As any Ari fan knows too well, there was a lot to catch up on with the launch of the star’s Eternal Sunshine tour. Since Grande’s last trek — her mega 2019 Sweetener World Tour — she has released not one but two albums (Positions, Eternal Sunshine) with a third on its way (Petal, which arrives during tour on July 31). Plus, there was her 2025 Eternal Sunshine Deluxe: Brighter Days Ahead project that included six new songs — a handful of which made their way into the opening night setlist.
And while the show largely focused on Positions and Eternal Sunshine — rightfully so — the pop star included many of her biggest career-spanning hits as well; in fact, every album was represented except for Sweetener. But hey, that album had its time to shine. (Though, Thank U, Next hits including the title track and “7 Rings,” both of which were performed on the Sweetener World Tour, made their way into the Eternal Sunshine show as well).
The set was divided into five sections, with section three including a trio of pop bangers back-to-back-to-back (“One Last Time,” “Rain On Me” and “Break Free”) and section four following “Dangerous Woman” with early fan favorite “Honeymoon Avenue.” The last section featured a fake-out finale of “Into You,” before Grande live debuted Petal’s lead single, “Hate That I Made You Love Me,” which so far is the only preview of the new album (she didn’t opt to perform anything unreleased on night one, at least).
With so much anticipation for the Eternal Sunshine Tour, Billboard speculated what Ari’s show might look like back in May, crafting this dream set list. But now, we know for sure — and it’s a dream indeed.
See the set list for night one of Grande’s Eternal Sunshine Tour below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-06-07 08:41:092026-06-07 08:41:09Ariana Grande’s Eternal Sunshine Tour 2026 Setlist: Every Song Played at the First Show
The 24th edition of the Primavera Sound festival — coming a full quarter-century after a much more modest version of the festival initially debuted in 2001 — went down this week in Barcelona. While a handful of acts (including buzzy indie-rockers Wet Leg) officially kicked off the fest on Wednesday (June 3), and a few more (ending with legendary house DJ Carl Cox) will see it out on Sunday (June 7), the crux of the festival transpired over June 4-6, with three days of genre-and-globe-spanning artists adding up to one of the richest festival experiences currently available anywhere on the map.
Unfortunately, the first of those three main days got largely washed out, as the rains came in early evening and lasted till early morning. The weather resulted in messy conditions and great confusion, with poor communication between organizers, staffers and attendees, as nearly all the stages were at least temporarily suspended, and the night’s main-stage acts saw their sets suspended and ultimately canceled — including the trio of Wednesday headliners, U.K. trip-hop greats Massive Attack, U.S. pop-rap star Doja Cat and Spain rhythmic hitmaker Bad Gyal. (Several of the side stages ultimately reopened, with plenty of strong options remaining for those who stuck around.)
However, the festival rebounded with a drier and significantly less dramatic Friday and Saturday, as the second and third full days went on essentially without a hitch, bringing the stunning variety and consistently high quality of artists for which the festival has become renowned. Addison Rae, The Cure and Skirllex headlined the Estrealla Damm and Revolut main stages on Friday, while My Bloody Valentine, The xx and Gorillaz closed them out on Saturday. And the final full day also included a special treat on the Occident stage courtesy of pop superstar Olivia Rodrigo, who helped erase whatever memories still lingered of Friday’s disappointment with an exhilarating 11-song surprise set, including a returning guest from the previous night’s spate of headliners.
Below, see 10 of our favorite moments from the three (well, two and two-thirds) full days of Primavera Sound Barcelona 2026.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-06-07 06:06:272026-06-07 06:06:27The 10 Best Moments From Primavera Sound Festival 2026
Bruce Springsteen, Jon Bon Jovi, Public Enemy, Little Steven Van Zandt, Sheryl Crow, Jackson Browne, David Sancious, and more performed across two nights of the Music America: The Songs That Shaped Us concerts at Monmouth University this week, with the second night on Friday (June 5) featuring a particularly notable return — Bon Jovi’s first public performance in New Jersey since 2018.
