The wait is over. Back on Aug. 13, Taylor Swift went on her then-boyfriend Travis Kelce’s podcast New Heights to first reveal that her much-anticipated 12th album — to be titled The Life of a Showgirl, and to consist of 12 pop “bangers” co-written and co-produced with her old 1989 collaborators Max Martin and Shellback — would be arriving on Oct. 3. Now, roughly seven weeks and exactly one engagement announcement later, your English teacher is here to make her Showgirl debut.
As the dozen-track set arrives this Friday — with just one featured guest, in fellow superstar and Eras Tour opener Sabrina Carpenter on the title track, though pop icon George Michael is also invoked via interpolation on “Father Figure” — Swift will also premiering her new film event, titled Taylor Swift: The Official Release Party of a Showgirl. The film reportedly features the music video for the album’s opener and lead single, “The Fate of Ophelia,” along with lyric videos for the other tracks and Swift’s own insight on the songs.
The twin releases should kick off a massive October for the megastar, with pop fans and chartwatchers around the world on high alert to see what kind of further Billboard history she can add to her already-staggering list of achievements. But before all of that, we present our rankings of Showgirl‘s 12 new — which Swift said during her New Heights appearance that she would not be adding any additional bonus cuts to — below. (You can also read our full review of the new album here.)
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-10-03 04:01:132025-10-03 04:01:13Taylor Swift’s ‘The Life of a Showgirl’: All 12 Tracks Ranked
“Bangers.” That’s the word Taylor Swift used to describe all 12 songs on her twelfth studio album, The Life of a Showgirl, and the world knew what that meant. Swift’s last album, 2024’s The Tortured Poets Department, may have scored the superstar’s biggest opening-week debut and ruled the charts for months on end, but the sprawling, relatively mournful project was a departure from the immaculately constructed pop anthems that had defined her career (give or take a Folk-more) for a decade.
When Swift announced that its follow-up was created in Sweden during the Eras Tour with pop geniuses Max Martin and Shellback — who helped create some of Swift’s most enduring pop smashes from the mid-2010s, and who hadn’t worked with her in eight years — the expectation of wall-to-wall bangers that Swift set seemed attainable, given their skills and shared history. The timing for a return to anthemic pop felt right, too: with Swift recently engaged to NFL star Travis Kelce and the Eras tour conquering the world, a full-length celebration seemed to be in order.
And while The Life of a Showgirl is composed of classically designed pop tracks, with standard verse-chorus arrangements and rarely exceeding four minutes in run time, Swift’s eagerly anticipated Return to Bangers is not, say, 1989 Pt. II. Instead of coming back with party tracks, Swift has synthesized the commitment to pristine hooks that she shares with Martin and Shellback, an increasingly idiosyncratic lyrical slant, and the mid-thirties perspective of her past few albums. The result is a collection of songs that are immediately engrossing and among the most affecting of Swift’s career, while also focusing on topics like Hamlet and suburban bliss. Call it Bangers for Adults.
For the countless fans who have grown up alongside Swift, The Life of a Showgirl offers a settled, grown-up phase of the love stories that she’s been telling for decades — although the album doesn’t rely on clichés, or go heavy on the cheese. Swift makes no bones about the fact that her happy ending has come after a lot of regrets, missed opportunities and heartache, and that, while she’s achieved previously unknown heights as a global pop superstar, her time in the spotlight has not been perfect. Yet she uses The Life of a Showgirl to showcase the different sides of her personality, perhaps more wholly than any previous album.
Pissed-off songs like “Actually Romantic” and “Father Figure” detonate like Internet grenades, “Wood” and “Wi$h Li$t” find Swift at her most playful, and “Honey” and “Ruin the Friendship” slice through the noise with the emotional songwriting of an expert. Not surprisingly, Martin and Shellback once again serve as welcome foils, packing a ton of instrumentation into each production and streamlining the final product into a finely crafted mix. And she does indeed have a proper top 40 banger at the top: “The Fate of Ophelia” is a stick of dynamite opening the album, and sounds like it will join her collection of smashes in no time.
The limit does not exist to how high Swift can keep soaring — anytime her downfall (or even a notable downturn) has been predicted, she climbs higher and winks at her naysayers. By pivoting back to pop anthems with humor, empathy, a little fury and a lot of wisdom, Swift ensures that ascent will continue. The Life of a Showgirl is one of the most grounded, well-rounded projects of Swift’s career — a surprise, in the context of the hype preceding it. That doesn’t make it any less successful.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-10-03 04:01:122025-10-03 04:01:12Taylor Swift Brings the Bangers on ‘Life of a Showgirl,’ But Don’t Call It ‘1989, Pt. 2’: Critic’s Take
Bad Bunny and Doja Cat purposely don’t vibe with Chloe Fineman’s humor in the silly promo spot for this weekend’s Saturday Night Live episode.
