LaMonte McLemore, a co-founder of the Grammy-winning soul/pop group The 5th Dimension, has died at age 90. After suffering a stroke several years ago, McLemore died of natural causes on Tuesday at his home in Las Vegas.

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A popular crossover fixture in the late ‘60s and early ‘70s music scene, The 5th Dimension formed in Los Angeles and was originally comprised of McLemore, Billy Davis Jr., Florence LaRue, Marilyn McCoo and Ron Townson (who died in 2001). Known for its signature silky harmonies and sophisticated fusion of R&B, soul and pop, the group cemented its success through hits such as “Up, Up and Away,” “Aquarius/Let the Sunshine In (The Flesh Failures),” “Wedding Bell Blues,” “Stoned Soul Picnic” and “One Less Bell to Answer.”

In remembering McLemore, the group’s bass singer LaRue commented in a press release, “Proverbs 17:22 states that ‘one joyful heart is good medicine…’ Well, Lamonte really knew my prescription. His cheerfulness and laughter often brought strength and refreshment to me in difficult times. We were more like brother and sister than singing partners. I didn’t realize the depth of my love for Lamonte until he was no longer here. His absence has shown me the magnitude of what he meant to me and that love will stay in my heart forever.”

In a joint statement, McCoo and Davis Jr. said of McLemore, “All of us who knew and loved him will definitely miss his energy and wonderful sense of humor.”

McLemore was born Sept. 17, 1935, in St. Louis. After enlisting in the Navy, he trained and worked as an aerial photographer. Before setting his sights on dual careers as a music artist and as a professional entertainment and sports photographer for Jet magazine and other publications, the multi-faceted McLemore sought a baseball career in the Los Angeles Dodgers’ farm system. An author as well, McLemore co-authored the 2014 autobiography From Hobo Flats to The 5th Dimension: A Life Fulfilled in Baseball, Photography, and Music with Robert-Allan Arno.

During McLemore’s tenure with The 5th Dimension, the group twice won record of the year Grammy Awards for “Up, Up and Away” and “Aquarius/Let the Sunshine In (The Flesh Failures),” the latter of which spent six weeks atop the Billboard Hot 100. Both songs were also inducted into the Grammy Hall of Fame. All told, the group received seven gold albums and six RIAA-certified platinum singles. Additional achievements include embarking on a State Department cultural tour in 1973 that brought American music behind the Iron Curtain and receiving a star on the Hollywood Walk of Fame in 1991.

The 5th Dimension found themselves back in the spotlight in 2021 with the release of Ahmir “Questlove” Thompson’s Academy Award-winning documentary Summer of Soul (…Or, When the Revolution Could Not Be Televised). The group, along with Sly & the Family Stone, Nina Simone and Stevie Wonder, was among the acts who performed at the 1969 Harlem Cultural Festival, which is chronicled in the documentary.

Surrounded by family when he died, McLemore is survived by Mieko McLemore, his wife of 30 years, daughter Ciara, (adopted) son Darin, sister Joan and three grandchildren. A memorial service and celebration of life will be announced at a later date.

Nearly three decades later, Public Enemy has transformed its “He Got Game” soundtrack staple into a women’s empowerment anthem.

“She Got Game” arrived Wednesday (Feb. 4) with a moving opening from feminist leader Gloria Steinem’s Address to the Women of America speech.

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Women power all aspects of the track with features from hooper-turned-rapper Flau’Jae, Retina MC, Cindy Blackman Santana on the drums, Olympic medalist Elizabeth Beisel handling the strings and Grace Bowers jamming on the guitar.

Proceeds from the girl power track will benefit the Women’s Sports Foundation and Black Music Action Coalition’s Female Fund.

The process for flipping “He Got Game” into the female perspective came when Flavor Flav came on board as a sponsor for the U.S. Women’s Olympic Water Polo Team in 2024.

