It was a party in the U.S.A. and across the world for Miley Cyrus fans after the news of her engagement to Maxx Morando broke earlier this week — and now, the pop star says she’s ready to soak up every part of this next chapter with her fiancé.

Related

Speaking to Billboard‘s Tetris Kelly at a recent Avatar: Fire and Ash press junket, Cyrus — who contributed original song “Dream as One” to the movie — gushed about her major life update. “It’s the perfect timing, especially sitting here today speaking about the film’s theme,” she said. “It’s really about love, resilience, building from the ground up.”

“It’s just totally, perfectly aligned and in-sync with my personal life,” Cyrus continued.

As for whether she plans on having a long engagement or is eager to walk down the aisle as soon as possible, the Grammy winner said she hasn’t had much time to decide with all things Avatar going on. “Now with the holidays coming up, I’ll have a little bit more time to think about it,” she shared. “My instinct is always to enjoy every moment for as long as you possibly can.”

“But I’ve never been someone that’s kind of needing the next thing and the next thing,” Cyrus added. “I’ve tried to enjoy.”

The Hannah Montana alum and Morando have been together for four years after first meeting on a blind date in 2021. When she stepped out on the red carpet at the Avatar: Fire and Ash premiere with the Liily guitarist — sporting a new gold band on her left ring finger — Cyrus immediately sparked rumors of an engagement, which she officially confirmed in her chat with Billboard.

“He’s very similar to me,” she told Harper’s Bazaar last year of Morando, who helped out on songs from Cyrus’ Endless Summer Vacation and Something Beautiful albums. “We just don’t take life too seriously.”

Watch Billboard‘s full interview with Cyrus above.


Billboard VIP Pass

Louis Carr has been appointed president of BET. Carr succeeds president/CEO Scott Mills, who announced earlier on Wednesday (Dec. 3) that he was exiting the company after 23 years.

According to a press release announcing Carr’s appointment, the newly named president will report to George Cheeks, chair of TV media at Paramount. In his role, Cheeks’ oversight includes CBS, BET, MTV, Nickelodeon and Comedy Central. 

Related

“Louis’ leadership has been integral to BET’s success for nearly four decades,” said Cheeks in a statement. “His vision for the future will drive innovation, deepen BET’s cultural impact and position the brand for continued growth.”

Carr’s promotion expands his prior role as president of media sales at BET, where he has worked for 39 years. During his tenure at the cable network, Carr has developed partnerships with a host of major companies, including Procter & Gamble, Walmart, Unilever, McDonald’s, Meta and Toyota.

“BET and its commitment to Black and Brown communities has been my life’s work,” commented Carr. “It’s a privilege to lead the brand to the next level of excellence and impact.”

Carr’s appointment and Mills’ departure follow Paramount Global’s $8 billion merger with Skydance Media in August. BET, which celebrated its 45th anniversary this year, had been up for sale beginning in 2023, with Paramount said to be interested in selling a majority stake. Media stories pegged Tyler Perry, Byron Allen, Sean “Diddy” Combs and Mills as among the bidders before Paramount announced ahead of the merger that BET Media Group was no longer for sale.

Mills last spoke with Billboard in early August, reflecting on the network’s 45-year legacy before moving forward under new ownership. “I would assure everyone who cares about BET that it will continue to be here for our community,” said Mills. “We’re all committed to that.”


Billboard VIP Pass

Miley Cyrus sits down to talk about her new song from the upcoming film Avatar: Fire and Ash, and she opens up about her engagement with Maxx Morando, why she prefers more intimate shows when performing, 20 years of Hannah Montana, touring with Beyonce, Britney Spears and more!

Tetris Kelly: Hey, Miley, how’s it going? 

Good. Thanks for being here. 

Of course, I gotta start by addressing the elephant in the room, okay. I was getting notifications on the way here. Everybody is talking about the ring. 

Yeah.

The engagement. So am I saying congratulations?

You are saying congratulations to me. 

Yay congratulations! How are you feeling?

You know what? It’s the perfect timing, especially sitting here today, speaking about the films’ theme and Avatar, when it’s really about love, resilience, building from the ground up, and it’s just totally perfectly aligned and in sync with my personal life. And I think that’s when I kind of find what really excites me creatively, is when something that’s affecting me, kind of on that human, more quiet level gets to be infused into something like ‘Avatar.’ I can see like a small piece of myself in something so large scale.