The clip, shared by NBC on Thursday (Oct. 2), features three takes from the trio previewing what’s to come on SNL‘s season premiere on Oct. 4, when Bad Bunny will host and Doja Cat will appear as musical guest. Fineman is among the regulars on the show, though several castmates departed ahead of Season 51.
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“Hi, I’m Bad Bunny, and I’ll be hosting the season premiere of SNL this week with Doja Cat,” Benito says in the first take. Fineman cuts in to quip, “Bad Bunny. Doja Cat. And I’m Chloe Salamander.”
In take two, Bad Bunny hypes up the Super Bowl — on which he’ll headline the halftime show — and shrugs off the excitement of being on SNL.
And in take three, Doja Cat puts her trust in Bad Bunny (instead of cast member Fineman) when it comes to expertise on being in front of the SNL camera. “Chloe, he’s done this before,” she says.
Following the Oct. 4 season premiere, this season’s lineup so far includes SNL veteran Amy Poehler as host with first-time musical guest Role Model on Oct. 11, and Sabrina Carpenter as host and musical guest on Oct. 18. Though it’ll mark Carpenter’s debut as host, she performed on Saturday Night Live in 2024 and was featured on SNL50: The Anniversary Special earlier this year.
Watch the promo video for this weekend’s episode of SNL below.
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Thursday Night Football continues its biggest season yet with a matchup between a high powered Los Angeles Rams offense and a motivated San Francisco 49ers. Matthew Stafford and the Rams will host Brock Purdy and the 49ers for the latest TNF game of the 2025-2026 season, streaming exclusively on Prime Video on Thursday (Oct. 2).
With both teams tied at 3-1, this NFC West divisional match up is a can’t miss game, because whoever wins will take first place for now. Like other TNF games, pregame coverage will launch at 7 p.m. ET, one hour before the Rams vs. 49ers kickoff. This season, a total of 16 games will stream on Prime Video, including the Black Friday game and the NFL Wild Card Game.
Not familiar with Prime? Read on for the 2025 Thursday Night Football schedule and a guide on how to join Amazon Prime for free.
How to Watch Thursday Night Football Games on Prime Video
To watch Thursday Night Football, you’ll need a Prime Membership. Signing up will grant you access to Prime Video to watch the Rams vs. 49ers game as well as a whole suite of benefits, including fast same-, next-, or two-day free shipping; discounts at Whole Foods Market, access to exclusive shopping events — like Prime Day and Black Friday — and more.
Amazon is offering a 30-day free trial for new users who want to test out the service. When the trial is up, you can either cancel the streaming service altogether, or you can keep watching for $8.99/month for the base Prime Video plan. But, if you want all the perks that come with Amazon Prime, it goes for $14.99/month (or $139/year) — a nearly 25% savings.
Prime Video is Amazon’s streaming platform where you can watch Thursday Night Football and other sports, including NBA, MLB, WNBA, One Championship and soccer.
How to Watch Thursday Night Football Games on Prime Video
Prime Video is the exclusive streaming destination for Thursday Night Football. All games will begin streaming live at 8 p.m. ET/5 p.m. PT. Pre-game coverage starts at 7 p.m. ET/4 p.m. PT. Here’s the full lineup of NFL games airing on Prime video this season.
Remaining Prime Video Thursday Night Football Schedule:
Week 5: San Francisco 49ers at Los Angeles Rams — Oct. 2
Week 6: Philadelphia Eagles at New York Giants — Oct. 9
Week 7: Pittsburgh Steelers at Cincinnati Bengals — Oct. 16
Week 8: Minnesota Vikings at Los Angeles Chargers — Oct. 23
Week 9: Baltimore Ravens at Miami Dolphins — Oct. 30
Week 10: Las Vegas Raiders at Denver Broncos — Nov. 6
Week 11: New York Jets at New England Patriots — Nov. 13
Week 12: Buffalo Bills at Houston Texans — Nov. 20
Week 13: Chicago Bears at Philadelphia Eagles — Nov. 28 (Black Friday Game)
Week 14: Dallas Cowboys at Detroit Lions — Dec. 4
Week 15: Atlanta Falcons at Tampa Bay Buccaneers — Dec. 11
Week 16: Los Angeles Rams at Seattle Seahawks — Dec. 18
Week 17: Denver Broncos at Kansas City Chiefs — Dec. 25
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On the eve of his sentencing, Sean “Diddy” Combs told a federal judge Thursday (Oct. 2) that he is a new man after realizing that he was “broken to my core” and wondering at times if he was better off dead.
