With just a few weeks left on what Garbage say is their final headlining North American tour, singer Shirley Manson is saying the loud part even louder. During a show in Denver on Sunday (Oct. 12), the outspoken vocalist explained to the crowd why the long-running group does not plan to mount such a tour again, telling fans at the Mission Ballroom, “It has become entirely unsustainable for a band like us to come and tour anywhere except the coasts.”

Manson then laid out why the group feel that way in a broadside against what she described as the wild inequality in streaming payments to non-superstar working musicians, at a time when she said some pop stars are making “billions and billions and billions of dollars,” while the majority are just getting by.

Related

“Most of the music industry is not made of these big pop stars. They’re made of working musicians,” Manson said. “And this is not a pity party for us. This is an alarm call for all the young generations of musicians who are in our wake and we feel duty bound to speak up for because there’s nobody speaking up for them,” she added to loud applause from the audience.

“The average musician makes $12 a month on Spotify,” she said, noting she has brought the matter up “every night” on the tour as a way to point out that there is no governmental body or union for musicians fighting to help young acts get paid.

“They’re sleeping in their vans. They’re holding down numerous jobs. And they’re playing their guts out every night,” Manson said of road dog touring acts. “The fact that they are not even able to sell a record and it’s taken from them by rich motherf–ers on streaming platforms who get paid royally by record labels, who get paid royally by Ticketmaster, who get paid royally by merch companies, who get paid royally — the list goes on and on and on. There’s accountants, there’s lawyers, they’re all f–king getting paid, except for the musician.”

At press time a spokesperson for Spotify had not returned Billboard‘s request for comment. In 2024, Billboard reported that Spotify paid out nearly $4.5 billion to independent rights holders in 2023, making up almost half of the more than $9 billion the streaming service paid to all labels and publishers that year.

After 30 years of road work, Garbage — which released its eighth studio album, Let All That We Imagine Be the Light in May on BMG — are in the midst of their Happy Endings Tour, which will play the Knitting Factory in Boise, Idaho on Friday (Oct. 17) and wind down its North American run on Nov. 14 at the Corona Capital festival in Mexico City.

Manson said she brings up the inequity every night, because “you are the ones who will lose out on a generation of esoteric, risk-taking, creative, adventurous weirdos, rebels, agitators, provocateurs. You’re gonna get f–king white bread.”

Billboard’s Live Music Summit will be held in Los Angeles on Nov. 3. For tickets and more information, click here.


Billboard VIP Pass

AXS is bolstering its executive team with two major technology appointments.

The ticketing and live event technology company owned by AEG has named Nikhil Bobde as chief technology officer and Alex Hazboun as chief innovation officer, signaling a sharpened focus on platform scalability, AI-driven personalization, and infrastructure growth. Bobde will report directly to CEO Bryan Perez, while Hazboun will report to Bobde in the newly created innovation role.

“These appointments accelerate our ability to deliver the most secure, personalized, and seamless live event experiences,” Perez said. “Together with our product leadership, AXS is better positioned than ever to lead the future of ticketing.”

The executive shake-up builds on a period of strong momentum for AXS, which has invested heavily in upgrading its technology stack and user experience. Recent initiatives include platform enhancements designed to strengthen trust, stability, and scalability across its global network — spanning tens of millions of transactions each year.

Under Bobde’s leadership, the company will open a new Bay Area office aimed at attracting top-tier engineering talent. “I’m excited to join AXS at such a transformative moment,” Bobde said. “Live events create some of life’s most meaningful experiences, and AXS has the strategy and technology to redefine how fans connect with those moments.”

Bobde brings more than two decades of experience from Microsoft, Meta, and Thumbtack, where he led large-scale consumer tech operations. At Meta, he helped grow Facebook Video and Messenger to hundreds of millions of users and played a key role in building the infrastructure behind Instagram and Facebook — expertise that now translates to powering the live-event ecosystem.

