ADOR has shared an update on the status of NewJeans‘ lineup amid the HYBE subsidiary’s ongoing legal issues with the girl group.

On Monday (Dec. 29), ADOR announced via a statement on X that Danielle — one of the K-pop quintet’s original members — will not be returning to NewJeans in light of the label’s court win earlier this year. “Having determined that it would be difficult for her to continue as a NewJeans member and ADOR artist, the company notified her today of the termination of her exclusive contract,” the Korean-language statement reads, according to the site’s English translation.

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“Additionally, the company intends to pursue legal accountability against one member of Danielle’s family and former [ADOR] CEO Min Hee-jin, who bear significant responsibility for causing this dispute and for the delays in NewJeans’ departure and return,” it continues.

The update comes more than a month after it was first announced that Haerin and Hyein had decided to continue working with ADOR following “thoughtful consideration with their respective families.” As for the other two members, ADOR added in its statement Monday that Hanni has now also agreed to continue with the group, while Minji is still in “ongoing conversations” about her future with the company.

“Hanni visited Korea with her family and held in-depth, extended conversations with ADOR,” the statement notes. “During this process, they reflected on past events and took time to objectively review the situation. At the conclusion of these sincere discussions, Hanni decided to stay with ADOR, respecting the court’s ruling.”

Billboard has reached out to ADOR for more information.

Tensions between ADOR and its star clients have been ongoing since 2024, when the members of NewJeans announced plans to sever ties with the company and release music independently. At the time, the five women alleged that ADOR had breached its contract with the group by firing former CEO Min, who’d been NewJeans’ mentor.

However, after a lengthy court battle, a judge sided with ADOR’s stance that Min’s termination was not sufficient grounds for the K-pop stars to void their seven-year exclusive contract with the company. “We sincerely hope that today’s judgment, which comes after long-term verification of various claims and facts and reaffirms prior rulings, will serve as an opportunity for the artists to calmly reflect on this matter,” ADOR said in a statement about the win in October.

At the time, ADOR also promised fans that it had finished preparations for another NewJeans studio album to drop following the resolution of the legal dispute — but according to the label’s latest statement, the main objective now is to “fully resolve” any lingering “misunderstandings” between the band’s members and the public, which ADOR warns could “take some time.”

“Through these conversations, ADOR came to understand that the members had been exposed to persistently distorted and biased information over a long period, leading to significant misunderstandings about the company and ultimately escalating into this dispute,” the message reads. “[The members] have agreed to address the various controversies that arose during the dispute at a later opportunity, and discussions on the timing and method are currently underway.”

NewJeans first debuted in 2022. The following year, the group found global fame with the success of the NewJeans 2nd EP ‘Get Up,’ which debuted at No. 1 on the Billboard 200.

In 2025, amid the quintet’s spat with ADOR, it began independently releasing music and performing under the name “NJZ.” The members were swiftly ordered to stop doing so, however, after ADOR filed a preliminary injunction. This past June, they were each fined $734,000 for “unauthorized activities.”

See ADOR’s statement below.


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2026 is almost here and Nike is having an end of the year sale on fan-favorite sneakers, sports apparel, and accessories. If you’re looking to upgrade your wardrobe and conquer your fitness resolutions in style, Team Check is currently running a rare 50% off sale bursting with impressive markdowns for shoppers to save big entering into the new year.

Shop classic Nike Cortez shoes, Caitlin Clark logo tees, Nike Tech apparel, awesome tote bags, and the popular Air Jordan 1 mid sneaker. Shoppers can save up to 50 percent on a wide range of Nike products on the brand’s site. To give you hand, we’ve rounded up the best Nike deals to snag before the sale is over.

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Between high-profile collaborations, long-awaited retro returns, and thoughtful reinterpretations of classic silhouettes, 2025 has been an outstanding year for sneakers, as the culture felt both reflective and forward-moving. Some of the most legendary shoes in history made returns this year: the Air Jordan 1 High ’85 “Bred” came back in true OG form, the Undefeated x Air Jordan 4 finally reentered the conversation after only 72 pairs released back in 2005. Nike brought back one of its most iconic releases with the Air Foamposite One “Galaxy.” We also saw the return of the coveted “big bubble” on the Nike Air Max 95, as nostalgia reigned supreme in 2025.

