Radio conglomerate Urban One is asking a court to throw out Brian McKnight’s defamation lawsuit over broadcasts on The Rickey Smiley Morning Show and a North Carolina local station.

A lawyer for the network says in a Friday (April 3) motion to dismiss that the R&B singer has no legally viable claims for defamation. The January lawsuit took issue with programs on two Urban One affiliates last year: his ex-wife’s appearance on the North Carolina-based satellite station FOXY 107.1, and Rickey Smiley’s excerpted rebroadcast of an interview given by the musician’s son.

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The FOXY 107.1 appearance in January 2025 featured Julie McKnight, who was married to Brian from 1990 to 2003. Julie, who was promoting her book Mama Bear: Beautifully Blended, stated during the interview with FOXY’s Karen Clark that Brian was “negative” during their late son Niko’s cancer treatment, and that she and her children had “stepped away” from the singer due to harmful behavior.

Friday’s motion argues that Urban One can’t be held liable for anything said by Julie, who has never been an employee of the network. And nothing that Clark herself uttered during the interview rises to the level of defamation, says Urban One’s attorney.

“The Ms. Clark statements identified by plaintiff cannot reasonably be interpreted as stating actual facts about plaintiff,” writes Lauren Nichols of the firm Troutman Pepper Locke. “The alleged ‘defamatory statements’ are not truly factual statements — most are merely questions. And any statement not solely a question, is at most an expression of opinion.”

According to Urban One, Brian fares no better in bringing a defamation claim over Rickey Smiley’s December episode featuring clips from an outside interview given by his son, Brian McKnight Jr. In these clips, the younger Brian said his father refused to tell Niko he loved him before Niko died from cancer.

Urban One says these claims fail, too, because Brian “does not identify any specific statements or content from this video that plaintiff asserts are defamatory.” Plus, the company notes that because Brian is a public figure, he has to meet the higher burden of showing that someone intentionally lied (a standard known as “actual malice”) in order to advance the case forward.  

“Even assuming the statements made by Urban One were indeed statements of ‘actual fact,’ not opinion/hyperbole, and could be defamatory (they cannot), plaintiff does not allege any facts that Urban One knew, or should have known, the statements were false or that any statements were made with a reckless disregard for the truth,” reads the dismissal motion.

Urban One is urging a federal judge in Raleigh, N.C., to toss the lawsuit outright before any evidence discovery or trial. Brian’s attorney did not immediately return a request for comment on the motion.

The R&B singer, known for chart-topping songs like “Anytime” and “Back at One,” has been on somewhat of a defamation lawsuit spree since Julie published Mama Bear at the beginning of 2025. He has pending libel claims against his ex-wife for passages of the book that characterize him as emotionally abusive and neglectful towards their children.

Brian also sued singer/songwriter Jaguar Wright last year over a slew of Instagram videos stating that he was physically abusive to Julie as well as to sex workers during their marriage. Brian denies all claims of mental or physical abuse.


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Zach Bryan is canceling a show for the first time in his career, with the country singer/songwriter announcing Friday (April 3) that his performance scheduled for tonight in Oklahoma would not proceed as planned due to extreme weather.

In a statement posted to Bryan’s socials, he addressed his “fellow Oklahomans” and wrote, “I am being forced by my team to cancel the show tonight due to the threat of extreme and dangerous weather.”

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“I’ve never canceled a show in my life but I unfortunately don’t have a choice in the matter.”

Bryan also assured fans who’d had tickets to the concert that refunds would be issued automatically through points of purchase.

The hitmaker is currently on his With Heaven on Tour, for which he’d been slated to play two back-to-back shows at the H.A. Chapman Stadium in Tulsa. His show on Saturday (April 4) will proceed as planned.

The cancellation of the first Oklahoma show comes as extreme storms are predicted to descend upon the Tulsa area with dangerous winds and heavy downpours. With his post, Bryan also included a screenshot of someone on his team conveying that information and writing, “I know you’re gonna hate me for this, but we have no choice but to cancel the show. I just had a meeting with the police, school, and meteorologists and the consensus is that we would be putting people’s safety at risk by trying to put on the show.”

“Are you kidding,” was Bryan’s reply.

Bryan’s tour supporting his Billboard 200-topping album With Heaven on Top kicked off March 7 in St. Louis. After departing his home state, the musician will travel through Kentucky, North Carolina, Nebraska, Mississippi and Ohio before heading overseas for a European leg starting in late May.