The two-night concert series serves as the cornerstone event for the opening of the new Bruce Springsteen Center for American Music at Monmouth University in West Long Branch, New Jersey, which officially opens to the public June 13.
Springsteen opened Friday’s show with a roaring rendition of Elvis Presley’s “Jailhouse Rock,” followed by Presley’s “Burning Love,” backed by the Disciples of Soul under music director Marc Ribler. Bon Jovi then took the stage for Chuck Berry’s “Johnny B. Goode” — his first public vocal performance in his home state since 2018, when he stepped back from touring due to vocal cord issues.
The performance came as Bon Jovi’s full band prepares for a nine-show residency at Madison Square Garden next month. Santelli framed the Berry selection with a pointed historical note from the stage, observing that while Berry is considered the true King of Rock ‘n’ Roll by many, “he could never get to the same point where Elvis was for the simple reason he was Black.”
The night continued through eras of American music: Jackson Browne represented the 1970s singer-songwriter era with his own “For America,” while 86-year-old Dion delivered “The Wanderer” alongside a stirring “Abraham, Martin and John.” Mavis Staples performed The Band’s “The Weight” to represent the activist sounds of the 1960s while Public Enemy closed out with “Fight the Power.”
The night closed with group performances of “Further On Down the Road,” “Raise Your Hand” and “I Don’t Want to Go Home,” before Springsteen ended with a solo rendition of “Land of Hope and Dreams.”
Thursday’s opening night, which traced American music up to World War II, featured Springsteen alongside Kenny Chesney, Rosanne Cash, Dropkick Murphys, Keb’ Mo’, Brian Fallon, Tony Trischka, Sister Sadie, Shemekia Copeland, Trombone Shorty and the New Breed Brass Band, Valerie June and more.
The 30,000-square-foot Springsteen Center for American Music at Monmouth University opens June 13, featuring multiple exhibit spaces, state-of-the-art archives, a 250-seat Dolby soundstage and over a dozen interactive experiences spotlighting both Springsteen’s career and the broader history of American music. More information is available at springsteencenter.com.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-06-07 05:42:062026-06-07 05:42:06Bruce Springsteen, Bon Jovi and Public Enemy Deliver Star-Studded Music America Concert
“SURPRISE, BARCELONA!” Olivia Rodrigo proclaimed after the first song of her Primavera Sound 2026 set on Saturday night (June 6). Well… yes and no. Yes, Rodrigo’s performance was an unannounced part of the festival until just hours before her 10:20 p.m. local-time performance, with the pop-rock superstar revealing the news herself on her Instagram as the fest’s third full day was kicking into gear on Saturday evening.
But no, it wasn’t totally a surprise: Rodrigo had been hinting at a Primavera appearance on her socials earlier in the weekend, and eagle-eyed festival attendees noted a conspicuous gap in the Occident stage schedule for Saturday night where a surprise guest could have easily slotted in. And at a press conference earlier on Sunday, the festival organizers even confirmed that a surprise set was in the offing for the fest’s final full day from a major artist, though they played coy about the exact who, where and when.
Beyond that, even, Rodrigo’s appearance made total sense for her in both short-term promotion and long-term legacy senses. Rodrigo has a new album to promote, of course, with third LP You Seem Pretty Sad for a Girl So in Love arriving this Friday (June 12), and a surprise appearance at one of the globe’s buzziest and most-revered fests to debut a new song — one of the few moves she hasn’t already deployed on this promo cycle — is a great way for her to stay top-of-mind heading into her release week.
And Primavera is one of the few remaining festivals that a pop star like Rodrigo can claim to have “always wanted to play” and actually have it make sense that it’d be true. Aside from its unique location by the water in Barcelona, Primavera has remained intentional and discerning enough in its lineup curation over the years that an appearance there still connotes a certain level of cred. The fest maintains a continuity of cool across the generations, to the point where not only can a contemporary pop star like Addison Rae and a 50-year-old alt-rock band like The Cure appear back-to-back on the Estrella Damm main stage on Friday night and have it feel logical, but Rodrigo can make a surprise Saturday appearance that coincides with a competing set from ’90s shoegaze legends My Bloody Valentine, and it can result in a true conflict of interest for a considerable percentage of the attendees. (This writer may have been among them.)
But speaking of The Cure, there was of course another reason why Rodrigo’s appearance at Primavera Sound 2026 made particular sense, as was revealed 2/3 of the way through her set: She was about to reach the final level of her recent artistic infatuation with Robert Smith & Co. The dalliance began last summer, with Rodrigo bringing Smith out to perform signature Cure hit “Just Like Heaven” with him at Glastonbury, and has continued in various forms through the first two Pretty Sad singles, and now reaches its summation with “What’s Wrong With Me,” the quasi-surprise Rodrigo-Smith duet debuted by the duo during the former’s quasi-surprise performance. If anyone had remaining doubts about Rodrigo’s alt-rock bonafides, such an cosign from one of the genre’s godfathers at a modern indie institution like Primavera just might finally do the trick.
Of course, the Primavera set itself also likely helped there. With only 50 minutes on a relatively smaller stage to work with, Rodrigo and her band stripped away most of the pop star-level production and theatrics — as well as most of the ballads — of her usual show, for a leaner, meaner setlist and sound that focused on her ability to rock any stage she’s on with the high-kicking athleticism of Gwen Stefani, the emotional intensity of Hayley Williams and the overall magnetism of both. You couldn’t quite say this was her indie club set — even in such relatively tight quarters, her natural pop star luminescence always shines through a little too bright for anyone to confuse her with, say, Karly Hartzman of Wednesday. But it did feel special to such a big-scale arena-filler in a slightly scrappier state, and even the slow songs Rodrigo performed on Saturday punched with a little extra ferocity.
Whether or not her set came as a total surprise to fans in attendance, it won’t be one they forget any time soon, and may even go on to be one of the moments that ends up defining this album era of Rodrigo’s. Here were the five most memorable moments from Rodrigo’s Primavera sound performance, as well as the full setlist at the end.
Duffy is set to return to the stage for the first time in over 15 years.
The Welsh singer announced via Instagram on Friday (June 6) that she will perform a “secret intimate gig” in London on July 5, debuting new music as part of her tentative return to public life following years of withdrawal from the industry.
“I’m doing a secret intimate gig in London on the 5th July, next month, and I would love nothing more than for some of you to attend,” Duffy wrote on Instagram Stories. “It’s only small capacity so we can only select a few, but really looking forward to it. I will sing some new songs.” The show will be ballot-only, with fans invited to apply via her social channels.
The performance marks one of the most significant moments in Duffy’s gradual reemergence. Last month, the singer shared a black-and-white image from a recording studio with the caption: “If only I could find the right words to explain how much I’ve missed you all. Working on coming back to you.”
Born Aimée Anne Duffy in Bangor, Wales, the singer rose to global fame in 2008 with her debut album Rockferry, which became the UK’s best-selling album of that year and earned her three BRIT Awards, a Grammy Award for Best Pop Vocal Album, and an Ivor Novello Award.
Lead single “Mercy” peaked at No. 8 on the Billboard Hot 100 in 2008 and reached No. 1 on the UK Singles Chart, where it spent five consecutive weeks at the top. Rockferry itself peaked at No. 4 on the Billboard 200 and remains certified five-times platinum in the UK. She released her second album Endlessly in 2010 before stepping out of the public eye, with only two new songs released since — the 2020 ballad “River in the Sky” and radio-only single “Something Beautiful.”
In 2020, Duffy broke her silence on the reason for her decade-long absence, revealing in an Instagram post and a longer personal essay that she had been drugged at a restaurant while celebrating her birthday, then transported to a foreign country where she was held captive and raped by an unnamed assailant.
She has said the ordeal left her suicidal and that “utterly no-one” knew what had happened until she chose to share her story. To date, no arrests have been made public in connection with the case.
