter and producer James Blake and soccer star David Beckham. The marketing targets two types of demographics with help from these famous folk, proving that these headphones are meant for everyone, regardless of whether you’re a music pro or an athlete.

The over-the-ear style is available for $799, boasting one of the more hefty price tags on our list. It’s an investment piece, meant to last users a lifetime of listening. The design is stripped down and simplistic, made of Nappa leather, which explains the price tag. It’s an understated piece of tech when compared to some of the other, more colorful collaborative models featured on this list. As for the technical features, there are a bunch.

On the more standard front, you’ve got 30 hours of battery life, noise-cancelling functions, fast charging, fast pairing to devices and high-resolution audio thanks to aptX Lossless, which is a Bluetooth technology that allows you to listen to music wirelessly at the exact same quality as a standard CD with no data removed from the original recording. That means you can listen to your music wirelessly without fear of the quality of your audio dropping.

Physical controls can be seen throughout the headphones on the sides, allowing you to intuitively control your audio as you see fit. If that wasn’t enough, you can also control and customize your EQ with Bowers & Wilkins’ dedicated music app. If you’re looking to shell out on audio equipment that will last you a lifetime and come with all the bells and whistles of headphones, but refined, these headphones are for you.

Headphones, music, earbuds, Sony, Bose, Beats, Aiaiai, K-Pop, over-the-ear, AI, battery life, collaboration

AIAIAI TMA-2 Move Blood Orange Wireless Headphones

Perks: Excellent wireless audio via Bluetooth 5.0/5.3, 40+ hours of battery life, superior comfort with memory foam/vegan leather pads, intuitive joystick controls, dual mics for calls, and AIAIAI’s signature bio-diaphragm drivers for detailed sound


Blood Orange’s collaboration with AIAIAI is a rather niche one that we don’t think got enough love. This one’s for our music listeners who want more style and flair out of their tech, because these collaborative babies have tons of it. The TMA-2 Move headphones are basically a tech fashion statement, coming in this retro-inspired design with a gray color scheme with pops of bright orange for a vibrant twist.

Beyond the cosmetics of these headphones, the style is a long-lasting, ultra-comfortable model with memory foam/vegan leather pads that cradle the ears for a comfortable experience for hours of listening. 40+ hours of battery lets you listen to music at length while Bluetooth compatibility is at its best, connecting to your device in a blink without issue. You’ve got dual mics for making phone calls and AIAIAI’s signature bio-diaphragm drivers, which have excellent acoustic properties, that deliver detailed sound every time. For those seeking out stylish headphones with the most comfort, these are the headphones for you.

Headphones, music, earbuds, Sony, Bose, Beats, Aiaiai, K-Pop, over-the-ear, AI, battery life, collaboration

Beats Solo 4

Perks: Affordable, fast charging, up to 50 hours of battery life, lossless audio via USB-C/3.5mm, Personalized Spatial Audio with dynamic head tracking (Apple), dual iOS/Android compatibility with one-touch pairing, improved sound quality with custom drivers, and an ultralight design for comfort


Beats Solo 4 is the most affordable option on our list as far as collaborations go for just $149.99. BLACKPINK’s Jennie collaborated with Beats to take the brand’s Solo 4 model to the next level, adorned with sleek little bows and turned a vibrant bright red that is just as head-turning as JENNIE is. The collaborative headphones sold out early on after their release, so you unfortunately can’t get your hands on them now unless you want to pay extra on eBay.

The OG Beats Solo 4 model is pretty much the same, just without all that JENNIE flair. This over-the-ear style has up to 50 hours of battery life, the most we’ve seen, along with your standard personalized spatial audio that utilizes AI to change your audio experience in real time based on your surroundings.

As you may have surmised, a bunch of these headphones utilize AI tech to tailor your listening experience. It’s a smart perk, especially when you take into consideration that everyone listens to music and audio differently. It’s hard to provide for everyone, but AI tech helps bridge that gap. Custom drivers improve sound quality, while the design is ultra-light for comfort. If you’re looking for affordable headphones that still deliver quality audio, the Beats Solo 4 is for you.