The year also marked a refreshing change for sneaker enthusiasts, though. For once, many highly anticipated releases didn’t immediately sell out. In 2025, you didn’t have to wake up at 10 a.m. ET and sit in an online queue just to miss out. In many cases, you could log on an hour later and still secure a pair, a rare but welcome moment of accessibility in modern sneaker culture. Currently, you can even buy Jordan 1’s, Jordan 3’s, and Jordan 4’s below retail, whether from retail stores or resale platforms.

At the same time, new collaborations and sneaker models drove massive attention and sales. Following the continued success of the adidas AE1 over the past three years, basketball sneakers officially made their return as everyday lifestyle footwear. Bold designs and athletes becoming more culturally relevant than ever played a major role in that shift. Shai Gilgeous-Alexander’s Converse Shai 001 is a perfect example, and one of my personal favorite sneakers of 2025.

Sneakers and music have long shared a symbiotic relationship dating back to the earliest days of hip-hop and R&B. Artists have consistently used footwear as a canvas for self-expression, blending personal identity with cultural influence. In 2025, that connection reached a new level. Collaborations dominated many of the year’s best releases, with musicians taking a leading role in designing and promoting sneakers, further blurring the line between sound, style, and storytelling.

I couldn’t write this list without showing major love to Wale. While the DMV emcee still doesn’t have his own signature sneaker in 2025, his influence remains undeniable. Wale inspired and helped design a special-edition colorway of Nike’s latest basketball model, the G.T. Future. Hundreds of fans showed up for the exclusive Dec. 13 release Wale’s “Ice” colorway which serves as a testament to his status as a lifelong sneakerhead and one of Nike’s most authentic cultural ambassadors.

One of the year’s most memorable collaborations came from BMX rider Nigel Sylvester and Jordan Brand. His “Brick by Brick” Air Jordan 4 stood out not just for its design, but for its storytelling and marketing. As someone who appreciates attention to detail and narrative-driven products, this release felt like one of the strongest sneaker campaigns we’ve seen in quite some time.

Another standout was the Awake NY x Air Jordan 5 “Arctic Pink.” Awake NY reworked the upper of the Jordan 5, incorporated its branding thoughtfully, and paired the shoe with a community-focused rollout that included a block party, deli activation and even a giant slide. It was a true community sneaker and while it was unfortunate that many locals couldn’t get a pair, releases like this don’t come around often.

At the end of the day, retro footwear is still king, but 2025 delivered an overwhelming number of impressive sneakers across categories. With the year nearing its end, Billboard is ranking the 10 hottest musician sneaker collabs of 2025 for the second year in a row — highlighting the releases that defined the intersection of music, culture, and footwear this year.

HUNTR/X slays/sleighs all competition on Billboard’s all-format Radio Songs chart (dated Jan. 3, 2026), as “Golden” rises a spot to No. 1. The smash drew 58.3 million in airplay audience, up 2% week-over-week, Dec. 19-25, according to Luminate, with stations monitored by Mediabase.

Notably, the song is the first associated with K-pop (Korean pop) to rule the ranking. Previously for the genre, ROSÉ and Bruno Mars’ “APT.” held the mark (No. 4 peak in February).

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“Golden” previously led the Pop Airplay chart for three weeks beginning in November. It has totaled eight weeks at No. 1 on the multimetric Billboard Hot 100, from mid-August through mid-October; 18 weeks atop the Billboard Global 200; and a record-tying 19 weeks in charge of the Billboard Global Excl. U.S. chart.

The anthem is by the singing trio of EJAE, Audrey Nuna and REI AMI, in the roles of heroines Rumi, Mira and Zoey from Netflix’s record-hauling animated film KPop Demon Hunters. The movie’s soundtrack, on Visva/Republic, has crowned the Billboard 200 for two weeks and spent its first 27 weeks and counting in the top 10.