He has continued to be outspoken in his support of Team USA’s women heading into the 2026 Winter Olympics, which kicks off in Northern Italy with the Opening Ceremony set for Friday (Feb. 6).

“Yeah boy, she in a league of her own/ three-point clutch, she in a zone/ I got the clocks so I got the time, she got game, so she gets to shine/ In a world full of queens, be a king,” Flav raps.

The Public Enemy rapper is bringing his clocks to Milan, where he’ll serve as the hype man for the women of Team USA Bobsled and Skeleton. “The partnership is a blessing. It’s cooler than Cool Runnings,” Flav said in reference to the 1993 sports comedy in October. “It’s Coolest Runnings.”

Directed by Spike Lee, He Got Game arrived in April 1998, starring Denzel Washington. An accompanying soundtrack album from Public Enemy was released alongside the movie by Def Jam, which peaked at No. 26 on the Billboard 200.

Listen to “She Got Game” below.

The Weeknd and KISS were made for gettin’ views. This week, both artists had visuals join YouTube’s Billion Views Club, hitting the 10-digit milestone with visuals uploaded in 2020 and 2019, respectively.

Firstly, the Canadian dance-pop musician scores his seventh entry into the elusive club with “Blinding Lights,” his four-week Billboard Hot 100-topper off album After Hours. The video embodies the eccentric persona The Weeknd embodied throughout that era, with the musician sporting a red blazer and shades as he hazardously wanders Las Vegas on foot and from behind the wheel.

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Previously, the artist born Abel Tesfaye has had six other visuals surpass a billion plays on the platform, including “Starboy” featuring Daft Punk, “Save Your Tears” and “The Hills.”

For KISS, however, the addition of “I Was Made for Lovin’ You” to the Billion Views Club marks the band’s first. Though filmed in 1979 (according to IMDb), the video was posted to YouTube less than six years ago. It features the members of the iconic rock band all dressed up in their signature black-and-white hair, makeup and outfits, performing the classic hit on a stage beneath flashing lights.

Long before its triumph on YouTube, “I Was Made For Lovin’ You” was a success on the Billboard charts. It peaked at No. 11 on the Hot 100, while the album it hails from, Dynasty, reached No. 9 on the Billboard 200.

Add your view to a billion others by checking out The Weeknd’s “Blinding Lights” video above and KISS’ “I Was Made for Lovin’ You” below.

Chris Brown has been sued by a man who claims he co-wrote two successful songs for the R&B star but hasn’t seen a penny in royalties.

Songwriter Steve Chokpelle, also known as Muse, alleged in a Wednesday (Feb. 4) federal court complaint that he wrote the lyrics for “Sensational,” a track off Brown’s 2023 album 11:11, which reached the top of Billboard’s Mainstream R&B/Hip-Hop Airplay chart and peaked at No. 71 on the Billboard Hot 100. Chokpelle also says he was the lyricist for the 2022 track “Monalisa,” a collaboration between Brown, Lojay and Sarz that hit No. 8 on Billboard U.S. Afrobeats Songs and No. 38 on Billboard‘s Rhythmic Airplay chart.

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“Defendants sustained a tremendous benefit, and shall continue to receive tremendous benefit, by [earning] millions in revenues, acclaim, accolades and goodwill from the commercial exploitation of ‘Monalisa’ and ‘Sensational,’” reads the lawsuit. “As a result of defendants’ failure to acknowledge plaintiff’s authorship and copyright ownership interests, and by their failure to compensate plaintiff, defendants have been unjustly enriched.”

According to the lawsuit, Chokpelle wrote the “Monalisa” lyrics during a 2020 session with Brown and fellow singer Sean Kingston at Brown’s home in Tarzana, Calif. But Chokpelle is not credited on the song, and he alleges he “never received any compensation despite ‘Monalisa’s’ commercial success.”