Headphones, music, earbuds, Sony, Bose, Beats, Aiaiai, K-Pop, over-the-ear, AI, battery life, collaboration

Sony – ULT WEAR Wireless Noise Canceling Headphones

Perks: Clear calls with beamforming mics, customizable EQ via the Sony Connect app, Adaptive Sound Control, and a comfortable, foldable design with a case for travel


Post Malone partnered with Sony in 2025 to promote the brand’s ULT WEAR Wireless Noise Canceling Headphones, currently retailing for $248 on the brand’s website. He also promoted Sony’s 1000X Series headphone model. The singer was tapped as part of their “For the Music” campaign, seen wearing the headphones while making music in the studio, showcasing the headphone’s capabilities when it came to music and tech innovation.

While you’ve got things like custom EQ and a 30 hour battery life, our favorite perk is the beamforming mics, which use an array of microphones and digital signal processing to create a focused “beam” of audio. This allows an isolated sound that focuses on a specific speaker’s voice while filtering out background noise, which is great for taking calls or streaming. We also love how these headphones can fold over, making them compact and easy to carry for travel when stored in the accompanying carrying case. If you’re a sucker for mic quality, these headphones should be at the top of your list.

Headphones, music, earbuds, Sony, Bose, Beats, Aiaiai, K-Pop, over-the-ear, AI, battery life, collaboration

Bose QuietComfort Ultra Headphones

Perks: World-class adaptive noise cancellation, immersive spatial audio with Still & Motion modes, plush comfort, long battery life (up to 24-30 hrs), CustomTune personalized sound, multi-device Bluetooth, clear calls, and customization via the Bose app, with 2nd Gen models adding lossless USB-C audio, Cinema Mode, and extended battery


DJ John Summit, producer of hits such as “Where You Are” (with HAYLA) and “Shiver,” endorsed Bose QuietComfort Ultra Headphones back in 2024 in conjunction with his new track”Go Back” featuring Julia Church. The collaboration showcased how Bose’s tech performed in the hands of a music producer, showing off its capabilities along with other Bose products like the SoundLink Max speaker.

These headphones come in a unique cranberry hue with a soft and sleek design and subtle Bose branding. Breaking down the most basic capabilities you’ve got a 24 hour, up to 30 hour battery life, excellent Bluetooth compatibility with multiple devices, a comfortable fit thanks to the cushions over the audio output and a CustomTune feature that lets users customize the sound they get to fit their specific needs. As mentioned in the name, the QuietComfort model is hallowed for its noise-cancelling abilities, the best out there according to Bose.

This world-class noise canceling is all thanks to the headphone’s Still & Motion modes. Still mode anchors the sound in one spot for stationary listening, while Motion mode allows the audio to follow your head movements for consistent immersion on the go. Essentially, both modes adapt to your surroundings to give users quality audio no matter the circumstances. If you’re looking for the best noise-cancelling capabilities that money can buy, these headphones are our pick.

Headphones, music, earbuds, Sony, Bose, Beats, Aiaiai, K-Pop, over-the-ear, AI, battery life, collaboration

LinkBuds Fit Truly Wireless Noise Canceling Earbuds | Green x Hatsune Miku

Perks: Limited-edition color, lightweight, comfortable design for all-day wear, impressive Active Noise Cancellation (ANC), Natural Ambient Sound, immersive sound with High-Res Audio support (LDAC), ultra-clear calls, IPX4 water resistance, smart controls like Wide Area Tap and head gestures


We’ve mentioned Sony’s LinkBuds when touching on Olivia Rodrigo’s collaboration with the brand. In 2026, Sony broke new grounds by collaborating with holographic artist Hatsune Miku, a Vocaloid voice synthesizer software created by the Japanese company Crypton Future Media. Not much is different about this collaboration from Rodrigo’s model, except for the color, which is a seafoam green to match Miku’s hair. You’re still getting all the same perks of the OG LinkBuds, but in a limited-edition colorway. In short, these buds are a niche model made for the music nerds.

Deadmau5 has posted a characteristically forthright statement in response to another artist’s use of a generative AI video of him. In it, a fake version of the legendary artist apparently appeared to endorse the work of the DJ who posted it.

“Woke up to some idiot DJs Instagram story (who’s name I’ll redact because I don’t care to promote him) that fully depicted me standing there promoting him and his music,” deadmau5 wrote in a statement posted to social media on Wednesday (Feb. 11). “FULLY AI generated, voice wasn’t quite 100% but pretty damn convincing. F–cking scary as f–k. And I’m sure this is just the beginning for talentless f–ks to abuse this tech to further themselves while violating others rights in one of the worst ways possible.