“‘Golden’ has truly become a defining pop moment, an instant lean-in, turn-it-up track,” Alex Tear, vp of music programming for SiriusXM and Pandora, told Billboard upon its Pop Airplay coronation.

Thanks to the movie’s wide reach, Tear added of “Golden,” “There’s that immediate familiarity and big emotion that just hits.”

“Up, up, up,” REI AMI marveled when “Golden” hit No. 1 on the Hot 100.

The track holds off a festive flurry of holiday hits on Radio Songs, as Mariah Carey’s “All I Want for Christmas Is You” surges to a new No. 6 best and two fellow Yuletide classics reach the top 10 for the first time: José Feliciano’s “Feliz Navidad” (22-8) and Brenda Lee’s “Rockin’ Around the Christmas Tree” (26-9).

All charts dated Jan. 3 will update tomorrow, Dec. 30, on Billboard.com.

Cardi B is just trying to enjoy her holiday break in peace. In a good-humored video posted to X on Monday (Dec. 29), the rapper asked fans to please stop raking her over the coals for her relationship with Stefon Diggs, who recently sparked online discourse by posting about spending Christmas with his other children.

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Filming herself while lying down in bed, Cardi opened the clip by saying straightforwardly, “Y’all need to calm down.”

“Y’all been dragging me for three or four days, and y’all been a little too mean,” she continued, laughing. “I can’t change s–t. I can’t go back in time. I already had a baby. Y’all want me to put my baby back in my p—y? You want me to leave my man and f–k yours? What y’all want me to do? We can only go forward now.”

The Grammy winner went on to stress that she has “so much work to do” starting in January — including a slew of 10- to 12-hour rehearsals for her upcoming tour — which has her feeling overwhelmed enough on its own. “I’m gonna be away from my babies, away from my personal life, away from my home … I need my support system, my fans, to love me,” Cardi added with her characteristic candor. “I want y’all to come to my tour and enjoy yourselves with me. Don’t be dragging me. That’s enough!”

“Leave me alone, though,” she added. “Damn. Y’all scare me sometimes!”

Captioned, “We need a reset,” Cardi’s video comes as the internet has been rife with commentary about her relationship with Diggs. The wide receiver posted photos of himself a few days prior spending Christmas with two different babies — “One of my boys first Christmas,” he captioned one of them — seemingly confirming prior reports that he’d fathered children with two other women within months of welcoming his son with Cardi in November.

Meanwhile, the hip-hop titan shared photos from her Christmas celebrations with their son, as well as her other children — 7-year-old daughter Kulture, 4-year-old Wave and 1-year-old daughter Blossom — whom she shares with estranged husband Offset. Diggs lovingly wrote in the comments of his famous girlfriend’s post, “Miss yaw!!! Don’t be squeezing him too tight you making him soft.”

Although some people might take issue with her romance with Diggs, Cardi has been carrying on as normal. On Sunday (Dec. 28), she attended the New England Patriots vs. New York Jets game to cheer on her beau, whose team beat the Jets 42-10.

In April, Cardi will kick off her Little Miss Drama Tour supporting her Am I the Drama? album, which debuted at No. 1 on the Billboard 200 in October.

See Cardi’s video below.


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“Sleigh Ride” from The Ronettes enters the top 10 of the Hot 100, while Dean Martin rises and “Jungle Bell Rock” and Kelly Clarkson slip a spot. Will Brenda Lee take No. 1 this week? 

Tetris Kelly:

This is the Billboard Hot 100 top 10 for the week dated January 3. Joining the top 10 is “Sleigh Ride.” Andy Williams is still at nine. Kelly Clarkson slips to No. 8. Dean Martin storms to seven. Nat “King” Cole is locked at six, so is “Santa Tell Me” at No. 5, and “Last Christmas” at No. 4. “Jingle Bell Rock” is down to three, while Brenda Lee moves up to No. 2. And grabbing a record extending 22nd week at No. 1 is Mariah Carey’s “All I Want For Christmas Is You.”

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Wham!’s “Last Christmas” tops the Billboard Global 200 and Billboard Global Excl. U.S. charts for a second week each.