Chokpelle then claims he penned the lyrics for “Sensational” in 2023 alongside producer Onyekachi Emenalo, who goes by the moniker Krazytunez, and later shared the song with Brown. Although Chokpelle is indeed listed as a composer on the “Sensational” credits, he alleges he was intentionally left off the song’s copyright registration paperwork and has been paid “no revenues whatsoever.”

Now, Chokpelle’s lawsuit seeks a court order that would declare him an author and co-copyright owner of both “Monalisa” and “Sensational.” He’s also seeking at least $1 million in damages as part of unjust enrichment and fraud claims against Brown, Kingston, Sony Music Entertainment and Universal Music Publishing Group (UMPG).

Reps for Brown, Sony and UMPG did not immediately return requests for comment on Wednesday. Kingston, who is currently serving a federal prison sentence after being convicted of fraud in an unrelated matter, could not immediately be reached for comment.  


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Billboard’s Tetris Kelly caught up with Miss Piggy and Kermit from ‘The Muppets’ to talk about why they decided to revive their show, what they think of ‘KPop Demon Hunters,’ Sabrina Carpenter, Taylor Swift and more!

Miss Piggy:

Yet another blonde coming for my job. Don’t tell her I said that.

Kermit:

Hey, hello there. How are you doing? 

Tetris Kelly:

I’m good. So guys, I gotta be honest. I’ve literally interviewed Mariah Carey, and I think I’m more nervous now. So how are you guys doing?

Miss Piggy:

That sounds about right. 

Kermit:

We’re doing good. Thank you.

Tetris Kelly:

You’re a superstar. OK, so why was now the time to bring The Muppet Show back?

Miss Piggy:

I don’t know. Why is anything back? Why are the ’90s back? Those clothes were awful, at least what we had is something people want.

Kermit:

Miss Piggy is not great at promotion, but we felt like there’s always a good time to bring back singing and dancing and making people happy. The special was a way to do that.

Miss Piggy:

You call that good at promotion? 

Kermit:

Yeah, I think it was really good.

Miss Piggy:

All right.

Tetris Kelly:

Good job, Kermit. 

Kermit:

Thank you. 

Tetris Kelly:

I’m gonna pick up on what you said, because it’s about singing and dancing, and you guys got a really big guest to do some of that on the show. So Piggy, have you had your lawyers contact her yet? Sabrina…

Miss Piggy:

Yeah yeah. About the whole look, and yeah, copying everything I wear. And yeah, well, yes, my lawyers are in the middle of negotiations, and that’s really all I can say. You know… 

Tetris Kelly:

I don’t want to get you in trouble. I don’t want to get you in trouble. But, you know, she did compliment you, and she said she was inspired by you and your looks and everything. So what do you like about her music and tours?

Keep watching for more!

Soundtrack Technologies, a music streaming service for businesses that’s used in Uniqlo stores and Four Seasons hotels, among others, announced it has acquired rivals Tunify and Ambie as it looks to expand internationally.

Founded in 2013 as a joint venture between Spotify and CEO Ola Sars, Soundtrack has 100,000 business subscribers across 75 countries that utilize its library of 125 million tracks, available via direct licensing agreements, in their stores, hotels and coffee shops.

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Soundtrack estimates that the market for providing licensed music to businesses is worth as much as $40 billion. By acquiring Tunify (popular in Belgium and the Netherlands) and Ambie (popular in the U.K.), it aims to consolidate a fragmented market “and integrat[e] regional legacy incumbent operators,” according to a press release.

“Music is a universal language, but business is local,” Sars, co-founder of Beats Music, said in the release. “We aren’t just acquiring customer bases; we are investing in the specific cultural and musical nuances of several markets.”

Previously called Soundtrack Your Brand, the company raised $15 million in 2023 from investors led by Matt Pincus’ MUSIC alongside Dundee Partners, adding to other Soundtrack investors including Balderton Capital, Fuel Venture Capital, Industrifonden, Telia, DIG and Matt Spetzler. Based in Sweden, Soundtrack previously raised about $40 million in 2017.