See Bryan’s announcement about the cancellation of his show below.


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Sports fans can catch live games on TBS — but unless you have cable, your viewing options are limited.

On Saturday, Apr. 4, the Final Four games during the 2026 NCAA March Madness college basketball tournament airs on TBS. The first game of the evening features the No. 3-ranked Illinois Fighting Illini facing off against the No. 2-ranked UConn Huskies with a start time of 6:09 p.m. ET/3:09 p.m. PT. The second game has the No. 1-ranked Michigan Wolverines batting against the No. 1-ranked Arizona Wildcats with tipoff at 8:49 p.m. ET/5:49 p.m. The winners move on to the 2026 NCAA National Championship game.

Between the games TBS airs a special “Bridge Show” with a performance from Grammy Award-winning electropop duo The Chainsmokers.

Cord-cutters don’t need to spend hundreds of dollars on a cable package in order to get access to basketball games and other TBS programming — there are affordable streaming options such as live TV streamers that’ll give you instant access and for a fraction of the price.

With current free trials and promos going on, you’ll get access to hundreds of other live TV channels that’ll expand your program options, so you can watch sports, reality TV and the latest dramas live and in real time.

How to Watch TBS Online

You can get access to TBS through live TV streamers, such as DirecTV — which is currently offering a free trial. Below are all the ways to watch TBS online.

How to Watch NCAA March Madness on TBS Online Without Cable for Free

FREE TRIAL

DirecTV


A subscription to DirecTV — which comes with TBS for NCAA March Madness — gets you access to live TV, local and cable channels with the streamer’s “MySports” package, starting at $44.99 for the first month of service ($64.99 per month afterwards). The service even offers a five-day free trial to watch for free, if you sign up now.

You can watch local networks such as NBC, CBS and PBS, while you can also watch many cable networks, including FS1, Lifetime, FX, AMC, A&E, Bravo, BET, MTV, Paramount Network, Cartoon Network, VH1, Fuse, CNN, Food Network, CNBC and many others.

Sling TV offers three packages to choose from, such as Orange, Blue and Orange + Blue, with every option including TBS. The Orange Package is the most affordable and comes with nearly 35 channels and can be streamed on just one device at a time. Included in the Blue Package is nearly 50 channels. Can’t choose? You can combine both packages and get all channels and the ability to stream on up to three devices at once.

Please note: Pricing and channel availability varies from market-to-market.

For the most content offerings, you can sign up for Hulu + Live TV and get access to the Hulu library in addition to more then 95 live TV channels (including TBS). The streaming platform starts at $89.99 per month.

And, for even more programming, Hulu + Live TV now comes bundled with Disney+ and ESPN Unlimited, which will give you everything within the Hulu library in addition to exclusive content on ESPN for even more sports coverage.

HBO Max starts at $10.99 per month. It’s streamable on smart TVs, smartphones, tablets and on web browsers. However, you’ll need a subscription to Prime Video (or an Amazon Prime membership) to add HBO Max to your account (no free trial available).

Not a member? Sign up for a 30-day free trial to take advantage of all that Amazon Prime has to offer, including access to Prime Video, Prime Gaming and Amazon Photos; fast free shipping in less than two days with Prime Delivery; in-store discounts at Whole Foods Market; access to exclusive shopping events — such as Prime Day and Black Friday — and much more. Learn more about Amazon Prime here.

HBO Max even gets you live sports access to the NHL, AEW and more. It features hit movies and TV shows, including The Penguin, Superman, Beetlejuice Beetlejuice, Peacemaker, Sinners, Dune: Part Two and more.

The streaming service is also the home to exclusive Music Box documentaries, such as Yacht Rock: A DOCKumentary, Woodstock ’99: Peace, Love and Rage, Juice WLRD: Into The Abyss, DMX: Don’t Try to Understand and others.

Want more? For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

As Morgan Wallen gears up to launch his own SiriusXM channel, Morgan Wallen Radio, on April 7, the stadium headliner celebrated by bringing his slate of hits to an intimate performance at Nashville venue The Pinnacle on Thursday night (April 2) for “SiriusXM Presents Morgan Wallen Live at The Pinnacle in Nashville,” where he did an underplay for a crowd of 4,000 SiriusXM subscribers.