Combs, 55, wrote in a letter to Judge Arun Subramanian that with his mind clear of drugs and alcohol after a year in jail, he can see how rotten he had become before his September 2024 arrest in a case that led to his conviction on two prostitution-related counts. His sentencing hearing is set to begin Friday morning.
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“Over the past year there have been so many times that I wanted to give up. There have been some days I thought I would be better off dead. The old me died in jail and a new version of me was reborn. Prison will change you or kill you — I choose to live,” he said.
A jury in July acquitted Combs on sex trafficking and racketeering conspiracy charges, meaning he won’t face a life sentence. The prostitution-related counts each carry a maximum punishment of 10 years in prison.
Combs’ lawyers say he should go free this month, arguing his year behind bars has been enough of a penalty, while prosecutors want at least 11 years in prison.
Combs wrote that the last two years have been the hardest of his life, “and I have no one to blame for my current reality and situation but myself.”
“In my life, I have made many mistakes, but I am no longer running from them,” he wrote. “I am so sorry for the hurt that I caused, but I understand that the mere words ‘I’m sorry’ will never be good enough as these words alone cannot erase the pain from the past.”
Combs apologized for hitting, kicking and dragging then-girlfriend Casandra “Cassie” Ventura at a Los Angeles hotel in 2016 — an attack captured on security camera footage shown to jurors repeatedly during his two-month trial.
“The scene and images of me assaulting Cassie play over and over in my head daily,” Combs wrote. “I literally lost my mind. I was dead wrong for putting my hands on the woman that I loved. I’m sorry for that and always will be.”
Combs also apologized to a woman who testified under the pseudonym “Jane,” saying that “after hearing her testimony, I realized that I hurt her. For this I am deeply sorry.”
Combs wrote that “the remorse, the sorrow, the regret, the disappointment, the shame” from his behavior has made it “so hard for me to forgive myself.”
“It is like a deep wound that leaves an ugly scar,” he said. “I lost my way. I got lost in my journey. Lost in the drugs and the excess. My downfall was rooted in my selfishness.”
In jail, Combs said, he has been reading, writing, working out and teaching a six-week course to other inmates, “Free Game with Diddy,” imparting his business wisdom, as well as lessons learned from his mistakes and failures.
He is also involved in therapy, he said, to deal with his past drug abuse and anger issues. He is sober for the first time in 25 years and is committed to working “to ensure that I never make the same mistakes again,” he wrote.
Combs told Subramanian that he was asking for mercy, not only for himself but for his seven children and his 84-year-old mother, for whom he had been the primary caregiver. While locked up, he said, he missed proms and graduations and critical parts of his 2-year-old daughter’s development.
“As I write you this letter, I am scared to death. Scared to spend another second away from my mother and my children,” Combs wrote. “I no longer care about the money or the fame. There is nothing more important to me than my family.”
He said the conditions of his detention at a Brooklyn federal jail are “inhumane,” writing that he is locked in a room with 25 other inmates, with no windows, no clean air, a broken washing machine and water that they boil before drinking.
Combs vowed to never commit a crime again, telling the judge that since he has been in jail he’s gone through a “spiritual reset.”
Rather than make an example out of him with a lengthy sentence, Combs implored Subramanian to “make me an example of what a person can do if afforded a second chance.”
“If you allow me to go home to my family, I promise I will not let you down and I will make you proud,” he wrote.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-10-02 23:10:502025-10-02 23:10:50Diddy Apologizes to Cassie, Tells Judge ‘I Lost My Way’ in Letter Ahead of Sentencing
George Michael‘s “Father Figure” is reimagined by Taylor Swift on The Life of a Showgirl‘s fourth track, a new song that shares a title and incorporates an interpolation of Michael’s original that became a hit in 1988.
The late Michaels’ estate issued a statement on Swift’s recording on Thursday (Oct. 2), hours before the official release of Showgirl.
“We were delighted when Taylor Swift and her team approached us earlier this year about incorporating an interpolation of George Michael’s classic song ‘Father Figure’ into a brand new song of the same title to be featured on her forthcoming album,” George Michael Entertainment said in a note posted on Michael’s social media accounts. “When we heard the track we had no hesitation in agreeing to this association between two great artists and we know George would have felt the same. George Michael Entertainment wishes Taylor every success with The Life of a Showgirl and Father Figure.”
Michael’s “Father Figure” held steady for two weeks at No. 1 on the Billboard Hot 100 in 1988; it was one of four No. 1 smashes from Faith, his 1987 solo debut LP. (The other three No. 1s from Faith: title track “Faith,” “One More Try” and “Monkey.”)