Soundtrack’s mostly North America-based clients include shoe company Dr. Martens, skincare store Kiehl’s, Joe & The Juice cafés and TAG Heuer. The company said customers of Tunify and Ambie, which count Hyatt and Hilton hotels as clients, can now use its AI playlist generator and other services.


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Charli xcx is totally seizing the moment. Not only is the pop star still riding high on the success of her Grammy-winning, Billboard 200-topping album Brat, but she’s got Super Bowl commercial coming up the same weekend her mockumentary, The Moment, hits theaters. And on Wednesday (Feb. 4), soda brand poppi dropped the first teaser for the upcoming ad.

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In the quick clip, Charli’s leading what looks to be a college course on some pretty darn advanced mathematics while a female student stands before her. “Vibes,” Charli tells the student with a smile on her face. It turns out to be none other than her The Moment costar Rachel Sennott. “Vibes,” the actress confirms to Charli, who responds with an even more enthusiastic, “Vibes!”

After Sennott responds excitedly with — you guessed it — “Vibes!” while lifting her hands — one of which is holding a can of poppi — to the ceiling, the dance-pop artist responds matter-of-factly as the classroom watches, “Vibes.” After a flustered moment of confusion, the actress smiles, and both women confirm, “Vibes.”

The teaser, which ends with a heavy dance beat and Brat-coded neon colors flashing “poppi” and “Feb. 8,” was directed by the man who helmed The Moment, Aidan Zamiri.

“Charli xcx, Rachel Sennott, and Aiden Zamiri are all people who create culture — they don’t chase it,” Kristina MacIntosh, svp of marketing, said in a statement. “Partnering with them for the Super Bowl felt like the most natural extension of who we are as a brand: confident, a little unexpected and tapped into what’s actually happening right now. That’s where the magic is for us.”

In addition to the mockumentary, which hits theaters on Friday (Feb. 6), Charli and her costar appeared in a prank video for Elle magazine, though the actress was not aware it was a joke at the time. In the video, the musician calls up Sennott and pitches a new project she’s excited about — a romcom about a woman who falls in love with a cow — and she wants her actress costar to play the bovine. During the pitch, Charli explains the project and even asks her pal to moo, all the while putting herself on mute to crack up while a confused and hesitant Sennott tries to hear her out. While Sennott did not end up mooing, she did admit after learning it was a prank call, “By the way, there was 30 seconds where I was down [to do this].”

Watch the poppi Super Bowl ad teaser starring Charli xcx and Rachel Sennott below. The Big Game will take place Sunday (Feb. 8), and will see the Seattle Seahawks face off against the New England Patriots.


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Harry Styles and his fans belong together, especially on the day of his new album’s release — which is why the pop star has announced a one-night-only show in Manchester, England, the night Kiss All the Time. Disco, Occasionally is set to drop.

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On social media Wednesday (Feb. 4), Styles shared a poster promoting the event, which will take place on March 8 at the city’s Co-op Live arena. “Ticket requests begin Friday,” his caption reads. “More details to follow.”

The poster features the One Direction alum doing an impressive back bend on a dancefloor beneath a disco ball. “Celebrate the release of Kiss All the Time. Disco, Occasionally with a special performance of the album,” it reads, noting that tickets will be priced at £20.

The single-night show stands separate from Styles’ recently announced Together, Together Tour, which will kick off in Amsterdam in May. Rather than a traditional, sprawling global trek, the singer has instead opted for a series of mini-residencies in a select few cities around the world, including a 30-night stint at Madison Square Garden in New York City and 12 shows at Wembley Stadium in London.

Kiss All the Time. Disco, Occasionally will mark Styles’ fourth solo album. It is preceded by his 2017 self-titled debut, 2019’s Fine Line and 2022’s Harry’s House, all three of which debuted at No. 1 on the Billboard 200. The latter also won album of the year at the Grammys and spawned 15-week Billboard Hot 100-topping hit “As It Was.”