The audience was packed and primed for a night of fun and music, as Wallen launched the show by playing his current single “Don’t We,” kicking off a 16-song setlist that mixed brand-new hits with classic Wallen songs. Commanding the stage and greeting fans both in the main standing-room-only level and in the balconies, Wallen, backed by his ace band, performed songs including “I Got Better,” “I’m the Problem,” “20 Cigarettes” and “Chasin’ You” (“I haven’t played this one in a couple of years,” Wallen said. “We gotta bring it back — this is one of the first songs I wrote.”). In the process, he proved that his stadium-filling hits are just as powerful in a smaller venue. Throughout the evening, he continuously made his way to the edges of the stage, smiling and waving at fans, sometimes kneeling and shaking hands, and making the most of the opportunity to be close to his fans.

“I haven’t played a show in a few months,” he told crowd at one point. “I’ve been hanging out with my family, hanging out in the woods a little bit, making some new music. Every time I get on stage after a few months off, I think to myself, ‘Man, why did I take so much time off?’ because I always enjoy being up here. I appreciate you guys showing up everywhere I play.”

He also thanked SiriusXM for their work in launching the new channel, saying, “I remember the first time I ever heard my song on the radio was on SiriusXM. I didn’t even know that artists had their own radio stations at that point when I was listening to it. So, to fast forward 10 years from that to be able to say that they’re letting me have a radio station that’s going to be on 24 hours, 7 days a week. It’s an honor and a privilege for me, for my team. It wouldn’t be possible without every single one of you here tonight. I just want to say thank you for all the milestones that you’ve given me during my career so far.”

He also welcomed a very special guest at one point in the evening, sending the crowd into a frenzy, and ended the evening with his 2018 hit “Whiskey Glasses” — and then stayed to give fans one more memorable moment.

The performance is just a taste of what fans can expect when Wallen launches his 23-date Still the Problem Tour on April 10.

Below, Billboard highlights five of the evening’s top moments:
 
 


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Brandon Lake has been rolling out a slate of country collaborations, and he just released his new song with two-time CMA entertainer of the year winner Lainey Wilson, titled “The Jesus I Know Now.”

On Instagram, Lake wrote of the song, “I hope it reminds you that, like my Momma used to tell me, ‘Jesus doesn’t just love you – He likes you.’”

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Wilson replied to Lake’s post by commenting, “So excited to have this out.”

Written by Wilson, Lake, Luke Laird and Emily Weisband, the song chronicles a maturation of faith over the years. “I found a friend who hangs with the misfits/ Listens, forgives and then forgives again,” they sing.

In January, Lake teased that he had been writing new music with several country artists, among them Wilson, Bailey Zimmerman, Thomas Rhett, HARDY and Dan+Shay. At the time, Lake revealed he had assembled 25 country music artists and/or songwriters, as well as many of Lake’s friends in faith-based music, for a series of writing sessions that had resulted in nearly 50 songs.

His collaboration with Wilson marks the latest country-Christian music hybrid from Lake, who previously released the Cody Johnson collaboration “When a Cowboy Prays” and collaborated with Bailey Zimmerman on “Just Believe.” Lake’s collaboration with Jelly Roll, “Hard Fought Hallelujah,” garnered a Grammy for best contemporary Christian music performance/song and GMA Dove Awards for song of the year and bluegrass/country/roots recorded song of the year. The song also earned a CMA Award nomination for musical event of the year.

Watch the lyric video for “The Jesus I Know Now” below:

Cardi B‘s sold-out show streak has been preserved.

This week (March 31), the Bronx rapper performed at the newly renovated TD Coliseum — to a sold-out crowd. It comes a couple of weeks after Cardi B posted a video to social media sharing that the gig was the only show on her Little Miss Drama tour that had yet to sell out.

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“It’s like 80% sold out. And I’m letting you Canadians know: if y’all break my sold out streak, I’m going to…” she joked. “Y’all better go buy them tickets. Y’all not breaking my perfectly sold-out streak. I’m not playing with y’all Banadians.”

The rapper’s Hamilton fans heard her loud and clear, promptly selling out the venue.

During the show, Cardi B jokingly discussed the slow ticket sales. “This was the only city that was moving kind of slow with the tickets,” she quipped. “And I like ‘n——s don’t got no money? They don’t got no money in Canada?’”

She continued her speech, thanking the audience for making it to the show despite the massive rainstorm. “Y’all sold this b—h out!” she exclaimed, doing a little cheer, which garnered praise from the crowd.

While it took the longest to sell out, concertgoers proved that Hamilton was the right city for the “WAP” rapper to make her final Canadian stop.