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“I’m sure we’re all going to be seeing much more of this,” the artist continued. “AI is f–king great, generative AI not so much; but we need to stop idiots from abusing it.”

As of press time, the deepfake video was not immediately available, nor is it clear which artist posted it. Along with his statement, deadmau5 shared an image of his face from the video, which looks remarkably like the Canadian producer born Joel Zimmerman.

In a statement to Billboard, deadmau5 says, “People should be in control of their own faces and voices — it’s that simple. My lawyer, Dina [LaPolt] has been working on the NO FAKES Act in the U.S. to create real protections against deepfakes that use our images and voices and fool fans into thinking it’s actually us… when it’s not.”

The NO FAKES Act is in front of Congress now. The bill aims to protect artists from AI deepfakes via legislation that would, according to recent reporting by Billboard, “turn a person’s digital likeness into a form of intellectual property, allowing artists to license out these rights and sue those that publish deepfakes without their consent.”


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James Van Der Beek, who was known for portraying Dawson Leery in 1990s teen drama Dawson’s Creek, died at 48 on Wednesday (Feb. 11) after a battle with cancer, his family announced.

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“Our beloved James David Van Der Beek passed peacefully this morning. He met his final days with courage, faith, and grace,” the statement, posted to Instgram, read. “There is much to share regarding his wishes, love for humanity and the sacredness of time. Those days will come. For now we ask for peaceful privacy as we grieve our loving husband, father, son, brother, and friend.”

The actor revealed in an exclusive interview with People in November 2024, that he had stage 3 colorectal cancer; he was 46 at the time. Van Der Beek told the magazine that his family had no history of cancer, and that he was careful to take good care of his health. “I’d always associated cancer with age and with unhealthy, sedentary lifestyles,” he told People. “But I was in amazing cardiovascular shape. I tried to eat healthy — or as far as I knew it at the time.”

He said that he first noticed changes with his bowel movements in 2023, but assumed it was diet related, but decided to be safe and get a colonoscopy. That’s when he learned he had colorectal cancer. Despite the diagnosis, Van Der Beek said he was “cautiously optimistic at the time,” telling People, “I have a lot to live for.”

Throughout his treatment, the actor shared his story, repeating in interviews that he hoped his tale would encourage others to talk to their doctors and get tested.

In addition to Dawson’s Creek, the actor also starred in films such as Varsity Blues and The Rules of Attraction, and also had memorable guest roles on shows including Law & Order: Special Victims Unit, One Tree Hill and Ugly Betty.

Van Der Beek also had a memorable starring role in Kesha’s 2011 video for “Blow.” In the visual, the actor and musician eye each other across a dance floor, then bust out laser guns and start shooting (taking out a few unicorns in the process), before Kesha reigns victorious.

James Van Der Beek is survived by his wife, Kimberly, and their kids Olivia, Joshua, Annabel, Emilia, Gwen and Jeremiah.

See the family’s announcement of his passing below:


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The European Union is expected to approve Universal Music Group’s $775 million acquisition of Downtown Music Holdings as soon as this week, following a remedy UMG submitted in December that it says addresses regulators’ concerns over its access to commercially sensitive data.

The European Commission’s probe, launched last year, centered on concerns that the deal would reduce competition by giving UMG access to sensitive data from rival labels through Downtown’s Curve royalty accounting and rights management business, as well as its artist and label services.

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The Financial Times first reported on Wednesday (Feb. 11) that the European Commission (EC) is planning to approve the deal this week, and sources say the plan UMG submitted in December included conditional commitments to spin off these divisions of Downtown.

UMG and Virgin Music Group, which would oversee the acquired entity, declined to comment. Representatives from the European Commission did not immediately respond to a request for comment.

Trade groups representing the independent side of the music industry in Europe say that, regardless of the outcome, they see a win in the European Commission’s lengthy two-phase investigation of the acquisition and the remedies it was able to secure from UMG.

“Entities planning consolidation need to expect full scrutiny and regulator appetite to make full use of what they have in their toolkit,” Martin Mills, founder and chair of Beggars Group, said through a statement provided by IMPALA. “The unprecedented speaking out we have seen in the independent sector sends a clear message that the concerns are real. A level playing field is in the interests of all.”

