Nathaniel Rateliff has joined the board of directors for Farm Aid. The “S.O.B.” singer was elevated to the board in a unanimous vote, according to a release from Farm Aid on Wednesday morning (Feb. 11), where he will sit alongside the event’s co-founders, Willie Nelson, Neil Young and John Mellencamp, as well as fellow artist board members Dave Matthews and Margo Price.

“Farm Aid has made a huge impact on me,” Rateliff said in a statement. “It is always one of my favorite events of the year. It is an honor and a privilege to join my heroes and peers as a Farm Aid board member. I look forward to working together to continue educating the public on the struggles family farmers face and to raise money to support them for a better future.”

Hermann, Missouri-bred Rateliff is the third artist to be added to Farm Aid’s board since its founding more than four decades ago. Rateliff has long been a supporter of the organization, first taking the stage on Farm Aid Eve in 2013 and then performing repeatedly over the years, taking the main stage with his band, the Night Sweats, in 2016. According to the release, since then he has leaned further into the organization’s goal of supporting America’s family farmers, often showing up as a performer and as a featured speaker on the FarmYard stage to help amplify the organization’s mission.

After the first Night Sweats appearance in 2016, Rateliff knew he wanted to continue working with Farm Aid and take the stage on an annual basis. “Since then, he has only leaned further into the work, using the annual festival not only as a performance opportunity but as a space to learn — especially about the challenges farmers face and the vital role they play in sustaining their communities,” according to the organization. Those deeper conversations have resulted in the creation of the Marigold Project, Rateliff’s foundation dedicated to funding strategies to confront income inequality, boost civic engagement and expand equitable access to growing and eating good food, as well as advancing gender and racial justice.

Since 1985, Farm Aid has raised more than $90 million to support programs helping American family farms. The date and lineup for this year’s Farm Aid has not yet been announced. Last year’s show in Minneapolis featured Nelson, Young, Bob Dylan, Mellencamp, Matthews, Price, Kenny Chesney, Billy Strings, Rateliff, Lukas Nelson, Trampled By Turtles and others.


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Bad Bunny‘s triumphant, joyful halftime show helped boost Super Bowl LX to the highest peak viewership in U.S. TV history. While Benito didn’t de-throne Kendrick Lamar as the most-watched halftime ever, according to figures released by Nielsen Big Data + Panel on Tuesday (Feb. 10), an estimated 128.2 million viewers tuned in to watch his star-studded performance, the first halftime show to be almost entirely in Spanish.

That makes it one of the most-watched halftime shows in Super Bowl history, coming in at fourth place all-time behind last year’s Kendrick Lamar show (133.5 million viewers), Michael Jackson’s 1993 set (133.4 million viewers) and Usher in 2024 (129.3 million).

In addition, NBC reported that the second half of the game set an all-time media record with 137.8 million viewers, which set a new record for the highest peak viewership in U.S. TV history as the Seahawks expanded their 6-0 halftime lead into a 29-13 blowout.

Overall, Nielsen said that Sunday’s game was the second most-watched Super Bowl ever, just behind last year’s 127.7 million viewers. It was also the most-watched show in the history of NBCUniversal.

While Benito’s performance featuring guests Lady Gaga and Ricky Martin drew ire from many on the right, including President Trump, the set that warmly honored his Puerto Rican roots and ended with the singer shouting “God Bless America!” as he ran through a list of all the countries in the Americas was seen by many as a gesture aimed at spreading love and understanding during a turbulent time in U.S. history. The set ended with the singer holding up a football with the message “Together we are America.”

In a nod to Bad Bunny’s global stardom, NBC also reported that the Telemundo broadcast averaged 3.3 million viewers, making it the most-watched Super Bowl in the U.S. Spanish-language history, with the network’s coverage peaking during halftime with an average of 4.8 million viewers, adding up to the most-watched Super Bowl halftime show in Spanish-language history.