If you or someone you know has been a victim of sexual abuse, text “STRENGTH” to the Crisis Text Line at 741-741 to be connected to a certified crisis counselor. If you or someone you know has been sexually assaulted, please contact the National Sexual Assault Hotline at 1-800-656-HOPE (4673) or visit rainn.org.
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Olivia Rodrigo previewed “What’s Wrong With Me,” a song with The Cure‘s Robert Smith from the second act of her highly anticipated new album You Seem Pretty Sad for a Girl So in Love, live at Primavera Sound 2026. The unveil of their duet came just hours after Rodrigo made a surprise announcement she’d play live at the Barcelona, Spain, music festival Saturday night (June 6).
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At track 10, the song falls on the “you seem pretty sad” side of her upcoming LP’s story. It marks the first time Rodrigo’s featured another artist on an album track.
“II can’t believe this song exists with the person that it exists with. I’m just so f—ing over the moon,” Rodrigo said of song partner Smith when introducing “What’s Wrong With Me” to the crowd at Parc del Forum’s Occident Stage. By the end of Rodrigo and The Cure frontman’s duet — right after hugging her musical hero-turned-friend (and now, officially, collaborator) — the pop star admitted, “I feel like I’m gonna cry … I can’t believe that that’s a thing that happened in the real world and not just a figment of my imagination.”
The lyrics of “What’s Wrong With Me” have her “spiraling.” “I’m not feeling like myself, and nothing ever seems to help,” Rodrigo sings in the pre-chorus, leading up to “Went to the doctor and she said I was fine/ But every movie that I’ve seen makes me cry/ It’s like somebody put a weight on my chest/ I should talk to a friend, but I can’t get out of bed/ My head is spinning and my stomach is sick/ Say I’m in love, so it’s hard to admit/ I can’t eat, I can’t sleep/ I think you’re what’s wrong with me.”
Verse two brings in Smith, who echoes Rodrigo’s relationship rumination: “Head just keeps on pounding with the simple thought/ ‘What if this isn’t what I want?’”
They layer their vocals over the chorus from that point on, and through the song’s bridge and outro.
You Seem Pretty Sad for a Girl So in Love is only a week away; the full album will be available Friday, June 12 via Geffen Records.
Rodrigo popped online with a quick Instagram Story earlier on Saturday to share the news of her previously unannounced Primavera set, which was slotted for 10:25 p.m. local time, though she remained mum on the Smith’s part until showtime. “Surprise!!!” she’d captioned a snapshot of herself giving a thumbs up on the festival’s grounds. “See you tonight primavera_sound … I’m excited.”
The pair previously played live together last year, at Glastonbury, where they delivered The Cure’s “Friday I’m In Love” and “Just Like Heaven” together.
Rodrigo’s admiration of Smith keeps going: on “Drop Dead,” the lead track of You Seem Pretty Sad… (which launched as a Billboard Hot 100 No. 1), she playfully works the song title of “Just Like Heaven” into the opening verse.
Rodrigo and Smith’s unexpected live set Saturday night at Primavera Sound came months ahead of the singer-songwriter’s sold-out arena tour kickoff. Rodrigo launches her Unraveled Tour in September in Hartford, Conn., embarking across North America and Europe in support of her third studio album. The tour’s name references a lyric from her latest single, which happens to be called “The Cure,” and which arrived at No. 1 on the Hot Rock & Alternative Songs chart and No. 5 on the Hot 100 in its first week.
Beyond the premiere of “What’s Wrong With Me,” Rodrigo’s Primavera Sound set included performances of both of the musician’s most recent singles (“Drop Dead” and “The Cure”), plus hits from Sour and Guts.