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Founded as a music publisher in 2007, Downtown has grown into a major provider of distribution, royalty accounting and rights-management services to record labels and artists. In addition to Curve, it owns the distribution services FUGA and CD Baby and the publishing administration provider Songtrust.

UMG, the world’s largest music company, announced in December 2024 that its Virgin Music Group would buy Downtown to position Virgin to provide labels and artists with a “global end-to-end solution” for client services and technology.

The move sparked fears of UMG dominance over one of the few remaining large distribution companies for independents. In July, a group of more than 200 executives and others from the independent music industry said the deal would give UMG too much power over the basic logistics of the modern music business.

“A concentration of this magnitude would narrow the range of voices, styles and cultures that reach the public,” the letter read. “It would give UMG further power to shape digital services, influence monetization thresholds and extract more, at the expense of the independent sector.”

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UMG and Virgin have said that acquiring Downtown’s suite of companies does not dramatically reduce the options in independent services. The market remains so fragmented, they say, that even with Downtown, Virgin would rank behind Sony’s The Orchard and Believe in terms of market share.

Virgin’s executives have called concerns over proprietary data of competing companies overblown.

“Virgin already handles — with the care and confidentiality they deserve — the sensitive client data of hundreds of partners,” Virgin’s co-CEOs Nat Pastor and JT Meyers wrote in an internal memo reported by Billboard last year. “Betraying the trust our clients have bestowed on us would be self-destructive: they would quickly, and quite rightly, end the relationship.”


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Tupac Shakur, to many, is synonymous with the words “rap excellence,” no more, no less.

Sonic Editions is aiming to capture that excellence in a print set launched in celebration of the rapper’s 1996 album, All Eyez on Me, his last album before passing in a drive-by shooting in Las Vegas. The photo set dropped by Sonic Editions captures important moments and figures in hip-hop history from the 1990s. Viewers are treated to appearances from big names like Nas, Redman, and Chuck D snapped alongside Shakur while in New York or Chicago. Our chosen prints were captured by the likes of Al Pereira and Raymond Boyd, the two main contributors for photos in this drop. Every print is available on Sonic Editions’ website.

Prints of each scene can be found in black and white or in color, and begin at $99. Sizing and framing of your chosen print determine pricing. Sizing goes up to XXL. Every framed print is glazed with crystal-clear, gallery-grade shatterproof plexiglass for premium protection and printed on archival-grade Fuji Crystal Archive paper for depth and color accuracy. These prints are also mounted with acid-free, conservation-grade materials that ensure longevity.

Where to buy Sonic Editions Tupac Shakur 'All Eyez on Me' 30th anniversary print set.

Nas, Tupac & Redman 1993 by Al Pereira

This photo depicts rappers Nas, Shakur and Redman dated July 23, 1993, at Club Amazon in New York. Not pictured was fellow rapper The Notorious B.I.G., who famously beefed with Shakur. This image captures a moment of peace and unity among the rappers before their East Coast-West Coast rivalry began.


Where to buy Sonic Editions Tupac Shakur 'All Eyez on Me' 30th anniversary print set.

2 Pac in Chicago by Raymond Boyd

This print is a photo taken at the Regal Theatre in Chicago in 1994. This performance photo was taken while Shakur was still a part of the group consisting of Big Syke, Mopreme, Macadoshis and The Rated R. Shakur would leave the group around 1995. This print captured a moment of the rapper’s iconic and short-lived career.


One of the unique sets of photos in this print set is those taken at Club Amazon in New York on July 23, 1993. The set features appearances from rappers mentioned above along with The Notorious B.I.G., who wasn’t in these prints. This freeze-frame captures peace, a point in time before Shakur and B.I.G.’s infamous East Coast-West Coast rivalry began.

This 1990s rivalry was birthed from a battle of cultural dominance and a hunger for success, primarily between Bad Boy Records, owned by Sean “Puffy” Combs, a New York-based label, and Death Row Records, a Los Angeles-based label. Shakur was signed to Death Row in 1995, while Biggie was signed with Bad Boy in 1993, cultivating a natural beef that was often violent and ugly.