The social media numbers were also in keeping with Benito’s global dominance, with total social consumption — including fans, owned platforms, broadcast partners, influencers and more — setting a record of four billion views after the first 24 hours, a 137% increase year-over-year. In addition, more than half (55%) of all NFL social views came from international markets.

By contrast, Turning Point USA’s “All-American Halftime Show” featuring Kid Rock and a handful of other country singers on a pre-taped livestream attracted 19 million views on YouTube in its first 24 hours, while Bad Bunny’s YT replay had more than 24 million in that time frame on top of the historic traditional TV tune-in. According to The New York Times, as more than 128 million tuned in to the Benito Bowl, around 6.1 million concurrent viewers were tuning in live to the at-times glitchy, out-of-sync “All-American Halftime Show.”


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HONG KONG — Roslyn Pineda is the new president, Asia for Sony Music Publishing.

With immediate effect, Pineda succeeds longtime SMP Asia president Carol Ng, who will remain with the company until her planned retirement at the end of March, according to a company memo.

Pineda is a Sony Music stalwart, with two-and-a-half decades’ service with the music giant.

She joins the music publishing business from Sony Music, where she most recently served as GM, Philippines, and before that as vice president, artist relations and business development, Asia.  

“I am thrilled to take on this leadership role at Sony Music Publishing Asia during such an exciting time for our industry and our region,” Pineda comments in a statement.  “I look forward to collaborating with our talented team and working closely with Guy Henderson and Jon Platt to empower our songwriters across Asia.” 

Together, she continues, “we will foster a vibrant, energetic environment that prioritizes creativity and innovation, ensuring that the voices of our creators are heard and celebrated.  Keen to make great things happen.”

Joining the company in 2001, Pineda logged time early on with the record label both in Hong Kong and in the Philippines, where she worked with a range of Asian and Western artists, from John Mayer to F4, Leehom Wang, Jessi, Sekai No Owari, Ricky Martin, Alicia Keys, and One Direction. 

From late 2018, Pineda oversaw the reopening of SME’s Philippines office, signed Ben&Ben, SB19 and IV OF SPADES, and led the acquisition of the ABS-CBN music catalog in 2024.

Last year, Pineda she was saluted as Billboard Philippines’ first-ever music industry executive of the year. 

On the retirement of Ng, Sony Music Publishing president, International Guy Henderson said the outgoing executive “has led our company in Asia with great distinction and success for many years. During her time, she expanded our business into new territories and established us as the leading publisher across the region. Her contributions have positioned our team for further growth, and we are incredibly grateful for all that he has done for the company.”

In recent years, Ng has overseen the business across the Asian market; managing strategic expansion with the launch of multiple new offices in the region, including Jakarta, Indonesia in 2021, Bangkok, Thailand in 2025 and set a course for Manila, The Philippines later in 2025.

Ng joined the company in 1998, initially as finance and admin manager, and was elevated to CFO, Asia, then regional managing director Asia, before being promoted to president, Asia in 2021. 

Tame Impala just might make a triumphant homecoming in the not-too-distant future.

Kevin Parker’s psychedelic pop project has got the year started in the best possible fashion, by collecting a second successive Grammy Award in the category for best dance/electronic recording, winning for “End of Summer.”

Then, last Friday, the West Australian dropped a remix for Deadbeat single “Dracula,” this time featuring the vocals of BLACKPINK star JENNIE.

Now, a hint that Tame Impala will support Deadbeat with a tour of Australia, the band’s first in these shores since 2022.

A social post shared this week by Frontier Touring, a division of the Melbourne-based Mushroom Group, features a simple poster emblazoned with the question, “End of Summer,” soundtracked with the epic, rave-y first release from Deadbeat.

The post is soundbedded by a snippet of the track, and is shared as a collaboration with Michael Chugg’s Chugg Entertainment, a joint venture with Frontier Touring.  Another cryptic clue is given with the phrase “’ll see you when I see you,” and a website endofsummer.au. Just punch in your email and wait for more.