As Chief Innovation Officer, Hazboun will lead a dedicated team exploring next-generation technologies and architecture designed to keep AXS ahead of industry trends. The veteran executive has been instrumental in shaping AXS’s ticketing platform since its inception, overseeing engineering, product, and operations through several global expansions.

“I’m thrilled to dedicate my focus to innovation,” Hazboun said. “We are building solutions that will transform ticketing and create entirely new opportunities for fans, artists, venues, and teams.”

For AXS, the moves signal not just a deep investment in technology but a cultural evolution — one that aligns its Silicon Valley engineering mindset with its live entertainment DNA. The company, a key rival to Ticketmaster and Eventim in the global ticketing landscape, continues to expand its international footprint, including recent partnerships in Singapore and Japan.

With Bobde and Hazboun now leading the company’s next tech phase, AXS is positioning itself at the intersection of live entertainment and digital innovation — aiming to define what the future of ticketing will look like for fans around the world.


Billboard VIP Pass

Jon M. Chu showed a lot of courage when reaching out to the person who voices the Cowardly Lion in Wicked: For Good, with the director revealing that he simply slid into the famous actor’s DMs.

Related

In an interview with Deadline published Thursday (Oct. 16), Chu teased that fans can expect a very familiar voice when Lion first speaks in the November-slated sequel to 2024’s Wicked. According to the filmmaker, he had a particular performer in mind — so he sent him a message on Instagram.

“I was like, ‘It’s not a ton of lines, but maybe you have a little time,’” Chu told the publication. “‘I know you’re busy. I’ll come to you.’ He was like, ‘Why the f–k not? Let’s go!’ And then we went ahead and recorded the lines.”

While playing coy about whose voice will be featured, Chu added, “Man, wait until the red carpet when the actor who gave us the Cowardly Lion’s voice steps foot on it. It’ll be wild.”

Released in November 2024, the first Wicked film was a major box-office success. It quickly became the highest grossing adaptation of a Broadway musical in history, and its soundtrack scored a historic debut at No. 2 on the Billboard 200.

The epic saga will conclude on Nov. 21, when Part 2 arrives in theaters. The second film will feature two new tracks, with leading ladies Ariana Grande and Cynthia Erivo each singing one of them.

Of Grande’s, which is titled “Girl in the Bubble,” Chu told Deadline, “This movie had to be about the courage of someone popping their own bubble, a bubble of privilege or their bubble of safety. … How are the decisions each of them made affecting the other in their journey?”


Billboard VIP Pass

Finance platform beatBread said on Thursday it is launching a $100 million fund to support independent labels and distributors as the indie sector faces consolidation driven by larger music companies and big investors.

The Global Independence Fund provides a pool of dedicated capital for loans to indie companies seeking to grow and remain autonomous. Labels can tap the fund to borrow against their catalogs, get financing for the advances they use to land new artists, or to cover other discretionary business needs.

Related

The fund comes together just months after beatBread announced it secured $124 million from equity investors and loans and that its co-founder and CEO Peter Sinclair died, both in August.

The fund aims to strengthen the indie sector following efforts by major music companies to expand their market share by bringing indie labels and distributors under their umbrella, the company said in a statement. The largest of these deals — Universal Music Group’s planned acquisition of Downtown — is facing regulatory scrutiny by Europe’s antitrust authorities with their decision on whether to allow the deal to proceed expected around the year’s end.

“For too long, independent labels have had to play by rules set by incumbents, where access to capital comes at the cost of control, and the opportunity to sign and support artists is also limited by access to capital, even when those distributors or independent labels may otherwise be in the very best position to develop, market and support a given artist,” Matthew Tilley, beatBread’s head of artist & industry development, said in a statement. “The Global Independence Fund is one element in the ongoing fight to change that.” 

Labels who are also members of the indie trade groups AIM, AIM Ireland, WIN and IMPALA are offered access to OpenPlay, a technology platform for managing and monetizing music assets, and all labels who borrow from this fund are eligible for co-investments from beatBread’s funding network, the company said in a statement.