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The 1984 release by the British duo of George Michael, who died in 2016, and Andrew Ridgeley, has led both lists this season for the first time. It also hit a new No. 2 high on the U.S.-based Billboard Hot 100. Ridgeley marveled to Billboard at how the carol has become “beloved by all generations,” upon its rise to the Hot 100’s runner-up rank, citing “the special place the song occupies in so many hearts and one that George Michael would have been immensely proud of.” Shared Michael’s estate, “Thank you to everyone who keeps this song at the very heart of Christmas.”

“Last Christmas” heads up an all-holiday top 10 on each international chart, with a seasonal presence extending to the top 13 songs on the Global 200. (Two years ago this week, holiday hits scored their biggest shutout in the charts’ upper reaches, at Nos. 1-19 on the Global 200 and Nos. 1-20 on Global Excl. U.S.)

The Billboard Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.

“Last Christmas” rebounds a spot on the Global 200 with 192 million streams (up 92% week-over-week) and 10,000 sold (up 48%) worldwide in the week spanning Dec. 19 through Christmas Day.

The song posts the 10th-biggest global streaming week for a track since the Global 200 began in September 2020. It also boasts the ninth-highest frame, as it drew 192.5 million worldwide streams a year ago this week — with no other title repeating in the top 10. (BTS’ “Butter” leads with 289.2 million; June 5, 2021.)

Rounding out the top five on the Global 200, Mariah Carey’s “All I Want for Christmas Is You” dips to No. 2 after a record 20 weeks at No. 1 since December 2020; Brenda Lee’s “Rockin’ Around the Christmas Tree” keeps at No. 3, after it hit a No. 2 peak in 2022; Bobby Helms’ “Jingle Bell Rock” hops a spot back to its No. 4 best; and Ariana Grande’s “Santa Tell Me” also returns to its high (7-5).

“Last Christmas” rules Global Excl. U.S. with 131.1 million streams (up 103%) and 5,000 sold (up 34%) beyond the U.S.

“All I Want for Christmas Is You” dashes 3-2 on Global Excl. U.S., following 14 weeks at No. 1 since December 2020; “Rockin’ Around the Christmas Tree” makes a jolly 6-3 jump back to its best rank; “Jingle Bell Rock” hits a new high (7-4); and “Santa Tell Me” treks 8-5, after reaching No. 4.

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Jan. 3, 2026) will update on Billboard.com tomorrow, Dec. 30. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Queen Bey now has a “B” next to her net worth. According to a report from Forbes on Monday (Dec. 29), Beyoncé has officially reached billionaire status, becoming just the fifth musician to ever do so, per the publication’s estimates.

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According to the publication, the 35-time Grammy winner crossed into 10-digit territory in 2025 after capping off one of the highest-grossing tours of the year, with Billboard Boxscore previously reporting that her Cowboy Carter trek had grossed $407.6 million across 1.6 million tickets sold this summer. Forbes also cites Bey’s 2023 Renaissance World Tour, as well as her Cécred and SirDavis Whisky businesses, as contributing factors to her newfound billionaire valuation, but notes that “most of her personal wealth comes from her music, by controlling the rights to her enormously valuable catalog and earning a massive income from her global tours.”

Forbes says Bey is now one of just five musicians who have ever built an empire worth more than $1 billion, joining the ranks of husband Jay-Z, Taylor Swift, Rihanna and Bruce Springsteen. (Outlets other than Forbes have also placed Paul McCartney, Andrew Lloyd Webber and Selena Gomez at the billionaire level using different criteria.) The Destiny’s Child alum first started taking a dedicated business approach to her career in 2010 by founding her Parkwood Entertainment company, which has allowed her to keep the management and production of all of her music, performances, tours and visual media products in-house and ultimately retain more of the profits from those ventures.

As one of music’s biggest superstars — and as someone who has demonstrated a level of career longevity that only a handful of other artists have matched in history — Beyoncé has had analysts tracking her wealth for years. In December 2023, she made headlines for expanding her net worth from $500 million to $800 million in just one year alone, thanks in large part to the success of her Renaissance World Tour.