Tame Impala last played Australia in 2022 in support of 2020’s The Slow Rush. On that occasion, an arena tour delayed by the pandemic, the dates were produced by Laneway Presents, Chugg Entertainment and Frontier Touring.

Parker did play arenas in Sydney, Melbourne and Brisbane in the back end of 2025, although in a different capacity. For that run, he was the opening DJ for French electronic maestros Justice.

Deadbeat opened at No. 2 on the ARIA Chart last October, continuing a streak that has see all five of Tame Impala’s studio albums crack the national top 5, starting with Innerspeaker (from 2010) and Lonerism (2012), both of which peaked at No. 4. Tame Impala’s previous two albums, Currents (2015) and The Slow Rush (2020), went all the way to No. 1.

All told, Tame Impala has won 13 ARIA Awards, one BRIT Award and now two Grammys. Parker can add to his groaning trophy cabinet with the coveted song of the year at the 2026 APRA Music Awards, for which “End of Summer” is shortlisted.

Guns N’ Roses will rock Australia’s City of Churches this November for a one-off show.

The rock legends are booked to headline the 2026 bp Adelaide Grand Final Sunday Concert on Sunday, Nov. 29, a show that waves the checkered flag on the Supercars season.

GN’R follow AC/DC, who in 2025 had the honors of wrapping the bp Adelaide Grand Final, Australia’s largest domestic motorsport event which counted more than 285,700 fans pass through its gates.

The Rock Hall-inducted American group will visit South Australia four years to the month since their last tour of these parts, back in November and December 2022 for the Australasian leg of their We’re F’N’ Back! stadium trek.

The Adelaide show follows the rockers’ 2025 tour which visited Europe, the Middle East, Asia and Latin America, and the release in December of two new songs, “Nothin’” and “Atlas,” their first new music since 2023’s one-off singles “The General” and “Perhaps.”

In a recent interview with Sylvia Alvarado of Las Vegas radio station KOMP 92.3, guitarist Slash said it was “good to have a couple of songs that we’re promoting and then a tour that’s really a long tour.”

There may be more new music on the way. “We took a bunch of material that [singer] Axl [Rose] had and we sat down and listened to it and we sort of picked out all the different songs that we wanted to do, and what Axl wanted to do, and we just took all of the guitars and bass off and re-did it,” Slash said of the recent singles.

Slash also promised that the band would play both of the new and old songs on their upcoming 2026 world tour, which gets underway March 28 at Monterrey, Mexico’s Tecate Pa’l Norte festival, and includes dates in Europe and North America (summer) and Latin America (spring).

The artist presale for the 2026 bp Adelaide Grand Final Sunday Concert runs until this Sunday, Feb. 15 at 5pm local time. For more visit gunsnroses.com and Ticketmaster.

On Thursday (Feb. 5), Best Coast frontwoman Bethany Cosentino was the first artist signed to the powerful Wasserman agency to speak out over revelations that its founder and CEO, Casey Wasserman, had carried on a flirtatious relationship with convicted sex trafficker Ghislaine Maxwell — the main accomplice of convicted child sex predator Jeffrey Epstein — after the latest tranche of 3 million files in the Epstein case was released. Expressing anger over Wasserman’s apology, in which the executive said he “deeply regret[s]” his communications with Maxwell, Cosentino called for Wasserman to step down from his post and for the agency to change its name, among other demands.

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Since Cosentino’s Instagram post went live, several more artists — mainly indie acts — have responded to the controversy. Though these responses have varied somewhat, most have either announced their exit from the agency over the revelations or seemingly threatened to leave if Wasserman isn’t held accountable for his actions. Nearly all have expressed support for their agents. On Monday evening (Feb. 9), Chappell Roan became the first major star to speak out on the issue, writing that she had left the agency amid the growing outrage (without explicity mentioning Epstein or Maxwell).

The growing number of artist defections is now continuing to snowball into a major issue for Wasserman and his namesake agency, which represents such superstars as Ed Sheeran, Coldplay, SZA, Noah Kahan, Lorde and Kenny Chesney. Will any of those other big acts follow Roan’s lead?