“‘Father Figure’ is just a very specific experience that I wrote about,” Michael once said of the song’s origin. “I think there’s a definite pattern in people’s lives where they move away from their parents and then they look for that replacement. It’s always talked about in terms of boys kind of being discarded, in terms of their mothers, and then finding a replacement. But you don’t necessarily always hear about that with women, although I’m sure it’s just as much the case, that women in a sense look for a father. Not necessarily a father, but they look for that replacement.”
In 1989, “Father Figure” earned Michael a nomination for a Grammy in the best pop vocal performance category, and parent album Faith won album of the year — and Swift was born.
The year of 1989 would later became the title of Swift’s fifth album — her ’80s pop-influenced, Billboard 200 chart topper from 2014 that, like The Life of a Showgirl, features production by Max Martin and Shellback.
Swift’s The Life of a Showgirl, available at midnight ET on Friday, Oct. 3, marks her 12th full-length studio album. “Father Figure” is among 12 tracks on the set, which is led by opener “The Life of Ophelia.”
Miley Cyrus is looking back on some of the controversies that marked her early career.
In a teaser for an upcoming interview on CBS Sunday Morning, airing Oct. 5, the 32-year-old pop star responded to a question from host Tracy Smith about the backlash she faced from angry moms during her transition from Hannah Montana to a more provocative music career.
“I was the first person to maybe ever be canceled, I guess,” Cyrus says in the clip, shared on CBS Sunday Morning’s Instagram. “I didn’t know until I was older, actually, how brutal it really was.”
Cyrus first rose to fame as the star of Disney Channel’s Hannah Montana, which debuted in March 2006 to a record-breaking 5.4 million viewers — the highest in the network’s history at that time. She was just 13 years old when she played Miley Stewart, a teenager leading a secret double life as a Malibu student by day and a global pop star by night. The show ran until 2011.
After her success on the show, Cyrus made a bold transformation with a more edgy and provocative image, releasing albums like 2010’s Can’t Be Tamed and 2013’s Bangerz, the latter debuting at No. 1 on the Billboard 200.
Despite the backlash, the “Flowers” singer said she enjoyed the experience, even amid the criticism.
“It was very challenging for other people, but for me it was a good time,” Cyrus says in the teaser. “It looked fun and it was fun. It wasn’t until I was older that I realized how harsh…”
She added, “I would never now, being where I am, ever look at someone in their 20s from the view of who I am now,” she said. “But at the time, it was awesome.”
While Cyrus reflected on her experience as an early figure in cancel culture, many of the post’s commenters pointed out that other female pop stars faced similar or even harsher backlash before her.
“I love you Miley forever, but we all know MADONNA was the first and most cancelled person ever in the music industry,” one person wrote. Another said, “Britney Spears would definitely disagree.” A third noted, “First person .. what about Christina Aguilera’s controversy with her song Dirty ? She received so much backlash.”
Cyrus is also expected to discuss her journey to sobriety, her family, and her ninth studio album, Something Beautiful, during the upcoming CBS Sunday Morning interview. The episode will also feature an interview with singer Cat Stevens (now Yusuf), who will talk about his new autobiography, Cat On The Road To Findout.
This isn’t the first time Cyrus has opened up about her turbulent past. Earlier this year, she spoke candidly about the Bangerz era, a time when she shocked audiences with risqué outfits and provocative performances, challenging her previous squeaky-clean image as a Disney Channel star.
“That was the time where I just got hit so hard, and I was so embarrassed,” Cyrus said in June during an interview with Monica Lewinsky on the Reclaiming podcast, referring to the intense criticism.
“There was even a time where my brother and sister didn’t want to go to school, because of how humiliated they were to be related to me,” she continued. “I had a lot of guilt about how hard it would’ve been to be my sibling or my parent, and how embarrassing.”
Check out a teaser of Cyrus’ upcoming interview on CBS Sunday Morning on Instagram below.
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As she says on Virgin closer “David,” which she performed to a sold-out Madison Square Garden on Wednesday (Oct. 1) night, Lorde doesn’t belong to anyone — but if her fourth studio album did have a home, it would be New York City.
Not only did the Kiwi pop star — fresh off of a devastating heartbreak and in the trenches of gender discovery and body-image issues — craft much of Virgin with producer Jim-E Stack after relocating to NYC four years ago, she also channeled the city’s energy into every facet of the album. Lead single “What Was That” features a reference to Brooklyn venue Baby’s All Right, while “If She Could See Me Now” calls back to ancient horses “running up Prince Street” downtown. And when it came time to promote Virgin, Lorde made her TikTok debut with a video of herself walking through Washington Square Park in the West Village, which would later become the site of a frenetic music video shoot costarring a swarm of fans.
