If you’ve been to a Pitbull show over the past couple years you may have noticed that Mr. Worldwide’s signature bald n’ bearded look is catching on among his fans, male and female. He even acknowledged the trend during a run of arena shows in the U.K. and Ireland last year, where he stared out at a sea of people dressed in black suits, bald caps and sunglasses meeting up outside of venues.

Pitbull (born Armando Christian Pérez), shared with the BBC that thought the long-running trend filled his heart, telling the outlet, “every time I’m at a show, I let them know that when you put on a bald cap, I hope you’re ready to have the time of your lives – it feels deeper than just music. It’s the ultimate trophy to be able to go on stage and see all the hard work that you put into the music. I’ve been in the game for 25 years and to see every demographic, everybody [dressing up] at the shows is priceless.”

Now Pitbill is turning the trend into a Guinness World Record book try when he’ll attempt to set a record for the most people wearing bald caps at his BST Hyde Park headlining show in London on July 10.

Organizers announced the attempt on Tuesday morning (Feb. 17), writing on X, “It’s official. Let’s make history. After the idea was championed by @gregjames on @BBCR1, we’re on a mission to secure a GUINNESS WORLD RECORDS™ title for the largest gathering of people wearing bald caps and Pitbull needs YOU there in London’s Hyde Park on Friday 10 July. Let’s have a real good time! Dale.”

Pitbull will gear up for the record attempt with a series of upcoming shows, including an appearance at the Stagecoach Music Festival in Indio, Calif. (April 24-26), followed by a run of shows in Florida, South Carolina, North Carolina, Texas, Arizona, Utah and California before heading to Europe on June 23.

Check out the poster announcing the record try below.


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Cardi B has not said much to date about her reported break-up with NFL wide receiver Stefon Diggs of the New England Patriots. But during one of her Little Miss Drama tour stops in Los Angeles on Sunday night (Feb. 15), the rapper seemed to open up about the couple’s split, less than four months after Cardi gave birth to their son in November.

“Just because I ain’t f–ling with my baby daddy doesn’t mean you get to talk about my baby daddy,” Cardi said during the show according to video of the comment. She then added a pointed, “this is for you b–ch,” before moving into her Am I the Drama? song “Pretty & Petty.” The diss track aimed at rapper BIA and came just days after BIA hopped online and appeared to take a swipe at Diggs, whose Patriots were blown out 29-13 by the Seattle Seahawks at Super Bowl LX earlier this month.

“Can u name someone with more [baby mamas] than receiving yards,” BIA wrote on X on Thursday. “I can! and I know that… ykwnvm.”

Rumors that Cardi and Diggs had broken up after a year of dating —they reportedly began seeing each other in October 2024 and went official in June of last year — began to bubble up after the rapper was asked if she had a pre-game message for Diggs and she flatly replied, “Good luck” and then fans noticed that the two had unfollowed each other on Instagram. The speculation ramped up again after Cardi left the game early after her surprise cameo in Bad Bunny’s historic halftime show.

BIA told Hot 97 last year that the origins of the two MC’s issues stemmed from fans noticing that BIA’s Really Her EP from 2023 and Cardi’s “Enough (Miami)” track the following year had a similar groove. BIA dissed Cardi on her “Sue Me” track in 2024, with Cardi responding on “Pretty & Petty.”

Cardi’s tour will hit Portland’s Moda Center on Thursday (Feb. 19).


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Gary Barlow, one of the U.K.’s most successful songwriters and a founding member of boyband Take That, has signed an exclusive global publishing deal with BMG.

The deal covers Barlow’s entire songwriting catalogue, spanning an illustrious career of more than four decades. Among the works included are enduring Take That hits such as “Back for Good,” “Never Forget” and “Greatest Day,” as well as songs co-written for and with artists including Elton John and Robbie Williams.

It marks another major acquisition for BMG, which continues to expand its roster of talent including Mick Jagger, Keith Richards, Loyle Carner, George Ezra and CMAT, among others.