Below, we’ve rounded up every Wasserman artist who has spoken out on the issue. We’ll continue updating the list as more of them make their feelings known.

To celebrate the 40th anniversary, the ARIA Awards will induct six legends of the Australia music scene into its Hall of Fame during a “landmark” event in Sydney this June.

The special stand-alone event be on presented Thursday, 11 June at Carriageworks, Sydney, honoring “some of Australia’s most beloved and influential artists of the past 40 years,” reads a statement from the labels body.

That format marks a return to the annual ARIA Hall of Fame event, a treasured moment on the music industry calendar which was discontinued with the 2010 spot, when John Williamson, Models, Johnny Young, The Loved Ones, and The Church all got the nod.

From 2011 onwards, the ARIA Hall of Fame was downsized and incorporated into the annual ARIA Awards. In that year, The Wiggles and Kylie Minogue were elevated, with the-then prime minister Julia Gillard on hand to induct the princess of pop.

Since then, the ARIA board has selected just one act for inclusion into its honors list, including Missy Higgins (2024), Jet (2023), the late Archie Roach (2020), Tina Arena (2015), Crowded House (2016), and last year’s inductees, You Am I.  

“This landmark event will shine a spotlight on artist excellence, legacy and cultural impact, bringing together icons, peers and fans to celebrate the best of Aussie music,” the statement continues.

Also announced today, the 40th annual ARIA Awards returns to Sydney’s Horden Pavilion, on Gadigal land, on Wednesday, 18 November. Spotify is, for the second year, the headline sponsor, and the show will the free-to-air 10 network and stream live on Paramount+. 

“Reaching 40 years of the ARIA Awards is a powerful moment to reflect on just how deeply Australian music is woven into our story,” comments ARIA CEO, Annabelle Herd.

“The 2026 ARIA Hall of Fame anniversary event gives us the chance to properly honour the artists, and industry figures whose work has shaped generations, while the 2026 ARIA Awards will continue that story by championing the next wave of Australian talent on an increasingly global stage. This milestone is about legacy but it’s also about backing where Australian music is going next. We can’t wait for what 2026 will bring.”

As previously reported, audience engagement hit record highs across genres for the 2025 ARIAs, reps say, with nearly 700,000 fan votes through the ARIA website and Spotify.

Register here for information and ticketing on the 2026 ARIA Hall of Fame event

The sheer number of artist signings announced on a weekly basis makes it difficult to keep up, no matter how closely you pay attention to the industry news cycle. That’s why every other Tuesday, Billboard compiles the latest signings to labels, distributors, agencies, management companies and more, in an effort to provide a snapshot of the latest moves in the artist space, from household names to indie stars to emerging acts.

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Ian Munsick and his West to the Rest Records have partnered with Triple Tigers Records. In the process, Munsick joins the Triple Tigers roster, which also includes Russell Dickerson, Scotty McCreery and Shane Profitt.

Munsick’s new song “Geronimo” was released on Jan. 30. He will launch his Eagle Flies Free tour in February.

“Every artist dreams of partnering with a record label that not only understands their vision, but creates a clear, passionate plan on how to reach that destination. After I played some of my new music for the team at Triple Tigers, they told me exactly what songs they thought could achieve that vision,” Munsick said in a statement. “In a day [and] age where labels often rely on third parties for opinions that may or may not eventually lead to action, it was so refreshing to hear the words ‘that song is a hit’ when playing a guitar/vocal work tape for the label heads. Results are never guaranteed in the music industry but I am confident that the combination of this new era of Ian Munsick music and the strategic workhorse of Triple Tigers will result in a true 50/50 partnership made in country & western heaven.”

“Ian Munsick is the ultimate artist: unique identifiable voice, compelling songs and perspective, established brand and a massive fanbase that is growing by leaps and bounds,” added Triple Tigers Records’ Kevin Herring and Annie Ortmeier in a statement. “We are ecstatic to partner with Ian and are ready to take country music by storm.” — Jessica Nicholson

Read up on more of the latest artist signings below.