Shakur has more than five No. 1 albums on the Billboard 200 and eight No. 1 albums on the Top R&B/Hip-Hop Albums chart. All Eyez on Me landed on the Billboard 200 and included hits such as “California Love” and “How Do U Want It.” Shakur died in a drive-by shooting shortly after the launch of All Eyez on Me in 1996. Skaur’s death was a direct consequence of the violent East Coast-West Coast feud. The Notorious B.I.G. would also fall victim to the beef, dying a year later in 1997.

Where to buy Sonic Editions Tupac Shakur 'All Eyez on Me' 30th anniversary print set.

Tupac Shakur & Chuck D by Al Pereira

Rapper Chuck D served as a mentor to Shakur throughout his life and is seen here in a July 23, 1993, print of the pair in New York backstage at one of Shakur’s shows. After Shakur’s death, Chuck D participated in a 2015 Grammy Museum exhibit nodding to Shakur’s 1996 album with a title “All Eyez on Me: The Writings of Tupac Shakur.”


Where to buy Sonic Editions Tupac Shakur 'All Eyez on Me' 30th anniversary print set.

Tupac at Club Amazon by by Al Pereira

Shakur graced Club Amazon on July 23, 1993, in New York. His appearance at the club was a pivotal moment in hip-hop history, capturing a snapshot of the era before the notorious East Coast-West Coast beef.


With BMG’s parent company Bertelsmann in talks to acquire Concord in a deal that could be worth more than $6.6 billion, two of the largest indie music companies are primed to create what many are already calling the “fourth major” record label group, joining Universal Music Group (UMG), Sony Music Group (SMG) and Warner Music Group (WMG) at the table.

While any BMG-Concord merger would absolutely create a new, massive player in the industry, it wouldn’t necessarily stack up alongside UMG, SMG and WMG in the ways industry observers may expect. So, would BMG-Concord be a fourth major? What would being a “quiet” major actually mean? And how are we supposed to measure all these things, anyway?

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Here’s an FAQ for those wondering what the ramifications of the BMG-Concord merger could be.

(In a statement sent to Billboard for this story, a BMG spokesperson said, “We’re aware of recent media speculation. As a policy, we do not comment on market rumors or unconfirmed reports.” Concord declined to comment.)

What Is A Major Label, Anyway?

Often, when discussing majors vs. indies, the definition hinges on market share: The majors have a lot of it; the indies, dispersed as they are, have a little of it individually. That’s often why indies band together via trade organizations like Merlin to negotiate deals with digital service providers — by operating collectively, indie labels have enough combined market share to have a seat at the table alongside the three existing behemoths and can negotiate on a similar playing field, at least theoretically. Consider that at the end of 2025, the U.S. overall market was divided up by Universal’s 38.96%, Sony’s 27.48% and Warner’s 18.87%; the indies, by distribution ownership, totaled 14.69%. (By label ownership, the indies traditionally hover around a collective 35%, though many indie labels use major-owned distribution — and distribution of bigger indie labels has become one of the characteristics that qualifies the majors as majors.)

So, Would BMG Be a Major?

BMG purchasing Concord would not, in a market share sense, materially change the above dynamic. BMG finished 2025 with an overall U.S. market share of 0.85%, while Concord came in at 1.81%. Combined, the two would make up just 2.66% overall market share in the U.S. — about the size of Sony’s fifth-largest division, Epic Records.

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So, If Not Market Share, Then What?

But market share isn’t what this potential merger is about — nor is it what would define the combined companies’ place in the industry. Instead, the two could become a sort of “quiet major” — one that is exceptionally strong in publishing and catalog rights, with an estimated $2 billion in combined annual revenue, giving it the financial power to both compete on any catalog acquisition deal and beef up a frontline business that, for both, has shown potential in recent years.

BMG generated 963 million euros ($1 billion) in 2024, up from 663 million euros ($784.13 million) in 2021, which makes it among the fastest-growing independent music companies. (BMG is slated to report full-year 2025 revenues on March 26.) Concord is expected to generate less than BMG; though, with its recent acquisitions of STEM and the Broadway Licensing Group, as well as continued trajectory growth, it could also reach the $1 billion mark, if not in 2025 then by 2026, according to industry observers. That would put the two companies’ combined revenue in the neighborhood of $2 billion.