The news arrives amid a busy period for Barlow. This summer, he will head out with Take That on The Circus Live stadium tour across the U.K. and Ireland, a revival of the band’s record-breaking 2009 production. According to a press release, the trio are also at work on their 10th studio album.

“I was struck by the enthusiasm from everyone at BMG, and by the depth and reach of their global team,” Barlow said in a statement. “It quickly felt like a place where we could forge a genuine creative partnership, and that made the decision feel both exciting and very natural.”

Chris Dempsey, founder and artist manager at Corduroy Artists, added BMG “stood out for their passion, their hands-on approach and the sense that Gary’s songwriting catalogue and future work would be given real focus and care.”

Alistair Norbury, president, U.K., Continental Europe & APAC at BMG, called Barlow “one of the defining British songwriters of his generation.” She continued: “What makes this partnership particularly meaningful is not just the legacy of Gary’s catalogue, but the creative ambition that still drives his songwriting forward.”

“At BMG, we’re committed to long-term, artist-first partnerships, and we’re proud to support Gary’s work with the focus, care and global reach it deserves.”

As part of Take That, Barlow has won eight BRIT Awards and contributed to sales of more than 45 million records worldwide. In addition to his work with the band, he has released six albums as a soloist, two of which hit the top spot on the Official U.K. Albums Chart.

Meanwhile, Take That’s music has been back in the spotlight thanks to a new Netflix documentary, which follows the group’s story from their Manchester beginnings to global success.

After an extended hiatus, acclaimed synth-pop trio Chvrches are back – and they’re shining a new light on an indie classic. The Scottish band have released a stunning take on The Postal Service’s track “Such Great Heights,” appearing in the third season finale of psychological drama Tell Me Lies (Hulu/Disney+), closing out the show’s emotional narrative arc.

Comprising singer Lauren Mayberry and multi-instrumentalists Iain Cook and Martin Doherty, Chvrches have made a significant musical contribution to Tell Me Lies, also delivering a rendition of Rober Palmer’s “Addicted To Love” for the third season premiere. As Mayberry tells Billboard U.K. in an exclusive interview, the band have a “genuine love” for the show and jumped at the opportunity to get involved.

“It was such a treat to get to make music for the season premiere and the season finale of this show,” said Mayberry. “Bookending the insanity and the heartbreak of the season three arc was an honour. ‘Such Great Heights’ is basically a perfect song so we were excited and terrified to cover it in equal measure. The Postal Service is such a special band and their music means a lot to us.”

Prior to the final episode airing airing on Hulu, showrunner Meaghan Oppenheimer confirmed that the show was concluding with season three. “This was always the ending my writing team and I had in mind, and we are insanely proud of it,” she wrote on her Instagram.

As a solo act, Mayberry shares a unique bond with The Postal Service, having been one of their tour supports for the North America 2023 co-headline shows with Death Cab For Cutie. She reflected on this experience in a Trackstar* street interview last summer, describing how elated she was to watch them perform night after night.

Chvrches’ last full-length effort, meanwhile, arrived in the form of 2021 horror-infused LP Screen Violence – which landed at No. 4 on the Official U.K. Albums Chart upon release. Mayberry told Billboard U.K. that new material is in the pipeline, with a “fun and ferocity that feels new” for the band. Before then, they’ll return to the stage next month (Mar. 27) by opening up for pioneering shoegaze band My Bloody Valentine at London’s Royal Albert Hall.

Here, Mayberry discusses her Tell Me Lies fandom, the process behind covering “Such Great Heights”, and the exciting plans on the horizon for Chvrches.

How did the opportunity to record this song come about?

Lauren: A friend of mine [Liz Elverenli] joined the show as a writer for season three. One day out of the blue, she texted me from the set asking if we would be interested in doing some music for the season premiere. Apparently they were talking on set about cover songs and artists that would potentially connect with the viewing demographic and when our name came up, she was like, ‘I know [Lauren]! She loves the show!” 

She put me in touch with Meaghan Oppenheimer, the showrunner, and we talked on the phone about what they were looking for and it all grew from there. I had to try hard not to fangirl Meaghan too hard – it’s crazy to me that such a lovely, warm person can write such a twisted, demented show. A woman of layers.