Bad Bunny’s Super Bowl halftime show was one of the most watched shows of all time. We’re taking you inside the big day, and the days leading up to it, with an exclusive interview from the NFL’s Global Head of Live Event Production sharing what it was like to work with Bad Bunny on his iconic show, talking with the hottest stars including J Balvin, Spike Lee and more about his performance, and more.

J Balvin:

It’s really special, because this is not just about Bad Bunny. It’s about us as a culture, you know? 

Jon Barker:

It is beautiful. It is cinematic. It is storytelling. It is all the things that you want in those 13 minutes.

Spike Lee:

The people will be watching Bad Bunny. 

Bad Bunny:

The biggest feeling is being grateful.

Diplo:

There’ll be a lot of dancing, a lot of good dancing. And I think just you know, the moment that he has right now is so important, to win the first Spanish-language [album of the year] Grammy and then headline the biggest sports event in the world is so amazing. So viva Puerto Rico! Bye.

Tetris Kelly:

We went to Benito Bowl in Santa Clara, California, and we talked to the celebs in town about Bad Bunny’s halftime set, and got to speak with the NFL themselves. We take you there in Billboard All Access, presented by Lexus.

Jon Barker:

Bad Bunny has been in the process with us from from the jump. It’s his team really leading that creative process with our production partners at Roc Nation. That’s where it comes from. We help facilitate it, but he has been a fantastic partner ever since we announced it. When you think about the production of a halftime show, it is a massive amount to do in 13 minutes. You have a time window. You have a moment you have to start, and you have a moment you have to stop. And when you take all the moving pieces of something this big with a global superstar like Benito and do that in the right way that’s authentic to him, authentic to his fans, authentic to our fans, authentic to everybody, you’ve got to be precise, and that’s what it takes. There’s thousands of people that work on this show to get it right. And in six minutes, a stage will be built. In 13 minutes, a show will be done. And in six minutes, a stage will be taken off the field, and that’s how it goes.

Keep watching for more!

Days after going off on Bad Bunny‘s Super Bowl halftime show in a since-deleted social media video, Jill Zarin has been dropped from the upcoming Real Housewives of New York spin-off The Golden Life on E!, the show’s studio announced Tuesday (Feb. 10).

“In light of recent public comments made by Jill Zarin, Blink49 Studios has decided not to move forward with her involvement in The Golden Life,” the studio behind the RHONY reboot posted on Instagram. “We remain committed to delivering the series in line with our company standards and values.”

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Zarin was set to star alongside fellow Real Housewives of New York alumnae Luann de Lesseps, Ramona Singer, Kelly Bensmon and Sonja Morgan in the Palm Beach-set reality series, which was just announced on Feb. 3 and hadn’t yet started production.

In a minute-long video posted to Zarin’s Instagram account on Sunday, the reality star called Bad Bunny’s performance “the worst halftime show ever.”

“It’s 250 years that we’re celebrating right now in the United States, and I just don’t think it was appropriate to have it in Spanish,” Zarin said in the now-deleted video. “And quite frankly, I didn’t need to see him grabbing his G-area. I think it was totally inappropriate. You’ve got all these young kids watching the Super Bowl, and he doesn’t have to be grabbing himself every five seconds. Is he so insecure? Seriously. I don’t speak Spanish. I would have liked to understand the words he was saying.”

She also complained that the Puerto Rican superstar was making a “political statement” with the performance. “To me, it looked like a political statement, because there were literally no white people in the entire thing. I think it was a political statement, and I’m not taking a side one way or the other, I just do. I think it was an ICE thing.”

She added that “the NFL sold out” by booking Bad Bunny and also accused guest performer Lady Gaga of getting a facelift that left her unrecognizable. “I didn’t recognize her! I literally had to Google her face to see who it was.”

Zarin was an original castmember on Bravo’s New York-set Real Housewives from 2008 to 2011.

Find Blink49 Studios’ statement below: