Springsteen: Deliver Me From Nowhere, the biopic about a pivotal period in the life of Bruce Springsteen, was named best period film at the 2026 Movies for Grownup Awards with AARP, which were presented on Saturday (Jan. 10) at the Beverly Wilshire Hotel in Beverly Hills, Calif. 

The Springsteen film, which fell short of expectations but was by no means a bomb, beat Dead Man’s Wire, Marty Supreme, Nuremberg and Sinners in that category.

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Another film about a legendary rock act came up short at the Movies for Grownup Awards. Becoming Led Zeppelin lost best documentary to My Mom Jayne, actress Mariska Hargitay’s film about her late mother, 1960s sex symbol Jayne Mansfield.

The Movies for Grownups Awards honor films and television projects that celebrate the voices and stories of those who are 50-plus. This year’s show, hosted by Alan Cumming, the Tony and Primetime Emmy-winning host of The Traitors, will be broadcast by Great Performances on Sunday, Feb. 22, at 7 p.m. ET/PT/6 p.m. CT on PBS and the PBS app.

Hamnet won the top award, best picture/best movie for grownups, though it won no other awards. One Battle After Another won three awards on the night — best ensemble, best screenwriter for Paul Thomas Anderson and best supporting actress for Regina Hall.

Sentimental Value and the TV series The Pitt each won two awards.

Adam Sandler received the Movies for Grownups career achievement award and amused the audience with a tongue-in-cheek “top 10” list of signs he’s officially growing up. Henry Winkler, a friend of Sandler’s since the comedian included Winkler’s Happy Days character Arthur Fonzarelli in his 1994 classic “The Chanukah Song,” spoke to Sandler’s character.

Chloé Zhao, Paul Mescal, and Jessie Buckley accepted the award for Hamnet, and Noah Wyle and R. Scott Gemmill accepted best tv series or limited series for The Pitt. 

George Clooney, honored as best actor for Jay Kelly, and Wyle, recognized as best TV actor for The Pitt, presented the awards to one another, a nod to their longtime friendship and collaboration that began in 1994 on the blockbuster series ER.

Clooney reflected on his role in Jay Kelly, saying, “I couldn’t believe my luck that I got to play the part… This film was made by people who love actors.” Wyle added that The Pitt has given him the chance to thrive at this stage of his life.

Best actress winner Laura Dern, honored for Is This Thing On?, spoke about legacy and the privilege of storytelling: “My parents [Bruce Dern and Diane Ladd] taught me… we are lucky and blessed to be part of this industry. It is an extraordinary gift not to be wasted.”

Kathy Bates, who received best TV actress for Matlock, dedicated her award to her mother and reflected on how opportunities continue to evolve — even at the age of 77. “Thank the good Lord, week after week, especially older women who have reached out to share how empowered they are to finally be able to feel seen in their own lives,” she said.

Jacob Elordi presented the best director award to del Toro, saying, “With Frankenstein, Guillermo returns to a story he’s carried with him for decades. This version isn’t about spectacle. It’s about responsibility — about what it means to create something and what happens when you don’t take care of it.”

The annual Movies for Grownups Awards raises funds for AARP Foundation, which works to strengthen older adults’ financial resilience.

Here’s the complete list of nominees for the 2026 Movies for Grownups with AARP Awards, with winners marked:

Best Picture/Best Movie for Grownups

WINNER: Hamnet

A House of Dynamite

One Battle After Another

Sinners

Train Dreams

Best Actress

WINNER: Laura Dern, Is This Thing On?

Jodie Foster, A Private Life

Lucy Liu, Rosemead

Julia Roberts, After the Hunt

June Squibb, Eleanor the Great

Best Actor

WINNER: George Clooney, Jay Kelly

Leonardo DiCaprio, One Battle After Another

Joel Edgerton, Train Dreams

Ethan Hawke, Blue Moon

Dwayne Johnson, The Smashing Machine

Best Supporting Actress

WINNER: Regina Hall, One Battle After Another

Amy Madigan, Weapons

Helen Mirren, Goodbye June

Gwyneth Paltrow, Marty Supreme

Sigourney Weaver, Avatar: Fire and Ash

Best Supporting Actor

 Benicio Del Toro, One Battle After Another

WINNER: Delroy Lindo, Sinners

Sean Penn, One Battle After Another

Michael Shannon, Nuremberg

Stellan Skarsgård, Sentimental Value

Best Director

Paul Thomas Anderson, One Battle After Another

Kathryn Bigelow, A House of Dynamite

Scott Cooper, Springsteen: Deliver Me from Nowhere

WINNER: Guillermo del Toro, Frankenstein

Spike Lee, Highest 2 Lowest

Best Screenwriter

WINNER: Paul Thomas Anderson, One Battle After Another

Noah Baumbach and Emily Mortimer, Jay Kelly

Bradley Cooper, Will Arnett, and Mark Chappell, Is This Thing On?

Julian Fellowes, Downton Abbey: The Grand Finale

James Vanderbilt, Nuremberg

Best Ensemble

 A House of Dynamite

Jay Kelly

Nuremberg

WINNER: One Battle After Another

Wake Up Dead Man: A Knives Out Mystery

Best Intergenerational Film

Eleanor the Great

The Lost Bus

Rental Family

Rosemead

WINNER: Sentimental Value

Best Period Film

Dead Man’s Wire

Marty Supreme

Nuremberg

Sinners

WINNER: Springsteen: Deliver Me from Nowhere

Best Documentary

Becoming Led Zeppelin

Cover Up

WINNER: My Mom Jayne

Riefenstahl

Stiller & Meara: Nothing Is Lost

Best Foreign Language Film

It Was Just an Accident

No Other Choi

Nouvelle Vague

The Secret Agent

WINNER: Sentimental Value

Best TV Series or Limited Series

Adolescence

Hacks

WINNER: The Pitt

The Studio

The White Lotus

Best Actor (TV)

Walton Goggins, The White Lotus

Stephen Graham, Adolescence

Gary Oldman, Slow Horses

Pedro Pascal, The Last of Us

WINNER: Noah Wyle, The Pitt

Best Actress (TV)

WINNER: Kathy Bates, Matlock

Kathryn Hahn, The Studio

Catherine O’Hara, The Studio

Parker Posey, The White Lotus

Jean Smart, Hacks


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Kelly Clarkson is sharing a rare update about her family following the death of her ex-husband, Brandon Blackstock.

In a brief fan Q&A posted on the official Kelly Clarkson Show YouTube channel, the 43-year-old pop star and talk show host was asked about one thing she does every day that brings her joy. Her answer centered on her two children with Blackstock, daughter River and son Remington.

“Snuggle,” Clarkson said. “My kids, they’re 9 and 11. They’re at that special little fun stage where they can wipe their own behinds, but they’re still small enough to love cuddling and love snuggles.”

She continued, “There’s been a lot for our family recently, and so I have allowed my kids to sleep with me quite a bit. It’s my two dogs, my two kids and me. It’s a lot. It’s been really special, though, because the conversations you have during that time are pretty cute. So that’s probably my favorite time of day.”

The Q&A, shared Saturday (Jan. 10), comes five months after Blackstock’s passing at 48 in August 2025 from cancer. He had been diagnosed with melanoma three years earlier. Clarkson was married to the Nashville music manager for seven years before filing for divorce in 2020.

Blackstock’s death was announced in a statement from his company, Starstruck Entertainment, co-founded by his father, Narvel Blackstock. “Brandon bravely battled cancer for more than three years,” the statement read. “He passed away peacefully and was surrounded by family.”

The day prior to his passing, Clarkson postponed her Las Vegas residency dates. “While I normally keep my personal life private, this past year, my children’s father has been ill and at this moment, I need to be fully present for them,” the singer told fans at the time.