Saturday marked day three of Primavera Sound, which saw severe weather conditions opening night that shut down many of of Thursday’s performances, including Doja Cat and Massive Attack’s headlining spots. The fest was back to business for day two, with The Cure, Skrillex, PinkPantheress and more taking the stage as expected on Friday.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-06-07 03:01:072026-06-07 03:01:07Olivia Rodrigo Debuts ‘What’s Wrong With Me’ With The Cure’s Robert Smith at Primavera Sound 2026
Peso Pluma and Kenia Os have called it quits. The Mexican artists shared a joint statement via Instagram Stories on Saturday (June 6), confirming that they have ended their relationship.
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“Through this message, we want to share that we have decided to end our relationship, which comes to a close with love, respect and on the best terms,” the statement reads. “We have always prioritized our privacy and integrity as people, and we deeply appreciate the love we’ve received throughout this time. We ask that you respect our decision and privacy during this personal moment. Thank you, Kenia & Hassan.”
The breakup closes the chapter on a high-profile relationship between two of Mexico’s biggest young music stars. Peso Pluma and Kenia Os were first linked professionally through “Tommy & Pamela,” their collaboration on Peso Pluma’s 2024 album Éxodo. The flirtatious team-up — whose title nods to one of pop culture’s most famous couples, Tommy Lee and Pamela Anderson — arrived months before the pair went public with their romance.
The reggaetón-leaning track arrived during a key stretch in Peso’s crossover push, as Éxodo showcased his range beyond música mexicana. It debuted at No. 40 on Billboard’s Hot Latin Songs chart and later peaked at No. 20.
Kenia later referenced Peso during Billboard Latin Music Week 2024, saying that the collaboration had led to new opportunities to work with Mexican artists like Peso Pluma, with whom she recorded the hit “Tommy & Pamela.”
Neither artist offered additional details beyond Saturday’s statement. Read their full message on the second slide below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-06-07 03:01:072026-06-07 03:01:07Peso Pluma & Kenia Os Break Up, Say Split Ends ‘With Love, Respect and On the Best Terms’
Charlie Puth has canceled Saturday’s (June 6) show in Orlando, Florida, citing an illness that’s lasted a few days and a recommendation to rest in order to recover for the remainder of his Whatever’s Clever! World Tour.
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“I am so devastated to do this, but I have to cancel tonight’s show,” he wrote in an Instagram Story note Saturday afternoon. “I’ve been sick for the last few days and am now being instructed to rest or else risk canceling more dates on this tour.”
Puth’s statement continued, “Performing for you all each night means everything to me, and you all deserve the best. I’m heartbroken, but I physically am unable to perform. Without a voice, I can’t give you guys the show you all deserve.”
“I’m so sorry, this was not an easy decision to make but I hope to see you all soon when I am well again,” he wrote.
Orlando’s Addition Financial Arena shared Puth’s statement on social media and provided additional details for ticket holders: “Sorry for the delay as we here at the Arena were awaiting final decision. Charlie Puth’s Whatever’s Clever tour scheduled for tonight is canceled with no rescheduled date. Please refer to your original point of purchase for refunds.”
Puth’s schedule currently has him set to play Nashville on June 9 before heading over to Texas. The European leg of his tour is next up, once his U.S. dates wrap.
He recently graced the stage of Madison Square Garden in New York City, bringing several special guests up to the stage with him: Art Garfunkel, Jimmy Fallon, Busta Rhymes and Kirk Franklin.
Morgan Wallen was forced to cancel a scheduled Pittsburgh tour stop due to severe weather threats.
On Saturday afternoon (June 6), the 33-year-old country star took to social media to announce that he would no longer be performing that evening at Acrisure Stadium as part of his Still the Problem Tour.
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“After talking with local officials and my team, there is no choice but to cancel tonight’s show due to severe weather conditions expected throughout the rest of the day and night,” Wallen wrote in a statement shared on Instagram. “Safety for my fans and crew is the highest priority.”
The “Last Night” singer concluded his message by informing fans that refunds would be available through their original point of purchase.
The cancellation came one day after Wallen’s first of two scheduled Pittsburgh shows. During Friday night’s (June 5) concert at Acrisure Stadium, the country superstar was joined for his signature walkout by former WWE star and Olympic gold medalist Kurt Angle.