“I went to three cities in Canada,” she shared with the crowd. In February, she performed at Vancouver’s Rogers Arena — which received a similar threat before selling out — and later headed to Toronto’s Scotiabank Arena on March 30. “Hamilton is the winner of Canada’s crowds!” she revealed.

The feat makes Cardi B the first female artist to sell out and headline the stadium and is the highest-grossing rap concert at the recently upgraded venue. 

This doesn’t include earlier incarnations of the venue (the long-running Copps Coliseum/FirstOntario Centre), so it’s a small sample size, but it marks some big early records for TD Coliseum, which opened its doors in November 2025 after 18 months of renovation by new owner Oak View Group Canada.

Read more here. — Heather Taylor-Singh

Cirkut Becomes the Second-Ever Canadian to Win Juno and Grammy Awards for Producer of the Year in the Same Year

Cirkut has been one of the most quietly influential sonic architects in the music industry for nearly two decades, and now he’s being recognized on both sides of the border.

At this last weekend’s 2026 Juno Awards, the Halifax native took home the Jack Richardson producer of the year award, just months after winning producer of the year at the 2026 Grammy Awards.

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The producer, born Henry Walter, became just the second producer ever to receive both awards in the same year and first since David Foster in 1985. Cirkut is a big admirer of the Canadian legend, who produced hits like Whitney Houston’s “I Will Always Love You,” Celine Dion’s “The Power of Love,” Toni Braxton’s “Un-Break My Heart” and many more. Now, he gets to sit next to him in the record books.

“It’s mind-blowing,” he tells Billboard Canada. “It’s amazing to be in the same sentence as someone like David Foster, who I look up to and respect so much.”

Since getting his start in electronic trio Let’s Go To War and co-founding Dream House Studios in Toronto in the late 2000s, Cirkut has had one of the most impeccable production resumes in music.

From working on The Weeknd’s House of Balloons to Katy Perry’s “Roar” to several tracks on Charli scx’s Brat, he’s left his fingerprint on several tracks and records that have redefined the modern pop landscape in the past two decades.

After landing an early placement on Britney Spears’ Circus in 2008, the Canadian producer crafted a handful of chart-topping hits in the 2010s, including Katy Perry’s “Dark Horse” and Miley Cyrus’ internet-breaking “Wrecking Ball” in 2013.

Now, he remains a pop mainstay and is being lauded for some of his most prolific work to date, much of which made 2025’s biggest music moments. Along with being one of the main producers on Lady Gaga’s No. 1 album Mayhem (2025), Cirkut produced the viral Bruno Mars and ROSÉ collaboration “APT.,” a chart juggernaut that topped the Canadian Hot 100 for several weeks and finished at No. 3 on the 2025 Year-End Canadian Hot 100 Songs chart.

Soft-spoken and modest, Cirkut might not be a household name in the same way as producers like Max Martin or Jack Antonoff, but his impact is undeniable. He’s No. 4 on Billboard’s list of Top Producers of the 21st Century and remains a go-to for artists all over the spectrum, from pop auteurs like Gaga and The Weeknd to K-pop stars like Jung Kook.

Asked to define his signature sound, he demurs, saying it’s more of a quality: “trust.” Artists know they can trust him with their vision, their sounds and their collaboration.

Cirkut took a break from a studio session in Los Angeles to talk to Billboard Canada about the recognition.

Read the full interview here. — Richard Trapunski


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Nothing’s new Headphone (a) model has gone viral on TikTok following its March release, and it’s pretty easy to see why.

I was intrigued by the tech’s virality because it’s not often people are shocked by drops that aren’t from major headphone brands such as Beats or Apple. An underdog of sorts, Nothing is a British consumer electronics company based in London. The brand is pretty new, cofounded in 2020 by Carl Pei, and has a primary focus on everyday tech, from earbuds and headphones to even a phone.

That being said, Nothing also offers tech accessories, watches and even clothing. These are active noise-canceling headphones that are over-the-ear rather than on-ear. They currently retail for $199. Tech-savvy consumers have likened it to Apple’s AirPod Max headphones.

Style/Fit

Nothing excited me as a consumer obsessed with fashion because their offerings are actually stylish as well as functional, something that isn’t as common in the world of audio accessories/tech. Headphones, in particular, are a big part of the problem, focusing more on capabilities while boasting a sterile color scheme and a lackluster design. Nothing’s Headphone (a) silhouette features vibrant hues from baby pinks (my personal favorite) to bright yellows akin to fresh citrus, along with more palatable white and black hues.