Noemi Planas, head of the international trade group for independent music companies WIN, applauded the launch of the fund for adding to artists’ options.

“The future of music should be shaped by the diversity, creativity, and resilience of independent labels and artists,” Planas said. “Expanding access and choice of funding options helps make that future a reality.” 

Kali Uchis has never been one to follow the rules. From the start of her career, the Colombian-American singer/songwriter has carved her own path, unabashedly blending and bending musical genres — all while rejecting the notion that she had to conform to a single language or style to succeed. Her unrelenting commitment to individuality, however, hasn’t always been embraced, but it has ultimately cemented her as one of music’s most compelling innovators.

Related

“I had a lot of doors closed in my face, and I had a lot of opportunities missed because I feel like nobody ever thought that this would get to this point,” Uchis says in her Billboard cover story. “A word that people used a lot was ‘unique.’ At the time, those aesthetics weren’t really popular. … I don’t think that people were ready for what I was doing.”

She reflects on those early struggles with a sense of pride and clarity, knowing that her refusal to compromise has brought her to the top of the Billboard charts and sold-out arenas.

“People kept telling me to stick to English, that it was easier to sell music that way,” she admits. “I always felt that [not] utilizing everything that God gave me into my art is the same as spitting in God’s face. … Why would God have made me with this duality if I wasn’t meant to project it into my art and use it to inspire other people and to create with all of this that I have?”

The hitmaker graces Billboard‘s latest cover story, revealed on Thursday (Oct. 16). The candid interview serves as a preview of her upcoming Superstar Q&A at Billboard Latin Music Week 2025, set to kick off Oct. 20 at The Fillmore Miami Beach. Her one-on-one conversation with Billboard Español‘s Isabela Raygoza is set for Tuesday, Oct. 21.

The full programming schedule and ticket sales are available at BillboardLatinMusicWeek.com.


Billboard VIP Pass


Ty Dolla $ign takes Billboard out to West Hollywood’s Casa Madera and gives his tips and tricks to becoming a tycoon. Host Jerah Milligan talks to him about everything from “Toot It and Boot It” to his new album Tycoon, to playing golf with Tom Brady and Larry David. 

Jerah Milligan: Sorry. That title of that song is so funny to me. “Nobody Flew Her Out,” it’s such a very specific …

Ty Dolla $ign: Nobody flew her out, bro. Hi, everyone. I’m Ty Dollar $ign and I’m taking Billboard out to my favorite spot.

Yo, my man. Thank you for coming.

Yes, sir, good to see you. 

I heard this your spot, man.

Yeah, man, I’m always here. It’s my brother Sasha spot. Actually, it’s called Casa Madera here in West Hollywood, Calif., home of the motherf–kin’ dollar sign,

OK. 

Tycoon.

And I heard, I heard all this on you, right?

Yeah, for sure. 

That’s why I got my drink early. 

Enjoy yourself, brother.

Yo, so you got me out here in West Hollywood, like the fanciest part of West Hollywood. Is this, like the start of a night out?

Yeah, it could be. You can even pregame before this. But this is one of the nicest dinners I feel like the city has to offer. I’m hungry.

Oh yeah, we should get food. Yeah, I’m gonna do the chicken. 

I’ll do that chicken as well. I’m going to get the hamachi serrano, that hummus. I want to get that Yucatan salad.

Yep, all right, let me get the red rice. OK, cool. Let me do that. Let me do that. So that’s tycoon s–t we just did. Is that what that was? 

Yeah. 

I’m learning y’all, y’all see that? Thank you so much.

My issue is like, when I come here, when I go to most restaurants, I need to bring way more people like a bunch say, just bring a nice, beautiful lady. It’s like, I want to … like how I eat, I like the fish, I like the steak and the chicken and the side and the salad and the appetizer. I just want to taste. It’s not that I’m gonna eat the whole thing, but I just want to taste. And I tend to like, have a lot of leftovers.