Oh, I love that. That’s beautiful. And I already feel like a little bestie over here and be like, “girl, are we thinking long engagement, big wedding?” Have you even thought any of this stuff yet?

Well, you know, I’ve been kind of in this Avatar world right now, and now, with the holidays coming up, I’ll have a little bit more time to think about it. But, you know, my instinct is always to enjoy every moment for as long as you possibly can. And then when that starts, kind of, you know, you feel that you’ve felt the full excitement of what that can be, then you get to try something else. But I’ve never been someone that’s just needing kind of the next thing, and the next thing, the next thing, I’ve tried to enjoy.

I love that, I’ll try to take some of that advice myself. 

Yeah. 

And let’s talk about the film. I mean, it’s such an emotional roller coaster of a film, so how was it to create a song that people are kind of like listening to as they’re processing the end of the movie and walking out of the theaters, and they’re hearing your voice?

Keep watching for more!

On its face, the annual numbers for the concert industry don’t look particularly great as 2025 comes to a close. Ticket sales from the Billboard Boxscore Year-End charts are effectively flat this year, down a fraction of a percent over 2024, with attendance and total show count all stagnant for the year. Live Nation’s share price isn’t faring much better — after years of double-digit growth, the company’s stock is down about three-and-a-half points for the year. 

Related

Normally, this stagnation would be concerning for a concert business facing increased expenses due to inflation, rising energy prices and pressure from performing rights organizations to pay more for the compositions performed in their venues. But many in the concert business say the stagnation represents both a positive pause on rapidly rising ticket prices and structural changes that some hope will bring a needed shake-up to the industry.

For the first time in five years, average ticket prices did not increase in 2025, according to the Billboard Boxscore chart. Also, 2025 saw a record-low number of mergers and acquisitions, due in large part to continued pressure from the Department of Justice and the Federal Trade Commission on Live Nation as the former sues the company over a litany of antitrust claims that the concert giant has vowed to fight. Live Nation’s supremacy over the concert industry appears to face its largest challenge to date, and, while many doubt the company will emerge from the legal battle significantly weakened, groups like the National Independent Venue Association are hopeful that regulatory changes both in the U.S. and abroad will create a new framework to make it easier for concert companies of all sizes to compete. 

In light of all that, here are the 10 biggest live music stories of 2025. 

Yerai Cortés explains why Disney movies make him cry and why he creates music that feels so cinematic.

Yerai Cortés:Well, for me being the first guitarist nominated in this Latin Grammy category is crazy, because of all the categories that existed when we submitted, this was the only one we expected was a sure “no.” We thought it could be the album or the film video or, the sound, maybe, I don’t know. But we didn’t expect this one. So, still processing this beautiful reception of giving that space and that space to the musician, to the guitarist.

It’s very beautiful that Yerai is a restless musician, a curious musician, with a desire to learn and a desire to experiment from folklore, from flamenco music, from gypsy music, well, to experiment and learn more each day from neighboring music, from the folklore of other lands, from Mexico, from Argentina, from Colombia, from Chile, from Panama. I love the tamboritos from Panama. It seems to me like the only gift that music gives us is being able to share it with other cultures too. And that is a blessing.

I couldn’t tell you exactly why we’ve achieved this reach and given access to so many people who hadn’t heard flamenco before or who had heard flamenco, but not in this way or not in this form. I still feel that I’m a traditional musician and a classical musician in what music is and in what the formula of my music is like. But it’s true that maybe, when it comes to presenting it, one always thinks about the visual, thinks about the sound, about how you want it to be heard, about the structures of the songs.

Keep watching for more!

Recently, Tencent Music Chart, under Tencent Music Entertainment Group (TME), partnered with Billboard China to officially unveil the China region results of the 2025 Billboard Global No. 1s, a prestigious annual global honor initiated by Billboard. Following two rounds of fan voting, rising Chinese artist Zi Yu emerged from a field of exceptional musicians to claim the honor as China’s sole representative, earning a place in Billboard‘s global hall of fame with an outstanding performance and overwhelming fan support.

