Shortly after Paramount began pulling back its funding for Save the Music, which has donated instruments and tech equipment worth nearly $78 million to 2,800 U.S. schools, John Sykes held a Rock & Roll Hall of Fame board meeting in spring 2024. “This is the perfect fit for what we’re doing,” he told the group. “We have this huge, powerful platform, with some of the greatest artists in the world that we could put out there, going to schools, preaching the importance of music education.”

Beginning with a $1 million grant, and the promise of Hall of Fame inductees like Sheryl Crow and pop stars like Harry Styles and Olivia Rodrigo talking to students at schools around the U.S., the Hall of Fame announced a partnership with Save the Music on Tuesday (Oct. 28) to help fund Save the Music’s dozens of programs. “We hope the politicians and the local governments will hear about this story and find out why music education must stay, or must be reconnected with a public education,” says Sykes, the Hall of Fame’s foundation chairman, a top executive at broadcast giant iHeartMedia and an MTV co-founder who created Save the Music in 1997.

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Save the Music was once synonymous with VH1, where Sykes was president, and major stars like Aretha Franklin, Whitney Houston and Mariah Carey headlined charity performances broadcast live on the powerful cable-music channel. But in recent years, Paramount has deemphasized its MTV and VH1 holdings, ramping down on its Save the Music support in the process. As a result, Save the Music has spent the last few years turning to other sources, including TikTok, Meta, Amazon and top promoters Live Nation and AEG Presents. In 2021, MacKenzie Scott, co-founder of Amazon and Jeff Bezos‘ ex-wife, provided a $2 million grant.

“As Paramount’s support gradually came down,” says Henry Donahue, the Save the Music Foundation’s longtime executive director, “we were very fortunate that a number of large foundations came in to fill the gap and actually grow the program.”

Save the Music, whose operating budget was $11 million last year, supports high-school students with initiatives like the J Dilla Music Technology Grant, named for the late hip-hop producer, which provides music-tech equipment and software for students and teachers. “The program is extremely valuable to students,” Samuel Davis, a Therrell High School teacher whose Atlanta classroom benefited from the grant, told the AP in January. “It increases their attendance. They’re more willing to come to school. They feel more connected to the school.”

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Sykes created Save the Music after participating in a principal-for-a-day event at a New York high school, where he encountered music students playing instruments “held together with tape and missing strings,” he recalls. He offered $5,000 on behalf of VH1 to prevent the school from cutting the music program, then decided to expand the channel’s philanthropy after learning that “students who learn music education go on to do better on math and verbal scores on tests.”

Today, Save the Music invests in 100 to 150 U.S. music programs, drawing celebrity support from Ed Sheeran, Jelly Roll and others who’ve donated time and money. The Cleveland-based Hall of Fame, according to Sykes, has music-education programs, but the partnership with Save the Music will take them to “a whole new level.” Says Donahue: “It’s an incredible boost.”


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What time is it? Almost Winter Olympics time, which these days means that Public Enemy hype man Flavor Flav is picking which Team USA squads he’s going to support in the upcoming Winter Olympics.

Flav, 66, who has cooked up a high-profile side gig as a rabid vocal, and financial, supporter of a number of American olympians, was announced as the official hype man for USA Bobsled and Skeleton on Monday (Oct. 27) according to the Associated Press.

“The partnership is a blessing. It’s cooler than Cool Runnings,” Flav said in reference to the beloved 1993 sport comedy loosely based on the story of the 1988 Jamaican bobsleigh team. “It’s Coolest Runnings.” The AP reported that Flav spent time with the bobsled and skeleton teams this past week, traveling to Park City, Utah, where he raced down the track in a bobsled and also wanted to try out skeleton, in which athletes roar down the icy track at speeds that can reach 80 m.p.h. or above.

In an accompanying video announcing his new gig, Flav, wearing his red, white and blue official team gear, said, “Just to let y’all know I am definitely excited to be a sponsor of the bobsled/skeleton team, boy. Yeah g, it’s going down for real! I’m a sponsor, I’m a sponsor!”

“We are thrilled to welcome Flavor Flav as an official sponsor and hype man for USA Bobsled/Skeleton,” USA Bobsled and Skeleton CEO Aron McGuire said in a statement. “It’s clear he has a genuine passion for sports and an authentic love for the USA team. Flavor Flav embodies the same grit, dedication, and pride that define our athletes, and we’re excited to have him bring that excitement to our team and fans across the country.”