My question is, is it all for you, or is it like, “Hey, I’m gonna get this for the table?” 

I get it for the table. 

Keep watching for more!

Pablo Alborán takes us around New York, where he shows us his favorite places and shares why the Brooklyn Bridge is so special to him. He also talks about his new album, ‘KM0,’ his acting debut in the second season of ‘Respira,’ and more.

If you’re interested in seeing Pablo Alborán live, purchase tickets for Billboard Latin Music Week here!

Pablo Alborán:

I wanted to see what time the noise would end in Times Square, and they said, “Times Square, never sleep.” Hi, Billboard family, how are you? We’re going to spend 24 hours together here in New York. Let’s go.

Sigal Ratner-Arias:

How nice to see you. 

How are you? 

Thank you for taking us around my city. 

Oh my god, I’m so excited! You have to tell me your things and secrets from here. 

Welcome!

Thank you. 

How are you? I see that this place is super special for you. 

It is, it is. Very inspiring. 

Shall we walk over there? Sure, let’s go. Let’s take a walk with Pablo Alborán. Why do you stay in Times Square? What makes Times Square special for Pablo Alborán? 

Because it’s like, if you stay still and start watching the world spin, you start imagining people’s stories. You start seeing how fast the world works. And it’s like, suddenly, everything is so heavy, so fast — like the jungle, as they call it. Then suddenly you connect with yourself and say, “Wow, I have more peace than I thought,” right? Because everything is such a huge madness being here. You realize how tiny we are, that we’re just an ant in a giant world. And suddenly, it helps me get inspired so much. Besides that, here there’s one of the billboards where we always publish our album. You see your billboard here, your album cover here—amazing, brutal.

Keep watching for more!

There’s no doubt that people are excited for No Doubt‘s upcoming Las Vegas residency, as the band just added six extra dates to the run of performances so that more fans can come see.

Related

On Wednesday (Oct. 15), the Gwen Stefani-fronted rock group announced that it’s extending its stay at the Sphere with a half dozen new shows. The added performances will take place May 21, 23, 24, 27, 29 and 30 in 2026.

“Thank you guys for showing up BIG,” the band wrote on Instagram, noting that the dates were added “because of the incredible response so far.”

Tickets for the new shows will go on sale on Ticketmaster on Friday (Oct. 17).

The additional performances come less than a week after No Doubt first announced plans to set up shop in the Sphere, something Billboard confirmed ahead of time. The group is also set to take the stage on May 6, 8, 9, 13, 15 and 16 next spring.

When they do kick off the run of performances in Sin City, No Doubt will become the first female-fronted act to headline the arena. “The opportunity to create a show at Sphere excites me in a new way,” Stefani said of the milestone in a statement. “The venue is unique and modern, and it opens up a whole new visual palette for us to be creative.”

“Doing it with No Doubt feels like going back in time to relive our history, while also creating something new in a way we never could have imagined,” she added.

Though the Sphere only opened two years ago, it has quickly become a highly sought-after venue to perform in thanks to its cutting-edge immersive technology. U2 and Dead & Company have both taken its stage in the past, and the Zac Brown Band, the Eagles, the Backstreet Boys and Illenium are all on the 2026 calendar.

See the announcement for No Doubt’s additional Sphere dates below.


Billboard VIP Pass

Like countless other viewers, Selena Gomez was in awe of Bella Hadid during the Victoria’s Secret Fashion Show on Wednesday (Oct. 15).

Related

The model was a vision on the runway in a fiery red lingerie set, complete with a long train. After the show, underneath a video posted to Instagram of Hadid’s flirtatious turn down the catwalk, Gomez commented, “She is [fire emoji].”

If there was still any speculation that the Rare Beauty founder might harbor ill will toward the VS Angel, the sweet praise surely put it to bed. Both women were previously in relationships with The Weeknd, with Gomez dating him while he was on a break from his longterm relationship with Hadid in 2017.