Why do you feel that this song and your cover suited the show and these closing scenes?

Lauren: I think having a genuine love for the show put me in a good position to know what I would want the pay off of that final scene to feel like, from a fan’s perspective. For a show that is so full of twists, they did somehow still manage to save some doozies for the last episode. 

As much as she makes some very ill-advised decisions, I do have a lot of empathy for Lucy and why she acts the way she does. I think this season really shows the longer term damage that is done by those kinds of relationships – at any age but especially when someone is so young.

The fact the college sections are set in 2008 and 2009 feels poignant to me. I was at university at that time too, and there was no dialogue around “toxic” relationships in the way there is now. I was thinking about that and trying to bring that personal experience to my delivery when we recorded. I always liked the balance of joy and melancholy in the Postal Service’s music. 

What are your earliest memories of hearing the Postal Service?

Lauren: My bandmate at the time lent me his copy of Give Up as an example of good girl-boy vocal sharing for us to try and emulate and I fell in love with the album. I loved basically everything in Jenny [Lewis] and Ben [Gibbard]’s individual cinematic universes, so them combined was a no-brainer.

One of the first US festivals Chvrches played was Sasquatch [in George, Washington] in 2013. The Postal Service were playing as part of the ten year anniversary of the record, and it felt like every other band on the line-up stayed to watch. We toured with Death Cab [For Cutie] a couple of years after that, and then I did some solo shows opening on the Transatlanticism / Give Up 20th anniversary tour, so there is quite a lot of overlap between our musical worlds and it felt poignant to get to do a version of this song. 

I did email Ben about it to make sure they wouldn’t find it weird and so that he didn’t think we were being creepy. He was characteristically lovely about it, of course.

Why did you fall in love with the Postal Service and their music?

Ben and Jenny are probably two of my favourite lyricists of all time. I just love how they tell stories. There’s such lore and romance to how the record was made too. It’s really inspiring to see musicians try new things and step outside of what they are already known for. That kind of freedom and fearlessness when it comes to creativity is something I am really drawn to, but probably too chickensh–t to try. Bring back supergroups, man. We need more Boygeniuses!

How do you bring a song into your world when you’re recording a cover?

It’s always a challenge to find the balance of keeping certain aspects of the original that feel essential to the DNA of the song, and trying to bring your own sauce to it. “Such Great Heights” is basically a perfect pop song and I don’t know how one would ever top that, so we just tried to be respectful and faithful to it.

I like to sit with the lyrics when we’re doing a cover and think about what story they’re telling and what they mean to me. Sometimes you can know a song insanely well and still be sort of surprised by what the lyrics really mean, when you look at them written down and out of context – and playing a song is quite different to just listening to it. 

What else is going on in Chrvches’ world? Is a new album on the way?

We are pretty close to finishing the new album, yes. We recorded these covers during the studio sessions for the record, actually. I don’t want to give too much away too early but we all feel really good about what we’re making. There’s a fun and ferocity to it that feels new for us. I’m excited for people to hear it.

You’re supporting My Bloody Valentine at the Royal Albert Hall next month (Mar. 27). Is that something of a ‘pinch-me’ moment?

We are really looking forward to that show. It’s a charity event for the Teenage Cancer Trust, curated by Robert Smith, and it will be the first Chvrches show in three years, which feels crazy to say.

It’s a “stripped back” set but we’re definitely going to make sure it still slams. We can’t open for My Bloody Valentine on acoustic guitars, you know? We all love the band so much and want to do right by them, and the charity.

Five years after his brief run on American Idol, previously unseen footage of Benson Boone performing on the show has finally aired.

During the Feb. 16 episode of the ABC competition series, producers broadcast an unaired duet between Boone and returning contestant Mary Jo Young from season 19.

The two had performed “You Say” by Lauren Daigle during Hollywood Week in 2021, though the pairing did not make it to air at the time.

Young, now 24, previously reached the Top 24 during season 19 of the ABC competition series, while Boone advanced to Hollywood Week that season but later withdrew from the competition.