With all of that in mind, the singer’s Ultrasound World Tour stop at MSG felt like nothing short of a homecoming show (even if Lorde is actually from New Zealand). With a setlist spanning the songs on Virgin as well as all three of her previous albums — Pure Heroine (2013), Melodrama (2017) and Solar Power (2021) — the Grammy winner brilliantly synthesized all of her past lives into one cohesive story on stage. Laser lights, live camera footage on the big screens and a minimalistic set free of any dressings beyond a symbolic treadmill and a large fan off to the side made for a visual aesthetic that was just as bare-bones and raw as Virgin is — something Lorde said has everything to do with the city in which it was crafted.
“I’ve been looking forward to this show obviously, but I’ve been kind of nervous, too,” she confessed over the descending piano chords of enduring Melodrama fan-favorite “Liability.” “I figured out why today — it’s because you keep me honest. I moved here in 2021. I didn’t really tell anyone what I was going to do. I just started spending a lot of time walking around this island. You probably saw me — baseball cap, big headphones, kind of muttering to myself all the time. What I found living here, and really the reason Virgin exists, is there is real beauty in stripping away the layers,” she said.
Lorde is now gearing up to spend the rest of 2025 taking her Ultrasound trek through North America and Europe, after which she’ll close out with a run of shows in New Zealand and Australia in February. Check out the best moments from her triumphant show at Madison Square Garden.
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Louis Tomlinson and Zayn Malik are reportedly set to reunite in an upcoming Netflix documentary series.
The U.S. road trip-style docuseries will follow the former One Direction bandmates as they reflect on their personal lives, careers and the sudden death of fellow member Liam Payne, according to The Hollywood Reporter.
The series, directed by Nicola Marsh, is slated to debut on Netflix in 2026 and is being produced by Campfire Studios, the production company behind Unknown Number: The High School Catfish, SmartLess: On the Road, and America’s Sweethearts: The Dallas Cowboys Cheerleaders.
Marsh is known for her work on the Demi Lovato documentary Child Star, Song Exploder, and Stay on Board: The Leo Baker Story.
Payne died in October 2024 after falling from a hotel balcony in Buenos Aires, Argentina. Toxicology reports confirmed the 31-year-old had high levels of alcohol and several other substances in his system at the time of his death.
Following Payne’s passing, all former One Direction members — including Harry Styles and Niall Horan — shared tributes on social media.
“We’re completely devastated by the news of Liam’s passing,” the group said in a joint Instagram statement. “In time, and when everyone is able to, there will be more to say. But for now, we will take some time to grieve and process the loss of our brother, who we loved dearly. The memories we shared with him will be treasured forever. For now, our thoughts are with his family, his friends, and the fans who loved him alongside us. We will miss him terribly. We love you Liam.”
Neither Styles nor Horan are expected to appear in the Netflix series, according to THR.
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Billboard Canada Women in Music 2025 was a night to remember.
With emerging stars and homegrown icons taking the stage at every glance, the evening honored the many achievements of women onstage and behind the scenes in the second edition of Billboard Canada Women in Music.
The packed blue-hued room at Rebel Toronto was full of some of the Canadian music industry’s biggest names, from chart-topping producer Boi-1da and rock legend Bryan Adams to up-and-comers like R&B singer Aqyila and alt-singer-songwriter Baby Nova, plus COO of CARAS & MusiCounts president Kristy Fletcher, president and CEO of Universal Music Canada Julie Adam and Grammy-nominated songwriter Lowell (a writer behind Beyoncé’s “Texas Hold ‘Em”) — to name just a few.
The evening brought Canadian women in music together to connect, celebrate their accomplishments and build community in a night that felt truly celebratory.
Hosted by Keisha Chanté, the ceremony featured moving performances, impactful speeches onstage and empowering words from The Beaches as they received the Billboard Canada Women of the Year award — the first time it was given to a group. They were surprised by words of congratulations from music icon Elton John, Kid Cudi, Greta Van Fleet, Arkells and last year’s Woman of the Year Charlotte Cardin.
Here were the best moments from the night.
Billboard Canada Women in Music is proudly supported by FACTOR Canada, SiriusXM, Restylane Skinboosters, L’Oréal Paris, Interac, W Toronto, Masrawy Egyptian Kitchen, Yves Saint Laurent, INK Entertainment, Hennessy, Veuve Clicquot and iHeartRadio.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2025-10-02 17:55:432025-10-02 17:55:4310 Best Moments From Billboard Canada Women in Music 2025