Since going solo in 2003, Bey has released eight studio albums — all of which charted at the top of the Billboard 200. She’s also scored nine No. 1 hits on the Billboard Hot 100.

Beyond beating out everyone but Coldplay for highest grossing trek of 2025, Beyonce also set a number of records with her limited Cowboy Carter run. In addition to it becoming the top grossing country tour in Billboard Boxscore history, it was also the shortest tour to gross more than $400 million, taking just 32 dates to do so.


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Diddy’s sons Justin and Christian “King” Combs are ready to speak out about their father’s federal trial and the media turmoil surrounding Diddy since his downfall began with Cassie’s bombshell lawsuit in 2023, which was settled out of court one day after it was filed.

The Combs brothers appeared in a trailer for an upcoming untitled docuseries coming to Zeus Network in 2026 on Sunday (Dec. 28). The emotional clip finds Justin and King sitting down in a home theater as soundbites and news articles bashing their father throughout the trial are played on a loop. It comes to a close with the sons looking to take a call from Diddy while their father is behind bars.

Phrases such as “the family,” “our voice,” “the loyalty,” “the betrayal,” “the truth” and “the lies” are shown throughout the chilling trailer. The docuseries is set to premiere in 2026.  Zeus Network CEO Lemuel Plummer added in a comment on Instagram that this is more about giving Diddy’s sons a platform to tell their side of the story, rather than endorsing Diddy.

“To be clear, this documentary is about giving Justin and Christian the opportunity to share their personal story,” Plummer wrote. “We’re not here to endorse Diddy or anyone else. As a network, we believe in giving individuals a platform to tell their own experiences, just like any network that enters the documentary space.

He continued: “We’re simply allowing these stories to be told, and that’s the essence of what we’re doing here. Thanks for understanding and for letting us bring these narratives to light.”

Combs’ seven children haven’t spoken much since their father’s arrest. King Combs teamed up with Ye (formerly Kanye West) to release his Never Stop EP earlier this year, which he dedicated to both of his parents (the late Kim Porter and Diddy).

On track “Pick a Side,” King Combs aims at his father’s longtime rival 50 Cent, and dared anyone to say “No Diddy” — which is a phrase that has become popularized since Combs’ trial — to him in public.

Diddy ended up being handed a 50-month sentence in October. Combs dodged heavier charges of racketeering and sex trafficking but was found guilty of violating federal prostitution laws.

The announcement for the Zeus Network docuseries from the Combs family comes on the heels of the shocking revelations made in 50 Cent’s Sean Combs: The Reckoning docuseries, which premiered on Netflix earlier in December.

Billboard has reached out to Diddy’s reps for comment. Watch the Zeus Network trailer here.

Mariah Carey‘s “All I Want for Christmas Is You” shines atop the Billboard Hot 100’s highest bough for a record-extending 22nd week, leading a record parade of holiday hits from the top of the chart on down. Seasonal songs claim the top 24 positions on the survey, surging past the prior mark of carols taking Nos. 1-16 a year ago this week (on the chart dated Jan. 4, 2025).

Helping the haul of holiday songs, the latest chart’s data tracking period encompassed the week leading up to and including Christmas Day (Dec. 19-25).

Three weeks earlier, “All I Want for Christmas Is You” returned to No. 1 on the Hot 100 to rule in a record-extending seventh holiday season. It was released on Carey’s album Merry Christmas in November 1994 and, as streaming grew and holiday music became more prominent on streaming services’ playlists, it first hit the top 10 in December 2017 and the top five in the 2018 holiday season. It led at last, prior to its four weeks this season, over the holidays in 2019 (for three weeks), 2020 (two), 2021 (three), 2022 (four), 2023 (two) and 2024 (four). (Older holiday songs are eligible to appear on the chart each season.)

Below is a rundown of the upper reaches of this week’s very merry Hot 100.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Jan. 3, 2026) will update on Billboard.com tomorrow, Dec. 30. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Plus, for all chart rules and explanations, click here.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.