In the years since, he has emerged as one of the show’s most commercially successful alumni who did not complete a full season run. His 2024 single “Beautiful Things” became a breakout global hit, reaching the top 10 on the Billboard Hot 100 and topping charts internationally.

Reflecting on that moment, Young joked to the judges, “Me forgetting all the lyrics to ‘You Say.’” She added, “When it came to an end, it was a good, kick the baby bird out of its nest because I needed to go and grow.”

Since her initial appearance on Idol, Young has toured as an opening act for Alex Warren and Jesse Murph. She told the judges that her confidence has grown in the years since her first audition.

For her return performance, Young sang her original song “Don’t Call Me.” Underwood praised both the material and the delivery, telling her, “I liked it a lot. I liked the song a lot. Your voice has a different tone to it. It’s got some power under it when you start going for the higher stuff. [There is] a lot of personality in you and your voice as well.”

Richie offered broader career advice, saying, “I tell people who try to get in the business, it ain’t about singing, it’s about surviving. If you can get through that, that’s the key. You’re doing quite well at surviving. It sounds great.”

Bryan noted a shift in her stage presence: “There is a different air of confidence to you that’s totally new. We’re glad you came back around.”

Young received three yes votes, sending her to Hollywood Week. Despite the name, this season’s Hollywood phase is taking place in Nashville, with episodes scheduled to air Feb. 23 and March 2 on ABC.

Following her Golden Ticket moment, Young reflected on her return to the show: “I wanted to come back to American Idol because I learned the most from the show than I have on any tour. I’m going to Hollywood Week much more prepared. This ticket shows me it’s always good to get up and try again, and I’m proud of myself for it.”

Lainey Wilson may be in the middle of a major international run, but when it comes to career milestones, few moments top being able to call Dolly Parton a friend.

Appearing live in studio on Nova 96.9’s Ricki-Lee & Tim in Sydney, Australia, on Monday morning (Feb. 16), the Grammy-winning country star reflected on her growing bond with the country icon, describing the relationship as both surreal and deeply meaningful.

“It’s insane. She has become a dear friend, which is also weird for me to say,” Wilson said when asked about working with Parton.

Wilson went on to praise Parton not just as a performer, but as a business force and industry trailblazer. “The way that she has, like, continued to pave a path and I mean, she’s an incredible human businesswoman, like, she’s just got it going on,” Wilson added.

That tour stop brought Wilson to Sydney’s Qudos Bank Arena on Sunday night (Feb. 15), where she said the crowd delivered one of the most intense reactions she’s experienced.

“Honestly, it was probably one of the loudest shows that I’ve ever seen,” she said. “They were singing songs that I normally see, like 75% of the crowd singing.”

Wilson admitted it took her until 2 a.m. to wind down following the performance. “To tell you the truth it does take me a long time to come down,” she said, describing the post-show quiet as a “weird feeling” after performing in front of thousands.

“I pick up people’s energy so much, I kind of feel like the whole show is an energy exchange,” Wilson explained. “It’s like, I’m putting it out there and they’re giving it back.”

While in the studio, Wilson also joked about one aspect of the recent Grammy Awards ceremony she’d like to see improved.

“Tiny little tables! I was like come on Grammys… give us a bigger table,” she said with a laugh, referring to the cramped seating arrangements at the awards show.

Wilson continues her Australian dates this week before returning to the U.S. for additional tour commitments.

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The 2026 Winter Olympics are in full swing, and while the Mariah Carey-led Opening Ceremony captured the attention of millions of viewers worldwide, one sport in particular has captured the attention of none other than Taylor Swift.

A new commercial released Monday featured the singer’s “Opalite” soundtracking an NBC Olympics preview of the women’s figure skating event, which kicks off Feb. 17. In the clip, Swift introduces Team USA figure skaters Alysa Liu, Amber Glenn and Isabeau Levito — who have dubbed themselves “The Blade Angels.”

“Ladies and gentlemen, I’d like to introduce you to Amber, Alysa and Isabeau, three American showgirls on ice who will capture your heart with their stories,” Swift says in a voiceover for the clip. The singer goes on to share a few words about each of the skaters, setting up their competition debut this week.