Now its TikTok fame started to make sense. Thousands poured over videos, amassing up to 156K views. Thousands of videos were posted under the headphone’s hashtag. All of these people flocked to the new offering because of how cool and unique they looked, and I was one of them. The ear cups are square rather than your standard round shape. The style is futuristic and modern, but not brutalist in nature. It’s playful and doesn’t take itself too seriously. Even the buttons are interactive and tactile, creating an experience for the user.

These sit nicely on my head, with a padded headband and equally cushy ear cups. I never felt like my head was being squeezed upon wearing it, even after hours of wear. They are lightweight and don’t gap around the ears, creating a perfect seal so sound won’t leak out.

Our review on Nothing Headphone (a).

Nothing Headphone (a) Adaptive Active Noise Cancelling Headphones

New headphones from Nothing. The style comes in four colorways and retails for $199, less than Nothing’s OG headphones at $299.


Sound Quality ANC and Transparancy Mode

Beyond its obvious aesthetic wins, these headphones offer great sound. While playing my usual K-pop hits or R&B tracks, I noticed that the bass was punchy and the audio was clear with expressive highs. This just means the high-frequency sounds, which are typically around 2,000Hz to 20,000Hz, were nice and detailed since they can sometimes get lost or muddied in your listening experience.

That crispness is translated into the instruments we hear or the clarity of vocal consonants. These headphones offer ANC that is adaptive, which means these headphones will cancel out superfluous noise and adapt that cancellation to your surroundings. You’ve also got transparency mode, which uses external microphones, of which there are three on this model, to pick up ambient sound and play it through the speakers.

This allows you to hear your surroundings without having to take off your headphones. Both of these modes make these headphones ideal for commuters or people who work in an office who want to tune out the noise of a busy space or subway ride, but want to be aware of their surroundings from time to time. I found these modes extremely helpful when I was trying to focus on writing at the office, or when I was heading home on the busy New York subway and needed a break from all the noise.

Affordability

Compared to Nothing’s Headphones (1) that retail for $300, the Headphones (a) model is more affordable at $199. That alone is a win in my book, given that pricing for headphones has only increased over the years. I want quality, style and affordability out of my headphones, and Nothing delivers.

iHeartMedia has appointed Ann Marie Licata as CEO of the company’s multiplatform group, which is iHeart’s largest operating segment. The other two operating segments will continue to be led by current CEOs Donal Byrne (digital audio group) and Mark Gray (audio and media services group).

The multiplatform group includes the iHeartMedia markets group, which operates the company’s more than 860 local broadcast radio stations; iHeart live events and sponsorship; the radio networks businesses, including Premiere and TTWN; the enterprise business development group; and data targeting and attribution products for broadcast radio. Licata previously served as president of the markets group & sales operations at iHeart. Julie Donohue, president of the enterprise development group, and Julie Talbott, president of Premiere Networks, will report to Licata under the new configuration.

In addition to Licata, Bernie Weiss was promoted to president of the markets group. He will oversee the operations of iHeart’s 160 markets. He was previously COO of the markets group.

“We couldn’t be more pleased that Ann Marie will be leading the growth and innovation efforts for our company’s largest segment,” said Bob Pittman, chairman and CEO of iHeartMedia, in a statement. “In addition to helping businesses and brands grow effectively and efficiently, the Multiplatform Group has been an important engine to develop our own important new businesses — including podcasting and the iHeartRadio digital service — as well as our iconic live music events and awards shows. We look forward to the additional growth that will come as we move broadcast radio into the digital buying world through our data services and programmatic platforms.”

“We have a diversified business at iHeart, with our Multiplatform Group, the Digital Audio Group and the Audio and Media Services Group, and we’re very pleased that Ann Marie has taken on the responsibility for the Multiplatform Group at such an important time for the company,” added Rich Bressler, president and COO of iHeartMedia. — Chris Eggertsen

See below for more of this week’s executive moves.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

In spring 2026, English indie rock band Florence + The Machine goes on the Everybody Scream Tour throughout the United States, with dates going until Wednesday, April 8, at Target Center in Minneapolis. Meanwhile, throughout the tour, there’s a rotating lineup of recording artists supporting as openers, including including Rachel Chinouriri, Sofia Isella, CMAT and Mannequin Pussy.

Tickets to the tour first went on sale through Live Nation and Ticketmaster, as the retailer’s Face Value Exchange program is an option for fans to resell tickets.