Watch Clarkson’s fan Q&A on YouTube below.


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The NFL Wild Card weekend is here and so far it hasn’t disappointed. On Saturday, the Carolina Panthers almost pulled off a major upset against the Los Angeles Rams and the Chicago Bears put on a show against their heated rivals, the Green Bay Packers. Next up, the Buffalo Bills head to Jacksonville to take on a young and motived Jaguars squad let by Trevor Lawrence.

This matchup isn’t a long-standing rivalry game, but it does have major career stakes for both quarterbacks: Lawrence and Josh Allen. Josh, who’s undoubtedly a top QB in the league has continued to fall short in the playoffs against his AFC counterpart Patrick Mahomes. With the Chiefs, alongside the Lamar Jackson and the Ravens and Joe Burrow and the Cincinnati Bengals all out of the postseason, there isn’t an easier path for Allen to finally make it to the Super Bowl. However, defeating the Jaguars hard-hitting defense is no easy take.

Bills vs Jaguars game, at a Glance:

Kicking off on Sunday (Jan. 11) at 1 p.m. ET, we’ve compiled a guide on how to watch this must-see game online for free and without cable. Below is a quick guide on the best ways to watch Bills vs. Jaguars game online.

How to Watch the Bills vs. Jaguars Wild Card Game Online for Free

The Bills vs. Jaguars game will broadcast live on CBS. Don’t have cable? We’ve compiled all the best ways to NFL games with DirecTV and other streaming services that carry Fox. Keep scrolling to learn more.

DirecTV

DirecTV is offering a five-day free trial, which will let you watch CBS and more for free. The Entertainment and Sports Programming Network is included in all of the streaming packages. In addition to unlimited DVR storage, you’ll get access to local channels and the ability to stream on as many devices as you want.

Paramount+

You can also get instant access to CBS through the channel’s official streaming platform Paramount+. Along with CBS, you’ll also be able to stream content from Nickelodeon, MTV, Bet, Comedy Central, Showtime and the Smithsonian Channel. If you already have a subscription, just log into your account to livestream content.

Don’t have Paramount+? New users will receive a seven-day free trial when you sign up. Once the free trial is over, you’ll be charged based on the plan you choose at checkout.

There are two plans to choose from: Paramount+ Essential and Paramount+ with Showtime. The Essential plan is ad-supported package and is the cheapest option at $7.99 per month. You’ll get access to tens of thousands of episodes and movies including exclusive and original content as well as NFL on CBS, UEFA Champions League and 24/7 live news on CBS News.

Fubo

Fubo is another great option you can take advantage of to watch CBS online. The streamer offers a seven-day free trial that’ll give you access to the Bills vs. Jaguars game for free and more than 240 live TV channels. The service offers a promo that’ll get you up to $30 off the first month, which can get you access to CBS and more for as low as $54.99 (reg. $84.99 per month).

Hulu + Live TV

For the most content options, Hulu + Live TV gives you access to the entire Hulu library in addition to more than 95 live TV channels — including Fox for just $82.99 per month.

For even more content, you can also bundle Hulu + Live TV with Disney+ and ESPN+ to watch additional exclusive and original sporting events and programs that won’t air on CBS.

Prime Video

You can watch CBS shows and content when you add Paramount+ as a premium channel to your Prime subscription. Paramount+ is the official distributor and streaming platform for CBS, which means you’ll get access to exclusive and original content all within the Prime Video library. Just go to the Prime Channel storefront and you can get a seven-day free trial of Paramount+. Once your free trial is over, you’ll be charged $7.99 per month on top of your Prime membership subscription.

Don’t have a Prime membership? Amazon is offering a 30-day free trial for new users who sign up — and you can stack on the Paramount+ free trial giving you access to all the benefits of a Prime membership as well as the ability to watch everything within the Paramount+ library, for free.

Iman is honoring the memory of her late husband, David Bowie, with a new tattoo marking the 10th anniversary of his death.