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Watch Women’s Figure Skating at the 2026 Winter Olympics Opening Ceremony

  • Date: Feb. 17-18
  • Time: 1 p.m. ET
  • Venue: Milano Ice Skating Arena, Assago, Italy
  • TV channels: NBC, USA Network
  • Streaming: DIRECTV (free trial), Peacock, Hulu + Live TV (free trial)

The women’s figure skating event is the last event for this Olympics’ figure skating competition. Team USA won the gold medal in the team event, with Liu competing in the short program while Glenn took the ice for the long program. The women’s individual event will be Levito’s debut in Milan.

Want to watch women’s figure skating at the Olympics? The short program airs on USA Network while the long program airs on NBC. You can watch women’s figure skating with a cable package that includes both networks.

There are also watch to Olympic figure skating online without cable.

Streaming Options for Figure Skating at the 2026 Winter Olympics

NBC is the official broadcaster for the 2026 Milano Cortina Olympics. Skating segments will be airing during NBC’s primetime broadcasts, typically 8:00 PM to 11:00 PM (EST/PST), but you can watch the figure skating event live online through Peacock.

Watch Olympic Figure Skating on Peacock

Peacock is the official streaming home of the 2026 Winter Olympics. While there is no free trial for new users, the platform offers affordable plans starting at just $10.99 per month, or an annual plan for $109.99 per year (which gets you 12 months of streaming for the price of 10).

Watch Olympic Figure Skating on DIRECTV

You can also watch figure skating at the 2026 Winter Olympics through DIRECTV, a live TV streamer that lets you watch hundreds of channels online without cable. All of DIRECTV‘s packages include access to NBC as part of their base lineup, though we’d suggest the ENTERTAINMENT package for the most options.

This package is currently available for $89.99 a month and is ideal for those looking to tap into a slew of entertainment-based channels. If you’re unsure about committing to a new subscription, you can try the service out for free for five days, which will let you livestream women’s figure skating at the Olympics for free.

Watch Olympic Figure Skating on Hulu + Live TV

Another option to watch figure skating online is a Hulu + Live TV subscription, given that NBC is included in the live TV channel lineup. The service also offers a three-day free trial to new users. A subscription to the service (with ads) will cost $89.99 per month, while the plan without ads goes for $99.99 per month. Both plans give you access to watch the 2026 Olympics live online without cable.

Women’s Figure Skating at the Olympics: Skaters, Favorites

Team USA won the gold medal in the team event, and both Liu and Glenn will be looking to take the top spot in the individual women’s event as well. They’ll face a stiff challenge from three-time World Champion and 2022 Olympic bronze medalist, Kaori Sakamoto, from Japan. Other challengers include Japan’s Mone Chiba and Russian star Adeliia Petrosian, who is competing under the “Neutral Athletes” banner (for Russian and Belarusian athletes granted an exemption to compete at the Olympics; Russia and Belarus are currently banned from competing as a country due to their invasion of Ukraine).

More on Music, Figure Skating & Team USA

When it comes down to choosing music for programs, athletes will often choose dynamic and rhythmic pieces. Generally, free-flowing music that you can get lost in is an obvious pick, however, unique tracks have also become pretty common too. During the 1988 Calgary Olympics, Katarina Witt chose “Carmen” by Georges Bizet, a dramatic opera score that helped Witt win her second Olympic gold medal. “Seimei” by Shigeru Umebayashi was chosen by beloved Japanese figure skater Yuzuru Hanyu during the 2018 PyeongChang Olympics.

The track is classical Japanese orchestral music at its best, featuring quiet moments, punctuated by powerful crescendos. It marked Hanyu’s return to the ice after injury and earned him a gold medal. At the 2022 Beijing Olympics, Team USA figure skater Nathan Chen chose “Rocket Man” by Elton John, an iconic contemporary pick that showed off Chen’s flair on the ice. Chen won gold that year. We’re excited to see what Team USA has in store for their music choices.