Related

The Billboard Global No. 1s China Honor Selection featured music by Chinese artists officially released between November 2024 and October 2025. Initial screening was based on annual performance across two authoritative Tencent Music Chart rankings, the TME Uni Chart, which reflects mainstream popularity, and the TME Wave Chart, which showcases professional quality. Final placements were then determined through two rounds of fan voting. Ultimately, Zi Yu’s “Ni Tan,” Shi Ge Qin Tian’s “Jun Zi Liao Ran,” THE 8’s “Cold Love,” Liu Yu’s “Si Jun Zhao Yu Mu” and Deng Jia Xin’s “Cheng De Shang Zhi De” secured the top five positions.

Zi Yu’s winning track “Ni Tan” captures a protagonist’s struggle to rise above adversity through poignant lyrics and a deeply compelling melody. As China’s sole representative for the 2025 Billboard Global No. 1s, Zi Yu joins an elite roster of Billboard artists from the U.K., Japan, South Korea and beyond in this year’s honor class, securing Billboard‘s annual special feature coverage and premium global cross-platform exposure. Additionally, Zi Yu and the track will receive comprehensive promotional support from TME Chart across its full domestic and international network, ensuring worldwide visibility.

In recent years, the partnership between Tencent Music Chart and Billboard has continued to deepen. The successful launch of the Billboard Global No. 1s China Honor Selection is built upon this increasingly robust strategic alliance. In 2023, TME Uni Chart became the sole music chart from mainland China featured on Billboard‘s global website, filling a significant gap in Billboard‘s Chinese music chart coverage. On Nov. 6 of this year, TME Chart announced a strategic partnership with Luminate, the internationally renowned music data provider behind Billboard’s charts, becoming its first in-depth data partner in mainland China. Music consumption data from TME platforms will now be integrated into globally authoritative chart systems including the Billboard Global 200 through the Uni Chart’s professional data system.

By deeply integrating its domestic data infrastructure with international music platforms, TME Chart is steadily building a bridge connecting Chinese music to the global stage, empowering exceptional artists and their works to achieve international reach. Looking ahead, as TME Group continues to strengthen its partnerships with Billboard and other global collaborators, even more Chinese artists will leave their mark on the worldwide music landscape.

Tyler, the Creator is closing up shop with his le Fleur clothing line with a final collection set to arrive later this week.

Tyler announced that le Fleur will continue to sell fragrances, accessories and be part of specific collaborations, but there won’t be any more clothing collections after season four’s arrival on Saturday (Dec. 6).

The Grammy-winning artist emotionally reflected on the last seven years as he built up the le Fleur brand and leaned further into clothing, his second passion

“Making clothes. my second passion,” he wrote. “I started this back in 2019 as a side project. the goal was to mirror things that matched my personal style. it grew into a very special world of specifc colors, shapes, patterns, etc … this has taken me to places ive dreamed of. louise trotter gave me my first real chance at lacoste. virgil helped shape the blueprint on getting things made. pharrell opened the doors at louis vuitton. im forever grateful for every helping hand that understood the language. i never wanted to be in the lookbooks or campaigns but for this last one it felt right ( i was the fit model afterall)”

Tyler added that he loved working on the clothes for each campaign “so so so so so much,” and said that it “fed his spirit” to have a different creative outlet to explore. “it was a language i wanted to create, but now its time to slow down on communicating,” he explained. “thank you to everyone who supported the idea. customers, set hands, vendors, photographers, models and ESPECIALLY THE TEAM. Darren, Kaiden, Ruby, Panch, Tara, the whole squad! i love yall. its been awesome.”

Pusha T hopped into the comment section, looking to send Tyler some of the collection. “Send me one,” Tyler’s “P.O.V.” collaborator wrote.

The colorful collection is filled with pastels, denim and leopard prints emblazoned on an array of jackets, tops, sweaters, trousers and hats.

Next up for Tyler, the 34-year-old is set to make his feature film debut in A24’s Marty Supreme alongside Timothée Chalamet, which will hit theaters on Christmas Day (Dec. 25).

Find Tyler modeling in the final le Fleur collection look book below.