While team officials wanted first-time slider Flav to start from a low spot on the track for safety reasons, the veteran rapper wasn’t having it, insisting on starting higher up as he managed to hit 67 m.p.h. on his second run. In the video after his thrilling run, Flav can be heard howling in delight at the white-knuckle ride down the icy shoot.

“Oh my gosh, he’s one of the coolest, most adventurous men that I’ve ever met,” U.S. skeleton athlete Dan Barefoot told the AP. “He was upset that he couldn’t go from higher up on the track. … I was kind of upset at how good he was. It’s a sport that takes a lot of skill, but he made it look straightforward.”

Flav plans to be with the team at the XXV Olympic Winter Games in Milan-Cortina, which will take place from Feb. 6-22.

“We have all been so hyped to have him with us,” Barefoot added. “Put aside the fact that Flav is one of the greatest hype men of all time, the energy in the room… you had people who often aren’t talking to each other high-fiving and hugging because of the experience of being around him. There’s a lot of energy and a lot of confidence around us right now.”

Not only is Flav promising to be in the stands in February, he also gave many members of the team his personal cell pone number and invited a few to join him at a Maroon 5 show over the weekend in Salt Lake City.

It won’t be Flav’s first turn as an Olympic supporter. He was all over the 2024 Paris summer games, acting as the hype man for the U.S. women’s water polo team, giving them financial support and free cruises and helping to cover rent for discus thrower Veronica Fraley. Flav has also put in his bid to be one of the official USA torchbearers at the 2028 Olympic Games in Los Angeles.

Check out video of Flav watching practice, posing with members of Team USA and ripping down the track in a bobsled and skeleton.


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Despite the challenge flags thrown by Donald Trump and some fellow Republicans, Jay-Z is 100% firm in his support for Bad Bunny playing the Super Bowl halftime show next year. Amid criticism from the President and a number of commentators on the right decrying the choice of one of the world’s most popular artists to play at the game in February, Jigga — whose Roc Nation has been tasked with booking the most-viewed musical TV performance of the year since 2019 — told TMZ that he is unwavering.

When asked by a TMZ photographer about the hate coming Benito’s way, Jay reportedly told the site that the Puerto Rican superstar is way more beloved in the U.S. than some would have you think. “They love him. Don’t let them fool you,” Jay said.

After Roc Nation tapped Benito in late September, Trump reacted a week later with disdain, claiming to conservative outlet Newsmax, “I’ve never heard of him… I don’t know who he is. I don’t know why they’re doing it, it’s, like, crazy.” In addition, Homeland Security Sec. Kristi Noem threatened that U.S. Immigration and Custom Enforcement (ICE) agents will be “all over the place at the Super Bowl.

While Trump seems unlikely to watch the game, NFL commissioner Roger Goodell has no misgivings about the booking. “He’s one of the leading and most popular entertainers in the world,” Goodell told CBS Sports. “That’s what we try to achieve. It’s an important stage for us. It’s an important element to the entertainment value. It’s carefully thought through.” To be fair, the commish added, he doesn’t think the league has ever “selected an artist without some blowback or criticism.”

Turning Point USA, an ultraconservative youth organization founded by the late activist Charlie Kirk, has announced its intention to host an alternate halftime show out of protest; a line-up for that show has not yet been announced.

Though Trump claimed to have never heard of Bad Bunny, the singer’s chart bona fides speak for his broad appeal. Benito holds records as the first Latin artist to have 100 career Billboard Hot 100 songs, as well as having the first all-Spanish album to reach No. 1 on the Billboard 200 album chart (2020’s El Ultimo Tour Del Mundo). He has also tied Taylor Swift for having the most No. 1s on the Billboard Global 200 of any solo artist, has rolled up nearly 80 million Spotify listeners over his career and was ranked the most-streamed artist on Spotify three years running (2020-2022).

Super Bowl LX will air live on Feb. 8 at 6:30 p.m. ET and be broadcast on NBC and Telemundo and stream on Peacock and NFL+.


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Rapper, actor and philanthropist Ludacris is set to perform at the 2025 Baby2Baby Gala honoring tennis legend Serena Williams. The gala, presented by Paul Mitchell, will be held Saturday, Nov. 8, in Los Angeles. Baby2Baby is a national nonprofit that provides critical items to children in need across the U.S.

Previous performers at the event include 50 Cent, Snoop Dogg and Nelly.

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Ludacris has amassed five No. 1 hits on the Billboard Hot 100, including two as a lead artist: “Money Maker” (featuring Pharrell) and “Stand Up” (featuring Shawnna). He has landed four No. 1 albums on the Billboard 200 and has won three Grammy Awards, including best rap album for Release Therapy, one of his No. 1 albums.