Alysa Liu had planned on her short program being set to “This Is How It Feels,” by Icelandic singer Laufey featuring D4vd. Liu scrapped that idea ahead of the Olympics, according to ESPN due to controversy with D4vd revolving around the body of a missing teenage girl that was found in an impounded Tesla that was reportedly registered to the singer.

Overall, the United States has snagged the most medals in Figure Skating, a whopping 54, specifically in men’s and women’s singles events. If we’re talking gold, Team USA has a total of 17 Olympic gold medals as of 2026.

See the 2026 Winter Olympics Figure Skating Schedule Below

Monday, February 16
2 a.m. ET: 
Pairs: Short Program re-air (USA Network)
11:30 a.m. ET: Pairs: Free Skate: Warm-Up (Peacock)
2 p.m. ET: Pair: Free Skate (Peacock, USA Network) 
3:55 p.m. ET: Pairs: Free Skate Part 2 (NBC) 
8 p.m. ET: NBC Primetime in Milan, featuring Pairs Free Skate

Tuesday, February 17
2 a.m. ET:
 Pairs: Free Skate re-air (USA Network)
10:20 a.m. ET: Women’s Short Program: Warm-Up (Peacock, USA Network)
12:45 p.m. ET: Women’s Short Program (Peacock, USA Network)
2:40 p.m. ET: Women’s Short Program Part 2 (NBC) 
8 p.m. ET: NBC Primetime in Milan, featuring Women’s Short Program 

Thursday, February 19
10:30 a.m. ET: Women’s Free Skate: Warm-Up (Peacock)
1 p.m. ET: Women’s Free Skate LIVE (NBC, Peacock) 
8 p.m. ET: NBC Primetime in Milan, featuring Women’s Free Skate

Saturday, February 21
2 p.m. ET: Exhibition Gala (Peacock)
2:55 p.m. ET: Exhibition Gala (NBC)
3:50 p.m. ET: Exhibition Gala (NBC)
8 p.m. ET: Primetime in Milan, featuring Exhibition Gala

Songwriters Billy Steinberg and Tom Kelly met through producer Keith Olsen in 1981, and it quickly became clear that the two had very complementary songwriting strengths.

“Billy was way stronger lyrically and I’m much stronger musically. So rather than me struggling to finish a lyric and rather than him writing a simplistic rock and roll song, we started working together,” Kelly recalled Monday (Feb. 16) afternoon, shortly after Steinberg died of cancer at the age of 75.

The Grammy-winning lyricist left behind songs that defined the ‘80s and ‘90s, including a string of No. 1 tunes written with Kelly, such as Madonna’s “Like a Virgin,” Whitney Houston’s “So Emotional” and Cyndi Lauper’s “True Colors.”

They delighted in how well they worked together.  “In the early days, we would just kind of laugh and look at each other, like, ‘Did you hear that? What did we just do?” Kelly recalls.  “It was just like a chemical reaction. You put something in a test tube, and it bubbles over. He and I really made magic together.”

Kelly recalls that Steinberg “would sit with a legal pad and his little fountain pen and just stare at that page and I’d watch his brain grinding. He just was great with words and catch phrases. He just was born to do it. He just had a gift.”

They had a legion of other hits, among them, Pretenders’ “I’ll Stand by You,” the Bangles’ “In Your Room,” Lauper’s “I Drove All Night” and the Divinyls’ “I Touch Myself.” Taylor Dayne, Tina Turner, Pat Benatar, Bette Midler, Cheap Trick, Belinda Carlisle and many other artists also recorded their songs.

Steinberg and Kelly, who signed to Epic Records as a duo under the name I-10, began getting their songs recorded in the early ‘80. “We had had some luck writing good songs and placing some songs, but we hadn’t had any big hit records,” Kelly recalls.

That all changed when Madonna cut “Like a Virgin,” a song inspired by Steinberg falling in love again after a bad breakup. The pair, who were inducted into the Songwriters Hall of Fame in 2011, scored their first No. 1 on the Billboard Hot 100 with the Madonna song in 1984 and quickly followed with four more No. 1 songs over five years. More than 40 years later, “Like a Virgin” remains Madonna’s biggest hit, spending six weeks at No. 1.