Billboard VIP Pass

The Contenders is a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week, for the upcoming Billboard Hot 100 dated Dec. 13, we look at the chances of Mariah Carey to claim her record-tying 19th week at No. 1 with her holiday perennial. 

Mariah Carey, “All I Want for Christmas Is You” (Columbia): “Christmas” came early to the Hot 100’s top 10 last month, with Carey’s holiday staple setting a record for its earliest visit in the calendar to the chart dated Nov. 15. In the weeks since, “Christmas” has continued to bound up the Hot 100, and ranks at No. 5 on this week’s chart (dated Dec. 6), the highest of the four holiday titles now ranking in the top 10.  

The song will undoubtedly jump on next week’s chart, with Thanksgiving last Thursday (Nov. 27) marking the semi-official start of the holiday season, and the beginning of seasonal playlist ubiquity on streaming and radio. Carey’s “Christmas” has dutifully ascended to the No. 1 position on the Apple Music real-time chart and the runner-up spot on Spotify’s Daily Top Songs USA listing, while also beginning its spread on the airwaves, trending towards the top 25 of next week’s Radio Songs chart after reentering at No. 40 this week.  

It all adds up to a convincing case for next week being the week that Carey captures the No. 1 spot for the seventh consecutive holiday season. If it does, it will dethrone Taylor Swift’s “The Fate of Ophelia,” which has reigned for its first eight weeks on the chart — tying “Anti-Hero” for the longest-leading of Swift’s 13 No. 1s on the Hot 100 — and also technically mark the song’s earliest return to the top spot on the chart dated Dec. 13 (with last year’s return coming a day later in the calendar, on the Dec. 14-dated chart).  

“Christmas” will make additional chart history if and when it recaptures pole position. Its next week atop the chart will mark its 19th total, which will tie Lil Nas X’s Billy Ray Cyrus-featuring “Old Town Road” and Shaboozey’s “A Bar Song (Tipsy)” for the longest-reigning No. 1 in Hot 100 history. And with several chart weeks left before we turn the calendar on “Christmas,” it seems a strong likelihood that this will be the year the song captures week No. 20 atop the chart, giving Carey the gift of sole possession of the longest-running No. 1 in Hot 100 history. 

Brenda Lee, “Rockin’ Around the Christmas Tree” (Decca/MCA Nashville/UMe): The lone other holiday song to capture the weekly crown since Mariah started her run of dominance, Brenda Lee’s fellow perennial should also be in the mix for No. 1 this holiday season. In fact, it’s ahead of Carey’s classic on Spotify’s Daily Top Songs USA chart, where it’s reigned since Thanksgiving. On the Hot 100, it rises to the top 10 this week for the first time this season, landing at No. 7. 

Without a major narrative hook to “Rockin’” this year — especially compared to the chart history Carey is staring down — it might be hard for it to get past “All I Want” on the weekly chart. But “Rockin’” does usually amp up a little closer to the holidays, and it is up 47% in radio reach through the first four days of this tracking week (Nov. 28-Dec. 1), compared to the previous week, according to Luminate.  

Wham!, “Last Christmas” (Columbia/Legacy): The George Michael-penned Christmas classic edged out Bobby Helms’ “Jingle Bell Rock” for the bronze medal on last year’s Christmas-week Hot 100, helped by the song’s 40th-anniversary celebration (and vinyl re-release). It should be in contention for the No. 3 spot, its peak to date, again this year — and in fact currently ranks ahead of “Rockin’” on the Hot 100, where it sits at No. 6 as the second-highest-ranking holiday title.  

It might be tough for Wham! to get in the mix for the top two once the holidays approach, however, as “Rockin’” has passed on both the Spotify and Apple Music charts (as well as on iTunes), and “Rockin’” is also growing faster on radio (with “Last Christmas” up just 19% in airplay audience so far this tracking week). But in 2026, the song should be the holiday title to watch, as the 10th anniversary of George Michael’s death — which occurred, too fittingly, on Christmas night in 2016 — is commemorated.  


Billboard VIP Pass

No matter how quick the wit, no stand-up comic starts out a success. Forget the top: on the way to the bottom rung, comics need to endure endless open-mic tryouts, log thousands of miles for little or no money and be thankful for 1:00 a.m. slots in front of drunken hecklers. And that’s just for starters. The further up the ladder they climb, the more pressure they face to consistently write and hone hour-plus sets that will power tours, specials and social media. Increasingly, they also choose to engage in a weekly form of digital improv known as the podcast.   