On Saturday (Jan. 10), the model and fashion icon shared a sentimental Instagram post revealing the fresh ink, which she described as a lasting tribute to the musician, who died in 2016 at age 69.

Posting a video of the tattoo process on her arm, Iman wrote in the caption, “Jan 10th. The pain didn’t vanish .. it left in its place a loving permanent mark,” adding the hashtag #BowieForever.

The post was set to Bowie’s song “Subterraneans,” a track from his 1977 album Low. While Iman did not specify the design’s exact meaning, the message framed the tattoo as both an act of remembrance and a symbol of enduring love.

Bowie died on Jan. 10, 2016, following a private 18-month battle with cancer. At the time, a statement shared on his official Facebook page confirmed that he had “died peacefully today surrounded by his family after a courageous 18-month battle with cancer,” and asked fans to respect the family’s privacy during their grief.

Iman and Bowie met in 1990 after being set up on a blind date and married two years later in 1992. The couple welcomed their daughter, Alexandria Zahra Jones, in August 2000. Over the years, Iman has spoken openly about the depth of her relationship with Bowie and the way she continues to carry him with her.

In a 2021 interview with People, Iman reflected on how she views their marriage in the years since his passing.

“I still feel married,” she said. “Someone a few years ago referred to David as my late husband, and I said, ‘No, he’s not my late husband. He’s my husband.’ Through my memory, my love lives.”

Earlier this week, Iman also marked what would have been Bowie’s 79th birthday with another Instagram tribute, sharing a black-and-white photo of the artist alongside the caption, “Happy Heavenly Birthday. Your light burns so bright in all our hearts! We love and miss you.”

Alexandria Zahra Jones, now 25, also honored her father on social media, posting throwback photos and writing, “Da big 79 today. Happy birthday pops, miss ya!”

Bob Weir, guitarist and co-founder of The Grateful Dead, is being remembered by musicians, artists and public figures across the music and entertainment worlds following news of his death. He was 78.

Weir’s death was confirmed Saturday (Jan. 10) by a statement published on his official social media accounts, where it was revealed he “transitioned peacefully, surrounded by loved ones,” after previously beating cancer and later succumbing to underlying lung issues.

Tributes began pouring in on Saturday after Weir’s family confirmed his passing, describing him as having “transitioned peacefully, surrounded by loved ones,” after previously beating cancer and later succumbing to underlying lung issues.

Bravo host Andy Cohen shared an Instagram post on January 10, calling Weir “That Guy” for his “impossibly beautiful and wildly fiery, intense and passionate” presence.

He recalled his first Grateful Dead show in 1986 at Alpine Valley, Wisconsin, praising Weir’s fierce voice as “rays of sunshine,” and fondly remembered Weir’s appearances on Watch What Happens Live, including his graceful phrasing of Jerry Garcia’s death as “checkin’ out.”

Don Felder, former Eagles guitarist, remembered first seeing Weir perform with the Grateful Dead at Woodstock.

“I was blown away by that whole band, and the musicianship,” Felder wrote, adding that he felt “so blessed” to have Weir sing on his solo track “Rock You.” Felder concluded his message with, “Until we meet again, amigo.”

Guns N’ Roses guitarist Slash shared a photo of Weir performing onstage with his leg raised, simply captioning it “RIP” alongside a broken-heart emoji. 

Primus frontman Les Claypool called Weir “one of the nicest humans I’ve ever met in the music world,” describing him as “a legend on many levels.”

Michael Franti, in a lengthy statement, recalled Weir’s openness and curiosity, sharing memories of performing together at a peace concert following the events of Sept. 11.

“A true giant in music made time to stand in a park with a few hundred people and help us send a musical message of peace,” Franti wrote.

Sean Ono Lennon shared a photo jamming with Weir, writing, “It was a great pleasure and a privilege to know you, brother.”

News of Bob Weir‘s death on Saturday (Jan. 10) landed particularly heavy with Don Was, the Grammy Award-winning producer and Blue Note Records president who was also Weir’s bandmate in Wolf Bros since 2018. Weir, co-founder of the Grateful Dead, died at age 78 after battling cancer.

Like Weir with Ratdog when Jerry Garcia died during August of 1995, Was got the news as he was preparing to go on stage with his own band, the Pan-Detroit Ensemble, at the Blue Llama Jazz Club in Ann Arbor, Mich. He received a call about an hour before the first of two shows and, choking back tears, broke the news to most in the audience before the band started to play.

“All I thought about was the night Jerry died and he played,” Was told Billboard after the show. “He just said that the way you deal with grief is good music and lifting people’s spirits, and I know that’s what he would’ve wanted tonight.”

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Sharing the same memory with the crowd beforehand, Was noted that, “If [Weir] were here right now, he would say, ‘Get out there and f—ing play!’ So we’re gonna play the show… and we’re just gonna give it as much soul as we can give it. I know that’s what he would have wanted.”

Was was introduced to Weir during the ’90s by Ratdog bassist Rob Wasserman, a mutual friend. They remained in contact, and in 2018 Weir called Was to say that “he had a dream that Wasserman [who passed away in 2016] came to him and said I’m supposed to take Rob’s place. [Weir] got the name Wolf Bros and he said he wants to start a trio with me and Jay [Lane, on drums], and, of course.”

“He’s been a good friend. I knew he wasn’t well, and I just assumed he was gonna be all right. I was planning on playing more shows, even though I knew he was sick, because he always pulls it off. He was fearless musically and fearless in this fight for his life. That’s what I learned from him — give it everything, and push it one step further,” said Was.

Was appeared on the Wolf Bros’ two live albums and served as music director for the Grateful Dead’s 2024 Kennedy Center Honors ceremony and the band’s MusiCares Persons of the Year gala in January 2025. He also introduced Weir and Mickey Hart to John Mayer, which led to the formation of Dead & Company.

He’d been in recent contact with Weir as well: “I texted with him maybe a month ago. It was about what we were gonna do this year. It was about playing. I thought there was a good chance he was gonna get better — and if anyone could, it would be him.”

Was and Pan-Detroit — who are at the beginning of an 11-week run of shows — have been celebrating the 50th anniversary of the Dead’s Blues for Allah album since last October, playing it in its entirety or in segments during the band’s shows.

“I know [Weir] dug what we were doing with these songs,” Was said on Saturday.

The group switched the night’s set list to start with the album’s opening track, “The Music Never Stopped,” which Was called “one of the best songs [Weir] ever wrote … In the last few years we talked about the music going on when [the Grateful Dead members] were all gone, and he was very adamant about wanting it to continue. Even though he’s left us … His music and his legacy will [go on].”

Before Saturday’s second show Was also posted a social media message reading: “I can’t believe that Bobby’s gone – it seemed like he’d outlast all of us. Playing with him in the Wolf Bros over the past 7 years has been one of the most meaningful and rewarding experiences of my life. Night after night, he taught us how to approach music with fearlessness and unbridled soul – pushing us beyond what we thought was musically possible. Every show was a transcendent adventure into the unknown. Every note he played and every word he sang was designed to bring comfort and joy to our audiences. The music he helped create over the last 60 years will continue to be felt for generations. As he sang in one of my favorite Dead songs: the music will never stop. It was an honor to play in his band and to be his friend. Heartfelt condolences go out to Natascha, Monet and Chloe and to all of the fans who considered him to be next of kin. We’ll miss him forever.”

Also hit hard by the news was Pan-Detroit saxophonist Dave McMurray, who was part of Was (Not Was) and records for Blue Note, including two Deadicated albums of Dead covers. Weir guested on a rendition of “Loner” from the first, and McMurray made guest appearances with the Wolfpack horn section that often accompanied the Wolf Bros.

“I’ve been talking about him the last few days, just my experiences with them, ’cause we’ve been playing these [Blues For Allah] songs and he’s the man that did all that music,” McMurray told Billboard. “I was so lucky I got to be around him, and he was so cool and so great to play with. I saw (the news) on Instagram and it’s just freaked out. It doesn’t seem real.”

Is new music from Gracie Abrams coming soon? Though the follow-up to her 2024 album, The Secret of Us, doesn’t have a release date, the singer-songwriter is itching to unleash her next record.

“I’m beyond ready for it to belong to everyone else,” Abrams said of what’s to come in an interview with People, who spoke with the singer-songwriter at a Jan. 7 Chanel event at Chateau Marmont in Los Angeles.

“I’ve never felt this way about anything I’ve made before, so it’s definitely driving me crazy in a good way,” she added of the music she’s been creating for her third album.

When asked about the anticipation of releasing GA3 out to the world, Abrams noted, “I love the feeling. I really like it right now. I think I feel kind of calm about it. I’ve been lucky enough to spend a lot of time with it.”

“At the end of the day, it’s all about the people you get to make things with and spend your time with, and that means the most to me right now,” she said. “So, yeah, any day in the studio is a great day.”

Abrams hasn’t yet revealed who she’s been sharing studio time with this time around — but she worked with producer Aaron Dessner (of the National) on her first two full-length albums, 2023’s Good Riddance and 2024’s The Secret of Us, which launched at No. 2 on the Billboard 200.

The Secret of Us featured a duet with Taylor Swift, “us.” The track was nominated for a Grammy in the best pop duo/group performance category at the show’s 2025 ceremony, though the award ultimately went to Lady Gaga and Bruno Mars for “Die With a Smile.” Swift and Abrams performed “us.” live together once on Swift’s Eras Tour, for which Abrams also had a slot as opener at select dates.

What might fans hear on Abrams’ third studio album? Nothing’s confirmed, but she performed two unreleased songs over the summer — one called “Out of Nowhere” (live at Glastonbury) and one titled “Crazy Girl” (at BST Hyde Park). She debuted another song earlier in 2025, “Death Wish,” which was recorded live at a U.K. stop on her The Secret of Us Tour and released as a promotional track in April.

Abrams was honored as Songwriter of the Year at the 2025 Billboard Women in Music Awards in March.

Colombian Yeison Jiménez, a singer-songwriter and star of “música popular,” died Saturday, Jan. 10, in a plane crash near Paipa, in the state of Boyacá in Colombia. He was 34.

Colombia’s Office of Air Traffic Accidents confirmed that an aircraft with registration N325FA crashed. The crash claimed the lives of six people, including Jiménez and his manager, Jefferson Osorio; Jiménez’s press office confirmed the news to Billboard Español.

At only 34 years old, Jiménez had already become one of the biggest names in Colombian popular music, or “música popular,” a genre that blends traditional Mexican ranchera music with Colombian roots. In 2024, he reached a major milestone in his career by selling out Bogotá’s Movistar Arena not once, but three times, drawing more than 40,000 fans in total.

This was a historic achievement for both Jiménez and the genre, as no other Colombian popular music artist had ever reached that milestone. Popular music in Colombia has its roots in the country’s coffee-growing region, which includes Caldas (where Jiménez was born), Quindío, Risaralda and Tolima.

The genre, which dates back to more than 50 years ago, was originally known as “música de carrilera” or “cantina music.” It was heavily influenced by Mexican regional music and gained traction in small towns and local bars, thanks to pioneers like Darío Gómez, Luis Alberto Posada and El Charrito Negro.

According to Jiménez, Darío Gómez was especially instrumental in shaping the genre, even though many doubted his vision when he first introduced the fusion in the ’70s.

Jiménez had lofty ambitions for his brand of music, and in 2024, he was part of a panel of música popular artists at Billboard Latin Music Week. Last year he fulfilled another dream: selling out Bogotá’s El Campín Stadium, becoming the first Colombian regional artist to do so.

He had been gearing up for a second show at El Campín, scheduled for March 28. Jiménez is survived by his wife and three children.

This story will be updated as more details become available.

Bob Weir, guitarist and jam-band pioneer who co-founded The Grateful Dead and continued their legacy in the 21st century with Furthur, Dead & Company and more, died due to underlying lung issues after fighting cancer. Weir’s death was confirmed Saturday (Jan. 10) by a statement published on his official social media accounts. He was 78.

“It is with profound sadness that we share the passing of Bobby Weir. He transitioned peacefully, surrounded by loved ones, after courageously beating cancer as only Bobby could. Unfortunately, he succumbed to underlying lung issues,” said the statement, which can be found on Weir’s Instagram.
 
The note continued: “For over sixty years, Bobby took to the road. A guitarist, vocalist, storyteller, and founding member of the Grateful Dead. Bobby will forever be a guiding force whose unique artistry reshaped American music. His work did more than fill rooms with music; it was warm sunlight that filled the soul, building a community, a language, and a feeling of family that generations of fans carry with them. Every chord he played, every word he sang was an integral part of the stories he wove. There was an invitation: to feel, to question, to wander, and to belong. 
 
Bobby’s final months reflected the same spirit that defined his life. Diagnosed in July, he began treatment only weeks before returning to his hometown stage for a three-night celebration of 60 years of music at Golden Gate Park. Those performances, emotional, soulful, and full of light, were not farewells, but gifts. Another act of resilience. An artist choosing, even then, to keep going by his own design. As we remember Bobby, it’s hard not to feel the echo of the way he lived. A man driftin’ and dreamin’, never worrying if the road would lead him home. A child of countless trees. A child of boundless seas. 
 
There is no final curtain here, not really. Only the sense of someone setting off again. He often spoke of a three-hundred-year legacy, determined to ensure the songbook would endure long after him. May that dream live on through future generations of Dead Heads. And so we send him off the way he sent so many of us on our way: with a farewell that isn’t an ending, but a blessing. A reward for a life worth livin’.
 
His loving family, Natascha, Monet, and Chloe, request privacy during this difficult time and offer their gratitude for the outpouring of love, support, and remembrance. May we honor him not only in sorrow, but in how bravely we continue with open hearts, steady steps, and the music leading us home. Hang it up and see what tomorrow brings.”

In a career spanning six decades, Weir was key to developing the Grateful Dead from garden-variety psychedelic rockers as the Warlocks to godfathers of the jam band genre. Weir’s loping, syncopated guitar style, modeled after “McCoy Tyner’s left hand,” may not have made much sense in a traditional rock band, but to the Dead, it was a crucial puzzle piece.

His decades-long bandmate, bassist Phil Lesh, called him “a stealth machine” in a 2012 feature in The New Yorker. “[Bob is] still absolutely enigmatic to me,” producer Don Was told GQ in 2019. “He’s part Segovia and part John Lee Hooker, and he does both simultaneously — this exotic blend of the raw and the cerebral.”

Raised by adoptive parents in San Francisco, California, Weir met his future Dead bandmates in 1964. In high school, he began music lessons at the feet of Jerry Garcia, who then taught guitar and banjo at Dana Morgan Music in Palo Alto after being dishonorably discharged from the U.S. Army. Weir became Garcia’s occasional substitute teacher, and eventually, he was recruited for Garcia’s band, the Mother McCree’s Uptown Jug Champions — featuring bassist Lesh, keyboardist Ron “Pigpen” McKernan and drummer Bill Kreutzmann. 

Inspired by The Beatles’ rise, the band pivoted to rock and roll, briefly playing out as the Warlocks before discovering that another band had taken the name. At a band meeting, Garcia flipped through a dictionary under the influence of DMT and blurted the first two words that he saw: “grateful dead.”

The newly christened Grateful Dead released their self-titled debut in 1967, featuring R&B standards and originals with a lysergic tint, but they soon revealed themselves as a much different beast. Eager to capture their swirling live energy, they released Live/Dead in 1969, in which they stretched songs like “St. Stephen” and “Dark Star” like taffy until they were sidelong juggernauts. 

On that album, one can hear Weir’s playing developing from blues licks to odd, percolating lines that had little to do with traditional rock guitar — and could push Garcia and Lesh to new improvisational heights. “I derived a lot of what I do on guitar from listening to piano players,” he told GQ. “[McCoy Tyner] would constantly nudge and coax amazing stuff out of Coltrane.”

The Dead went on to release an ocean of official live albums, which only scratched the surface: a massive “taper” subculture formed around their fan-traded bootlegs. As they veered into space-rock territory, Weir kept the sets grounded with cowboy songs, like Merle Haggard’s “Mama Tried,” and Dylan covers, like “When I Paint My Masterpiece.” He released his solo debut, 1972’s Ace, with the rest of the Dead as his backing band. 

After rough goings in the disco era with 1978’s Shakedown Street, the Dead flirted with pop success by way of 1987’s “Touch of Grey,” a friendly ode to survival from their eventually double-Platinum-certified In the Dark LP that peaked at No. 9 on the Billboard Hot 100. During this period, when a struggling Garcia would sometimes check out onstage, Weir stepped up as the Dead’s preening showman, appearing onstage in lavender tank-tops and cutoff shorts.

The Grateful Dead got by and survived through health scares and drug issues, and remained together and vital until Garcia’s death in 1995, performing over 2,300 concerts and selling over 35 million albums. After they disbanded, Weir stayed busy with band offshoots like The Other Ones (later known as The Dead), Furthur, RatDog and more. 

In the later years of his life, he performed Dead material on the road with Phil Lesh, Mickey Hart, Bill Kreutzmann, new collaborator John Mayer and more as Dead & Company, and gained a zealous social media following for documenting his health and workout regimen. 

In 2017, he was appointed a United Nations Goodwill Ambassador for his efforts to fight climate change while serving on the board of the company Tribal Planet. “I’d also like to see people reflexively consider the good of the planet in the choices they regularly make,” he told Billboard in 2017. 

And up to the end, he never stopped exploring the possibilities of his instrument, or the liquid possibilities a song can take. “Jerry came to me in a dream not long ago and introduced a song to me,” he told GQ. “It was kind of protoplasmic — you could see right through it. And he just confirmed to me what I always suspected: that a song is a living organism.”

Duran Duran paid tribute to the victim of a fatal ICE shooting in Minnesota during a recent concert.

At its Friday (Jan. 9) concert at the Thunder Valley Casino in Sacramento, California, the Rock & Roll Hall of Fame–inducted band dedicated its 1993 song “Ordinary World” to 37‑year‑old Renee Good, who was shot and killed earlier in the week during an ICE operation in Minnesota.

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The somber moment was captured in a fan-recorded video posted on Threads.

“We believe that people in this world have a right to live their lives in peace and lives of freedom and happiness in their own country,” Duran Duran frontman Simon Le Bon told the audience. “For all the ordinary people in this world, we wish upon you an ordinary world.”

“Ordinary World” appears on the band’s self-titled 1993 album, commonly known as the Wedding Album.

On Wednesday (Jan. 7), Good was shot and killed in her car during the ICE operation. The U.S. Department of Homeland Security, along with President Donald Trump and Vice President JD Vance, has maintained that the shooting by officer Jonathan Ross was in self-defense.

Footage from the incident shows that seconds before the shooting, Good attempted to drive away from the confrontation. DHS officials have claimed that she had been trying to “run over” the officer with her vehicle.

In the wake of Good’s death, Minneapolis residents have rallied to mourn her loss and protest ICE’s presence in the city. Mayor Jacob Frey called for federal agents to leave Minneapolis, saying in a press conference, “This was an agent recklessly using power that resulted in somebody dying, getting killed.”


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