Steinberg usually wrote the lyrics first but then stayed with Kelly as he wrote the music.  “Billy couldn’t stand to be in another room. He always wanted to be right there, which was fine. He was a good sounding board,” Kelly says. “I wrote almost all the music, but he threw in his two cents on what he liked and what he didn’t. Billy was obsessed with making music and making songs more than I am. He was the workaholic, and probably good for my work ethic.”

Kelly last saw Steinberg only a few days before his death. “I had a great visit with him,” he says. “It was perfect.”

On Monday afternoon, Kelly revisited the pair’s five No. 1s for Billboard and recalled the story of how he and his friend created each one.  

The interview was edited for clarity and length.

Joel Madden says there’s one Australian rock anthem he wishes he’d written — and it belongs to Silverchair.

Speaking on Triple M’s Homegrown with Matty O, the Good Charlotte frontman was asked to name an Australian song he would have liked to claim as his own. After listing several tracks he admires, Madden ultimately chose “Israel’s Son,” the breakout 1995 single from Silverchair’s debut album, Frogstomp.

“Tomorrow would be on the list,” Madden said, referencing another Silverchair hit. He went on to name several songs written by frontman Daniel Johns, including “Straight Lines,” “Slave” and “Suicidal Dreams,” adding that he would “have to make a full list of Aussie songs.”

He also cited Gotye’s global hit “Somebody That I Used to Know” and the catalog of Crowded House before narrowing his pick down. “If I had to pick one, I’m gonna go with ‘Israel’s Son,’” he said. “I’d love to talk to Daniel. He’s got great perspective, and he’s always been himself.”

Silverchair’s “Israel’s Son” was released in 1995 and became an early signature track for the band, helping propel Frogstomp to international success.

The album reached No. 9 on the Billboard 200, marking a rare breakthrough for an Australian rock act in the U.S. market during the post-grunge era.

Madden’s comments came ahead of Good Charlotte’s upcoming Australian tour, where he also discussed the band’s eighth studio album and how touring has evolved over the years. Throughout the conversation, he noted his long-standing appreciation for Australian music, calling the country “always on the forefront of music.”

Good Charlotte have had their own history of Billboard success, earning multiple top 10 albums on the Billboard 200, including 2004’s The Chronicles of Life and Death, which peaked at No. 3. Their breakout 2002 set The Young and the Hopeless reached No. 7 on the chart.

Taylor Swift‘s “Opalite” is the soundtrack in a new NBC Olympics preview that has the pop star introducing Team USA figure skaters Alysa Liu, Amber Glenn and Isabeau Levito — a trio of athletes also known as “The Blade Angels.”

“Ladies and gentlemen, I’d like to introduce you to Amber, Alysa and Isabeau, three American showgirls on ice who will capture your heart with their stories,” Swift says in a voiceover for the clip, which was released on Monday (Feb. 16) and which goes on to give a brief backstory for three figure skaters competing on the U.S. team. (See NBC’s broadcast schedule for figure skating coverage here.)

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“Amber will be the first to tell you about how many battles she’s fought, and about how the ones she’s lost have meant as much as the wins. Her superpower now is embracing the fight and daring the world to test her self-belief,” Swift says of Amber Glenn.

“As for Alyssa, she walked away from skating when she was 16, but then came back on her own terms. Joy fuels her now. Every jump, a celebration. Every performance, a testament to the beauty of knowing yourself,” adds Swift.

“And then, Isabeau,” says Swift. “I mean, she’s destiny personified. Her mom grew up in Milan, and her nona, her grandma, lived exactly 13 minutes from the Olympic rink. When you skate like you’re meant to be out there, history has a funny way of showing up.”

Swift’s — who just released a music video (and a couple extended versions, with behind-the-scenes footage) for her latest The Life of a Showgirl single, “Opalite,” — has been showing her support for the Team USA in the 2026 Winter Games. Earlier in February, a video she filmed of herself wishing the Olympic athletes luck aired during NBC’s opening ceremony.

Watch the new NBC Olympics promo spot narrated by Swift below, and find out how to watch all the 2026 Winter Olympics coverage here.