As the first quarter of the 21st century comes to an end, Billboard set out to determine the best of that A-list: the top 25 stand-up comics of the last 25 years. To come up with these rankings, we polled experts that work with comics on a daily basis. 

The panel consists of William Burdett-Coutts, who heads the Assembly venues at the Edinburgh Fringe festival; Michael Cox, stand-up booker for The Tonight Show Starring Jimmy Fallon; Adam Eget, booker at Joe Rogan’s Comedy Mothership in Austin, Tx, and before that, the Comedy Store in Los Angeles; Bruce Hills, who, for 36 years booked and eventually ran Montreal’s Just For Laughs festival; Caroline Hirsch, the founder of Caroline’s Comedy Club and co-founder of the New York Comedy Festival; brothers Chris Mazzilli and Steve Mazzilli, owners of the Gotham Comedy Club in Manhattan; Patrick Milligan, the booker and proprietor of The Stand NYC comedy club; Susan Provan, director of the Melbourne International Comedy Festival; and Samantha Schles, director of comedy at the SXSW Festival. (Billboard‘s parent company, PMC, owns a 50% stake in SXSW.)

Thanks to all our panelists for taking time out of their hectic schedules to participate. (And special thanks to Hill, who provided valuable advice on voting parameters, helped create a well-rounded and authoritative judges panel and generously provided means to contact them.) 

The process began with our panel helping put together a ballot of more than 150 nominees. The talent pool was limited to comedians with active stand-up careers over the last 25 years — as opposed to sketch, sitcom, film or improvisational performers, such as the cast of Saturday Night Live, Second City or Upright Citizens Brigade. Overseas comedians with a presence in the United States were also considered.  

From there, the judges each ranked their top 25 comics. Voting was anonymous, and a weighted system was used to determine the top 25. As a number of judges remarked when returning their ballots, winnowing such a large batch of nominees was extremely difficult. There are a lot of exceptional stand-up comics out there.  

For the next week, Billboard will present the results of the voting — the top 25 stand-up comedians of the last 25 years — in ascending order, five at a time, with the complete list unveiled on Friday (Dec. 5).  
Nos. 25 through 11 follow below.

Tina Knowles is that girl. As Billboard can exclusively reveal, the mogul’s Matriarch memoir finishes in first place among the most-listened music memoirs on Spotify in 2025.

Related

The news comes on the same day Spotify unveiled its annual Wrapped on Wednesday (Dec. 3), providing users with custom summaries of their listening habits in addition to announcing which artists and podcasters got the most streaming love on the platform over the past 12 months. This year, audiobooks are included in Wrapped for the first time ever.

With Matriarch finishing the year as Spotify’s top music memoir audiobook, Fahrenheit-182 by Mark Hoppus and Dan Ozzi and Night People: How to Be a DJ in ‘90s New York City by Mark Ronson earned second and third place, respectively. Behind them, in order, were Bread of Angels by Patti Smith, Only God Can Judge Me by Jeff Pearlman, Last Rites by Ozzy Osbourne, Truly by Lionel Richie, Cudi by Kid Cudi, The Harder I Fight, The More I Love You by Neko Case and Heartbreaker by Mike Campbell.

The top books overall on the platform were the novels Fourth Wing by Rebecca Yarros, Lights Out by Navessa Allen and Iron Flame, also by Yarros.

Published in April, Matriarch shares Knowles’ insights into raising daughters Beyoncé and Solange from childhood to their adulthood as two of the biggest names in music. She also delved into her recent breast cancer battle, from receiving the diagnosis last year to undergoing surgery, during which doctors successfully removed the entire tumor.

When the memoir topped The New York Times‘ hardcover nonfiction bestsellers list, Bey wrote on Instagram, “The Mama T was that good?? Ha … You deserve it, I’m so proud!”

Shortly afterward, the 35-time Grammy winner brought her mom out on stage at a Cowboy Carter Tour show so that the crowd could join her in congratulating the author.


Billboard VIP Pass