For comparison’s sake, for the full fiscal year of 2024 — the most recent year for which every company’s figures are available — WMG made $6.4 billion in revenue; Sony Music made 1.8 billion yen, or around $12 billion at the time; and UMG’s revenue was 11.8 billion euros, or around $12.8 billion at the time.

What About in Publishing?

BMG’s revenue in the past has been split, with about two-thirds coming from publishing and one-third from recorded masters. These days, however, thanks in part to its Broken Bow imprint, that percentage split is closer to 60%-40%, financial observers estimate. Meanwhile, Concord’s revenue was weighted in the opposite direction in the past, with its record labels generating about 55%-60% of its revenue, leaving publishing with 40%-45%. Calculating BMG’s and Concord’s percentages against their respective $1 billion estimated revenue numbers likely results in publishing coming in at 50%, or $1 billion. That would put them in the same ballpark as Warner Chappell, which had $1.3 billion in publishing revenue in its most recent fiscal year.

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Wait, You Said “Quiet Major”? What Does That Mean?

On the record label side of things, the $2 billion in revenue may qualify a combined BMG and Concord as a major — but that’s where the term “quiet major” kicks in. Both companies were initially built as catalog operations. The re-animated BMG launched with publishing acquisitions in 2008. And, beginning in 2005, when Steve Smith took over Bicycle Music — one of Concord’s predecessor companies — that organization also initially focused on publishing acquisitions, though it also acquired Wind-Up Records before merging with Concord in 2015. Before that merger, Concord focused on acquiring catalogs, but it also liked the record labels side of the business, acquiring such well-known indie labels as Fantasy Records and Rounder Records.

For years, both companies were content to work catalog records, which bring in predictable revenue and steady profits, eschewing the riskier and costlier hit music marathon of front-line record labels. But in recent years that has changed, thanks to BMG’s ownership of Broken Bow Music — home to artists like Lainey Wilson and Jason Aldean, among others — and other frontline investments, while Concord has been the beneficiary of PULSE Records, which has produced hit music for both its publishing and record label side, most notably Tommy Richman’s Billboard Hot 100 No. 2 hit “Million Dollar Baby” two years ago.

Which is to say, the two companies have largely, and successfully, operated mostly in the background businesses of the music industry for the past two decades, quietly generating revenue and working closely with artists and songwriters in the trenches without really going toe to toe with the giants of the industry on the charts and in the mainstream hit-making conversation. But that doesn’t mean they wouldn’t have formidable clout to move more assertively into those areas in the future with their combined resources.

Still, if the merger happens, BMG and Concord will have an uphill battle if they want to compete on the frontline hit segment of the record label marketplace. On a unit basis, the combined BMG-Concord entity had 25.3 million consumption units in the U.S. in 2025, but its current unit count — releases within the past 18 months — only totaled 3.435 million units, meaning its current unit count is only 13.57% of the combined entity’s total. In the U.S. market, the three existing majors have current units at 20% or above, with WMG the lowest at 20.6% of its 179.34 million in total consumption units in 2025; Sony’s at 22.33% of its 261.13 million album consumption units; and UMG’s at 22.77% of its 370.27 million album consumption units last year in the U.S. (All Billboard calculations are based on Luminate data.)

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How many artists do the companies have?

Concord supports more than 125,000 artists as of July 2025, according to a report published in July 2025 by rating agency KBRA for Concord’s most recent securitization. That information is not readily available for BMG.

How many songs would the companies have if they combined their portfolios of music catalogs? And how much might that be worth? 

BMG owns more than 3 million musical compositions and around half a million sound recordings, according to a press release the company put out in 2024, while Concord has a catalog of some 1.3 million songs, according to the KBRA report. Combined, the two companies would have at least 4.3 million songs in their catalogs, which is significant but still trails the majors. Sony holds more than 6.3 million songs in its catalog, for example, according to its most recent quarterly filing. 

Concord has used more than 1 million of its roughly 1.3 million music assets as collateral for asset-backed securities, and, in the rating report for its most recent issuance, that catalog of over 1 million music assets was estimated to be worth $5.117 billion, making the full value of its catalog higher than that total. Billboard was not able to determine the value of BMG’s catalog.

What Other Metrics Should I Know About?