Styles recently added another No. 1 entry on the chart to his tally, with the single “Aperture” — the only taste fans have gotten so far of Kiss All the Time. Disco, Occasionally — debuting in the top spot of the Hot 100 on the week dated Feb. 7.

See Styles’ announcement below.

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The 2026 Winter Olympics is here. Approximately 2,900 athletes from around the world are headed to Milan to compete for gold across 16 sports. Fans can expect to watch athletes take part in figure skating, Alpine skiing, curling, ice hockey, speedskating, biathlon, snowboarding, freestyle skiing and ski jumping at the Olympic Winter Games Milano Cortina 2026. Live coverage of every event will be available to stream through the official streaming partner, Peacock.

Watch the 2026 Winter Olympics, At a Glance:

Thanks to the time zone difference between Milan, Italy and the U.S., expect most live events to happen early in the morning. If you’re not a morning person, there will be Primetime replays and select live coverage airing on NBC throughout the event. The games officially kick off with the opening ceremony on Feb. 6, 2026, however, many preliminary matches are already taking place today and tomorrow for hockey, curling and other sports.

To learn how you can stream the 2026 Winter Olympics online without cable and for free, keep scrolling.

How to Watch the 2026 Winter Olympics Online for Free

The 2026 Winter Olympics in Milan will broadcast on NBC, USA Network, CNBC and NBCSN. The best way to stream the games is the channel’s official streaming platform, Peacock. While there is no free trial for new users, the platform offers affordable plans starting at just $10.99 per month, or an annual plan for $109.99 per year (which gets you 12 months of streaming for the price of 10).

DIRECTV

With DIRECTV, new subscribers can take advantage of a 5-day free trial, so you can watch a week’s worth of Olympic games live and for free. The streaming platform carrier every network broadcasting the 2026 Winter Olympics, so you’ll never miss a sports moment. With so many different sports happening. DIRECT offers unlimited DVR storage so you can record, save and watch your favorite olympic moments whenever you’d like.

Hulu + Live TV

For the most content offerings, you can sign up for Hulu + Live TV and get access to the Hulu library in addition to more then 95 live TV channels (including NBC). The streaming platform starts at $89.99 per month, but there’s also 3-day free trial for new users.

And, for even more programming, Hulu + Live TV now comes bundled with Disney+ and ESPN Unlimited, which gives you everything within the Hulu library, in addition to exclusive content on ESPN for even more sports coverage.

Sling TV

Sling TV offers the Blue package, which comes with NBC, USA Network, CNBC, MS NOW, Bravo and others. Blue is one of the most affordable options and comes with more than 40 channels and can be streamed on up to three device at a time. Please note: Pricing and channel availability varies from market-to-market.

Full 2026 Winter Olympics Streaming Schedule:

All times are in Eastern Standard Time.

Wednesday, Feb. 4 (Pre-opening competition begins)

  • Curling (round robin) – 2:00 a.m. (Peacock – Live)
  • Curling (round robin) – 8:00 a.m. (Peacock – Live)
  • Alpine skiing training – 3:00–6:00 a.m. (Peacock – Live)

Thursday, Feb. 5

  • Curling (round robin) – 2:00 a.m. (Peacock – Live)
  • Curling (round robin) – 8:00 a.m. (Peacock – Live)
  • Freestyle skiing qualifications – 4:00 a.m. (Peacock – Live)
  • Snowboard qualifications – 6:00 a.m. (Peacock – Live)

Friday, Feb. 6 – Opening ceremony

  • Curling (round robin) – 2:00 a.m. (Peacock – Live)
  • Figure skating (team event short programs) – 6:00 a.m. (Peacock – Live)
  • Snowboard slopestyle qualifications – 6:00 a.m. (Peacock – Live)
  • Speedskating (early distances) – 8:00 a.m. (Peacock – Live)
  • Opening ceremony – 2:00 p.m. (Peacock – Live)
  • Opening ceremony – 8:00 p.m. (NBC – Primetime)

Saturday, Feb. 7

  • Alpine skiing (men’s downhill) – 3:00 a.m. (Peacock – Live)
  • Snowboard slopestyle finals – 6:00 a.m. (Peacock – Live)
  • Speedskating medals – 7:00 a.m. (Peacock – Live)
  • Figure skating (team free programs) – 8:00 a.m. (Peacock – Live)
  • Hockey (group play begins) – 10:00 a.m. (Peacock – Live)

Sunday, Feb. 8

  • Alpine skiing (women’s downhill) – 3:00 a.m. (Peacock – Live)
  • Freestyle skiing moguls finals – 6:00 a.m. (Peacock – Live)
  • Figure skating (pairs short program) – 8:00 a.m. (Peacock – Live)
  • Luge (singles runs) – 9:00 a.m. (Peacock – Live)
  • Hockey (group play) – 12:00 p.m. (Peacock – Live)

Monday, Feb. 9

  • Biathlon sprint – 5:00 a.m. (Peacock – Live)
  • Speedskating medals – 7:00 a.m. (Peacock – Live)
  • Figure skating (pairs free skate – medals) – 8:00 a.m. (Peacock – Live)
  • Curling (round robin) – 9:00 a.m. (Peacock – Live)
  • Skeleton (heat 1–2) – 11:00 a.m. (Peacock – Live)

Tuesday, Feb. 10

  • Alpine skiing (giant slalom) – 4:00 a.m. (Peacock – Live)
  • Snowboard halfpipe qualifications – 6:00 a.m. (Peacock – Live)
  • Figure skating (men’s short program) – 8:00 a.m. (Peacock – Live)
  • Curling (round robin) – 10:00 a.m. (Peacock – Live)

Wednesday, Feb. 11

  • Nordic combined – 4:00 a.m. (Peacock – Live)
  • Freestyle skiing aerials finals – 6:00 a.m. (Peacock – Live)
  • Figure skating (men’s free skate – medals) – 8:00 a.m. (Peacock – Live)
  • Speedskating medals – 11:00 a.m. (Peacock – Live)

Thursday, Feb. 12

  • Alpine skiing (slalom) – 4:00 a.m. (Peacock – Live)
  • Snowboard halfpipe finals – 6:00 a.m. (Peacock – Live)
  • Figure skating (ice dance rhythm dance) – 8:00 a.m. (Peacock – Live)
  • Curling (medal round qualifiers) – 10:00 a.m. (Peacock – Live)

Friday, Feb. 13

  • Biathlon pursuit – 5:00 a.m. (Peacock – Live)
  • Figure skating (ice dance free dance – medals) – 8:00 a.m. (Peacock – Live)
  • Skeleton finals – 10:00 a.m. (Peacock – Live)
  • Hockey (quarterfinals) – 12:00 p.m. (Peacock – Live)

Saturday, Feb. 14

  • Alpine skiing (tea.m. combined) – 4:00 a.m. (Peacock – Live)
  • Cross-country skiing distance race – 6:00 a.m. (Peacock – Live)
  • Figure skating (women’s short program) – 8:00 a.m. (Peacock – Live)
  • Speedskating medals – 11:00 a.m. (Peacock – Live)

Sunday, Feb. 15

  • Snowboard cross finals – 6:00 a.m. (Peacock – Live)
  • Figure skating (women’s free skate – medals) – 8:00 a.m. (Peacock – Live)
  • Luge relay – 11:00 a.m. (Peacock – Live)
  • Hockey (semifinals) – 1:00 p.m. (Peacock – Live)

Monday, Feb. 16

  • Freestyle skiing dual moguls – 6:00 a.m. (Peacock – Live)
  • Cross-country skiing team sprint – 8:00 a.m. (Peacock – Live)
  • Curling (medal games) – 10:00 a.m. (Peacock – Live)