In the years immediately afterward, the two ladies reportedly unfollowed and re-followed one another on Instagram a few times, sparking rumors of bad blood. But in 2023, Gomez posted a TikTok and captioned it, “I wish I was as pretty as Bella Hadid.”

In response, Lady Gaga commented at the time, “You look and are beautiful inside and out. One of my favorite ladies alive!”

Hadid was one of several stunning Angels who walked in the VSFS Wednesday night. The show also featured a number of musical performances courtesy of TWICE, Karol G, Madison Beer and Missy Elliott.

And just like any supposed beef between Gomez and Hadid, the former’s romance with The Weeknd is well in the past. The Only Murders in the Building Star married Benny Blanco in September — something she recently said she has trouble believing.

“Something great happens in my life, [and] I expect something bad to happen,” Gomez said during her Fortune’s Most Powerful Women panel. “I would say that’s my biggest conflict sometimes when wonderful things happen. I got married and then I was sobbing, because I was like, ‘I’m gonna die the next day.’”


Billboard VIP Pass

Pardon the understatement, but it’s been a busy couple of weeks for Taylor Swift. On Oct. 3, she released The Life of a Showgirl, and its gargantuan impact has spread across the Oct. 18-dated Billboard charts. The set debuted atop the Billboard 200 with record-breaking numbers, and its entire tracklist dominates the top 12 spots on the Billboard Hot 100. More, its unprecedented success is global.

Related

The opening track on Showgirl, “The Fate of Ophelia,” arrives at No. 1 on the Billboard Global 200 and Billboard Global Excl. U.S. charts, becoming the first song to simultaneously debut atop both tallies and the U.S.-based Hot 100 since Swift’s own “Fortnight,” featuring Post Malone, in May 2024. It’s a common theme across her many chart achievements that her biggest competition is herself. This is her fourth song to accomplish this global hat trick, in addition to “Anti-Hero” in 2022 and “All Too Well (Taylor’s Version)” in 2021.

Swift goes on to dominate the upper reaches of both global lists, owning 12 of the top 13 spots on the Global 200 and 12 of the top 14 on Global Excl. U.S. From 216.9 million streams for “Ophelia” down to 81.3 million for “Honey,” the album’s 12 tracks combined for just under 1.4 billion official streams worldwide (1.386 billion) in the week ending Oct. 9, according to Luminate.

That total is the second biggest one-week global streaming sum for an album since the charts launched in 2020. It follows – you guessed it – Swift’s The Tortured Poets Department from last year, which garnered 1.76 billion clicks in its first week, while coming in ahead of 2022’s Midnights, with 1.16 billion. That gives her the top three global streaming weeks in the charts’ five-year history. Bad Bunny and Drake are the only other acts to clear the one billion mark, each of whom did it once.

The Life of a Showgirl’s first-week streaming numbers are eye-popping, but even more so considering the album’s relatively brief track list. At 12 songs, it’s the shortest collection among the top 15 biggest global album debuts, presenting an uphill battle against projects with 15, 20 and even 30-plus songs.

On average, the 12 songs on The Life of a Showgirl drew 115.5 million streams worldwide in their first week. That isn’t just a record in the global-chart era — it’s double the next-closest competitor. Swift’s Midnights (20 tracks) averaged 57.8 million, The Tortured Poets Department (31) averaged 56.8 million, and albums by BTS, Drake, Billie Eilish, Kendrick Lamar and Olivia Rodrigo exceeded 50 million per song. Swift already owned this record, and its runner-up slot, and now she has improved upon it by 99.97%.

Of Swift’s enormous global total, 674.4 million streams (49%) are from the United States and 711.7 million (51%) are from beyond (with the Global 200 reflecting activity in more than 200 territories). Among the 57 albums that have totaled 250 million streams in their first week since the global charts’ inception, that split falls just about in the middle, unsurprisingly. It’s more international than almost all such hip-hop and country sets, but more U.S.-centric than Latin and K-pop records.


Billboard VIP Pass