However, many of the dates have either sold out, or are very close to selling out, so one of the best ways to find Florence + The Machine tickets online is through third-party sites, including StubHub, Vivid Seats, SeatGeek, Event Tickets Center, Gametime and others. All online retailers guarantee authentic tickets in time for your concert.

In addition, Billboard likes that tickets are all delivered digitally, so you can get them sent instantly to your smartphone or email. Prices may also be above or below face value at times.

Where to Find Florence + The Machine’s Everybody Scream Tour Tickets Online

Looking for cheap seats to see Florence + The Machine live? Here’s where to find tickets still available and on sale online.

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Find Florence + The Machine Tickets at StubHub

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You can find Florence + The Machine tickets online at Vivid Seats, which lets you search by price, location and “Super Sellers,” which denotes reputable sellers with the best deals on tickets. Vivid Seats is great for group tickets: the site has a rewards program that gives you your eleventh ticket free (in the form of a credit) after you buy 10 tickets online.

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Find Florence + The Machine Tickets at SeatGeek

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One of the lowest prices we’re seeing for Florence + The Machine tickets is at SeatGeek, which has stubs from $50 and up.

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TicketNetwork has tickets to Florence + The Machine’s concerts with all-in pricing that lets you see exactly what you’ll pay up front (fees included).

Florence + The Machine’s Everybody Scream Tour 2026 Dates

  • Apr. 8: Target Center in Minneapolis, MN (Buy tickets online here)
  • Apr. 10: Allstate Arena in Chicago, IL (Buy tickets online here)
  • Apr. 13: Little Caesars Arena in Detroit, MI (Buy tickets online here)
  • Apr. 18: Capital One Arena in Washington, D.C. (Buy tickets online here)
  • Apr. 19: TD Garden in Boston, MA (Buy tickets online here)
  • Apr. 21: Madison Square Garden in New York, NY (Buy tickets online here)
  • Apr. 24: Barclays Center in Brooklyn, NY (Buy tickets online here)
  • Apr. 25: Xfinity Mobile Arena in Philadelphia, PA (Buy tickets online here)
  • Apr. 28: Benchmark International Arena in Tampa, FL (Buy tickets online here)
  • Apr. 29: Kaseya Center in Miami, FL (Buy tickets online here)
  • May 1: State Farm Arena in Atlanta, GA (Buy tickets online here)
  • May 2: Bridgestone Arena in Nashville, TN (Buy tickets online here)
  • May 4: Moody Center in Austin, TX (Buy tickets online here)
  • May 5: Toyota Center in Houston, TX (Buy tickets online here)
  • May 7: Dickies Arena in Fort Worth, TX (Buy tickets online here)
  • May 9: Desert Diamond Arena in Glendale, AZ (Buy tickets online here)
  • May 12: Climate Pledge Arena in Seattle, WA (Buy tickets online here)
  • May 13: Moda Center in Portland, OR (Buy tickets online here)
  • May 15: Chase Center in San Francisco, CA (Buy tickets online here)
  • May 19: Kia Forum in Inglewood, CA (Buy tickets online here)
  • May 20: Kia Forum in Inglewood, CA (Buy tickets online here)

Want more? For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

Good 4 u, Olivia Rodrigo fans: After a three-year wait, the pop star announced that she is finally releasing her third studio album in 2026.

Rodrigo announced on the second day of April that her next LP will be titled You Seem Pretty Sad for a Girl So in Love, formally kicking off her next album era. Sharing the project’s dreamy artwork, Rodrigo wrote, “I am so proud of this record and I can’t wait for you to hear it.”

Leading up to the big news, anticipation for fresh material from Rodrigo had been at an all-time high. There had been whispers that she was gearing up to drop something when a pink mural wall in Los Angeles — which fans linked back to the Grammy winner — popped up, displaying the phrase that would end up being the album’s title in curly-cue writing. But even before that, fans had been jonesing for new tunes, as Rodrigo hasn’t released a full-length since 2023. Her last album, sophomore effort Guts, opened atop the Billboard 200 and spawned Billboard Hot 100 No. 1 single “Vampire.” Two years prior, her chart-topping debut LP, Sour propelled Rodrigo to global superstardom, boosted by No. 1 hits “Drivers License” and “Good 4 U.”

Now, she’s got a batch of new future hits coming our way — and as the days count down to OR3, Billboard is keeping an updating list of everything we know so far. From the release date to its cover art, track count, lyrical themes and more, check out all there is to know about about You Seem Pretty Sad for a Girl So in Love below.


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