Chris “Ludacris” Bridges made a seamless transition to acting, including the role of Tej in the Fast & Furious franchise, where he was introduced in 2003’s 2 Fast 2 Furious. As a father of four girls, his latest ventures include launching KidNation, an educational platform devoted to the enrichment of children. In addition, Bridges created the animated series KARMA’S WORLD on Netflix, which is awaiting its fifth season.

Williams will receive the Giving Tree Award, which is awarded annually to a public figure who has demonstrated exceptional commitment to improving the lives of children in need. Past honorees include Charlize Theron, Salma Hayek Pinault, Kim Kardashian, Kerry Washington, Jennifer Garner, Gwyneth Paltrow, Jessica Alba, Kate Hudson, Amy Adams, Drew Barrymore, Chrissy Teigen and Vanessa Bryant.

Last year’s Baby2Baby Gala raised a record $17 million in support of Baby2Baby’s mission. In the last 14 years, Baby2Baby has distributed more than 500 million essential items, including diapers, formula and clothing.

Baby2Baby’s Disaster Relief & Emergency Response Program has responded to the needs of children in more than 100 disasters. This year, Baby2Baby announced the expansion of their initiative to combat the maternal health crisis to 15 states. To learn more about Baby2Baby, visit their site.

In fall 2026, Live Nation will open the 4,400-capacity indoor music venue The Truth in Nashville.

“Live Nation wanted to be sure that we were adding something that was going to speak to the core of Nashville,” Sally Williams, president of Nashville Music & Business Strategy for Live Nation, tells Billboard.

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The Truth will be led by general manager Mickey Davis, and will join AJ Capital Partners’ 18-acre, mixed-use Wedgewood Village development in Nashville’s Wedgewood-Houston.

The venue will highlight talent ranging from global headliners to local Nashville favorites representing an array of musical genres. The Truth, designed by Live Nation’s in-house design and development group Blueprint Studio, will offer a flexible floor plan with three levels in close proximity to the stage, with configurations able to accommodate capacities ranging from 1,800 to 4,400, including standing-room and fully-seated shows.

“This is going to give us the flexibility to host everything from comedians who maybe don’t want a standing room audience to bigger shows where people want to stand,” Williams says. “We will shine the light on Nashville, but we’re going to bring in the biggest stars on the planet, too, from outside of Nashville.”

Williams noted that Live Nation’s Blueprint Studio team spent time in Nashville venues and spoke with Nashville artists, music industry members and historians in creating a venue design intended to honor Nashville’s community.

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Throughout, the venue will pay homage to Nashville’s music creators. The Truth takes its name from a quote from late country songwriting legend Harlan Howard, who called country music “three chords and the truth.” Howard, known as a writer on classics including Patsy Cline’s “I Fall to Pieces” and the Buck Owens hit “I’ve Got a Tiger by the Tail,” is also honored through the venue’s whiskey bar, named Harlan’s. Howard’s signature quote is also emblazoned on the front of the venue’s building. Having Howard’s legacy represented within the venue is a full-circle moment for Williams, who recalls that when she first moved to Nashville, one of the first events she attended was the annual Harlan Howard Birthday Bash.

“It represents to me the community that I have found,” Williams says. “It was all of these songwriters singing their songs, and everyone supported. To have his quote, to have people talking about him, means they are talking about songwriters in general, which means they are talking about the foundation of our community. I am beyond proud of that, because I think those are things that we, as a city, have to hold on to.”

The Truth’s two-level, up to 300-person capacity listening lounge, Vinyl Room, will offer a space for gathering and listening to music. Williams tells Billboard that United Record Pressing will be involved in curating vinyls to be displayed in The Truth, as well as providing music for Vinyl Room and the venue’s five backstage dressing rooms. Williams says the Vinyl Room will also be a space that can hold VIP listening sessions and other similar events.

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The food and drink menus will highlight local Nashville whiskeys and spirits. Meanwhile, Live Nation teamed with Isle of Printing’s Bryce McCloud to add another visual element to the venue.

“We are going to have an old-school letterpress printing set lists each night for fans to buy and take home,” Williams says. “Set lists are going to be our sort of living art exhibit backstage, too, because every time a show plays here, we will put the set list up and as we move along, it will tell our story visually.”

The backstage will also be outfitted with a family and friends suite overlooking the stage, a large crew lounge, an artist game room/lounge, a multi-use production room and an intimate industry suite.

As part of the venue’s launch, Live Nation has also partnered to support Nashville Songwriters Association International (NSAI) and the W.O. Smith Music School, aiding songwriters and the next generation of musicians.

Live Nation also hopes to hold local music industry events at the venue, such as industry awards and other charitable gatherings.

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“People are going to begin to feel like this is their venue, which is what they’re hoping for,” Williams says. “The mission has been to create something other than the sort of box with a stage that you could put anywhere in the world. We wanted to do something completely Nashville-centric.”

The Truth will join other Live Nation venues in Nashville, including Brooklyn Bowl Nashville and Ascend Amphitheater.

Billboard‘s Live Music Summit will be held in Los Angeles on Nov. 3. For tickets and more information, visit https://www.billboardlivemusicsummit.com/2025/home-launch.

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Game 3 of the 2025 World Series had it all: records were set, heroes were made, and Justin Bieber was in the audience.

Bieber showed up for his beloved Blue Jays, as Toronto’s finest took on the Dodgers at Los Angeles’ Dodger Stadium.

The Canadian pop star shared a post from his prime seat, and was spotted decked-out in his Blue Jays gear as he cheered on his compatriots.

What he got was an all-time classic, and the longest World Series game in history at 6 hours and 39 minutes, tying a 2018 Dodgers vs. Red Sox outing.

Sadly, for Bieber at least, the Dodgers got the win, and the series lead, as Freddie Freeman smashed a home run in the 18th inning, for a 6-5 result. The Dodgers how hold a 2-1 advantage over the Blue Jays in this best-of-seven series, the winner crowned champions of Major League Baseball.

The “Stay” singer has been busy of late, with family, music and sport commitments.

Earlier in the month, he made his debut on Twitch with a stream that included footage of the pop singer playing basketball, shooting pool with friends and teasing his upcoming 2026 Coachella headline spots.

The live feed came in from a giant warehouse space decked out with a mini half-pipe, a recording studio, ping-pong table and lounge area, and included an extended bit where JB put up short jumpers while talking about focusing on his health and “friendships, relationships, the ability to connect with each other,” all cued to Partynextdoor’s “Come and See Me.”

Bieber is a handy baller, playing three times in the NBA Celebrity Game during All-Star Weekend, winning MVP in 2011. He’s also a keen hockey player and fan, spotted riding his team the Toronto Maple Leafs in the 2025 Stanley Cup Playoffs. Last year, the National Hockey League (NHL) and Adidas collaborated with his fashion brand Drew House on designs for the 2024 NHL All-Star jersey collection.

His Coachella shows are the only concerts he has locked in so far following the release of his Swag and Swag II collections, his first full live shows since 2022, and first since welcoming into the world Jack Blues, his baby son with wife Hailey Bieber.

For the record, Swag (via JRC/ILH/Def Jam/Republic) debuted at No. 2 on the Billboard 200 in July, with 16 songs from it making a splash on the Billboard Hot 100 chart, let by “Daisies” at No. 2. 

When Jerrell Melton and Ralph Edwards sang “I Lose Control” on NBC’s The Voice, they weren’t telling the whole truth.

Team Snoop’s singers went toe-to-toe Monday night (Oct. 27) for season 28’s fourth and final Battle night, hitting a rendition of Teddy Swims’ mega-hit from 2024. Both oozed control, not a lack of it.  

Edwards, the 30-year-old native of Fresno, California, with his burly, oak-flavored tones, and Melton, the 29-year-old from Fayetteville, Georgia, whose soulful voice has a hint of sweetness, could barely be separated.

Mind, this is no ordinary song. “Lose Control” in July became the first number in the history of the Billboard Hot 100 to spend triple-digit weeks on the chart, as it cleared its milestone 100th frame

Niall Horan “loved” Melton’s voice, remarking that it’s “really pure, really clean.” And Edwards, the Irishman remarked, his energy, his power and rasp, “it’s aggressive but it’s controlled.”

Reba McEntire read from her notes a performance she described as “powerful, smooth like butter. Raspy, smooth like velvet.” The country ace admitted the decision to split them would be a tough one. If she had to, she’d pick Melton.  

Both contestants laid it all out. Melton with a “gorgeous smoothness,” was reminiscent of the very best in the business, Michael Bublé remarked.  While Edwards, or “Wreck-It Ralph,” as the Canadian crooner and others like to call him, should “go far on the show.”

Just how far was up to Snoop Dogg, who had the final call.

“You just showed the world that you two are superstars,” the rap legend noted. “Jerrell, you overachieved. We gave you something that was out of this box, and you did what you were supposed to do,” he added. “Ralph, knock it out of the park. This is what we do.”

Snoop took a moment to consult with the “Gangsta Holy Ghost” and he called it. “Wreck-It Ralph” Edwards wins, and progresses to the Knockouts, which start next Monday, Nov. 3. Melton won’t be there, an unlucky loser.

The Knockout episodes will air every Monday on NBC until Nov. 24. Then, the Playoffs will beam out on Monday, Dec. 1 and Monday, Dec. 8 on NBC, with the Season 28 Live Finale set to spread over the two nights of Dec. 15 and 16.

Watch Melton and Edwards’ Battle below.

Tame Impala returned earlier this month with its fifth studio album Deadbeat – and on Monday, Oct. 29 at Brooklyn’s Barclays Center, the Australian psychedelic rock outfit returned to the stage with its first proper show since a headlining performance at Lollapalooza Brazil in March 2023.

But Tame Impala and its creative mastermind, Kevin Parker, have remained busy. After the arena run in support of Tame’s fourth album, February 2020’s The Slow Rush, was put on ice a couple shows in due to the pandemic, Parker and company returned to the road in late 2021, kicking off two years of heavy touring. Last year, Parker produced much of Dua Lipa’s third album, Radical Optimism, and he appeared on two Justice songs, one of which, “Neverender,” won a Grammy for best dance/electronic recording.

And, with Deadbeat, which continues the evolution of Tame’s original psych-rock sound toward more dance-oriented music, Parker notched another milestone: The set’s single “Dracula” became his first entry as lead artist on the Hot 100, and currently sits at No. 59 on the tally.

At Barclays Center on Monday, and backed by the colorful, elaborate production that has become Tame Impala’s calling card, the group honored its psychedelic history while running through much of Deadbeat for a career-spanning set that reaffirmed its bona fides as one of modern rock music’s biggest draws. To wit, the show was just the first of four Barclays Center gigs for Tame, before it moves on to gigs in Chicago, Austin and California next month.

Here’s a look at the setlist from Tame Impala’s return to the stage at Brooklyn’s Barclays Center.

Halloween is nearly upon us, but Duran Duran got there first with a shadowy re-recording.

Ahead of their winter North American tour dates, the Rock And Roll Hall of Fame-inducted band swings into Fright Night with a re-imagined version of “Shadows on Your Side,” featuring original guitar parts from Andy Taylor.

The original, a punchy, polished cut from Duran Duran’s third studio album, Seven and the Ragged Tiger, is overhauled as a club-ready tune with several unexpected changes in pace.

Seven and the Ragged Tiger was released in 1983, and yielded the global hits “New Moon on Monday,” “Union of the Snake” and “The Reflex,” which gave Duran Duran the first of two No. 1s on the Billboard Hot 100 and Official U.K. Singles Chart. 

Seven And The Ragged Tiger is the only Duran Duran collection to lead the Official U.K. Albums Chart, and it proved to be the band’s final effort with its classic “Fab Five” lineup of Taylor/Taylor/Taylor/Rhodes/Le Bon, until Andy Taylor and Roger Taylor (the Taylors are unrelated) returned to the fold for 2004’s Astronaut. Andy Taylor, who is battling stage 4 prostate cancer, has since departed from the band, but has contributed to recent recordings.

Simon Le Bon and Co. will return to the United States for a run of dates in December 2025 and in January 2026. As previously reported, the new wave legends have been in the studio together this year working on new material, including stints with Nile Rodgers at Abbey Road in London.

The band has been on a Halloween binge since the 2023 release of Danse Macabre (via Tape Modern/BMG), a concept album gathering new compositions, reworked songs, and covers of songs by Billie Eilish, Talking Heads, The Rolling Stones, Siouxsie And The Banshees and more.

Danse Macabre peaked at No. 4 in the U.K. and spawned the Secret Oktober concert film, shot at the Encore Theatre at Wynn in Las Vegas. The Gavin Elder-directed film is streaming on demand at StagePlayer+ until Nov. 3.

Earlier this year, the band struck a different type of collaboration by teaming up with Italian luxury perfume house Xerjoff on two unisex perfumes, NeoRio and Black Moonlight. The scents were, of course, created with Le Bon and keyboardist Nick Rhodes, along with bassist John Taylor and drummer Roger Taylor.

Stream “Shadows On Your Side” below.