Beyond revenue, the combined entity would have its fair share of hits, as the publishing side of the company would have 8.68% in Hot 100 market share for 2025, according to Billboard’s calculation based on Harry Fox-supplied publisher quarterly data. If nothing else, based on their track record — with BMG typically placing fifth and either Concord or its Pulse operation often placing in the second half of the top 10 publishing rankings for the Hot 100 — a combined BMG and Concord could consistently vie with Kobalt for the number four spot.

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Who Are the Investors That BMG is Negotiating With? How Does That Compare to BMG’s Ownership?

Concord’s majority investor is the State of Michigan’s Retirement System, with Connecticut-based asset manager Great Mountain Partners as a minority investor. BMG’s majority owner is Bertelsmann, one of the oldest media companies in the world, which is still privately held by the founding Bertelsmann and Mohn families. Thomas Coesfeld, the BMG CEO who will become Bertelsmann’s CEO in 2027, is the grandson of Reinhard Mohn, who led the company from 1947. The Mohn family still owns 19% of Bertelsmann, while 80% of shares are controlled by foundations (Bertelsmann Stiftung, Reinhard Mohn Stiftung, BVG-Familienstiftung, BVG-Stiftung). Sources say that even with the merger, the Michigan Retirement System is not planning to fully cash out all of its holdings.

What About Distribution?

One other aspect of the combined entity’s status would be its distribution pipeline. Currently, Concord is distributed by UMG. BMG, meanwhile, recently unwound itself from its longstanding association with Warner Music’s ADA and struck direct deals with the digital service providers while partnering with UMG for physical distribution. If the two were to properly become a fourth major, that association with UMG would presumably have to be severed. If the combined entity decides to go down that path, Concord may already have the building blocks in its back pocket thanks to its 2025 acquisition of Stem Distribution.

Does the combined entity need its own distribution arm to be considered a major? Some would say yes. But distribution these days is more about systems than it is people in the field or on the phones. Keeping track of the billions of transactions and mining them for opportunity is one of the main attributes offered by the majors. As it is, BMG is going direct with the big digital service providers like Spotify, Apple and Amazon, while leaving the smaller DSPs to be handled by UMG, although, if Luminate market share is any indicator, some DSPs are still handled by BMG.

What Other Dominos Could Fall?

Sources suggest that the current talks represent the second or third time in the last 10 years that BMG and Concord have considered merging, although this time the talks are much further along and appear more likely to happen. That means more things could happen in the marketplace that could shore up any combined entity and make it more able to compete with giant competitors.

Could that mean purchasing another distribution company? It’s possible — over the past half-decade, dozens of distribution companies have cropped up as entrepreneurs, and label veterans have raced to offer services companies to cater to the growing middle class of creators enabled by digital music. That has also led to consolidation: UMG has a major pending deal to buy Downtown Music and recently acquired [PIAS], while Sony purchased AWAL and Warner has long been rumored to be seeking distribution acquisition targets. A combined BMG and Concord could also look to that sector to bolster its offerings and its own distribution pipeline.

There are also other acquisition targets on the market, including tech companies, publishers, and digital solutions and marketing firms. However, one rumor that has been making the rounds — that Kobalt is in their sights — seems far-fetched, as Kobalt sold off all of its catalog and distribution arm and is now mainly a publishing administration platform, albeit a very successful one.

The merger would, however, be brutal on the combined entity’s headcount. Sources suggest that BMG has about 900 employees and Concord has about 800 — and industry observers speculate that if the two companies strike a deal, massive layoffs are likely to follow. As one financial source puts it, “The more they slash, the more profitable it will become.”


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Raj Kapoor, whose credits include the nine most recent Academy Awards and the 12 most recent Grammy Awards, is set to produce the Tony Awards for the first time, in tandem with Sarah Levine Hall and Jack Sussman. Kapoor and Levine Hall will serve as co-showrunners. Kapoor is joining the Tony team for the first time, while Levine Hall and Sussman have a long history with Broadway’s Biggest Night.

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Kapoor served as both showrunner and executive producer for the 68th Grammy Awards on Feb. 1 and is serving in those same capacities for the 98th Academy Awards on March 15 and the 61st Academy of Country Music Awards on May 17. 

Kapoor’s resume includes several other awards shows, including the Emmys, iHeart Radio Music Awards, Latin Grammys, People’s Choice Awards and Radio Disney Music Awards.

The Tony Awards will return to Radio City Music Hall in New York City on Sunday, June 7. The three-hour show will broadcast live to both coasts on CBS and will stream on Paramount+ (8-11 p.m. ET/5-8 p.m. PT).

“As former theater kids, stepping into the role of executive producers for the 79th Tony Awards is a tremendous honor,” Kapoor, Levine Hall and Sussman said in a joint statement. “There’s nothing quite like capturing the magic of live theater on a global stage. Our team is committed to bringing audiences closer to the creativity, innovation and heart that define Broadway.”

Kapoor and Levine Hall are both Primetime Emmy winners. They both won for their work on The 96th Oscars: Kapoor as executive producer and Levine Hall as producer, which was voted outstanding variety special (live) in 2024. Sussman also won as executive producer of Adele: One Night Only, which was voted outstanding variety special (pre-recorded) in 2022.

Levine Hall’s notable credits include the past three Academy Awards, 19 Tony Awards, six Kennedy Center Honors, the Emmy Awards and Disney Legends Awards.

Sussman is an independent executive producer with a history of live events for television, music specials, award show productions as well as alternative and reality television series. Sussman was evp of specials, music and live events at CBS Entertainment for more than two decades serving as the network’s chief liaison to the music industry. Sussman oversaw the network’s events and specials, such as the Grammy Awards, the Tony Awards and the Kennedy Center Honors, as well as CBS’ presentations of the CMA Awards and The Academy of Country Music Awards. In 2022, while at CBS, Sussman received a Primetime Emmy nod as executive producer of One Last Time: An Evening With Tony Bennett and Lady Gaga, which was nominated for outstanding variety special (pre-recorded).

The Tony Awards eligibility cutoff date for the 2025-26 season is Sunday, April 26, for all Broadway productions that meet all other eligibility requirements. Nominations for the 2026 Tony Awards will be announced on Tuesday, May 5.

The Tony Awards are produced in collaboration with Tony Award Productions, a joint venture of the American Theatre Wing and The Broadway League. 


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The Simpsonville City Council in South Carolina has approved an 11-year management agreement for Nashville-based Opry Entertainment Group to manage and operate the CCNB Amphitheatre at Heritage Park in Simpsonville. The city of Simpsonville retains ownership of the venue.

Opry Entertainment Group, a subsidiary of Ryman Hospitality Properties, owns and/or operates a diverse portfolio of indoor and outdoor venues, including Nashville’s Grand Ole Opry House, Ascend Federal Credit Union Amphitheater in Nashville, ACL Live at The Moody Theater in Austin, Texas, and Southern Entertainment, a festival and live event production company, which also has a strong presence in the Carolinas.

CCNB Amphitheatre at Heritage Park, located nearly two hours from Atlanta and Charlotte, N.C. in Simpsonville, is a 14,000-capacity open-air venue. As part of the agreement, OEG will invest at least $6 million in capital over the course of the initial five years. Planned investments include guest amenities, infrastructure enhancements, improved parking and traffic management, and expanded food and beverage offerings.

“CCNB Amphitheatre is an extraordinary community asset with the potential to become a nationally recognized, must-visit entertainment destination,” Patrick Moore, CEO of OEG, said in a statement. “Working closely with the city, we look forward to elevating CCNB Amphitheatre as an even stronger foundational center for the community, artists and fans for many years to come.”

“The City of Simpsonville is thrilled to welcome Opry Entertainment Group as its partner for the CCNB Amphitheatre at Heritage Park,” Simpsonville Mayor Paul Shewmaker said in a statement. “Their legacy goes back more than 100 years through WSM Radio and the Grand Ole Opry. OEG will bring a new level of excitement and fan experience to the stage with a great mix of music genres, artists and events. I’ve seen the culture of commitment in Nashville to world-class entertainment after having worked in the renowned city, so I know what these folks can and will deliver. This partnership and agreement are fantastic for the Simpsonville community.”

Starting with the 2026 season, CCNB Amphitheatre will adopt an open-room programming approach, aimed at offering a diverse mix of concerts and events. In addition to concerts, OEG also plans to activate the venue and its adjacent Heritage Park to offer family-friendly community events and civic events.