Tuesday, Feb. 17

  • Biathlon relay – 5:00 a.m. (Peacock – Live)
  • Speedskating team pursuit – 7:00 a.m. (Peacock – Live)
  • Hockey (placement games) – 12:00 p.m. (Peacock – Live)

Wednesday, Feb. 18

  • Alpine skiing (final technical events) – 4:00 a.m. (Peacock – Live)
  • Freestyle skiing big air – 6:00 a.m. (Peacock – Live)
  • Curling (gold medal match) – 9:00 a.m. (Peacock – Live)

Thursday, Feb. 19

  • Cross-country skiing marathon – 6:00 a.m. (Peacock – Live)
  • Snowboard parallel events – 8:00 a.m. (Peacock – Live)
  • Hockey (bronze medal games) – 1:00 p.m. (Peacock – Live)

Friday, Feb. 20

  • Biathlon mass start – 6:00 a.m. (Peacock – Live)
  • Speedskating final medals – 8:00 a.m. (Peacock – Live)
  • Figure skating gala – 1:00 p.m. (Peacock – Live)

Saturday, Feb. 21

  • Men’s hockey gold medal game – 12:00 p.m. (Peacock – Live)
  • Women’s hockey gold medal game – 3:00 p.m. (Peacock – Live)
  • Men’s hockey gold medal game – 8:00 p.m. (NBC – Primetime)

Sunday, Feb. 22 – Closing Ceremony

  • Cross-country skiing final event – 6:00 a.m. (Peacock – Live)
  • Closing Ceremony – 2:00 p.m. (Peacock – Live)

Forty years ago in New York City, cosmic jazz maestro and Afrofuturist pioneer Sun Ra touched down in Central Park, bringing his legendary Sun Ra Arkestra to the Naumburg Bandshell for the first-ever SummerStage concert. Since then, everyone from Joan Baez to Stevie Wonder to Public Enemy to Sonic Youth to players from the Metropolitan Opera have delighted SummerStage audiences in Manhattan’s Central Park and across all five boroughs. Last year, a diverse assortment of artists (James Blunt, Soccer Mommy, The Roots, Rakim, Femi Kuti and more) performed a serious of 70 concerts (some free, some benefit shows) throughout New York City.

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The 2026 Capital One City Parks Foundation SummerStage lineup won’t be revealed until April, but the festival announced on Wednesday (Feb. 4) that the 40th anniversary celebration will feature shows in all five boroughs (including shows from artists native to those boroughs) as well as special performances from artists who have hit SummerStage over the last four decades. Live Nation continues to serve as the exclusive producer of SummerStage benefit shows.

The anniversary celebrations won’t be limited to the stage, either. Capital One City Parks Foundation SummerStage has launched an interactive online experience that not only boasts photos and clips from past SummerStage performances but invites people to share their photos, videos and SummerStage stories through a fan portal. You can check out a video journey highlighting 40 years of the beloved NYC concert series, soundtracked by the music of SummerStage veteran Angélique Kidjo, below. Beginning on June 16 at the Arsenal in Central Park, a decades-spanning collection of photographs by Jack Vartoogian chronicling SummerStage since its inception will be on view.

“SummerStage was created to reflect the extraordinary diversity of New York City and its people. This year, as we celebrate 40 years, the festival continues to showcase the sounds of the city, from the streets and clubs to the parks, ” said Joe Killian, SummerStage founder and executive producer (from 1986-1993) and City Parks Foundation board member. “For four decades, SummerStage has championed unique collaborations, bold commissions, and has embraced a vibrant mash-up of music, dance and theater, from pop to rap to jazz and more. It has always been about bringing people together and a shared joy of community among fans and I couldn’t be more proud of the work that has gone into the last 40 years. I’m thrilled to see it continue on for future generations to experience and enjoy.”