Saturday was designated a KDKA First Alert Weather Day as forecasters warned of potentially strong to severe storms. The weather system was expected to move through the Pittsburgh area during the evening hours, with the greatest threat occurring between 4 p.m. and 6 p.m., according to CBS News.
Wallen is currently on his headlining Still the Problem Tour, with upcoming stadium dates scheduled in Chicago (June 19-20), Clemson, S.C. (June 26-27), and Baltimore (July 17-18).
The tour supports his latest studio album, I’m the Problem, which debuted at No. 1 on the Billboard 200 upon its release in May 2025. The album went on to spend 13 nonconsecutive weeks atop the chart.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-06-07 03:01:062026-06-07 03:01:06Morgan Wallen Cancels Pittsburgh Concert Due to Severe Weather Threats
Carlos Alberto Solari, the Argentine singer-songwriter known as “the Indio” who led Patricio Rey y sus Redonditos de Ricota, one of the country’s most popular and influential rock groups, died Friday (June 5). He was 77.
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Solari, who had struggled with Parkinson’s disease for at least a decade, was found dead near an indoor pool at his house in the provincial town of Ituzaingó, about 30 kilometers (18 miles) west of the Argentine capital, Buenos Aires, authorities said, without identifying a cause of death.
His family confirmed his death on social media, saying they would hold a public funeral to allow people to bid farewell to the rock legend. Fans began gathering at his home, with some bearing flowers and wearing T-shirts printed with his nickname. Crowds filled a large plaza in downtown Buenos Aires to mourn, commune and sing Solari’s hit songs. People wept. Strangers hugged.
Eros Ruarte, 19, said he woke up Friday to his mother breaking the bad news.
“‘I said, no, mom, you can’t say that.’ I couldn’t believe it, that the Indio had died. … He is the biggest idol in the world. I grew up listening to him,” he said from the impromptu wake. “I heard his songs from my mom, my uncle.”
As the lead singer of Patricio Rey y sus Redonditos de Ricota — known more simply as “Los Redondos” — Solari became a countercultural icon for disaffected Argentines coming of age as their country transitioned from a bloody military dictatorship to a democracy characterized by newfound freedoms but also instability and hyperinflation in the 1980s.
During the consumerist frenzy that gripped Argentina the 1990s, under the free-market policies of then-President Carlos Saul Menem, Solari’s classic rock anthems, punchy dance tunes and cryptic lyrics gave voice to a spirit of rebellion against the excesses of capitalism and influences of foreign powers. Los Redondos released 10 studio albums, eschewing major record labels to maintain artistic independence.
The band broke up in 2001, but Solari found continued success as a solo artist, releasing five more albums under his own name that mixed mainstream rock and electronic influences and drawing hundreds of thousands of fans to parks and stadiums across Argentina.
At a massive concert in 2016, he announced that he had been diagnosed with Parkinson’s disease. “Mr. Parkinson is nipping at my heels. But here I am,” he said. The crowd went wild. He later retired from touring, speaking candidly in interviews about the debilitating effects of the disease.
Tributes poured in from politicians, artists and soccer stars across the country.
The Argentine Soccer Association said Solari’s voice “became a popular rallying cry” and “echoed in the stands” of the soccer-crazed country.
The Grandmothers of Plaza de Mayo, a prominent activist group which sought to find relatives who had been killed or “disappeared” by the 1976-83 dictatorship, said the singer “inspired society as a whole to doubt, to question and to think critically.”
Cristina Fernández de Kirchner, Argentina’s former president who is serving a corruption sentence under house arrest, posted one of his famous lyrics on social media, popularized as a call to live courageously: “Just living costs you your life.”
Solari is survived by his wife, Virginia Mones Ruiz, and 25-year-old son Bruno.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-06-07 03:01:052026-06-07 03:01:05Carlos ‘Indio’ Solari, Legend of Argentina’s Rock Scene, Dies at 77